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  • Someday My Prince Will Come - Solo: Lazaros

    Uploaded by

    Marcio Ricardo
    31 views2 pages
    This solo piano piece follows a standard AABA form. The A sections are melodic with a simple accompaniment. The B section introduces more complex harmonies and rhythms. The piece concludes by restating the A material with slight variations to bring the song full circle.

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    Original Title

    126125

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    This solo piano piece follows a standard AABA form. The A sections are melodic with a simple accompaniment. The B section introduces more complex harmonies and rhythms. The piece concludes by restating the A material with slight variations to bring the song full circle.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    31 views2 pages

    Someday My Prince Will Come - Solo: Lazaros

    Uploaded by

    Marcio Ricardo
    This solo piano piece follows a standard AABA form. The A sections are melodic with a simple accompaniment. The B section introduces more complex harmonies and rhythms. The piece concludes by restating the A material with slight variations to bring the song full circle.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 2

    someday my prince will come_solo


    lazaros

           
     
                     
         
    3

             
              
    3
    Piano

     


                           
                
     
    6

           


    3

       
    3

        
    5
    Pno.


            
           

       
     

    10

             


                  
    Pno.

     


       
    
        
              
     

       
    15

              


         
         
    Pno.

      


                        
              
    F7

    
    21

    
       
          
         
    Pno.

      



                 
    E ♭ Maj7 B♭
                 
    Fm7 Bm7

    
    25 3

                
    3

       
      
     
             
    3


    Pno. 3



      F7 ♭ 9♭ 13  
    B ♭ 6,9  B ♭ Maj7
                
    Cm7,9 Cm7 F7

         
    29


       
                  
    Pno.

     

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