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    Alfonsina y El Mar - para 4 Voces

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    José Sabiote
    1. The document is a poem titled "Alfonsina y el mar" (Alfonsina and the Sea) written in a unique graphical style using symbols. 2. The poem depicts a woman's relationship with the sea, with the sea representing both freedom and danger. 3. Through its abstract graphical symbols and formatting, the poem conveys the complex emotions experienced by those who live near and rely on the sea but are also threatened by its power.

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    Alfonsina y El Mar - para 4 Voces

    Uploaded by

    José Sabiote
    22 views2 pages
    1. The document is a poem titled "Alfonsina y el mar" (Alfonsina and the Sea) written in a unique graphical style using symbols. 2. The poem depicts a woman's relationship with the sea, with the sea representing both freedom and danger. 3. Through its abstract graphical symbols and formatting, the poem conveys the complex emotions experienced by those who live near and rely on the sea but are also threatened by its power.

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    Original Title

    Alfonsina y el mar- para 4 Voces

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    1. The document is a poem titled "Alfonsina y el mar" (Alfonsina and the Sea) written in a unique graphical style using symbols. 2. The poem depicts a woman's relationship with the sea, with the sea representing both freedom and danger. 3. Through its abstract graphical symbols and formatting, the poem conveys the complex emotions experienced by those who live near and rely on the sea but are also threatened by its power.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    22 views2 pages

    Alfonsina y El Mar - para 4 Voces

    Uploaded by

    José Sabiote
    1. The document is a poem titled "Alfonsina y el mar" (Alfonsina and the Sea) written in a unique graphical style using symbols. 2. The poem depicts a woman's relationship with the sea, with the sea representing both freedom and danger. 3. Through its abstract graphical symbols and formatting, the poem conveys the complex emotions experienced by those who live near and rely on the sea but are also threatened by its power.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 2

    ALFONSINA

    Y EL MAR

      
               
         
           
    
       
    0


        
                      
          
             
          
            
              
          

                        
            

    6

           
    Bo.

                
        
    Bo.

                
        
     
            
    Bo.

     
    Bo.                  

                            
     
    10


         
           
    Bo.

               
    
         
    Bo.

                     
                  
    Bo.

       
    Bo.
       

                        
      
    16


                    
    Bo.

           

      
                 
    Bo.

         
                 
     
    Bo.

    Bo.      
         2.                    
            
    
    1.


    20

           
               
    Bo.

        
    
          
    Bo.

                        
                
    Bo.

        
    Bo.    
                                    
            
    
    25

                                    
    Bo.

      
                          
    Bo.

        
                  
    Bo.

         
    Bo.

                  
    
    31

            
    Bo.

          
     
    Bo.

      
          
        
        
    Bo.

          
    Bo. 

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