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Capturing Landscape Visual Character Using Indicators Touching Base With Landscape Aesthetic Theory
Capturing Landscape Visual Character Using Indicators Touching Base With Landscape Aesthetic Theory
Capturing Landscape Visual Character Using Indicators Touching Base With Landscape Aesthetic Theory
To cite this article: Åsa Ode , Mari S. Tveit & Gary Fry (2008) Capturing Landscape Visual
Character Using Indicators: Touching Base with Landscape Aesthetic Theory, Landscape
Research, 33:1, 89-117, DOI: 10.1080/01426390701773854
ABSTRACT This paper presents one way that landscape visual character can be captured using
indicators derived from nine theory-based concepts related to landscape perception. The paper
aims to establish links between landscape aesthetic theory and visual indicators, thus exploring
what landscape indicators are really indicating. The steps from abstract visual concepts to
measurable visual indicators are described, and links are made to theories of landscape
preferences and perception. The focus of the paper is on the application of indicators, including a
presentation of the possible data sources of the presented indicators. The paper includes a
discussion on the selection of appropriate landscape indicators through a suggested filtering
process. The relationships between the concepts and the ability of visual indicators to capture
changes in landscape character and other issues related to interpretation are discussed.
Introduction
This paper describes a framework for assessment of landscape visual
character using theory-based visual indicators. The landscape perspective in
management, planning and policy is a current focus in Europe, as part of the
European Landscape Convention (ELC) adopted in the year 2000 by the European
Council. The ELC defines landscape as ‘‘an area, as perceived by people, whose
character is the result of the action and interaction of natural and/or human
factors’’ (Council of Europe, 2000). This definition puts the focus on the human
experience of landscape, highlighting issues of the perception and character of a
landscape.
The framework presented in this paper relates closely to Landscape Character
Assessment (Swanwick, 2002), but encompasses only the visual character of a
landscape. A landscape assessment focuses on describing the landscape in contrast to
a landscape evaluation which strives to identify what makes one landscape better or
worse.
Definitions
Landscape ‘‘An area, as perceived by people, whose character is the result
of the action and interaction of natural and/or human
factors’’ (Council of Europe, 2000)
Landscape visual character The visual expression of the spatial elements, structure and
pattern in the landscape
Visual landscape assessment A process that aims at analysing visual landscape character
Landscape analysis A systematic process of describing landscape attributes,
their spatial pattern and their importance to people
Capturing Landscape Visual Character Using Indicators 91
2003). However, there has been a recent increase in developing the application of
visual indicators in response to the demand to incorporate aspects of human
perception of landscape (e.g. Jessel, 2006; Wascher, 2005; Palmer, 2004; Germino
et al., 2001; Weinstoerffer & Girardin, 2000; van Mansvelt & Kuiper, 1999; Gulinck
et al., 1999).
Our aim is to present a framework which is able to capture the visual character of
a landscape and describe landscape change over time. The approach builds on the
conceptual framework established by Tveit et al. (2006), and will take the framework
towards the application of visual indicators. The output is meant to be descriptive
rather than normative, thus referred to as landscape visual character rather than
visual quality. An objective landscape visual character assessment could however
form a useful basis for subsequent evaluation of landscape visual quality, for
example, in a management or policy setting.
The framework consists of nine concepts of visual landscape character considered
important in landscape aesthetic literature (see later), and the provision of indicators
related to these different aspects of the visual landscape helps us identify which
aspects are affected by landscape change. Thus, the framework makes it possible to
identify the nature of landscape change, and thereby the impact of changes on the
visual qualities of the landscape. We believe this could be very useful in assessment
and monitoring of both particular aspects as well as the totality of a landscape’s
visual character.
As in Tveit et al. (2006), this theoretical framework consists of four levels of
abstraction linking indicators to landscape aesthetic theory; concepts, dimensions,
landscape attributes and indicators. The concepts should be seen as an umbrella term
under which different dimensions and synonyms of the concept are found. Both the
concept and dimension levels are abstractions of the landscape’s physical attributes.
The indicators represent the level at which the landscape attributes could be
measured and quantified.
nine concepts. Based on the literature we suggest ways to apply the indicators using
different data sources: landscape photos, land cover data, orthophotos and field
observation.
Indicators of Complexity
Complexity refers to the diversity and richness of landscape elements and features
and the interspersion of patterns in the landscape. Complexity is a factor in the
Kaplan’s Informational Processing Theory, where complexity provides content
and things to think about (Kaplan & Kaplan, 1989). An overly complex
landscape is also likely to affect the legibility of the landscape as a consequence of
offering too much information. The Biophilia hypothesis presented by Kellert
and Wilson (1993) states the importance of diversity in relation to nature,
both with regards to species and landscape types. The indicators of
complexity describe the complexity of landscape both with regards to content
and spatial configuration. In the literature three groups of indicators could be
distinguished:
. Density of landscape elements (de la Fuente de Val et al., 2006; Gulinck et al.,
2001; Schüpbach, 2002)
. Diversity of landscape attributes (de la Fuente de Val et al., 2006; Germino
et al., 2001; Giles & Trani, 1999; Gulinck et al., 2001; Hunziker & Kienast,
1999; Palmer, 2004; van Mansvelt & Kupier, 1999)
Capturing Landscape Visual Character Using Indicators 93
Complexity is a concept that has been focused on in landscape ecological studies (e.g.
Green et al., 2007) and hence several types of indicators have been developed for the
application on land cover and orthophotos, as shown in Table 3. Most of these
indicators could be applied using programs such as FRAGSTAT (McGarigal et al.,
2002). Landscape photos and field observation can provide detailed information about
landscape elements not covered by land cover data, for example, linear and point
elements and the density of these in the landscape. Landscape photos and field
observations will often be necessary to assess the contrast between different land covers.
Indicators of Coherence
Coherence relates to the unity of a scene, the degree of repeating patterns of colour
and texture as well as a correspondence between land use and natural conditions.
Coherence is one factor for predicting preference within the Information Processing
Theory, and it refers to a more immediate understanding and readability of our
environment (Kaplan & Kaplan, 1989). The indicators of coherence identified in the
literature focus, to a large extent, on the spatial arrangement of landscape elements
and can be broadly divided into:
. Correspondence with expected natural conditions (van Mansvelt & Kuiper, 1999)
. Fragmentation (Litton, 1972; Palmer, 2004)
. Repetition of pattern across the landscape (Kaplan & Kaplan, 1989; Pearson,
2002)
94
Data source
Concept
Complexity Landscape photos Orthophotos Land cover data Field observations
Å. Ode et al.
The indicators represented in the literature are limited for coherence (see Table 4).
Spatial arrangement of water could be estimated for all four types of data. The
correspondence between land form and water location does, however, require
information on elevation in order to estimate the degree of low lying areas with water.
The spatial arrangement of vegetation could be quantified for all three types of data using
measures of fragmentation and repetition of pattern. Estimation of the correspondence
with natural conditions requires detailed information. When information on what could
have naturally occurred is available, the degree to which the landscape is in agreement
with this could be estimated using land cover data or through field observation.
Indicators of Disturbance
Disturbance refers to the lack of contextual fit and coherence in a landscape. The
Information Processing Theory identifies, as presented earlier, coherence as one
information factor (Kaplan & Kaplan, 1989). A high degree of disturbance is likely
to result in a low level of coherence. The Biophilia hypothesis of Kellert and Wilson
(1993) states the human biological need to affiliate with nature, and the consequences
of disturbance in the context of human well-being (Kellert, 1996). Indicators of
disturbance could be divided into:
Indicators of Stewardship
Stewardship refers to the sense of order and care present in the landscape reflecting
active and careful management. Care is a central concept in the ‘aesthetics of care’ devel-
oped by Nassauer (1995, 1997) where visual cues of care are used to explain preference.
Indicators of stewardship describe the degree of care and upkeep in the landscape.
The literature suggests two groups of indicators for stewardship:
1. Level of Management for Vegetation. This has been described as the level of
cultivatedness (van den Berg et al., 1998), and the following indicators are
suggested in the literature:
Data source
Concept
Coherence Landscape photos Orthophotos Land cover data Field observations
1. Spatial arrangement of water
. Presence of water % of water cover % of water cover % of water cover Proportion of water cover
. Correspondence land form % of area in % of area in % of area in Proportion of area
and water location correspondence correspondence correspondence in correspondence
2. Spatial arrangement of vegetation
. Correspondence with % of area in % of area in % of area in Proportion of area
natural conditions correspondence correspondence correspondence in correspondence
. Fragmentation Fragmentation indicesa Fragmentation indicesa
. Repetition of pattern across Presence of repeated Autocorrelation indicesb Autocorrelation indicesb Presence of repeated
the landscape patterns patterns
a
A range of fragmentation indices are suggested in landscape metric software such as FRAGSTAT (McGarigal et al., 2002) and IAN (DeZonia
& Mladenoff, 2004) developed within landscape ecology.
b
Autocorrelation indices are found within different GIS software packages, such as ArcGIS.
Capturing Landscape Visual Character Using Indicators 97
Indicators of Imageability
Imageability reflects the ability of a landscape to create a strong visual image in the
observer and thereby making it distinguishable and memorable. Imageability can be
a product of the totality of a landscape or its elements. Imageability is related to
theories of spirit of place (Bell, 1999), genius loci (Lynch, 1960) and vividness
(Litton, 1972) and Topophilia (Tuan, 1974). Two groups of indicators are
distinguished in the literature:
98
Å. Ode et al.
Data source
Concept
Stewardship Landscape photos Orthophotos Land cover data Field observations
1. Level of management for vegetation
. Level of abandonment % of vegetation in % of vegetation in % of vegetation in % of vegetation in
different stages of different stages of different stages different stages of
abandonment (1 – 4)a abandonment (1 – 4)a of abandonment abandonment (1 – 4)a
(1 – 4)a
. Presence of weed Density of weed Density of weed Density of weed
. Management type % of area under different % of area under % of area under % of area under
management regimes different management different management different management
regimes regimes regimes
. Management frequency Number of highly Number of highly
maintained features maintained features
2. Condition of man-made structures
. Condition/maintenance Number of structures in Number of structures
of structures such as different conditions (1 – 4)a in different
fences, buildings conditions (1 – 4)a
a
e.g. 1 ¼ highly maintained/no abandonment; 2 ¼ partly maintained; 3 ¼ poorly maintained; 4 ¼ no maintenance/total abandonment.
Capturing Landscape Visual Character Using Indicators 99
1. Spectacular, Unique and Iconic Elements are the focus for the first type of
indicators. The following indicators are suggested:
2. Viewpoints are the second type of indicators that are connected to this concept.
The following indicators have been suggested:
1. Open Area, which focuses on the proportion and the size of open space in the
landscape. This could be measured through:
2. Obstruction of the View referring to objects that are seen as blocking the view.
Data Source
Concept
Imageability Landscape photos Orthophotos Land cover data Field observations
1. Spectacular, unique and iconic elements
. Density of spectacular, Density in view Density
unique or iconic built
features
. Density of landmark Density in view Density
. Proportion of water % of water in view % of water % of water Proportion of water
. Density of historical Density in view Density
elements
2. Viewpoints
. Density of viewpoints Density of viewpoints Density of viewpoints Density of viewpoints
through visibility analysis through visibility analysis
Capturing Landscape Visual Character Using Indicators 101
Several indicators are proposed for assessing openness and are applicable for all four
datasets (see Table 8). For the analysis of viewshed a terrain model is necessary
for both either orthophotos or land cover data. To assess the obstruction of the view,
we identified no indicators using land cover, while density of obstructing objects
could be assessed using orthophotos, landscape photos (in view) and field
observations.
Indicators of Naturalness
Naturalness describes the perceived closeness to a preconceived natural state. The
Biophilia hypothesis of Kellert and Wilson (1993) states the importance of
naturalness as man’s biological need to affiliate with nature. This is defined as
‘‘people’s innate tendency to focus on life and lifelike processes’’. Biophilia is
believed to have developed through evolutionary history as a consequence of its
functional significance. Environmental psychologists see naturalness as an important
aspect of restorative environments, which are environments enhancing recovery of
mental energies and effectiveness (Kaplan & Kaplan, 1989; Hartig et al., 2003).
Indicators of naturalness could be divided into three types.
. Fractal indices (Hagerhall et al., 2004; Antrop & Van Eetvelde, 2000)
. Fragmentation indices (Taylor, 2002)
. Proportion of water in the landscape (Palmer, 2004; van Mansvelt & Kuiper,
1999)
Table 8. Visual scale—suggested indicators and application using different data sources
Å. Ode et al.
Data source
Concept
Visual scale Landscape photos Orthophotos Land cover data Field observations
1. Open area
. Proportion of open land % of open land % of open land % of open land Proportion of open land
. Viewshed size Size of viewshed Size of viewshed
. Viewshed shape Classification of view Shape index of Shape index of Classification of
shape (1 – 3)a viewshed viewshed view shape (1 – 3)a
. Depth/Breadth of view Estimation of depth of Length of radius Length of radius Estimation of depth
view (1 – 3)b of view of view of view (1 – 3)b
2. Obstruction of the view
. Density of obstructing Density of obstructing Density of obstructing Density of obstructing objects
objects objects objects
. Degree of visual penetration Proportion of vegetation Proportion of vegetation
of vegetation with different levels of with different levels of
visual penetration (1 – 4)c visual penetration (1 – 4)c
a
e.g. 1 ¼ one large open area; 2 ¼ split open area; 3 ¼ patchy open area.
b
e.g. 1 ¼ short; 2 ¼ medium; 3 ¼ long.
c
e.g. 1 ¼ blocked; 2 ¼ dense; 3 ¼ semi-open; 4 ¼ open.
Table 9. Naturalness—suggested indicators and application using different data sources
Data source
Concept Landscape
Naturalness photographs Orthophotos Land cover data Field observations
1. Naturalness of vegetation
. Proportion of % of natural % of natural vegetation % of natural vegetation Proportion of natural
natural vegetation vegetation in vegetation
the view
. Level of succession % of vegetation in % of vegetation in % of vegetation in Proportion of vegetation
different stage different stage different stage in different stage
(0 – 3) of successiona (0 – 3) of successiona (0 – 3) of successiona (0 – 3) of successiona
. Shape of edges Interpretation of Shape indicesc Shape indicesc Interpretation of
edge typesb edge typesb
2. Pattern in the landscape
. Fractality Fractal indicesc Fractal indicesc
. Fragmentation Fragmentation indicesc Fragmentation indicesc
3. Water
. Proportion of water % of water in the view % of water % of water Proportion of water
a
e.g. 0 ¼ no succession; 1 ¼ primary succession; 2 ¼ intermediate succession; 3 ¼ climax.
b
e.g. geometrical, intermediate complex shapes; complex shapes.
c
A range of diversity, evenness, edge density, aggregation, shape and size distribution indices are found within landscape metric software such as
FRAGSTAT (McGarigal et al., 2002) and IAN (DeZonia & Mladenoff, 2004) developed within landscape ecology.
Capturing Landscape Visual Character Using Indicators
103
104 Å. Ode et al.
relation to its fractality, McGarigal et al. (2002) present several indices that could be
used.
Indicators of Historicity
Historicity describes the degree of historical continuity and richness present in the
landscape. Historical continuity is reflected by the visual presence of different time
layers, while historical richness focuses on the amount and diversity of cultural
elements. The importance of historic landscapes and landscape heritage has been
stressed by several researchers (Lowenthal, 1979, 1985; Fairclough et al., 1999).
Historical association is also considered as important for the appreciation of scenery
in Tuan’s theory of Topophilia (1974). Tuan focuses on the cultural dimension of
preference. Indicators of historicity describe both the time depth present in the
landscape, the historical richness and their impact in the landscape. Within the
literature, three groups of indicators have been identified.
Indicators of Ephemera
Ephemera refer to landscape changes related to season or weather. Within
restorative environments, there is a fascination factor, where so-called soft
Table 10. Historicity—suggested indicators and application using different data sources
Data source
Concept
Historicity Landscape photos Orthophotos Land cover data Field observations
1. Vegetation with continuity
. Proportion of landscape % of view with % of area with Proportion of area
with continuity of land cover continuity of continuity of with continuity
land cover land cover of land cover
. Proportion of landscape % of view with % of area with % of area with Proportion of area
with traditional land use traditional land use traditional land use traditional land use with traditional
land use
2. Organization of landscape attributes
. Field size Presence of small fields Size indicesa Size indicesa Presence of small fields
. Field shape Presence of traditional Shape indicesa Shape indicesa Presence of traditional
field shapes field shapes
. Spatial arrangement Presence of traditional Aggregation indicesa Aggregation indicesa Presence of traditional
of vegetation spatial arrangement spatial arrangement
3. Landscape elements
. Density of cultural elements Density of cultural Density of cultural Density of cultural
elements elements elements
. Shape of linear features Shape indicesa Presence of traditional
shapes
a
A range of size, shape and aggregation indices are found within landscape metric software such as FRAGSTAT (McGarigal et al., 2002) and IAN
(DeZonia & Mladenoff, 2004) developed within landscape ecology.
Capturing Landscape Visual Character Using Indicators
105
106 Å. Ode et al.
fascination (Kaplan & Kaplan, 1989) has been illustrated by many examples of
changes in weather or season. These features, according to Kaplan and Kaplan
(1989), enhance the ‘being away’ aspect of landscape experience. Indicators of
ephemera describe seasonal and weather changes per area, frequency of changes and
the magnitude of change. Indicators identified in the literature can be divided into
three groups.
Discussion
Choosing Indicators—Usefulness of a Limited Set
The experience of the countryside is holistic and the overall impression of a view is
what people observe as visual character. This calls for great care in the application of
indicators. In order to capture landscape visual character the selection of indicators
requires careful consideration. A wide range of visual indicators are available for
assessing landscape change and its visual consequences. In most landscape
assessment and monitoring projects it will be unnecessary if not impossible to apply
all these indicators. We suggest an approach to indicator selection based on ‘filters’.
Table 11. Ephemera—suggested indicators and application using different data sources
Data source
Concept
Ephemera Landscape photos Orthophotos Land cover data Field observations
1. Season-bound activities
. Presence of animals Seasonal presence of animals Seasonal presence of animals
. Presence of cyclical % of land cover with % of land cover Proportion of land cover
farming activities cyclical farming with cyclical with cyclical farming
activities in view farming activities activities
2. Landscape attributes with seasonal change
. Seasonal variation in % of area with seasonal % of area with % of area with Proportion of area with
natural vegetation changing vegetation seasonal changing seasonal changing seasonal changing
in view vegetation land cover vegetation
. Seasonal variation % of agricultural land % of agricultural Proportion of agricultural
on agricultural land with seasonal variation land with land with seasonal
in view seasonal variation variation
. Water with seasonal change % of water in view % of water % of water Proportion of water
3. Landscape attributes with weather characteristics
. Presence of water % of water in view % of water % of water Proportion of water
Capturing Landscape Visual Character Using Indicators
107
108 Å. Ode et al.
The ‘filters’ are criteria that indicator application should meet. The ‘filtering’ will
identify a suitable set of visual indicators for application within a specific project or
landscape context.
The filter approach is useful for its ability to make the process of indicator
selection transparent. The approach allows for changes in the criteria (filters) for
the selection of indicators should the context or aim of assessment change. If the
aim is to assess the totality of the visual character of a landscape, this will require
an extensive set of indicators covering all visual aspects. Sometimes, a landscape
is monitored with regards to one or a few visual aspects, for example, visual
scale or disturbance. In such projects an indicator set restricted to just analysing
these aspects might suffice. The filters will help to ensure the appropriate selection
of indicators to be applied in specific landscape assessment and monitoring
projects.
We suggest the following six initial filters for visual indicator selection (see
Figure 1). The first filter, clear theoretical base, represents a criterion that we believe
should apply for all indicators and projects. This implies that indicators should be
theory driven rather than data driven, and is an expression of the need to know what
we want indicators to indicate. Second, we suggest that visual indicators should be
transferable between landscapes, meaning that they should not be landscape type
specific. This criterion makes possible comparisons between landscapes. Third, visual
indicators should be quantifiable, so that they can be measured and compared.
Fourth, visual indicators should be mappable, meaning that they should be possible
to locate spatially and express through maps. Filters 2 – 4 are suggested to make the
use of indicators transparent and repeatable. All indicators presented in our
framework fulfil the criteria of these first four filters.
Finally, we suggest two filters dependent on project features. First, relevance,
this is a filter for indicator selection that is project and context sensitive.
Indicators will be selected as a consequence of the particular interests involved,
points of focus, stakeholder interests, etc. The relevance filter will be particularly
important in relation to public participation and landscape planning or impact
assessment. The relevance filter will determine how narrow the set of indicators
can be in terms of encompassing a few or many visual concepts. Finally, a filter
in the selection of indicators will always be data availability. This will depend on
project resources, and on the visual aspects to be assessed or monitored in the
project. Some concepts have a wider range of indicators to choose from than
others, for example, complexity has a vast range of possible indicators while
coherence has only a few. Some indicators are easy to apply because their data
are readily available through land cover data bases. Others, such as stewardship
indicators, require additional effort, for example, field surveys. Scarcity of data
creates the danger of making the process of visual analysis data driven rather
than theory driven. Lack of data could limit the possibility of getting a valid
expression of landscape character. It is crucial to keep the focus on what we want
indicators to indicate, and identifying the data required to make this possible. To
obtain a valid expression of landscape character through the use of indicators we
suggest using several data sources, for example, land cover data, orthophotos,
landscape photos and field observations, thus widening the set of potentially
applicable indicators.
Capturing Landscape Visual Character Using Indicators 109
Concept Interrelationships
Although the visual concepts and their visual indicators are presented independently,
they are interrelated, and landscape changes altering indicator values related to one
concept may cause an increase or decrease in indicator values of another concept.
This needs careful consideration in application and interpretation. Figure 2 shows a
map of the visual concepts, and how some are closely related while others could be
seen as opposites. An example of closely linked and sometimes overlapping concepts
is historicity and imageability, as elements creating strong imageability are often, but
not always, cultural elements. Another example are the concepts of complexity and
naturalness, where complexity is used as a description of naturalness (e.g. Hagerhall
et al., 2004; Purcell & Lamb, 1998). On the other hand, some concepts are opposites,
such as naturalness and stewardship, when stewardship decreases naturalness
increases and vice versa. This relationship between naturalness and stewardship has
been identified by, for example, Nassauer (1995), and signs of abandonment
(increasing naturalness) are used as indicators of decreasing stewardship.
Other opposing concepts are coherence and disturbance, where the absence of
disturbance has been used as an indicator of disturbance (van Mansvelt & Kuiper,
110
Å. Ode et al.
Figure 2. Map of concepts where dotted lines represent dependencies between the concepts, e.g. perceived disturbance is dependent on the visibility
of the disturbing element, which is determined by the visual scale of the landscapes.
Capturing Landscape Visual Character Using Indicators 111
1999). Kaplan and Kaplan (1989) discussed the trade-offs between coherence and
complexity, stating that an overly complex landscape can be considered messy or
lacking coherence. According to Kaplan and Kaplan, the relationship between the
two concepts is however not straightforwardly opposed, as a scene can also be high
in complexity and coherence at the same time, it being rich but organized. The map
in Figure 2 should be seen as a suggestion of what the interrelationships of the
concepts of visual character might look like. The visual indicators do further show a
relationship between each other and to other concepts. Visual scale is a concept that
influences several indicators including both disturbance (‘area perceived as
disturbed’) and imageability (‘density of viewpoints’).
When using visual indicators for analysing character, few studies have focused on
the nature of the relationship. Studies related to preference research have found that
the relationship between indicators and preference is not necessarily a linear
relationship (e.g. Kaplan & Kaplan, 1989). This is probably also the case for the
relationship between character and indicators, where the indicator values are not
reflected in changes of character or remain unnoticed until a threshold value is
passed. Identifying the nature of the relationship between character and indicator
values is an important area for further studies.
Landscape Type
Though all the presented concepts are important for the formation of landscape
character, there is reason to believe that the relative importance or weighting of the
different concepts is dependent on landscape type (Purcell et al., 2001). When
assessing different landscape types in the Netherlands, de Groot and van den Born
(2003) found examples of landscape type dependency in relation to perceived
naturalness. Gulinck et al. (2001) report a need for local tuning of indicators of
disturbance. What is seen as intrusions in a rural landscape will depend on local
context. This implies that even if indicators should be transferable between
landscapes, one needs to take the local context into account in the interpretation
of indicator values.
112 Å. Ode et al.
Importance of Scale
Visual indicators are sensitive to the choice of landscape scale in visual assessment
(e.g. mapping scale, photo frame) and this relates to all types of media used. The
perceived grain size of a small part of a landscape might easily differ greatly from the
impression given by the same landscape at a larger scale. This requires care in
situations where photographic samples are used to reflect the content of whole
landscapes. When using land cover data or orthophotographs it has been shown that
calculation of landscape metrics (e.g. to capture complexity) is very sensitive to scale
and resolution of the data (Li & Wu, 2004; Lausch & Herzog, 2002). When applying
indicators we recommend the use of a consistent scale within a project in order to
allow for comparison across areas and over time.
Data Sources
Which data source will give the most useful information about a landscape or
landscape feature is dependent on the purpose of the study. For preference studies
assessing general preferences for a given landscape feature, photographs are valid,
practical and frequently used representations of landscapes (Trent et al., 1987;
Wherrett, 1998). In such studies, it is not the sites per se, but the character they
represent that is being rated. Indicator values in the landscapes represented can be
manipulated in the photographs to allow assessment of the selected landscape
feature and gain control of the photo content. For scenario assessment photos can
also be useful representations of, for example, planned developments.
For monitoring and assessing the visual character of particular landscapes,
photographs have limitations as a data source. It is difficult to capture the totality of
a real landscape using photographs as discussed by Palmer and Hoffman (2001).
GIS-based indicators are very common in visual landscape assessment (e.g. Germino
et al., 2001; Gulinck et al., 1999; Lynch & Gimblett, 1992). Using land cover data it
is possible to measure changes in visual indicators taking whole landscapes into
account. However, land cover data cannot directly represent what people see, and
there is a danger of misinterpreting the effect of changes in land cover on visible
landscape character.
The value of land cover data for assessing different visual aspects depends on the
level of detail in the classifications. Assessments of stewardship, for example, require
detailed information on succession and management type. Orthophotos can be
valuable supplements to land cover maps, and often add detail of smaller visual
features, particularly linear and point features. Field observations and landscape
photos can often provide greater detail in the status or presence of particular
features, but can sometimes be difficult to link the whole landscape area in an
accurate measure. In many studies a combined approach using several data sources
will be the most appropriate (see e.g. Palmer & Lankhorst, 1998).
currently used to describe visual character varies greatly. Some have strong links
to landscape aesthetic theory (e.g. Nassauer’s cues of stewardship, 1995, 1997;
visual disturbance: Iverson, 1985; Gulink et al., 2001; perceived natural vegetation:
Palmer, 2004), while others have been borrowed and applied directly from landscape
ecology (e.g. McGarigal et al., 2002). Ecology indicators are often readily available
and easily applicable with landscape metrics software, for example, FRAGSTAT
(McGarigal et al., 2002) and IAN (DeZonia & Mladenoff, 2004). When applying
such indicators to assess visual character we suggest caution in making sure that the
indicators chosen are actually indicating visual character. For some of the
FRAGSTAT and IAN indicators presented in the earlier sections, further research
is needed to determine their relevance in visual assessment. Jessel (2006) discussed
the relevance in visual assessment of diversity indicators, pointing to the weak link
between measure and character and demanding further empirical verification of such
links.
Conclusion
Our aim was to present a framework for visual landscape assessment able to capture
the visual character of a landscape. We have identified a wide range of indicators
covering different aspects of the visual landscape. The availability and applicability
of the different indicators, however, vary greatly between different theoretical
concepts in the framework. Some have abundant indicators with weaker links to
theory, while others have few available indicators, but stronger links to theory. The
indicators included in this paper have all been suggested in the literature to be
relevant in visual landscape assessment. However, we suggest that caution is needed
to ensure that these indicators actually indicate visual character.
We believe that further research is needed to establish stronger links between
visual indicators and landscape aesthetic theory. This research should include testing
of the applicability of visual indicators and their sensitivity in expressing visual
changes, that is, changes in indicator values will have a visual impact, and that visual
changes imply changes in the indicator values. Despite these limitations we believe
this framework is a useful approach to visual landscape character assessment.
Acknowledgements
This work has been funded by the EU-project VisuLands, QLRT-2001-01017. We
would like to thank our partners in the VisuLands project for valuable input to the
process of writing this paper and analysing visual concepts. We would also like to
acknowledge the two anonymous reviewers whose valuable comments have helped
us in the preparation of this paper.
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