Ex. #8 The answers for this exercise are not given. Use the INTERVAL CHART on the last page as an aid. Each melodic phrase is played twice. Use your review button to help identify each phrase. Ex. #9 Major Triads — Root Position - 1 Bar Each ss Bb | Ab | c | F | DiI le |BeBtloetlal opi le | eo tpt a tl re |e 1a tpt ec Tt Ab tl Ex, #10 Minor Triads - Root Position - 1 Bar Each sh om | | ep- | re | B- | p- | ab- | a- | F- | E- | a- | Ice | or 1 pe to ce 1 ape Tope to Ex. #11 Major and Minor Triads - Mixed - 3 Bars Each 15/515 PPUSISTS LST STE TEE STSLE Db | F-|B-| Bb | Db| E-| A- Bal eelesa eee lesalicn oul ese see Stoel SS Sit Saale Sa oe ela leeo ae) Ex. #12 Major and Minor Triads - Mixed - 1 Bar Each af] CPE lB 14+] F-| E | Db] B|G|E-| Db-| Eb| F#|E|F-| D-| Bb] E- | Db-| F¥-|A-| B-]A-| C-] FJAJE | Db | Db-| E-|E|F-|Bb-| Eb | Ab | Db | | Ft-| B-| D-| F-| D-| Bb | Db | Bb] E| F-| G-| F-| Bb| Eb] A] Db] F#] A |C-] 3Ex. #13 Major and Minor 7th and 9th - Modern Voicings - 4 Bars Each 4 a 4 a|4 pale E- ae BoA] A I | pr | - | FA 4 a|4 Eb-| D4 | Db- | yr ad | Ab- = F ls | plead ieee elleeva ieee Fro | 4 ee | pet | c- | Pal 4] 4 4 Ex. #14 Major 7th - Random Major 7th Chords - Root Position - 2 Bars Each 44 Av’) pod | GA | cA Pe Lf ApS | EbA | DA pA ig ppd PPPS ISTE ISIE PTE PETS |S 2 ieelece bealeculeewlacticalkce | alent aa Ex. #15 Random Minor 7th Chords - Root Position - 2 Bars Each. In Jazz, a dash (-) is used to denote Minor and it usually implies the 7th, too. If triads are desired they should be indicated. 4) D-| Bb-| F- | A-| C- | E-] B-]| Ab-]| F#- | G- | Ab-J A- Wee PS TSI S lets eles els D- | Ab- | Eb-| Bb | Ab-| F- Pol E el D- |Ab- 2 2 2 2 2 2 Ex. #16 Dominant 7th, Root Position - Random Root Sequence - 2 Bars Each ‘I eal Palas | aly eal Al alee Ab7 Eb7 bay Cad ee cad id G7 | ET) C7 | Ab7 | 2 [2 | 2 | 2,| 2] 2 | yee |: 2 | 2] 2] 2 Ex. #17 Major 7th, Minor 7th & Dominant 7th Root Position - Random Root Sequence ~ 2 Bars Each WELPIS (Si P el TEP LT eae rene caelecealact | | 2 2 YT SiV iS PL Pre re rerelse iEx. #18 Major 7th, Minor 7th & Dominant 7th, Varied voicings in R.H., LH. plays root - 2 Bars Each ‘|| G-| E ee ||| gees [Oe Cen |r tean | or eee || all 2 2 2 2 2 2 2 2 12 2 | re-| F7 | E- | Ab7 | BT | AT | D- | Ab- | D- | Be-| avr | | 2 2 2 2 2 2 2 2 2 2 2 | F#- | Eb7 | FA | F#- | GA | ‘AbT7 | A- | Bb7 | BA | 2 2 2 2 2 2 2 2 2 Ex. #19 Major, Minor, Dom. 7th Walking Bass 4 Bars Each 4]| c- D- | Bo- | a7 EbA | Ab7 | Db’ | C4 4 4 4 4 4 4 4 4 4 B- | Bb7 F- Bb- | BA | FA | G- 4 4 4 4 4 4 4 ppd | c- Bp4 | apd | G4 | cd G- 4 4 4 4 4 4 4 Eb-| Db- Gb7 A~ | Bb-/Eb | F#4 FA 4 4 4 4 4 4 4 Db- | Fr- EDA ad Bb- | B cA 4 4 4 4 4 4 4 Ex. #20 Major 7th to Minor 7th or vice-versa 2.Bars Each 4] EA | ED- | E BA -| FA; e-| BAY EF Pay cAycC 4 2 2 2}2]24|2 2 2 | 2 2 eae eee aac oael le |* oy || alee esa lica| 2412 2 2}2}2t2t2t2t2t2) 2 | oA | es | B-| 28 b- |B | > [4s Oe ee eke ae 212 2 21t2i2 2t2t2t2ta2t. —rr A) Ex, #21 Half-diminished Chords Random Root Sequence 2 Bars Each UPPPIPIPI PL PII Pel el AbO | FO | BO | EbO ian eae SL ele Ply (| Pe ie ie pelle (ele le lel ell Ex, #22 Diminished Chords Random Root Sequence ~ 4 Bars Each ‘I Da | Pa le F°7 i E°7 | ou | oA fa Gu | Ld | 57 | | vy | a | Da | ee | By | C7 | E°7 | Gy ey ey . NOTE: Ex. #23 This exercise uses the diminished scale V7>9 resolving to tonic (1) (HWHWHWHW) as a substitute scale Random root sequence for the dominant 7th chord/scale. This Chord of resolution may be Major or Minor is a very popular sound! It may take 8 Bar Phrases. awhile to get used to it : : D9) Ab- SM PP] Se EP] SM P| aM | 2 all G79 C4 679) Db oe Bb4 J), E79) A- Wests | Pra TS Ex. #24 Whole-Tone V7* resolving to Tonic (either Major or Minor), (Whole-tone scale degrees = 1 2 3 +4 +5 b7 1) Whole-tone scales contain 6 tones... 4q}, c75 | Pa lk Bede ll aaa ‘lk ered ete 4 2 2 2 2 ; 2 2 2 2 | ES] A- 2 a |, DIF) G- , |, 6745 | CA Jy), Db7*5 | Gb- po | 2 r 7 2 2 2 FS | Bb- , SraEx. #25 II 1 V7 | 11 I Il (Lwo, five 7, one). 8 Bar Phrases. ‘Ik a-|p7 | oA pd GA Ab- | Db7 | Gp I: c-| F7 | BoA | BoA A | p7 | G4 | oa ||: ® | #7 | a [ad Ml: Bb-| Ep7 | avd | avd av-| Db7 | eos Bb -| AbT | pA e-| a7 | pa | va l Ex. #26 Wrap-Up Track Random Qualities Random Root Sequences 2 Bars Each 4 | G79 | call | cal ATb9 | Ep4 | ad BA E- | uel el Brs 4 2 2 2 2 2 2 2 2 2 2 2 2 F-/Bb | Ab79 | pp’ | G-| F-| E@ | GO | BoA; Ad A-| so 2 2 2 2,2 |2 2 2 2 2 2 E@ | F- | Ep4 | D- | BO | E79 | Ad | Bb4 | EDA A eral 2 2 2 2 2 2 2 2 2 2 2 | F7b9 | Bb- | avz° | > | ens | cA | Bo7b? | ape | D7 | Pye 2 2 2 2 2 2 2 2 2 2 om | ee Ge lS Foe aCe we eed on aotan oa 2 2 2 2 2 2 2 2 2 2 2 7 ———————__—_—