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The Curious Incident of The Dog in The Night-Time Paper
The Curious Incident of The Dog in The Night-Time Paper
Trevor Paul
Mrs. Stanford
AP English Language
14 May 2021
Autism and Aspergers have been a hot topic of debate as well as understanding in the last
experience for many people, especially in the US and other western countries where mental
illness research and understanding has come a long way in recent decades. Included in a lot of
this discussion is the book The Curious Incident of the Dog in the Night-Time. This book by
Mark Haddon follows Christopher Boone in his coming to reality with the world around him and
as he perceives it with autism. Following this book’s release, there was also a Broadway show
that was published and performed hundreds of times between 2012 and 2016. These two
mediums of the same work tell the same story but in slightly different ways which affect the way
that the reader or audience may perceive its primary message, the perspective of someone
afflicted with autism and how the story changes because of this. Most of this change is in how
the live performance focuses on a small space that remains the same for the entire show, only
changing slightly throughout. Secondly, the play’s choice to use one of the characters, Siobhan,
as the narrator through the duration of the play. These changes make a large difference between it
and the book which are important to analyze and review in order to understand the decisions that
brought these changes and what they change about the story itself.
The first major change that the play made which departed itself from the book was that
the entire performance is in a single space which doesn’t move or change hardly at all. When
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picturing an image in a book, it is common for spaces to be left blank to be filled in by the
reader’s own imagination, however, as demonstrated in the play this is not the way that it is
intended to be in the book. In the original broadway production of the play it is a large cube with
walls, floors, and ceilings that can change and project images based on what Christopher himself
sees. However, the main premise of this play is not that it is a cube but just a static space that
hardly changes around him, including things like a platform or some moveable scaffolding. The
point of these static spaces is to show the world from Christopher’s perspective and how he
views the encounters with the only props being those most important in his eyes, like the door
frame of a house. This change signifies a visual view of the world from Christopher’s
perspective which better encapsulates it than the book which states the same details as the movie
but a reader’s mind then fills in the rest as if it was from their own perspective. Telling the story
from this single room forces Christopher’s perspective on the audience rather than the other way
around and allows for a better and more personal understanding of Christopher’s world and
everything that goes on in it. This makes a connection between Christopher and the audience that
cannot be made by the book and further the audience's understanding of the subject and someone
of the trials and tribulations that Christopher goes through. This connection further brings the
audience to learn about Christopher and his world with autism as well as how people and kids
deal with it themselves. Personal connections being made like this push the audience to learn and
understand autism much more than just reading about it, furthering the push for understanding
The second major difference is how the live performance is narrated. When someone
often thinks of their own inner dialogue or consciousness, they will likely think of their own
voice in their head and when reading a book in which the narrator is the consciousness of the
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main character often they think of it as his voice. This is another difference that sets Christopher
and others with autism apart and it is important to understand that that may be the case for many
people. In the book it is implied that the narration of all of Christopher’s inner thoughts was
Christopher himself. In the live performance it is portrayed that Siobhan, one of Christopher’s
teachers, narrates Christopher’s inner thoughts and dialogue. This difference also shows and
relates to the audience another effect of autism and how someone like Christopher might think.
With the book letting it seem as though it was just Christopher’s inner monologue that was
narrating the book, it seemed as though it was normal and his dialogue was similar to the
reader’s. The play however, shows the audience that this is not the case. That in his own mind, it
is Siobhan that is narrating everything and thinking for him. This difference shows further how
much different his thinking process is than from someone unaffected by autism and allows for
further insight by the audience to further understand him. Understanding him is one step along
the way to being able to allow him to enter society as normal and be included with every single
Autism is still a very important topic to be talked about and understood by everybody as
all will likely have some experience with it at some point in their lives. Understanding it can
make the world a better place for all and allow people afflicted with it to be able to live their
lives normally without having a burden on their shoulders. This is what the play of The Curious
Incident of the Dog in the Night-Time does differently from the book. The play shows it truly
from Christopher’s perspective and forces it upon the audience to recognize by showing the
whole story in a single space with sparse props, just as Christopher would think of an area, and
by showing his monologue is actually told by his teacher, Siobhan, rather than himself inside of
his own head. These differences make the live-action play significantly better at portraying these
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aspects of Christopher’s character and the whole point of the book. Understanding the message is
the whole reason to read something to begin with and the play illustrates it further than the book
possibly can.
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Sources Cited
Haddon, Mark, et al. The Curious Incident of the Dog in the Night-Time: the Play. Bloomsbury
Haddon, Mark. The Curious Incident of the Dog in the Night-Time. Vintage Contemporaries,
2003.