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To The Filipino Youth
To The Filipino Youth
5
Why seems to me more endearing,
The second stanza moves to the sweet, musical
fairer than on other days,
sound of birds singing in the woods and vales on
the dawn's enchanting face
such a day.
among red clouds appearing?
3
Why in the grass below 6
The reason, dear mother, is
do birds start at the wind's noises,
they feast your day of bloom:
unleashing their honeyed voices
the rose with its perfume,
as they hop from bough to bough?
the bird with its harmonies.
7
And the spring that rings with laughter
upon this joyful day
with its murmur seems to say:
"Live happily ever after!"
SA AKING MGA KABABABATA (TO MY FELLOW
The poem, it turns out, is addressed to the
CHILDREN, 1869)
speaker's mother, and it is her day of "blooming"
(birthday). When: Rizal wrote the poem when he was 8-years-
old in 1869
The perfume of the flowers, the songs of the birds, Theme: This poem had a strong sense of
and the sound of the bubbling brook all celebrate nationalism expressing love for our own language.
her day, they "feast" in her honor. They wish her Rizal emphasized the significance and the usage of
all the best: "Live happily ever after." our mother tongue.
Mother tongue was the language he learned since
8 birth (Filipino). It gave us a sense of identity.
And from that spring in the grove
Language could not only be our way to
now turn to hear the first note
communicate but it also served as the reflection of
that from my lute I emote
our culture.
to the impulse of my love.
Rizal also highlighted on this poem that all
languages were equal in terms of its significance
and usage.
Now the poem becomes more fragile, more
Filipino language like other languages had its own
understated. For one's "dear mother" is also one's
alphabet and words.
inspiration--there at one's first breath in life, there
The values and attitude that are still valid and
to move one toward creative acts or ideas.
usable today is we should be prouder of our
nationality and identity, and by enriching our
So, in the last stanza the speaker acts out the
language we could show our sense of pride as
feeling. Joining the music of the brook (and of the
Filipinos.
birds and the winds), the speaker will play upon a
lute. The mother is asked to turn from Nature to
Human Art, from the birds and the brook to the Kapagka ang baya'y sadyang umiibig
sound of the lute expressing emotion wordlessly.
Sa kanyang salitang kaloob ng langit,
And what is the "inspiration" that moves the lutist
to play? “The impulse of my love." Sanlang kalayaan nasa ring masapit
Katulad ng ibong nasa himpapawid.
The speaker's love for the mother. The mother's
love reflected in her child.
Pagkat ang salita'y isang kahatulan
Sa bayan, sa nayo't mga kaharian,
At ang isang tao'y katulad, kabagay
Ng alin mang likha noong kalayaan.
This poem of Rizal had never thought that was Your courage rich,
applied to him heroic struggles in his later years of life. Fair hope of my Motherland!
The struggle of human freedom was won because
education provided the key role for thousands of men
honored him. His education provided him the noble 2
Fly, grand genius,
virtue that someday his country was free from the
And infuse them with noble sentiment;
bondage of foreign oppressor.
That vigorously rushes,
More rapid then the wind
Its virgin mind to the glorious goal 4
In the fourth stanza Rizal challenges the youth,
The first line, "unfold, oh timid flower," implies that in their pursuit of knowledge and wisdom they
that the youth is silent, maybe daunted, and may humble the hand of Spain, whose proud chin
consequently has not yet gone into full bloom for did not look kindly upon the people whom they
whatever reason there is that may have silenced labelled as "Indio’s" and whom they treated with
them. 1In the beginning stanza, Rizal encourages contempt. He dreams that in their journey to
the youth, by telling them to hold their heads high intellectual greatness they may humble even the
for they possess talents, skills, and abilities that proudest nations that look down on them and
would make their country proud. rightfully deserve "a crown that shines, even where
shadows stand."
2
Here in the second verse, Rizal calls to genius to fill
young minds with noble thoughts and hopes that
as they release their thinking from the chains that 5
You who ascend
bind, they may be able to soar swiftly high where
the joy of honor is. On wings of your rich fantasy,
Seek from Olympus in the clouds
3
Tenderest poetry,
Descend to the arena
Sweeter than nectar and ambrosia
With the pleasant light of arts and sciences
And unbind, Youth,
6
You of the celestial accent,
The heavy chain
Melodious rival of the nightingale,
That fetters your poetic genius
Who with varied melodies,
Dissipate the mortal’s bitter pain
3
Contrary to the second verse, which talked about
ascending and soaring to the heights, this third
stanza now talks about descent, and a downward 5 & 6
In these two stanzas, Rizal calls the youth to
motion of the great genius to fill the earthly seek the beauty of poetry and music, which he
strokes of art and science with their magnificent himself values greatly as essentials in every
ideas. Again, Rizal calls them to break the chains manner of life. He claims that poetry is "sweeter
that bind their intellect. "Poetic genius" here does than nectar and ambrosia”; and that music can
not necessarily pertain to the talent of writing “dissipate the mortal’s bitter pain”.
poetry. Instead, the term "poetic" is simply an
adjective to describe genius, meaning that it is
deep and mystifying and heavy with meaning.
4
See that in the bright zone,
With pious and learned hand,
Offers the son of this native land,
Resplendent crown.
7
In the night serene;
10
You who animate the hand rock Day, oh happy day,
With the impulse of your mind, Philippines genteel, for your soil!
And with prepotent hand makes eternal Bless the Almighty,
The pure memory of the refulgent genius Who with loving desire
Sends you fortune and consolation
7
Speaking to the youth, Rizal says that by the very
impulse of their mind, they are capable of bringing 9 & 10
The last two stanzas are a charge, urging the
to life or animating even something as lifeless and
youth to run, for a glorious crown awaits them.
unmoving as a hard rock. He continues to say that
The "sphere" here pertains to the world, showing
the youth is able, to immortalize their thoughts and
that Rizal believed the Filipino youth is as brilliant
their words through the help of great genius (as he
as those in any other nation, and is able to contend
has done himself).
with even the strongest powers if they only set
This stanza can be arranged in a more their mind to making most of what they already
contemporary English structure as follows: "You have.
can animate the hard rock at the impulse of your
mind; and transform, with the great power of your
mind, the pure memory of great genius into
immortality."
8
And you, who with magic brushes
Are wont to transfer to simple canvas
The varied enchantment of Phoebus, beloved of
Apollo divine,
And the mantle of Nature;
8
Rizal here addresses the youth, comparing their
abilities to a magic brush that can capture even the
most majestic views and the most glorious charms
on a blank canvas.
9
Run! For the sacred flame
Of the genius awaits to be crowned with laurels,
Spreading fame
With trumpet proclaiming
O’er the wide sphere the mortal’s name.