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Early Childhood Education Journal, Vol. 30, No.

1, Fall 2002 ( 2002)

To Tell a Tale: The Use of Moral Dilemmas to Increase


Empathy in the Elementary School Child

Richard L. Upright1

Empathy, the ability to care about others, is a learned process and can be successfully modeled in
the elementary classroom. Although there are various methods available for improving empathy
and other aspects of moral development, one recommended strategy is the use of moral dilemmas
and role-play. This strategy involves (a) the use of formal and informal observations, (b) informal
interviews, (c) the choosing of appropriate stories, (d) various presentation methods, (e) large and
small group discussions, and (f) closing techniques such as creative writing samples.

KEY WORDS: empathy; moral growth; moral dilemmas; moral development; story techniques; storytelling;
role-play; decision making.

INTRODUCTION strengthened and acted on, empathy leads to kindness


and a caring attitude. When you feel empathy for others,
It was Valentine’s Day, and my third-grade class
your actions toward them often boomerang back to you.
was having a party. The students exchanged cards, and
You feel good if you are good to them and, conversely,
I was handing out cupcakes and candy bags to celebrate
bad if something hurts them (Schulman & Mekler, 1985,
the holiday. The children lined up, eagerly waiting to be
p. 49). Adults can support children’s empathetic inclina-
served. Soon, it was Joshua’s turn. As I handed him a
tions by letting them know that they are pleased with
cupcake, Joshua quietly asked if he could give his to
their sensitivity to others and by assisting and guiding
Kristin, a bashful girl who was sitting by herself in a
their efforts to give aid (Smith, 1982, p. 83).
corner of the classroom. I looked toward Kristin and
When promoting moral values such as empathy in
then asked Joshua, “Why? Don’t you like what we are
children, modeling is often more successful than direct
having?” “Yes, I do,” Joshua whispered, “but Kristin
teaching (Goodman, 2000; Smith, 1996). Through model-
didn’t get many cards, and she thinks that nobody in the
ing, we can teach children to examine life realistically, to
class likes her. That’s why she isn’t in line right now.
understand that they usually have a range of possibilities
Maybe she’ll feel better if I give her my treats and sit
from which to choose, to consider the consequences of
with her for a little while. That would be okay, wouldn’t
each possibility, and to make their choices based on the
it?” Joshua grinned thoughtfully at me. He walked over
awareness of each option and its consequences (Simon &
to Kristin, holding out his cupcake to her. Kristin, sur-
Olds, 1976, p. 23). This is neither a quick nor easy pro-
prised, looked up and smiled.
cess. Young children generally have a very egocentric
Joshua, in the above story, understood the feelings
view of the world that gradually expands to encompass
of another student. He could sense, inwardly, what was
the feelings and motives of others (Piaget, 1927/1960).
happening to Kristin. This ability to care about others
As children like Emily (see Fig. 1) mature, they learn and
and to put oneself in their place is called empathy. When
experience more. As this knowledge base increases, moral
growth should also increase (Vygotsky, 1967).
1
Correspondence should be directed to Richard Upright, 647G Creek
Many theories about moral growth have been de-
Ridge Road, Greensboro, N.C. 27406; e-mail: richardupright@ veloped over the past 40 years (Denton, 1997). Early
yahoo.com. research, such as that of Lawrence Kohlberg (1969),

15
1082-3301/02/0900-0015/0  2002 Human Sciences Press, Inc.
16 Upright

Teacher: Emily, what is kindness?


Emily: It’s when somebody helps somebody else. You know, it’s being nice to people.
Teacher: Tell me about a time you were kind to somebody else.
Emily: Well, yesterday at school I helped my teacher get trash off the floor after art class. Gold glitter was everywhere! She didn’t even ask
me to help.
Teacher: Why did you do that?
Emily: Because some of the mess was mine and I like to help people.
Teacher: Why are people kind?
Emily: To make friends.
Teacher: Can you think of any other reasons?
Emily: Just for the fun of it. Like, I just like to be kind.
Teacher: What happens when you are kind?
Emily: It makes people happy. It can make animals happy too if you pat them on the head or rub their belly.
Teacher: Emily, what does helping mean?
Emily: It means to be kind to others.
Teacher: Give me an example of someone being helpful.
Emily: If there was somebody who missed the ball . . . like Hannah. When she tried to kick the kickball, she missed and fell down. Daniel
saw her and shouted, “Hannah’s hurt!” Me and Charity ran over and helped her to the classroom. She was bleeding all over but got better.
My teacher put a Disney Band-Aid on her knee. That was being helpful.
Teacher: Can you tell me what generosity means?
Emily: It means to share.
Teacher: What is sharing?
Emily: It’s kinda like the Pilgrims and the Indians, I mean Native Americans. They really didn’t come from India, you know. The Pilgrims
were very hungry the first winter they were in Plymouth. They might have starved and died if the Native Americans hadn’t shared their food
and taught them how to grow plants.
Teacher: Now, give me an example of how you could be generous.
Emily: Hmm. Well, I guess that if I had something to eat and I was playing with kids who were hungry, then it would be really generous to
share my food with them.
Teacher: What exactly would you do with your food?
Emily: Well, I would split it up and ask them if they wanted any.
Teacher: Let’s pretend that you know someone who is very sick. How could you be kind to that person?
Emily: I’d buy a present for them, or maybe make a card. I could bring them some chicken soup; that’s supposed to be good for sick people!
Teacher: What would you do if you saw a child who was crying?
Emily: I would go over and try to make her feel better.
Teacher: What would you do to make her feel better?
Emily: Oh, talk to her. Make a funny face or tell a joke. Maybe I would ask her to play with me.
Teacher: Let’s suppose that there is someone who really doesn’t need any help, but you want to make him happy anyway. What could you do?
Emily: Just leave them alone. That’s what my mom likes!
Teacher: What if it was a child on a playground?
Emily: Just ask her if she wanted to play with me. Maybe we could dig holes in the ground, and bury things like [dead] squirrels. I did that
with Daniel one time. It was fun! Or maybe we could look for bugs.
Teacher: If you wanted to say something kind to someone, what might you say?
Emily: “Hey! What you doing?” Or I might say, “What’s up?”

Fig. 1. An interview with Emily (age 7 years): A child’s understanding of empathy.


To Tell a Tale 17

looked at moral development mainly from an individual mate. Record these early observations. They will be re-
perspective. Recent theories take a more comprehensive ferred to later in the process when the amount of moral
look, considering influences such as gender (Francis, growth is considered.
1998; Gilligan, 1993; Jett-Simpson, 1993), culture (Jen-
sen, 1997; Zipes, 1995), and public service experiences 2. Choosing an Appropriate Story
where children learn through volunteering in their com- The choice of stories used as moral dilemmas is
munities (Bilig, 2000; Krystal, 1998). Some even sug- very important. Appropriate stories must have an obvi-
gest that children should be exposed to examples of so- ous problem in which the main characters have to choose
cially inappropriate behavior at a very young age so that between two or more justifiable positions with the ulti-
they can learn from the mistakes of others and, subse- mate solution in mind. They should also be of interest
quently, begin to apply new moral principles (Oser, 1996). to most of the children in the class. Teacher-written (see
One way to help a child experience the world from Fig. 2), student-written, and published stories all can be
another’s perspective is through the use of role-play and used as resources. Teacher and student-written stories
moral dilemmas (Barton, 1986; Barton & Booth, 1990; can be very personal and directly relevant to individual
Clare, 1996; Furness, 1976; Shaftel & Shaftel, 1982; Van classrooms and situations. Thus, they can be strikingly
Ments, 1999). Role-play refers to the process of imagin- poignant and memorable. Alternatively, published sto-
ing that you are someone else, seeing the world through ries such as Bedtime for Frances (Hoban, 1960) and Al-
his or her eyes, and behaving as he or she would behave. exander and the Terrible, Horrible, No Good, Very Bad
When a mother says to her son, “Imagine how your sis- Day (Viorst, 1972) have been proven, and the results
ter feels when you call her names,” she is, in effect, of their use can often be predetermined. School Library
asking him to role-play (Schulman & Mekler, 1985, p. Journal is an excellent resource for finding suitable sto-
58). This type of role-play is a very powerful means of ries for specific grade levels and situations. Many topi-
strengthening empathy. Moral dilemmas are the stories cal story lists are available as well. One excellent list
from which role-play situations can be derived. These that I have referred to is One Hundred Books that Shaped
stories make children think purposefully (Whyte, 1995). the Century (Breen, 2000). These lists can be found in
A method for implementing role-play and moral di- many professional journals and on the Internet. Also, do
lemma situations has been developed by Galbraith and not overlook narrative possibilities and teachable mo-
Jones (1976). In the example below, their original ments that arise in subjects such as history (Allan, 1999),
framework has been synthesized with the recommenda- science (Allan, 1999; Hall, 1996; Horwood; 1995), and
tions of other experts in moral development (Barton, even math (Lipke, 1996). These can be great opportuni-
1986; Bolton, 1999; Clare, 1996; Egan, 1989; Trostle- ties. One of my favorite subject-related dilemmas is
Brand, 2001) and by my personal experience of using based on the story of the Boston Tea Party (see Fig. 3).
role-play and other story-based techniques in the ele-
mentary classroom. 3. Warm-Up Exercises
Begin by describing the story’s background. Ask
NINE STEPS IN THE CLASSROOM MORAL questions and provide details that will cause students to
DILEMMA PROCESS begin thinking about the circumstances or context of the
dilemma. For example, when using the Flood (see Fig.
1. Determine the Initial Moral Level of Students 2), one must make certain that the children understand
Before beginning the moral dilemmas process, it is the dangers of flooded areas and downed electrical lines.
necessary to gain a sense of the overall classroom level With the Boston Tea Party, students need to understand
of moral development. One way to do this is through “taxation without representation.” Teachers can ask their
general observations of student interaction. These obser- students to imagine that they are part of the situation
vations should ideally take place in both formal and in- and to brainstorm possible problems that they would
formal school situations and target specific behaviors face. The story might then be modified based on what
that need improvement (Teglasi, 2001). Another method they suggest. This introduction should allow students to
of assessment is the informal interview, such as the one identify with the characters and lead them in forming
I conducted with Emily. Interviews not only provide in- initial opinions.
formation about a child’s moral thinking, but can also
4. Presentation
be used to identify possible themes for future stories.
From Emily’s interview, for example, a teacher might Moral dilemmas can be presented in many ways.
develop a story about a kickball game or a sick class- In elementary schools, the most obvious, and probably
18 Upright

It seemed like it had rained almost forever! Rebekah had endured days and days of being cooped up in the house with her younger brothers
due to the torrential downpours. Phone and power lines were down. The nearby river and tributaries were flooding. School had been closed
for a week.
Finally the rain stopped, and Rebekah was allowed outside. Before leaving the house, however, she had to promise her mother that she
would not go near any downed electrical wires or into any of the flooded areas.
Rebekah decided to check out her school. The road she walked followed the bends of a very large stream that emptied into the river a
couple miles ahead. The water was spilling over the banks and was moving very rapidly.
Rebekah saw a small cat, claws firmly hooked in a large tree limb, coming toward her in the water. She realized that the cat could not
swim to safety alone, and that it would be badly hurt or even killed when it reached the river. Rebekah was a excellent swimmer; she was
a member of the local Jr. Olympics swim team. She knew that she could swim out and rescue the cat, but she also remembered her promise
to her mother.
What do you think Rebekah should do? Why?

Fig. 2. The flood story (recommended for third-grade students).

most effective, method is through oral storytelling (Mal- year to year and with each group of children. Always
lan, 1996; Sillick, 1997). Children love to hear good sto- make the presentation enjoyable.
ries, and effective storytellers can attract and hold a child’s
5. Asking Initiating Questions
attention easily (Gillard, 1996; Maguire, 1998; Mill-
stone, 1997). This should not be the only method used, It is often not helpful or productive to ask young
however. Other possibilities include written stories, au- children to immediately state their position on a dilemma.
diotapes, videos, puppets, and the Internet. Allow stu- First, they need the opportunity to discuss the story and
dents to role-play the story as it is presented; this is an to clarify their understanding of the different characters
excellent way to get students personally involved in the and situation involved (Lyle, 1996). The following steps
situation and often happens spontaneously (Barton, should follow the presentation of the story:
1986; Van Ments, 1999). Teachers should experiment
a. Ask the students if they have any questions about the story.
with various methods to determine which they are most Carefully clarify the circumstances, and make certain that the
comfortable using and which elicit the best response students understand the background of the situation and any
from their students. Preferred methods may change from unfamiliar words or ideas.

Ben was a merchant in colonial Boston. He had lived in the city most of his life, having moved from England at the age of eleven. He
owned his own store and sold farm equipment, food, and other household necessities. He was married and had three children, ages four,
seven, and ten.
England had been taxing the colonists heavily without representation for the last several years. One tax that upset the colonists greatly
was called the stamp act. Each time a person bought any paper product, he would also have to buy an expensive stamp to place on it. The
money made from selling the stamps went directly to England and, many thought, into the King’s own pocket.
There were many other taxes on a lot of different items. Many colonists quickly became tired of paying these taxes since they received
nothing in return. Unlike today where our tax money goes to pay for roads, libraries, and police officers, the colonists received no benefits
from the money they paid. Finally, many colonists said, “Enough! We won’t give our money to England anymore!”
The King of England, fearing a rebellion, soon backed down and removed all taxes except for one. He left a small tax on tea. “That’s
fair enough,” he said, “I still have to show them who is boss.”
The colonists, however, given a taste of victory, even refused to pay that tax on tea. The King became very angry and threatened to
block the harbor, allowing only English ships in or out. How dare he! In response, a group of colonists planned an ambush on one of these
English ships that was delivering tea to the city. They decided that they would rather dump that tea into the harbor than pay the required
tax. That would show the King!
These men asked Ben to help. They wanted him to dress like an Indian, board the ship, knock holes in the tea chests, and dump the
tea into the water.
Ben did not know what to do. While he had been angry when the King was taxing everything, he really didn’t think that the small tea
tax was that bad. He didn’t like tea! Besides, if he was caught, what would happen to his family? He loved his city, however, and realized
that the King was treating the colonists badly. A naval blockade could shut down the city. He was also afraid that the colonists would
boycott his store if he did not help.
What do you think Ben should do? Why?

Fig. 3. Ben and the Boston Tea Party (recommended for third-grade students).
To Tell a Tale 19

b. Ask the students to explain the conflict of the story in their introduced. These aspects will lean toward and focus on
own words. They will often add details and see problems that changing the opinion of some students. This can be done
the teacher has not considered.
c. Ask several general probing questions, and give several stu- by continuing the story or by altering certain parts of it.
dents an opportunity to voluntarily indicate their position on For example, if when using the Boston Tea Party di-
the issue. This will give the students a chance to make their lemma most students feel that Ben should not help the
views known and will allow the teacher to determine whether colonists, the teacher can describe in more detail how
or not the story has produced disagreement among classmates. the colonists might react. They might burn Ben’s store!
This disagreement is essential. Over time, it will increase em-
pathy as students learn to objectively listen to, understand, and The students’ own ideas and insights will often be used
respect the ideas of others (Luwisch, 2001; McCabe, 1996). in this phase of the process.
With proper modeling and practice, students should learn to
be persuasive without being argumentative, and understanding 8. Closing Strategies for Reflection
while still being decisive.
At the conclusion of the discussion, students need
At this point the teacher can decide to: reasons to continue thinking about it. You might want
to invite students to complete the original story, either
• use a small group strategy to continue the discussion, or
• continue with a discussion involving the whole class, playing orally or in writing, based on their initial reaction be-
one idea off of another and making sure that differing opinions fore finishing it yourself. At the end of the story, allow
are heard, or students, when appropriate, to modify the original di-
• introduce a story expansion for the dilemma situation that will lemma or write a new one that involves the same char-
allow students to consider a different aspect of the situation.
acters (Haven, 1999). Younger children can draw pic-
tures of the story and explain orally in their own words
6. Group Work what they learned. Students also could be encouraged
Elementary students work best in small groups if to share the dilemma with others outside of the class.
objectives are clear. Small groups can be either homoge- These closing strategies are important parts of the pro-
neous or heterogeneous. If groups are homogeneous, all cess as they are designed to make it both memorable
members agree on the solution of the dilemma. Opinions and personal.
then can be broadened and strengthened as students dis-
cuss the situation. Conversely, in heterogeneous groups 9. Recording of Responses
where members disagree, students have the opportunity As this process will be repeated many times
to personally defend their position. In either case, if stu- throughout the school year, some record of students’ re-
dents are truly involved in the discussion, role-playing sponses should be kept. This record will allow the teacher
opportunities will often arise spontaneously and should to look for growth in both empathy and decision-making
be encouraged. Many times, though, elementary students ability. Creative writing samples are an excellent means
can continue discussions without forming small groups of saving these data as they can show clear progress
(Lyle, 1996). Teachers should gauge the students’ mood over time (Haven, 1999). Anecdotal records should be
and use whichever method seems best for each situation. kept, and video recordings can be made. Share early
One important aspect to implement is guidelines for par- work samples with students at the end of the school year
ticipating in discussions such as the following: and allow them to make their own observations and con-
clusions.
Eight Ground Rules for Discussions
1. Everyone is entitled to an opinion.
2. No one attacks anyone else’s ideas. CONCLUSION
3. Criticism and ridicule are avoided at all times.
4. Only one person talks at a time; nobody interrupts. Empathy is a learned process; it does not happen
5. All are expected to listen well and receive the same treatment. automatically. Given time and practice, children can learn
6. What one contributes is always considered important.
7. One always has the right not to answer or participate.
to care for others and to act on that concern. They can
8. Changing one’s mind is a sign of personal growth. also grow to appreciate that others have ideas and opin-
ions that may be different from their own. Teachers should
always reinforce empathetic feelings, such as the one
7. Story Expansion
that Joshua displayed at the beginning of this article.
When a teacher feels that the original dilemma Using moral dilemmas and similar story-based techniques,
story does not create the initial conflict necessary for a teachers can guide students to strengthen such feelings
good discussion, additional aspects of the story can be even more.
20 Upright

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