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EmE4k%onaIDevelopment

by Bruce D. Perry, M.D., Ph.D.

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Lriplay
Play takes many forms, but the heart of play
ispleasure-an important component in learning.

ome people think of play as the opposite of work. tree house. When throwing and catching a ball, a child
k They associate it with goofing off, being lazy, practices hand-eye coordination and the ability to grasp.
lack of achievement, or, at best, recreation. "Stop Children practice and develop language skills dur-
playing and get to work!" Yet, as many of you ing play. A child's play with words, including singsong
probably know, it is through play that we do much of games and rhymes that accompany games of tag, can
our learning. We learn best when we are having fun. help him master sem-antics, practice spontaneous
Play, more than any other activity, fuels healthy devel- rhyming, and foster word play.
opment of children-and, the continued healthy The child's cognitive capacity is enhanced in games by
development of adults. trial and error, problem solving, and practice discrimi-
Play takes many formrs, but the heart of all play isplea- nating between relevant and irrelevant information. Play
sure. If it isn't fun, it isn't play. We play from birth on-we requires the child to make choices and direct activities and
play using our bodies (building with blocks) and our often involves strategy, or planning, to reach a goal.
minds (fantasy play). We use words to play (jokes, wit, Interpersonal/social skills, ranging from conmuni-
humor) and we use props (blocks, toys, games). While cation to cooperation, develop in play. Children learn
the exact nature of play evolves, becoming more com- about teamwork when they huddle together and decide
plex as we grow, play at all ages brings pleasure. who plays each position in a pick-up soccer game. The
child gains an understanding about those around him
What Young Children Know and may become more empathic and less egocentric.
Play enhances every domain of a child's development.
Gross-motor skills, such as walking, kicking, or skip- The Value of Boredom
ping, can be strengthened when a toddler pushes a toy Ironically, it is a lack of external stimulation and soli-
grocery cart or an older child jumps rope. When a young tude that facilitates creative play. Often, a child will
child kicks a ball across the room, she ispracticing coor- initially perceive this as "boredom." The child seeks
dination by balancing on one foot to kick with the other. structure and organization from parents or teachers-
Fine-motor and manipulation skills are developed "I'm bored. I have nothing to do." And all too often
while a child builds and colors a sign for a backyard we jump in too soon and make the mistake of creating

24 SCHOLASTIC EARLY CHILDHOOD TODAY *APRIL 2001


ELi ionai Development

the child's activities for him. We need to


learn to let children become bored-because
it is through this transient period of under
stimulation that their internal world can A catalog with 1600+ durable, high-quality products for Early Childhoodsettings
come alive. This process is facilitated by
solitude-the opportunity to be alone and
without too many external stimuli.
When a child cannot watch television,
play videogames, and is not participating in
a scheduled "externally focused" activity,
she will become more internally focused.
Her imagination and creativity takes over.

Playtime Inhibitors
The primary inhibitor of play for American
children is television. Watching television
is a passive, noncreative time. On average,
our children watch 28 hours of television
each week-all stealing time from social
Acti"e 'Play
interactions, abstract thinking, creativity,
and play. The use of this passive medium piarate 0r eoneay produci_
in the classroom should be very limited. An _1 I
hour of "educational" television does not
have the same power as an hour of play. F-7 J
The second major inhibitors of play are .I.,- I- JI r, J1il I
adults. Our children are overtired and over- , I

scheduled. We wake them before the sun ,c -- C",llp=;`;_


m..

rises and often keep them scheduled in I I.,11111


IRK."."',
school, after-school programs, and lessons I
and sports well into the night. They have
little time to themselves and few opportu-
nities for nonstructured play.
Grow Motor
aid Moeo
Providing Solitude
One of the most important forms of play
is playing with ideas. Abstract thinking is
play. When a child fantasizes, he is play-
ing. By taking images, ideas, and concepts I4
from inside their own minds and re-orga-
nizing, sorting, and re-connecting in new ',I
ways, children create. They create play )Il
worlds, hopes, desires, and wishes. They
imagine being a ball player, a dancer, a
superhero, a teacher. In order to facilitate
this, children need more moments of quiet.
Children need more solitude. Children need
less external, electronic, and structured
adult-world stimulation.lS Call f*r iFREE
v catalg¢ to I r'Z
,*
.. ,,

Bruce D. Perry, M.D., Ph.D., is the Thomas S.


Trammell Research Professor of Child Psychiatry, 'A
Departmnentof Psychiatry and BehavioralSciences,
Baylor College of Medicine; and Chiefof Psychiatry,
Texas Children's Hospital, Houtston, TX.

Circle 14 on Reader Service Card


COPYRIGHT INFORMATION

TITLE: The importance of pleasure in play


SOURCE: Scholastic Early Childhood Today 15 no7 Ap 2001
WN: 0109100774009

(C) Scholastic, Inc. All rights reserved. For subscription information


please contact Scholastic, Inc., 555 Broadway, New York, NY
10012 or 1-800-scholastic. Web site: www.scholastic.com. Further
reproduction of the Works in violation of copyright law and without
express permission of the publisher is prohibited..

Copyright 1982-2001 The H.W. Wilson Company. All rights reserved.

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