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  • Sobre Las Olas

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    Rodolfo Borras
    108 views2 pages
    The document is a musical score for the vals "Sobre las Olas" composed by Juventino Rosas. The score contains standard musical notation across 5 pages, including measures, time signatures, key signatures, notes, dynamics, and other musical markings to indicate how the piece should be played. It provides all the information a musician would need to perform the vals originally written in 1887.

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    Original Title

    SOBRE LAS OLAS

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    The document is a musical score for the vals "Sobre las Olas" composed by Juventino Rosas. The score contains standard musical notation across 5 pages, including measures, time signatures, key signatures, notes, dynamics, and other musical markings to indicate how the piece should be played. It provides all the information a musician would need to perform the vals originally written in 1887.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    108 views2 pages

    Sobre Las Olas

    Uploaded by

    Rodolfo Borras
    The document is a musical score for the vals "Sobre las Olas" composed by Juventino Rosas. The score contains standard musical notation across 5 pages, including measures, time signatures, key signatures, notes, dynamics, and other musical markings to indicate how the piece should be played. It provides all the information a musician would need to perform the vals originally written in 1887.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 2

    SOBRE

    LAS OLAS


    Vals Juventino Rosas

                      
        
                   
        
          


    DoM Sol7

                       
    11

         
          
      
          


       
    
    DoM DoM

      
           
    21

         
          
      

      


             
    Rem DoM Sol7

         
     
           
    31

                
         
       
     


          
    DoM DoM

                  
    39

               
     
       

       


        
       
    Sol7 DoM

            
           
    48

            
         
       


    DoM Rem

    ehuanc@gmail.com Cochabamba Bolivia



         
     
    2

                 
    57

              
             

     

       
    DoM Sol7 DoM

    ehuanc@gmail.com Cochabamba Bolivia

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