C

Intervals
C Db D Eb E F F# Gb G G# Ab A Bb B Circle of fifths
R m2nd M2nd m3rd M3rd P4th aug 4th dim 5th P5th aug 5th m6th M6th m7th M7th
intervals 0 0,5 1 1,5 2 2,5 3 3,5 4 4,5 5 5,5

8ve m9th M9th P11th aug 11th m13th M13th

intervals 6 6,5 7 8,5 9 10 10,5 11,5

Major scale Modes

C D E F G A B Ionian C D E F G A B
degrees I ii iii IV V vi vii° 1 1 0,5 1 1 1 0,5
triads M m m M M m dim Dorian C D Eb F G A Bb
7 chords M7 m7 m7 M7 7 m7 ø7 1 0,5 1 1 1 0,5 1
9 chords M9 m9 m7m9 M9 9 m9 ø7m9 Phrygian C Db Eb F G Ab Bb
0,5 1 1 1 0,5 1 1
Lydian C D E F# G A B
Natural minor scale 1 1 1 0,5 1 1 0,5
C D Eb F G Ab Bb Mixolydian C D E F G A Bb
degrees i ii° III iv v VI VII 1 1 0,5 1 1 0,5 1
triads m dim M m m M M Aeolian C D Eb F G Ab Bb
7 chords m7 ø7 M7 m7 m7 M7 7 1 0,5 1 1 0,5 1 1
9 chords m9 ø7m9 M9 m9 m7m9 M9 9 Locrian C Db Eb F Gb Ab Bb
0,5 1 1 0,5 1 1 1

Harmonic minor scale Secondary Dominants

C D Eb F G Ab B Cadences x C D E F G A B
degrees i ii° +III iv V VI #vii° ↑ ↑ ↑ ↑ ↑ ↑ ↑
triads m dim aug m M M dim Authentic (II) – V – I . V G7 A7 B7 C7 D7 E7 F#7
7 chords mM7 ø7 aug m7 7 M7 o7 1 G A B C D E F#
9 chords mM7M9 ø7m9 +7M9 m9 7b9 M9 o7m9 Plagal IV – I , 3 B C# D# E F# G# A#
5 D E F# G A B C#
Half (I) – V ? 7 F G A Bb C D E
Melodic minor scale
C D Eb F G A B Interrupted V – (other than I) … Altered Vth degree
degrees i ii +III IV V #vi° #vii°
triads m m aug M M dim dim Tritone substitution bII – I V7 = G7 → G B D F
7 chords mM7 m7 aug 7 7 ø7 ø7 V°7 = G°7 → G Bb Db Fb (=E)
9 chords mM7M9 m7m9 +7M9 9 9 ø7M9 ø7m9 Napolitan 6th bII – I – (V - I) Vaug = Gaug → G B D#
bII = Db7 → Db F Ab Cb (=B)
Faurean IV7 – V V7b9 = G7b9 → G B D F Ab
V7#9 = G7#9 → G B D F A#
Andalusian IV – bIII – bII - I

Music Theory in 5 Minutes cheat sheet 1 Woochia's Beats & Bobs

 C# / Db
Intervals
Db D Eb E F Gb G Abb Ab A Bbb Bb Cb (=B) C Circle of fifths
R m2nd M2nd m3rd M3rd P4th aug 4th dim 5th P5th aug 5th m6th M6th m7th M7th
intervals 0 0,5 1 1,5 2 2,5 3 3,5 4 4,5 5 5,5

8ve m9th M9th P11th aug 11th m13th M13th

intervals 6 6,5 7 8,5 9 10 10,5 11,5

Major scale Modes

Db Eb F Gb Ab Bb C Ionian Db Eb F Gb Ab Bb C
degrees I ii iii IV V vi vii° 1 1 0,5 1 1 1 0,5
triads M m m M M m dim Dorian C# D# E F# G# A# B
7 chords M7 m7 m7 M7 7 m7 ø7 1 0,5 1 1 1 0,5 1
9 chords M9 m9 m7m9 M9 9 m9 ø7m9 Phrygian C# D E F# G# A B
0,5 1 1 1 0,5 1 1
Lydian Db Eb F G Ab Bb C
Natural minor scale 1 1 1 0,5 1 1 0,5
C# D# E F# G# A B Mixolydian Db Eb F Gb Ab Bb Cb (=B)
degrees i ii° III iv v VI VII 1 1 0,5 1 1 0,5 1
triads m dim M m m M M Aeolian C# D# E F# G# A B
7 chords m7 ø7 M7 m7 m7 M7 7 1 0,5 1 1 0,5 1 1
9 chords m9 ø7m9 M9 m9 m7m9 M9 9 Locrian C# D E F# G A B
0,5 1 1 0,5 1 1 1

Harmonic minor scale Secondary Dominants

C# D# E F# G# A B# (=C) Cadences x Db Eb F Gb Ab Bb C
degrees i ii° +III iv V VI #vii° ↑ ↑ ↑ ↑ ↑ ↑ ↑
triads m dim aug m M M dim Authentic (II) – V – I . V Ab7 Bb7 C7 Db7 Eb7 F7 G7
7 chords mM7 ø7 aug m7 7 M7 o7 1 Ab Bb C Db Eb F G
9 chords mM7M9 ø7m9 +7M9 m9 7b9 M9 o7m9 Plagal IV – I , 3 C D E F G A B
5 Eb F G Ab Bb C D
Half (I) – V ? 7 Bb Ab Bb Cb (=B) Db Eb F
Melodic minor scale
C# D# E F# G# A# B# (=C) Interrupted V – (other than I) … Altered Vth degree
degrees i ii +III IV V #vi° #vii°
triads m m aug M M dim dim Tritone substitution bII – I V7 = Ab7 → Ab C Eb Bb
7 chords mM7 m7 aug 7 7 ø7 ø7 V°7 = Ab°7 → Ab Cb Ebb (=D) Gbb (=F)
9 chords mM7M9 m7m9 +7M9 9 9 ø7M9 ø7m9 Napolitan 6th bII – I – (V - I) Vaug = Abaug → Ab C E
bII = E7 → Ebb (=D) Gb Bbb (=A) Dbb (=C)
Faurean IV7 – V V7b9 = Ab7b9 → Ab C Eb Gb Bbb
V7#9 = Ab7#9 → Ab C Eb Gb B
Andalusian IV – bIII – bII - I

Music Theory in 5 Minutes cheat sheet 2 Woochia's Beats & Bobs

 D
Intervals
D Eb E F F# G G# Ab A A# Bb B C C# Circle of fifths
R m2nd M2nd m3rd M3rd P4th aug 4th dim 5th P5th aug 5th m6th M6th m7th M7th
intervals 0 0,5 1 1,5 2 2,5 3 3,5 4 4,5 5 5,5

8ve m9th M9th P11th aug 11th m13th M13th

intervals 6 6,5 7 8,5 9 10 10,5 11,5

Major scale Modes

D E F# G A B C# Ionian D E F# G A B C#
degrees I ii iii IV V vi vii° 1 1 0,5 1 1 1 0,5
triads M m m M M m dim Dorian D E F G A B C
7 chords M7 m7 m7 M7 7 m7 ø7 1 0,5 1 1 1 0,5 1
9 chords M9 m9 m7m9 M9 9 m9 ø7m9 Phrygian D Eb F G A Bb C
0,5 1 1 1 0,5 1 1
Lydian D E F# G# A B C#
Natural minor scale 1 1 1 0,5 1 1 0,5
D E F G A Bb C Mixolydian D E F# G A B C
degrees i ii° III iv v VI VII 1 1 0,5 1 1 0,5 1
triads m dim M m m M M Aeolian D E F G A Bb C
7 chords m7 ø7 M7 m7 m7 M7 7 1 0,5 1 1 0,5 1 1
9 chords m9 ø7m9 M9 m9 m7m9 M9 9 Locrian D Eb F G Ab Bb C
0,5 1 1 0,5 1 1 1

Harmonic minor scale Secondary Dominants

D E F G A Bb C# Cadences x D E F# G A B C#
degrees i ii° +III iv V VI #vii° ↑ ↑ ↑ ↑ ↑ ↑ ↑
triads m dim aug m M M dim Authentic (II) – V – I . V A7 B7 C#7 D7 E7 F#7 G#7
7 chords mM7 ø7 aug m7 7 M7 o7 1 A B C# D E F# G#
9 chords mM7M9 ø7m9 +7M9 m9 7b9 M9 o7m9 Plagal IV – I , 3 C# D# E# (=F) F# G# A# B# (=C)
5 E F# G# A B C# D#
Half (I) – V ? 7 G A B C D E F#
Melodic minor scale
D E F G A B C# Interrupted V – (other than I) … Altered Vth degree
degrees i ii +III IV V #vi° #vii°
triads m m aug M M dim dim Tritone substitution bII – I V7 = A7 → A C# E G
7 chords mM7 m7 aug 7 7 ø7 ø7 V°7 = A°7 → A C Eb Gbb (=F)
9 chords mM7M9 m7m9 +7M9 9 9 ø7M9 ø7m9 Napolitan 6th bII – I – (V - I) Vaug = Aaug → A C# E# (=F)
bII = Eb7 → Eb G Bb Db (=C#)
Faurean IV7 – V V7b9 = A7b9 → A C# E G Bb
V7#9 = A7#9 → A C# E G B#
Andalusian IV – bIII – bII - I

Music Theory in 5 Minutes cheat sheet 3 Woochia's Beats & Bobs

 D# / Eb
Intervals
Eb E F Gb G Ab A Bbb Bb B Cb C Db D Circle of fifths
R m2nd M2nd m3rd M3rd P4th aug 4th dim 5th P5th aug 5th m6th M6th m7th M7th
intervals 0 0,5 1 1,5 2 2,5 3 3,5 4 4,5 5 5,5

8ve m9th M9th P11th aug 11th m13th M13th

intervals 6 6,5 7 8,5 9 10 10,5 11,5

Major scale Modes

Eb F G Ab Bb C D Ionian Eb F G Ab Bb C D
degrees I ii iii IV V vi vii° 1 1 0,5 1 1 1 0,5
triads M m m M M m dim Dorian Eb F Gb Ab Bb C Db
7 chords M7 m7 m7 M7 7 m7 ø7 1 0,5 1 1 1 0,5 1
9 chords M9 m9 m7m9 M9 9 m9 ø7m9 Phrygian D# E F# G# A# B C#
0,5 1 1 1 0,5 1 1
Lydian Eb F G A Bb C D
Natural minor scale 1 1 1 0,5 1 1 0,5
Eb F Gb Ab Bb Cb Db Mixolydian Eb F G Ab Bb C Db
degrees i ii° III iv v VI VII 1 1 0,5 1 1 0,5 1
triads m dim M m m M M Aeolian Eb F Gb Ab Bb Cb (=B) Db
7 chords m7 ø7 M7 m7 m7 M7 7 1 0,5 1 1 0,5 1 1
9 chords m9 ø7m9 M9 m9 m7m9 M9 9 Locrian D# E F# G# A B C#
0,5 1 1 0,5 1 1 1

Harmonic minor scale Secondary Dominants

Eb F Gb Ab Bb Cb D Cadences x Eb F G Ab Bb C D
degrees i ii° +III iv V VI #vii° ↑ ↑ ↑ ↑ ↑ ↑ ↑
triads m dim aug m M M dim Authentic (II) – V – I . V Bb7 C7 D7 Eb7 F7 G7 A7
7 chords mM7 ø7 aug m7 7 M7 o7 1 Bb C D Eb F G A
9 chords mM7M9 ø7m9 +7M9 m9 7b9 M9 o7m9 Plagal IV – I , 3 D E F# G A B C#
5 F G A Bb C D E
Half (I) – V ? 7 Ab Bb C Db Eb F G
Melodic minor scale
Eb F Gb Ab Bb C D Interrupted V – (other than I) … Altered Vth degree
degrees i ii +III IV V #vi° #vii°
triads m m aug M M dim dim Tritone substitution bII – I V7 = Bb7 → Bb D F Ab
7 chords mM7 m7 aug 7 7 ø7 ø7 V°7 = Bb°7 → Bb Db Fb (=E) Abb (=G)
9 chords mM7M9 m7m9 +7M9 9 9 ø7M9 ø7m9 Napolitan 6th bII – I – (V - I) Vaug = Bbaug → Bb D F#
bII = E7 → E G# (=Ab) B D
Faurean IV7 – V V7b9 = Bb7b9 → Bb D F Ab Cb
V7#9 = Bb7#9 → Bb D F Ab C#
Andalusian IV – bIII – bII - I

Music Theory in 5 Minutes cheat sheet 4 Woochia's Beats & Bobs

 E
Intervals
E F F# G G# A A# Bb B B# C C# D D# Circle of fifths
R m2nd M2nd m3rd M3rd P4th aug 4th dim 5th P5th aug 5th m6th M6th m7th M7th
intervals 0 0,5 1 1,5 2 2,5 3 3,5 4 4,5 5 5,5

8ve m9th M9th P11th aug 11th m13th M13th

intervals 6 6,5 7 8,5 9 10 10,5 11,5

Major scale Modes

E F# G# A B C# D# Ionian E F# G# A B C# D#
degrees I ii iii IV V vi vii° 1 1 0,5 1 1 1 0,5
triads M m m M M m dim Dorian E F# G A B C# D
7 chords M7 m7 m7 M7 7 m7 ø7 1 0,5 1 1 1 0,5 1
9 chords M9 m9 m7m9 M9 9 m9 ø7m9 Phrygian E F G A B C D
0,5 1 1 1 0,5 1 1
Lydian E F# G# A# B C# D#
Natural minor scale 1 1 1 0,5 1 1 0,5
E F# G A B C D Mixolydian E F# G# A B C# D
degrees i ii° III iv v VI VII 1 1 0,5 1 1 0,5 1
triads m dim M m m M M Aeolian E F# G A B C D
7 chords m7 ø7 M7 m7 m7 M7 7 1 0,5 1 1 0,5 1 1
9 chords m9 ø7m9 M9 m9 m7m9 M9 9 Locrian E F G A Bb C D
0,5 1 1 0,5 1 1 1

Harmonic minor scale Secondary Dominants

E F# G A B C D# Cadences x E F# G# A B C# D#
degrees i ii° +III iv V VI #vii° ↑ ↑ ↑ ↑ ↑ ↑ ↑
triads m dim aug m M M dim Authentic (II) – V – I . V B7 C#7 D#7 E7 F#7 G#7 A#7
7 chords mM7 ø7 aug m7 7 M7 o7 1 B C# D# E F# G# A#
9 chords mM7M9 ø7m9 +7M9 m9 7b9 M9 o7m9 Plagal IV – I , 3 D# E# (=F) F## (=G) G# A# B# (=C) C## (=D)
5 F# G# A# B C# D# E# (=F)
Half (I) – V ? 7 A B C# D E F# G#
Melodic minor scale
E F# G A B C# D# Interrupted V – (other than I) … Altered Vth degree
degrees i ii +III IV V #vi° #vii°
triads m m aug M M dim dim Tritone substitution bII – I V7 = B7 → B D# F# A
7 chords mM7 m7 aug 7 7 ø7 ø7 V°7 = B°7 → B D F Ab (=G#)
9 chords mM7M9 m7m9 +7M9 9 9 ø7M9 ø7m9 Napolitan 6th bII – I – (V - I) Vaug = Baug → B D# F## (=G)
bII = F7 → F A C Eb (=D#)
Faurean IV7 – V V7b9 = B7b9 → B D# F# A C
V7#9 = B7#9 → B D# F# A C##
Andalusian IV – bIII – bII - I

Music Theory in 5 Minutes cheat sheet 5 Woochia's Beats & Bobs

 F
Intervals
F Gb G Ab A Bb B Cb C C# Db D Eb E Circle of fifths
R m2nd M2nd m3rd M3rd P4th aug 4th dim 5th P5th aug 5th m6th M6th m7th M7th
intervals 0 0,5 1 1,5 2 2,5 3 3,5 4 4,5 5 5,5

8ve m9th M9th P11th aug 11th m13th M13th

intervals 6 6,5 7 8,5 9 10 10,5 11,5

Major scale Modes

F G A Bb C D E Ionian F G A Bb C D E
degrees I ii iii IV V vi vii° 1 1 0,5 1 1 1 0,5
triads M m m M M m dim Dorian F G Ab Bb C D E
7 chords M7 m7 m7 M7 7 m7 ø7 1 0,5 1 1 1 0,5 1
9 chords M9 m9 m7m9 M9 9 m9 ø7m9 Phrygian F Gb Ab Bb C Db Eb
0,5 1 1 1 0,5 1 1
Lydian F G A Bb C D E
Natural minor scale 1 1 1 0,5 1 1 0,5
F G Ab Bb C Db Eb Mixolydian F G A Bb C D Eb
degrees i ii° III iv v VI VII 1 1 0,5 1 1 0,5 1
triads m dim M m m M M Aeolian F G Ab Bb C Db Eb
7 chords m7 ø7 M7 m7 m7 M7 7 1 0,5 1 1 0,5 1 1
9 chords m9 ø7m9 M9 m9 m7m9 M9 9 Locrian F Gb Ab Bb Cb (=B) Db Eb
0,5 1 1 0,5 1 1 1

Harmonic minor scale Secondary Dominants

F G Ab Bb C Db E Cadences x F G A Bb C D E
degrees i ii° +III iv V VI #vii° ↑ ↑ ↑ ↑ ↑ ↑ ↑
triads m dim aug m M M dim Authentic (II) – V – I . V C7 D7 E7 F7 G7 A7 B7
7 chords mM7 ø7 aug m7 7 M7 o7 1 C D E F G A B
9 chords mM7M9 ø7m9 +7M9 m9 7b9 M9 o7m9 Plagal IV – I , 3 E F# G# A B C# D#
5 G A B C D E F#
Half (I) – V ? 7 Bb C D Eb F G A
Melodic minor scale
F G Ab Bb C D E Interrupted V – (other than I) … Altered Vth degree
degrees i ii +III IV V #vi° #vii°
triads m m aug M M dim dim Tritone substitution bII – I V7 = C7 → C E G Bb
7 chords mM7 m7 aug 7 7 ø7 ø7 V°7 = C°7 → C Eb Gb Bbb (=A)
9 chords mM7M9 m7m9 +7M9 9 9 ø7M9 ø7m9 Napolitan 6th bII – I – (V - I) Vaug = Caug → C E G#
bII = Gb7 → Gb Bb Db Fb (=E)
Faurean IV7 – V V7b9 = C7b9 → C E G Bb Db
V7#9 = C7#9 → C E G Bb D#
Andalusian IV – bIII – bII - I

Music Theory in 5 Minutes cheat sheet 6 Woochia's Beats & Bobs

 F# / Gb
Intervals
F# G G# A A# B B# C C# C## D D# E E# (=F) Circle of fifths
R m2nd M2nd m3rd M3rd P4th aug 4th dim 5th P5th aug 5th m6th M6th m7th M7th
intervals 0 0,5 1 1,5 2 2,5 3 3,5 4 4,5 5 5,5

8ve m9th M9th P11th aug 11th m13th M13th

intervals 6 6,5 7 8,5 9 10 10,5 11,5

Major scale Modes

F# G# A# B C# D# E# (=F) Ionian F# G# A# B C# D# E# (=F)
degrees I ii iii IV V vi vii° 1 1 0,5 1 1 1 0,5
triads M m m M M m dim Dorian F# G# A B C# D# E
7 chords M7 m7 m7 M7 7 m7 ø7 1 0,5 1 1 1 0,5 1
9 chords M9 m9 m7m9 M9 9 m9 ø7m9 Phrygian F# G A B C# D E
0,5 1 1 1 0,5 1 1
Lydian Gb Ab Bb C Db Eb F
Natural minor scale 1 1 1 0,5 1 1 0,5
F# G# A B C# D E Mixolydian F# G# A# B C# D# E
degrees i ii° III iv v VI VII 1 1 0,5 1 1 0,5 1
triads m dim M m m M M Aeolian F# G# A B C# D E
7 chords m7 ø7 M7 m7 m7 M7 7 1 0,5 1 1 0,5 1 1
9 chords m9 ø7m9 M9 m9 m7m9 M9 9 Locrian F# G A B C D E
0,5 1 1 0,5 1 1 1

Harmonic minor scale Secondary Dominants

F# G# A B C# D E# Cadences x F# G# A# B C# D# E# (=F)
degrees i ii° +III iv V VI #vii° ↑ ↑ ↑ ↑ ↑ ↑ ↑
triads m dim aug m M M dim Authentic (II) – V – I . V C#7 D#7 E#7 F#7 G#7 A#7 B#7
7 chords mM7 ø7 aug m7 7 M7 o7 1 C# D# E# (=F) F# G# A# B# (=C)
9 chords mM7M9 ø7m9 +7M9 m9 7b9 M9 o7m9 Plagal IV – I , 3 E# (=F) F## (=G) G## (=A) A# B# (=C) C## (=D) D## (=E)
5 G# A# B# (=C) C# D# E# F## (=G)
Half (I) – V ? 7 B C# D# E F# G# A#
Melodic minor scale
F# G# A B C# D# E# Interrupted V – (other than I) … Altered Vth degree
degrees i ii +III IV V #vi° #vii°
triads m m aug M M dim dim Tritone substitution bII – I V7 = C#7 → C# E# (=F) G# B
7 chords mM7 m7 aug 7 7 ø7 ø7 V°7 = C#°7 → C# E G Bb (=A#)
9 chords mM7M9 m7m9 +7M9 9 9 ø7M9 ø7m9 Napolitan 6th bII – I – (V - I) Vaug = C#aug → C# E# (=F) G## (=A)
bII = G7 → G B E F (=E#)
Faurean IV7 – V V7b9 = C#7 → C# E# (=F) G# B D
V7#9 = C#7 → C# E# (=F) G# B D##
Andalusian IV – bIII – bII - I

Music Theory in 5 Minutes cheat sheet 7 Woochia's Beats & Bobs

 G
Intervals
G Ab A Bb B C C# Db D D# Eb E F F# Circle of fifths
R m2nd M2nd m3rd M3rd P4th aug 4th dim 5th P5th aug 5th m6th M6th m7th M7th
intervals 0 0,5 1 1,5 2 2,5 3 3,5 4 4,5 5 5,5

8ve m9th M9th P11th aug 11th m13th M13th

intervals 6 6,5 7 8,5 9 10 10,5 11,5

Major scale Modes

G A B C D E F# Ionian G A B C D E F#
degrees I ii iii IV V vi vii° 1 1 0,5 1 1 1 0,5
triads M m m M M m dim Dorian G A Bb C D E F
7 chords M7 m7 m7 M7 7 m7 ø7 1 0,5 1 1 1 0,5 1
9 chords M9 m9 m7m9 M9 9 m9 ø7m9 Phrygian G Ab Bb C D Eb F
0,5 1 1 1 0,5 1 1
Lydian G A B C# D E F#
Natural minor scale 1 1 1 0,5 1 1 0,5
G A Bb C D Eb F Mixolydian G A B C D E F
degrees i ii° III iv v VI VII 1 1 0,5 1 1 0,5 1
triads m dim M m m M M Aeolian G A Bb C D Eb F
7 chords m7 ø7 M7 m7 m7 M7 7 1 0,5 1 1 0,5 1 1
9 chords m9 ø7m9 M9 m9 m7m9 M9 9 Locrian G Ab Bb C Db Eb F
0,5 1 1 0,5 1 1 1

Harmonic minor scale Secondary Dominants

G A Bb C D Eb F# Cadences x G A B C D E F#
degrees i ii° +III iv V VI #vii° ↑ ↑ ↑ ↑ ↑ ↑ ↑
triads m dim aug m M M dim Authentic (II) – V – I . V D7 E7 F#7 G7 A7 B7 C#7
7 chords mM7 ø7 aug m7 7 M7 o7 1 D E F# G A B C#
9 chords mM7M9 ø7m9 +7M9 m9 7b9 M9 o7m9 Plagal IV – I , 3 F# G# A# B C# D# E# (=F)
5 A B C# D E F# G#
Half (I) – V ? 7 C D E F G A B
Melodic minor scale
G A Bb C D E F# Interrupted V – (other than I) … Altered Vth degree
degrees i ii +III IV V #vi° #vii°
triads m m aug M M dim dim Tritone substitution bII – I V7 = D7 → D F# A C
7 chords mM7 m7 aug 7 7 ø7 ø7 V°7 = D°7 → D F Ab Cb (=B)
9 chords mM7M9 m7m9 +7M9 9 9 ø7M9 ø7m9 Napolitan 6th bII – I – (V - I) Vaug = Daug → D F# A#
bII = Ab7 → Ab C Eb Gb (=F#)
Faurean IV7 – V V7b9 = D7 → D F# A C Eb
V7#9 = D7 → D F# A C E#
Andalusian IV – bIII – bII - I

Music Theory in 5 Minutes cheat sheet 8 Woochia's Beats & Bobs

 G# / Ab
Intervals
Ab A Bb B C Db D Ebb Eb E Fb F Gb G Circle of fifths
R m2nd M2nd m3rd M3rd P4th aug 4th dim 5th P5th aug 5th m6th M6th m7th M7th
intervals 0 0,5 1 1,5 2 2,5 3 3,5 4 4,5 5 5,5

8ve m9th M9th P11th aug 11th m13th M13th

intervals 6 6,5 7 8,5 9 10 10,5 11,5

Major scale Modes

Ab Bb C Db Eb F G Ionian Ab Bb C Db Eb F G
degrees I ii iii IV V vi vii° 1 1 0,5 1 1 1 0,5
triads M m m M M m dim Dorian G# A# B C# D# E# (=F) F#
7 chords M7 m7 m7 M7 7 m7 ø7 1 0,5 1 1 1 0,5 1
9 chords M9 m9 m7m9 M9 9 m9 ø7m9 Phrygian G# A B C# D# E F#
0,5 1 1 1 0,5 1 1
Lydian Ab Bb C D Eb F G
Natural minor scale 1 1 1 0,5 1 1 0,5
G# A# B C# D# E F# Mixolydian Ab Bb C Db Eb F Gb
degrees i ii° III iv v VI VII 1 1 0,5 1 1 0,5 1
triads m dim M m m M M Aeolian G# A# B C# D# E F#
7 chords m7 ø7 M7 m7 m7 M7 7 1 0,5 1 1 0,5 1 1
9 chords m9 ø7m9 M9 m9 m7m9 M9 9 Locrian G# A B C# D E F#
0,5 1 1 0,5 1 1 1

Harmonic minor scale Secondary Dominants

G# A# B C# D# E F## (=G) Cadences x Ab Bb C Db Eb F G
degrees i ii° +III iv V VI #vii° ↑ ↑ ↑ ↑ ↑ ↑ ↑
triads m dim aug m M M dim Authentic (II) – V – I . V Eb7 F7 G7 Ab7 Bb7 C7 D7
7 chords mM7 ø7 aug m7 7 M7 o7 1 Eb F G Ab Bb C D
9 chords mM7M9 ø7m9 +7M9 m9 7b9 M9 o7m9 Plagal IV – I , 3 G A B C D E F#
5 Bb C D Eb F G A
Half (I) – V ? 7 Db Eb F Gb Ab Bb C
Melodic minor scale
G# A# B C# D# E# (=F) F## (=G) Interrupted V – (other than I) … Altered Vth degree
degrees i ii +III IV V #vi° #vii°
triads m m aug M M dim dim Tritone substitution bII – I V7 = Eb7 → Eb G Bb Db
7 chords mM7 m7 aug 7 7 ø7 ø7 V°7 = Eb°7 → Eb Gb Bbb (=A) Dbb (=C)
9 chords mM7M9 m7m9 +7M9 9 9 ø7M9 ø7m9 Napolitan 6th bII – I – (V - I) Vaug = Ebaug → Eb G B
bII = Bbb7 (=A7) → Bbb (=A) Dbb (=C) Fb (=E) Abb (=G)
Faurean IV7 – V V7b9 = Eb7b9 → Eb G Bb Db Fb
V7#9 = Eb7#9 → Eb G Bb Db F#
Andalusian IV – bIII – bII - I

Music Theory in 5 Minutes cheat sheet 9 Woochia's Beats & Bobs

 A
Intervals
A Bb B C C# D D# Eb E E# F F# G G# Circle of fifths
R m2nd M2nd m3rd M3rd P4th aug 4th dim 5th P5th aug 5th m6th M6th m7th M7th
intervals 0 0,5 1 1,5 2 2,5 3 3,5 4 4,5 5 5,5

8ve m9th M9th P11th aug 11th m13th M13th

intervals 6 6,5 7 8,5 9 10 10,5 11,5

Major scale Modes

A B C# D E F# G# Ionian A B C# D E F# G#
degrees I ii iii IV V vi vii° 1 1 0,5 1 1 1 0,5
triads M m m M M m dim Dorian A B C D E F# G
7 chords M7 m7 m7 M7 7 m7 ø7 1 0,5 1 1 1 0,5 1
9 chords M9 m9 m7m9 M9 9 m9 ø7m9 Phrygian A Bb C D E F G
0,5 1 1 1 0,5 1 1
Lydian A B C# D# E F# G#
Natural minor scale 1 1 1 0,5 1 1 0,5
A B C D E F G Mixolydian A B C# D E F# G
degrees i ii° III iv v VI VII 1 1 0,5 1 1 0,5 1
triads m dim M m m M M Aeolian A B C D E F G
7 chords m7 ø7 M7 m7 m7 M7 7 1 0,5 1 1 0,5 1 1
9 chords m9 ø7m9 M9 m9 m7m9 M9 9 Locrian A Bb C D Eb F G
0,5 1 1 0,5 1 1 1

Harmonic minor scale Secondary Dominants

A B C D E F G# Cadences x A B C# D E F# G#
degrees i ii° +III iv V VI #vii° ↑ ↑ ↑ ↑ ↑ ↑ ↑
triads m dim aug m M M dim Authentic (II) – V – I . V E7 F#7 G#7 A7 B7 C#7 D#7
7 chords mM7 ø7 aug m7 7 M7 o7 1 E F# G# A B C# D#
9 chords mM7M9 ø7m9 +7M9 m9 7b9 M9 o7m9 Plagal IV – I , 3 G# A# B# (=C) C# D# E# F## (=G)
5 B C# D# E F# G# A#
Half (I) – V ? 7 D E F# G A B C#
Melodic minor scale
A B C D E F# G# Interrupted V – (other than I) … Altered Vth degree
degrees i ii +III IV V #vi° #vii°
triads m m aug M M dim dim Tritone substitution bII – I V7 = E7 → E G# B D
7 chords mM7 m7 aug 7 7 ø7 ø7 V°7 = E°7 → E G Bb Db (=C#)
9 chords mM7M9 m7m9 +7M9 9 9 ø7M9 ø7m9 Napolitan 6th bII – I – (V - I) Vaug = Eaug → E G# B# (=C)
bII = Bb7 → Bb D F Ab (=G#)
Faurean IV7 – V V7b9 = E7b9 → E G# B D F
V7#9 = E7#9 → E G# B D F##
Andalusian IV – bIII – bII - I

Music Theory in 5 Minutes cheat sheet 10 Woochia's Beats & Bobs

 A# / Bb
Intervals
Bb B C Db D Eb E Fb F F# Gb G Ab A Circle of fifths
R m2nd M2nd m3rd M3rd P4th aug 4th dim 5th P5th aug 5th m6th M6th m7th M7th
intervals 0 0,5 1 1,5 2 2,5 3 3,5 4 4,5 5 5,5

8ve m9th M9th P11th aug 11th m13th M13th

intervals 6 6,5 7 8,5 9 10 10,5 11,5

Major scale Modes

Bb C D Eb F G A Ionian Bb C D Eb F G A
degrees I ii iii IV V vi vii° 1 1 0,5 1 1 1 0,5
triads M m m M M m dim Dorian Bb C Db Eb F G Ab
7 chords M7 m7 m7 M7 7 m7 ø7 1 0,5 1 1 1 0,5 1
9 chords M9 m9 m7m9 M9 9 m9 ø7m9 Phrygian Bb Cb (=B) Db Eb F Gb Ab
0,5 1 1 1 0,5 1 1
Lydian Bb C D E F G A
Natural minor scale 1 1 1 0,5 1 1 0,5
Bb C Db Eb F Gb Ab Mixolydian Bb C D Eb F G Ab
degrees i ii° III iv v VI VII 1 1 0,5 1 1 0,5 1
triads m dim M m m M M Aeolian Bb C Db Eb F Gb Ab
7 chords m7 ø7 M7 m7 m7 M7 7 1 0,5 1 1 0,5 1 1
9 chords m9 ø7m9 M9 m9 m7m9 M9 9 Locrian A# B C# D# E F# G#
0,5 1 1 0,5 1 1 1

Harmonic minor scale Secondary Dominants

Bb C Db Eb F Gb A Cadences x Bb C D Eb F G A
degrees i ii° +III iv V VI #vii° ↑ ↑ ↑ ↑ ↑ ↑ ↑
triads m dim aug m M M dim Authentic (II) – V – I . V F7 G7 A7 Bb7 C7 D7 E7
7 chords mM7 ø7 aug m7 7 M7 o7 1 F G A Bb C D E
9 chords mM7M9 ø7m9 +7M9 m9 7b9 M9 o7m9 Plagal IV – I , 3 A B C# D E F# G#
5 C D E F G A B
Half (I) – V ? 7 Eb F G Ab Bb C D
Melodic minor scale
Bb C Db Eb F G A Interrupted V – (other than I) … Altered Vth degree
degrees i ii +III IV V #vi° #vii°
triads m m aug M M dim dim Tritone substitution bII – I V7 = F7 → F A C Eb
7 chords mM7 m7 aug 7 7 ø7 ø7 V°7 = F°7 → F Ab Cb (=B) Ebb (=D)
9 chords mM7M9 m7m9 +7M9 9 9 ø7M9 ø7m9 Napolitan 6th bII – I – (V - I) Vaug = Faug → F A C#
bII = Cb7 (=B7) → Cb (=B) Eb Gb Bbb (=A)
Faurean IV7 – V V7b9 = F7b9 → F A C Eb Gb
V7#9 = F7#9 → F A C Eb G#
Andalusian IV – bIII – bII - I

Music Theory in 5 Minutes cheat sheet 11 Woochia's Beats & Bobs

 B
Intervals
B C C# D D# E E# F F# F## G G# A A# Circle of fifths
R m2nd M2nd m3rd M3rd P4th aug 4th dim 5th P5th aug 5th m6th M6th m7th M7th
intervals 0 0,5 1 1,5 2 2,5 3 3,5 4 4,5 5 5,5

8ve m9th M9th P11th aug 11th m13th M13th

intervals 6 6,5 7 8,5 9 10 10,5 11,5

Major scale Modes

B C# D# E F# G# A# Ionian B C# D# E F# G# A#
degrees I ii iii IV V vi vii° 1 1 0,5 1 1 1 0,5
triads M m m M M m dim Dorian B C# D E F# G# A
7 chords M7 m7 m7 M7 7 m7 ø7 1 0,5 1 1 1 0,5 1
9 chords M9 m9 m7m9 M9 9 m9 ø7m9 Phrygian B C D E F# G A
0,5 1 1 1 0,5 1 1
Lydian B C# D# E# (=F) F# G# A#
Natural minor scale 1 1 1 0,5 1 1 0,5
B C# D E F# G A Mixolydian B C# D# E F# G# A
degrees i ii° III iv v VI VII 1 1 0,5 1 1 0,5 1
triads m dim M m m M M Aeolian B C# D E F# G A
7 chords m7 ø7 M7 m7 m7 M7 7 1 0,5 1 1 0,5 1 1
9 chords m9 ø7m9 M9 m9 m7m9 M9 9 Locrian B C D E F G A
0,5 1 1 0,5 1 1 1

Harmonic minor scale Secondary Dominants

B C# D E F# G A# Cadences x B C# D# E F# G# A#
degrees i ii° +III iv V VI #vii° ↑ ↑ ↑ ↑ ↑ ↑ ↑
triads m dim aug m M M dim Authentic (II) – V – I . V F#7 G#7 A#7 B7 C#7 D#7 E#7
7 chords mM7 ø7 aug m7 7 M7 o7 1 F# G# A# B C# D# E# (=F)
9 chords mM7M9 ø7m9 +7M9 m9 7b9 M9 o7m9 Plagal IV – I , 3 A# B# (=C) C## (=D) D# E# (=F) F## (=G) G## (=A)
5 C# D# E# (=F) F# G# A# B# (=C)
Half (I) – V ? 7 E F# G# A B C# D#
Melodic minor scale
B C# D E F# G# A# Interrupted V – (other than I) … Altered Vth degree
degrees i ii +III IV V #vi° #vii°
triads m m aug M M dim dim Tritone substitution bII – I V7 = F#7 → F# A# C# E
7 chords mM7 m7 aug 7 7 ø7 ø7 V°7 = F#°7 → F# A C Eb (=D#)
9 chords mM7M9 m7m9 +7M9 9 9 ø7M9 ø7m9 Napolitan 6th bII – I – (V - I) Vaug = F#aug → F# A# C## (=D)
bII = C7 → C E G Bb (=A#)
Faurean IV7 – V V7b9 = F#7b9 → F# A# C# E G
V7#9 = F#7#9 → F# A# C# E G##
Andalusian IV – bIII – bII - I

Music Theory in 5 Minutes cheat sheet 12 Woochia's Beats & Bobs

 Rhythm
Notes Binary Ternary Time Signatures

7
1 □□□□ 1 □□□ 8 ●×●×●××
7
2 □□□■ 2 □□■ 8 ●×●××●×
7
3 □□■□ 3 □■□ 8 ●××●×●×
4 □□■■ 4 □■■
9
5 □■□□ 5 ■□□ 8 ●×●×●×●××
9
6 □■□■ 6 ■□■ 8 ●×●×●××●×
9
7 □■■□ 7 ■■□ 8 ●×●××●×●×
9
8 □■■■ 8 ■■■ 8 ●××●×●×●×
9
9 ■□□□ 8 ●××●××●××
10 ■□□■ Time Signatures

3 11
Silences 11 ■□■□ 4 ●×●×●× 8 ●×●×●×●×●××
11
12 ■□■■ 8 ●×●×●×●××●×
6 11
13 ■■□□ 8 ● ××●×× 8 ●×●×●××●×●×
11
14 ■■□■ 8 ●×●××●×●×●×
4 11
15 ■■■□ 4 ●×××●××× 8 ●××●×●×●×●×
11
16 ■■■■ 8 ●×●××●××●××
5 11
8 ●×●×× 8 ●××●×●××●××
5 11
8 ●××●× 8 ●××●××●×●××
11
8 ●××●××●××●×

Music Theory in 5 Minutes cheat sheet 13 Woochia's Beats & Bobs

 Modes

Harmonic minor C D Eb F G Ab B Melodic minor C D Eb F G A B

1 0,5 1 1 0,5 1,5 0,5 1 0,5 1 1 1 1 0,5
Locrian 6 C Db Eb F Gb A Bb Dorian b2 C Db Eb F G A Bb
0,5 1 1 0,5 1,5 0,5 1 0,5 1 1 1 1 0,5 1
Augmented ionian C D E F G# A B Augmented lydian C D E F# G# A B
1 1 0,5 1,5 0,5 1 0,5 1 1 1 1 0,5 1 0,5
Dorian #4 C D Eb F# G A Bb lydian b7 / Overtone C D E F# G A Bb
1 0,5 1,5 0,5 1 0,5 1 1 1 1 0,5 1 0,5 1
Major phrygian C Db E F G Ab Bb Mixolydian b6 / Hindu C D E F G Ab Bb
0,5 1,5 0,5 1 0,5 1 1 1 1 0,5 1 0,5 1 1
Lydian #9 C D# E F# G A B Locrian 2 C D Eb F Gb Ab Bb
1,5 0,5 1 0,5 1 1 0,5 1 0,5 1 0,5 1 1 1
Altered bb7 C Db Eb Fb (=E) Gb Ab Bbb (=A) Altered C Db Eb Fb (=E) Gb Ab Bb
0,5 1 0,5 1 1 0,5 1,5 0,5 1 0,5 1 1 1 1

Double harmonic / Byzantine C Db E F G Ab B Leading whole tone C D E F# G# A# B

0,5 1,5 0,5 1 0,5 1,5 0,5 1 1 1 1 1 0,5 0,5
Lydian #2 #6 C D# E F# G A# B Lydian augmented dominant C D E F# G# A Bb
1,5 0,5 1 0,5 1,5 0,5 0,5 1 1 1 1 0,5 0,5 1
Ultra phrygian C Db Eb Fb (=E) G Ab Bbb (=A) Minor lydian / Lydian dominant b6 C D E F# G Ab Bb
0,5 1 0,5 1,5 0,5 0,5 1,5 1 1 1 0,5 0,5 1 1
Hungarian minor / Gypsy C D Eb F# G Ab B Arabian / Major locrian C D E F Gb Ab Bb
1 0,5 1,5 0,5 0,5 1,5 0,5 1 1 0,5 0,5 1 1 1
Oriental C Db E F Gb A Bb Locian n2 b4 / Semilocrian b4 C D Eb Fb (=E) Gb Ab Bb
0,5 1,5 0,5 0,5 1,5 0,5 1 1 0,5 0,5 1 1 1 1
Ionian #2 #5 C D# E F G# A B Superlocrian bb3 C Db Ebb (=D) Fb (=E) Gb Ab Bb
1,5 0,5 0,5 1,5 0,5 1 0,5 0,5 0,5 1 1 1 1 1
Locrian bb3 bb7 C Db Ebb (=D) F Gb Ab Bbb (=A) Neopolitan major C Db Eb F G A B
0,5 0,5 1,5 0,5 1 0,5 1,5 0,5 1 1 1 1 1 0,5

Music Theory in 5 Minutes cheat sheet 14 Woochia's Beats & Bobs

 Modes

Neopolitan C Db Eb F G Ab B Diminished lydian C D Eb F# G A B

0,5 1 1 1 0,5 1,5 0,5 1 0,5 1,5 0,5 1 1 0,5

C D E F# G A# B C Db E F G A Bb
1 1 1 0,5 1,5 0,5 0,5 0,5 1,5 0,5 1 1 0,5 1

C D E F G# A Bb C D# E F# G# A B
1 1 0,5 1,5 0,5 0,5 1 1,5 0,5 1 1 0,5 1 0,5

C Db E F Gb Ab Bb C Db Eb F Gb Ab Bbb (=A)
1 0,5 1,5 0,5 0,5 1 1 0,5 1 1 0,5 1 0,5 1,5

C Db E F Gb Ab Bb C D E F G Ab B
0,5 1,5 0,5 0,5 1 1 1 1 1 0,5 1 0,5 1,5 0,5

C D# E F G A B C D Eb F Gb A Bb
1,5 0,5 0,5 1 1 1 0,5 1 0,5 1 0,5 1,5 0,5 1

C Db Ebb (=D) Fb (=E) Gb Ab Bbb (=A) C Db Eb Fb (=E) G Ab Bb

0,5 0,5 1 1 1 0,5 1,5 0,5 1 0,5 1,5 0,5 1 1

Purvi theta C Db E F# G Ab B Persian C Db E F Gb Ab B

0,5 1,5 1 0,5 0,5 1,5 0,5 0,5 1,5 0,5 0,5 1 1,5 0,5

C D# E# (=F) F# G A# B C D# E F G A# B
1,5 1 0,5 0,5 1,5 0,5 0,5 1,5 0,5 0,5 1 1,5 0,5 0,5

C D Eb Fb (=E) G Ab Bbb (=A) C Db Ebb (=D) Fb (=E) G Ab Bbb (=A)

1 0,5 0,5 1,5 0,5 0,5 1,5 0,5 0,5 1 1,5 0,5 0,5 1,5

C Db Ebb (=D) F Gb Abb (=G) Bb Todi theta C Db Eb F# G Ab B

0,5 0,5 1,5 0,5 0,5 1,5 1 0,5 1 1,5 0,5 0,5 1,5 0,5

C Db E F Gb A B C D E# (=F) F# G A# B
0,5 1,5 0,5 0,5 1,5 1 0,5 1 1,5 0,5 0,5 1,5 0,5 0,5

C D# E F G# A# B C D# E F G# A Bb
1,5 0,5 0,5 1,5 1 0,5 0,5 1,5 0,5 0,5 1,5 0,5 0,5 1

C Db Ebb (=D) F G Ab Bbb (=A) C Db Ebb (=D) F Gb Abb (=G) Bbb (=A)
0,5 0,5 1,5 1 0,5 0,5 1,5 0,5 0,5 1,5 0,5 0,5 1 1,5

Music Theory in 5 Minutes cheat sheet 15 Woochia's Beats & Bobs

 Modes

Enigmatic C Db E F# G# A# B Major pentatonic C D E G A

0,5 1,5 1 1 1 0,5 0,5 1 1 1,5 1 1,5

C D# E# (=F) F## (=G) G## (=A) A# B Egyptian C D F G Bb

1,5 1 1 1 0,5 0,5 0,5 1 1,5 1 1,5 1

C D E F# G Ab Bbb (=A) Minor augmented penta C Eb F G# Bb

1 1 1 0,5 0,5 0,5 1,5 1,5 1 1,5 1 1

C D E F Gb Abb (=G) Bb Scottish pentatonic C D F G A

1 1 0,5 0,5 0,5 1,5 1 1 1,5 1 1 1,5

C D Eb Fb (=E) Gbb (=F) Ab Bb Minor pentatonic C Eb F G Bb

1 0,5 0,5 0,5 1,5 1 1 1,5 1 1 1,5 1

C Db Ebb (=D) Fbb (=Eb) Gb Ab Bb

0,5 0,5 0,5 1,5 1 1 1

C Db Ebb (=D) F G A B
0,5 0,5 1,5 1 1 1 0,5

Music Theory in 5 Minutes cheat sheet 16 Woochia's Beats & Bobs