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Explored Norshingdi Boat Race: Exploring Tanguar Haor
Explored Norshingdi Boat Race: Exploring Tanguar Haor
ongoingevents
and some of his/her
favorite shots. so get
ready and share your
best 2 shots and get exhibition: sacrificing lives to debi durga 60 shots season-II
featured date: 14th to 17th october theme: open
location: malni road deadline: october 31, 2010
netrakona, bangladesh flickr.com/groups/bangladeshiphotographers
afzal nazim
01
playing with rules youaskweanswer
"there are no rules for good photographs, there 1.how can i clean my lenses myself?
are only good photographs", quoted by the -tanmay shahriar
famous photographer ansell adams (1902-1984). cleaning your lenses is not a tough job at all.
nevertheless, many of us are eager to know if the common problems regarding the health
there are any rules, which can enhance the pho- of our lenses is dust, scratches and fungus.
tograph. the only rule in photography is that amongst these factors, dust is the most
there are no rules. however, there are many com- common one. for removing dust from the
position guidelines that can be applied. in our outer element of our lens we can use clean
every coming issue we are going to discuss a dry clothes. the softer the cloth the better the
result will be. there are also lens cleaning
composition guideline that can be used to
brushes available in the market that can
enhance the photograph. in this issue we are
come quite handy in cleaning your lenses.
going to discuss one of the most widely used rule,
the “rule-of-third”. this is the oldest compositional 2.how can we do fish photography?
trick in the book, and one that is used by both -md. manzoorul kibria
painters and photographers to create a visually taking under-water photography is a tricky
balanced picture. imagine that your image is and expensive issue. there are special equip-
divided into nine equal segments by two vertical ments available for taking fish or under-water
and two horizontal lines. Try to position the most photographs and usually these equipments
important elements in your scene along these come for a huge expense. these are water
lines, or at the points where they intersect. yes resistant and specially built for watery and
that is it. isn’t it simple? doing so will add balance humid conditions. there are some weather
and interest to your photo. resistant body and lenses available in the
imagine you are about to shoot a landscape and market for a comparatively cheaper price but
there is an isolated boat or tree in the middle of these are made with a view of providing
the field, which is acting as the main focal point. it minor protection from water and dust only
is very obvious that most of the beginners would but these are nowhere near suitable for the
place this subject in the centre of the frame,
specialized prupose you have mentioned.
which definitely can work in some situations. but,
3.where can we get camera equipments for rent?
in such situation if you generally practice rule-of-
-syed ayon
third then you might be able to get more pleas-
there are some shops available in the bait-ul-
ant sense of balancing in your photograph. mukarram and stadium market who rent
camera equipments.
4.tell me about ‘hdr'
-abdullah al mamun
while producing hdr photographs you have
to take 3 or more photographs with the same
instead of placing the boat in the centre you can frame. one of those should be under-
place it on the intersecting points of the virtual exposed, another one properly exposed and
the rest will be over exposed saiketto
kumar poddar
catch the
grid lines. on the contrary, you should never force
a picture to comply with the rule-of-third, but whole dynamic range of a scene with proper
when used with care it can work well and after a highlight and shadow details. then you can
while you will find yourself naturally dividing the merge those photographs in photomatix pro
scene into thirds to aid the position of important or photoshop. photomatix pro is quite largely
elements. in our next issue we will be discussing used all around the world.
about “symmetry and patterns” in photographs. ehsanul kabir
Hemonto Kumar
02
featuring: munem wasif
born in 1983 in bangladesh. he is a graduate of pathshala.
munem wasif started his photographic career as a feature photographer for the
daily star, a leading english daily in bangladesh. his photographs have been
published in numerous national and international publications including Le Monde,
Himal Southasian, Asian Geographic, Photo District News, Zonezero, and PDFX12. in
2007, he was selected for the World Press Photo Joop Swart Master Class in the neth-
erlands. he won an honourable mention in the National Geographic Society’s All
Roads Photography Program for his extensive work on old dhaka. his work is exhib-
ited worldwide including Anchor photo festival in Cambodia, International Photog-
raphy Biennial of the Islamic World in Iran, Fotofreo- festival of photography in
Australia, Tokyo Metropolitan Museum of Photography in Japan and Getty Image
Gallery in England. recently he was elected as one of the 30 emerging photogra-
phers by Photo District News, USA.
in 2008 he received the F25 Prize from La Fabrica and the City of Perpignan Young
Reporter Award at the occasion of Visa pour l’Image festival. he also won the PrixPic-
tet commission to document a water project in Bangladesh.
03
focus: macro tipsofthemonth
a. track your subject:
while you're out with
your camera, the world
more than often seems
enormous and it
becomes quite confusing
about what to shoot. in
04
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