Fitness Culture: Università Di Milan, Italy

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Fitness Culture of the term fitness.

The term is in fact used both


for training in the gym (“keeping fit”) and for
ROBERTA SASSATELLI the physical state that this training is intended
Università di Milan, Italy to produce (“being fit, in form”). Finally, the
pleasantness of physical activity is presented as
a fundamental aspect of fitness: Rather than on
In contemporary western societies, the “fit body” exertion and physical effort, the accent is placed
has replaced body decoration as a potent symbol on pleasure and satisfaction. Typically located in
of status and character, both for men and women. urban contexts, and key institutions of an increas-
Fitness gyms and health centers have become ingly global consumer culture, fitness gyms are a
highly visible as the sites where such a body is special breed of leisure institutions. Fitness gyms
produced. Fitness gyms are a special breed of are different from social clubs – both working
gyms: They are typically unisex, noncompetitive class and upper class – in that a set of specific tasks
environments aimed at providing recreational are to be carried out, with sociability being either
exercise to boost physical form and well-being a by product or a facilitator of those tasks. Fitness
(Sassatelli, 2010). Fitness gyms are at the core of a gyms are best understood under the banner
much broader fitness culture, comprising a variety of “rational recreation” – recreational activities
of commodities: Newsstands are full of maga- should be morally uplifting for the participant,
zines on physical exercise, health, and beauty, good for his or her body, and have positive ben-
which promote increasingly nuanced visions of efits for the wider society. Different from more
the “fit body” and offer advice about exercises informal, spontaneous forms of leisure, or with
and diet that may help getting it; bookshops have subcultures of commodity appropriation, they
an increasingly large and varied collection of appear, at least at first glance, functional to social
exercise manuals; fitness festivals are increasingly order and dominant, commercial classifications,
getting media coverage and contribute to the rather than “antistructural” or “subversive.”
professionalization of trainers. Blending pop cul- Fitness culture has attracted contrasting diag-
ture, dance, and physical education and initially noses from within a host of disciplines, often
reserved for women, fitness culture has moved corresponding to disciplinary specializations in
away from body-building (Klein, 1993; Lowe, the study of sport and physical activity at large.
1998) depoliticizing recreational gymnastics Physical education, medical practice, and, to
(Park, 1994; Vigarello, 1978). If recreational and some extent, even leisure studies have typically
sporting physical activities had previously been played a celebratory tune, stressing the physical
connected with social values like faith in progress benefits of the fitness workout, its emancipation
or loyalty to a nation, personal motivations have potential, and even its psychological paybacks.
now become the only factor. Targeted at paying On the contrary, within sociology and gender
customers who can always decide they no longer studies there has been a tendency to expose the
have any need or desire of the gym, fitness is fitness boom, stressing its commercial nature and
presented as an expression of the individual’s will. its disciplinary functions, showing that it may
Today’s gyms have at least three distinctive sustain consumer dissatisfaction and frustration
characteristics (Sassatelli, 2010). In the first place, (Frow and McGillivray, 2005). This is especially
they are increasingly truly integrated centers for so as related to gender identities, with aerobics in
physical exercise. Second, the reference to the particular being considered as yet another prac-
variety of individual needs and the variety of tice of beautification which subjugates women
exercise techniques available does not imply the to hegemonic and male-dominated views of
absence of a minimum common denominator, female subjectivity (Dinnerstein and Weitz, 1998;
which is embodied instead in the dual meaning Maguire and Mansfield, 1998; Morse, 1987/1988).

The Blackwell Encyclopedia of Sociology. Edited by George Ritzer and Chris Rojek.
© 2018 John Wiley & Sons, Ltd. Published 2018 by John Wiley & Sons, Ltd.
DOI: 10.1002/9781405165518.wbeosf083.pub2
2 F ITNESS C ULTURE

Fitness thus appears as the illusory and nar- taken up by fitness participants (Crossley, 2006;
cissistic response to a heavily standardized and Leeds Creig and Liberti, 2007; Lloyd, 1996;
profit-seeking industry and the perpetuation of Gimlin, 2002; Markula, 1995; Sassatelli, 1999,
heavily gender-biased images of the body, with 2003). While motivational narratives for joining
participants being asked to joyfully take responsi- a gym may indeed mirror broad commercial
bility for their bodies and to invest in body main- injunctions about perfection and beauty, motives
tenance in order to perform culturally appropriate for continuing to go are much more varied, and
self-presentation (Bordo, 1993; White, Young, stress sociability and intrinsic rewards such as
and Gillett, 1995). A similar reading does not satisfaction for training achievement. These stud-
account for the specificity of gym practices with ies show that fitness fans may appropriate gym
respect to other forms of body transformation, practices in subversive ways. They may effectively
with fitness being grouped together with arguably use gym practices as a coping mechanism to face
quite different techniques, such as plastic surgery. body shortcomings and develop self-confidence.
Highlighting the corrosion of character in an era They may also actively contribute, with their
of obsessive self-presentation, this view contrasts requests and participation, to the development
markedly with fitness discourse, according to of fitness culture in a continuous interface with,
which fitness demonstrates character. Expert fit- in particular, professional fitness trainers. Still,
ness discourse is closer to another set of theories as a culturally prized practice, fitness is often
which have been drawn upon to understand the framed as a response to collective issues such
fitness boom. They offer a more positive view of as poor health, obesity, or aging bodies, while
individualization and revolve around the notion as a fundamentally individualized consumer
of “body projects,” the idea that in late modernity culture promoted by profit-seeking commercial
the self becomes a reflexive and secular project institutions it may not help us to ask the cru-
which works on ever refined levels of body cial questions. This seems to require a critical
presentation (Giddens, 1991). These views are perspective on rationalized, urban living, com-
further sociologically qualified, and made more mercial relations, and fitness activities that goes
critical, by relating reflexive body projects to the beyond the promotional sirens portraying fitness
particular self-presentation needs of the new mid- training inside a gym as a quick fix solution for
dle class, which competes in job and relationship body and soul.
markets where high levels of “physical capital” are
required (Bourdieu, 1978; Featherstone, 1982). SEE ALSO: Body and Society; Exercise and
Following this line of thought, fitness culture has Fitness; Health and Sport; Sport and the Body;
been seen either as a demand-side phenomenon Sports and Culture
of body transformation (Glassner, 1992) or a
supply-side phenomenon of commercialization
(Smith Maguire, 2007) and either traced back to References
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static across gym careers and uniform across Theory, Culture and Society, 1 (2), 18–33.
participants, and that body ideals and hegemonic Frow, M. and McGillivray, D. (2005) Health clubs and
gender views are negotiated rather than simply body politics. Leisure Studies, 24 (2), 161–175.
F ITNESS C ULTURE 3

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