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Ranked #837Popularity #7Members 2,134,295
Summer 2014TVStudio Pierrot
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Synopsis

Tokyo has become a cruel and merciless city—a place where vicious creatures called "ghouls" exist alongside

humans. The citizens of this once great metropolis live in constant fear of these bloodthirsty savages and

their thirst for human flesh. However, the greatest threat these ghouls pose is their dangerous ability to

masquerade as humans and blend in with society.

Based on the best-selling supernatural horror manga by Sui Ishida, Tokyo Ghoul follows Ken Kaneki, a shy,

bookish college student, who is instantly drawn to Rize Kamishiro, an avid reader like himself. However, Rize

is not exactly who she seems, and this unfortunate meeting pushes Kaneki into the dark depths of the

ghouls' inhuman world. In a twist of fate, Kaneki is saved by the enigmatic waitress Touka Kirishima, and

thus begins his new, secret life as a half-ghoul/half-human who must find a way to integrate into both

societies.

[Written by MAL Rewrite]

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information here.

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Related Anime
Adaptation: Tokyo Ghoul

Sequel: Tokyo Ghoul √A

Spin-off: Tokyo Ghoul: "Jack", Tokyo Ghoul: "Pinto"

More characters

Characters & Voice Actors

Kaneki, Ken
Kobori, Yurie

Japanese
Main

Kirishima, Touka Amamiya,

Sora
Main
Japanese

Suzuya, Juuzou Kugimiya,

Rie
Supporting
Japanese

Uta Sakurai,

Takahiro
Supporting
Japanese

Tsukiyama, Shuu Miyano,

Mamoru
Supporting
Japanese

Nagachika, Hideyoshi Toyonaga,

Toshiyuki
Supporting
Japanese

Eto Sakamoto,

Maaya
Supporting
Japanese

Kirishima, Ayato Kaji,

Yuki
Supporting
Japanese
 Arima, Kishou Namikawa,

Daisuke
Supporting
Japanese

Kamishiro, Rize Hanazawa,

Kana
Supporting
Japanese

More staff

Staff

Morita, Shuuhei

Director

Haraguchi, Noboru

Sound Director

Matsubayashi, Tadahito

Episode Director, Storyboard

Kyougoku, Yoshiaki

Episode Director, Storyboard

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Opening Theme

"unravel" by TK from Ling Tosite Sigure (eps 2-11)

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Ending Theme

#1: "unravel" by TK from Ling Tosite Sigure (eps 1, 12)

#2: "Seijatachi (聖者たち)" by People In The Box (eps 2-11)

More reviews
Reviews

Sep 24, 2014

12 of 12 episodes seen

Overall Rating: 5

bladeangel (All reviews)

1155 people found this review helpful

Remember when you were little and you tried to bake that really awesome cake following the instructions on

a cooking-book and ended up forgetting half the ingredients or using the wrong ones and the cake looked

like complete shit and shit was all over the kitchen and then your mother walked in and slapped you across

the face? Whether or not you remember, if you can picture that scenario then you can picture how Studio

Pierrot's attempt at adapting Tokyo Ghoul into an anime unfolded.

Lets actually start off with the "good" in Tokyo Ghoul. Why? Because it's one sentence long so lets get it out

of the way shall we.

The soundtrack is decent. The opening theme is good, and the ending theme is pretty catchy. Ok so that

was two sentences.

I'm going to fess up now and admit that I have not read the manga although I'm aware that it's a lot better

and that they crammed 60 chapters into 12 episodes. This review will be based on the anime alone, which I

believe is more correct then the people giving this adaption a break solely for their admiration of the manga.

The worst aspect of Tokyo Ghoul are the characters and their development. Frankly I'm not going to talk

about any of the characters aside from Kaneki because there is nothing to say about them after 12

episodes.

Kaneki is worth talking about because he is a boy born with a vagina..oh and he is a also a half-ghoul,

almost forgot about that. As the MC of Tokyo Ghoul, Kaneki's main role is to disappoint us to death, cry a

lot, and bitch a lot about how much he sucks.

With the characters being so dreadful, the anime relied heavily on the plot and the violence. The plot is very

broad in the anime: Humans vs Ghouls and Ghouls vs Ghouls. At least that's what I got from 12 episodes

adapted from 60 chapters. The violence is censored so that sucks, but apparently the DVD versions will be

uncensored..cool, anyways moving on. The most pretentious thing about Tokyo Ghoul are the attempts at

emotionally moving the audience by having some characters we know nothing about die and seeing other
characters feel sad while the soundtrack playing assures us that this is indeed meant to be an emotional

scene...awkward.

So about right now you're probably thinking to yourself that I don't have much to say about this anime. I

just felt like reviewing this anime cause I wanted to write down that whole baking a cake comparison after

which my passion ran out. This is much like the folks at Studio Pierrot. They had no passion whatsoever in

the making of this anime, taking advantage of the fact that the manga is extremely popular and doing the

most minimalist job possible.

With all this I thought I would take joy in witnessing how badly this train-wreck could end, and to my

surprise they actually took that pleasure from me as well. The last 10 minutes of the last episode were

legitimately entertaining. Right at the end, the show introduced moral ideas worthy of involving the

audience and I found myself enjoying Tokyo Ghoul for the first time. What a bunch of trolls eh.

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Jan 30, 2015

12 of 12 episodes seen

Overall Rating: 4

JKinky88 (All reviews)

354 people found this review helpful

1) This is a rewriting of one of the first reviews I ever made, I deleted it because I did not know what the

hell I was talking about.

2) There will be some minor spoilers, you've been warned ye little b-

You know those stories that have these special entities that live in a world and pretty much kind of like x-

men? Well recently that idea has been done a lot, out of most of the things that have done this idea

recently, Parasyte is the only one that succeeds in doing it well, Beside it is this mess. Tokyo Ghoul, when I

saw this show read more

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Sep 18, 2014

12 of 12 episodes seen

Overall Rating: 5
they are so predictable and saturated with tropes that it almost seems like a cruel joke. Tokyo Ghoul doesn’t

derive far from that. Despite being much longer than a typical horror movie, the series plays around with

itself so much that it almost becomes a laughter stock. Don’t get me wrong though. The intriguing idea of

supernatural creatures known as ‘ghouls’ living among human communities is quite well-built when it comes

with premise. However, the show ultimately kills itself with its execution. Based off of the manga of the

same name, I can say that they are almost like two different worlds.

The brainchild of Tokyo Ghoul is Sui Ishida as his first original work. Like the title implies, the series follows

the idea of ghouls living among human population in Tokyo. They are regarded as savages and killers of

injustice. News reports often sends the message that all ghouls must be eradicated in order for the world to

be at peace. It becomes a near totalitarian-like state as the ghouls finds themselves at constant struggle for

survival. If you don’t believe me, just ask Ken Kaneki. The young boy has a dark secret after one day as he

comes face to face with the horror of reality.

Ask yourself first though: is Tokyo Ghoul a good adaptation of a horror story? At first, it does seem so with

the premise. The first episode crafts the image well with the innocent Kaneki and his puppy crush on

another woman named Rize. What comes next is a big surprise for him as his life spins out of control. This

might be a surprise for him but is far too predictable for the viewers’ eyes to see. The beautiful girl with the

mysterious aura, dark alley, and morbid news near Kaneki’s community should have all been hints that

something terrible would happen to the boy soon. And exactly like that, Kaneki’s life is no longer human as

he becomes part ghoul in Tokyo.

Despite being part ghoul, the show sends the message that Kaneki wishes to live as a human instead. His

love for literature and struggle to contain his appetite are proof of this. Emphasizing on his human traits,

Kaneki fights against his gluttonous desire to consume human flesh. No matter how great the temptation is,

we see how determined the kid to retain his humanity. This conventional idea isn’t uncommon at all though.

Other series such as Claymore and Shiki also have similar ideas. Unfortunately, Tokyo Ghoul doesn’t develop

this idea all too well. For instance, can we really sympathize with Kaneki? While he is a good role model for

others, some of his roles in this adaptation are questionable. Furthermore, we don’t really know much about

the young boy such as his backstory. Taking a closer glance at his character, Kaneki is more like a plot

device himself to steer the engine of the premise. In retrospect, Kaneki is an underdeveloped character with

minimal characterization and lack of focus. The mask he wear is a motif to his character but the anime

adaptation neglects its value.

Some focus are put together with the other characters throughout the show such as Toka Kirishima, a young

girl and also a ghoul dubbed as “The Rabbit”. Other ghouls entering the story includes Nishiki NIshio, Hinami
minimal characterization and lack of focus. The mask he wear is a motif to his character but the anime

adaptation neglects its value.

Some focus are put together with the other characters throughout the show such as Toka Kirishima, a young

girl and also a ghoul dubbed as “The Rabbit”. Other ghouls entering the story includes Nishiki NIshio, Hinami

Fuegushi, Yoshimura, Gourmet, and among others. The funny thing about them is that despite being the

ghouls, most of them are presented as protagonists while fighting for survival. It’s clear that society

misunderstands them because of their gluttonous appetite for meat. Then, there’s also the Aogiri Tree that

fits the profile that society that describes them as – brutal, violent, and craving to satisfy themselves. On

the other hand, there’s the CCG, a Ghoul Investigation agency dedicated to battle against ghouls. I wouldn’t

necessarily call them antagonists since their purpose is to secure the safety of the public. However, they do

come head and head against Kaneki and the others. The consequence includes grief on both sides as they

lose important people. It pinpoints the fact that lives are very fragile that can be taken away so easily

whether you are a human or a ghoul.

A prominent character in CCG is Amon. Despite not being the main focus of the show, we find out about him

more than almost any other character. These include his partnership with professional ghoul hunter Mado,

his past, and how he became who he is today. Serving as a determined man, he has some similarities and

differences with Kaneki. They both fight for what they believe in but with very different motivations. But

taking for granted, Amon can be considered a breakout character compared to others. The sad part is that

he is perhaps one of the only character that some of us can relate to. Others such as Touka just lacks any

distinctive traits or characterization for us to get to know well. Oh and don’t bother asking about Rize.

Despite her being the main reason of Kaneki’s change, the show neglects to focus on her as a character at

all and only shows her influence through the show in ridiculous diehard ways.

Several consideration should also be considered as the show explores prejudice, morality, and identity.

Apparently, the public shows fear of the ghouls so the show wastes no time to label them as pure monsters.

But ask yourself this: should all ghouls be considered as monsters? This can be controversial as some ghouls

truly are unredeemable while others such as Kaneki and Nishiki have human values. Then, there’s the

identity issue with various characters. Kaneki struggles to battle this the hardest out of any other character

as he adapts to his new life. He must hide his ghoul tendencies from his neighbors, teachers, and even his

best friend Hide. While all this seems to strike keen interest, it just feels repetitive and quickly grows old.

The show just tries far too had when attempting to get viewers to realize what Kaneki strives to be.

Now comes perhaps the worst part of the show: the adaptation of the story. The craftsmanship had the right

source material but it didn’t know what to do with it. Studio Pierrot failed to deliver a faithful adaptation with
both the characters and the story. There’s little development with any of the characters and fails to achieve

adequate accuracy with the main story. The main story cuts off important parts that were hugely influential

to certain outcomes. It lacks credible built-up, has a poor execution, and is ultimately beyond salvage at a

certain point. For the characters, most of them suffer from development and characterization. While we can

feel sympathetic at times, it’s hard to relate to them at all. Most of them aren’t good role models besides

Kaneki. Furthermore, the relationship he builds with others is vaguely expressed. Touka often gets into

arguments with Kaneki while Nishiki picks on him as a weakling. Hinami’s relationship with Kaneki has some

innocence to it but really lacks compatibility. There’s also a sense of hate between some ghouls but most of

this is degenerated to weak expression because of its pacing. In retrospect, this adaptation lies in the ruins.

Despite all this, Tokyo Ghoul is a horror fest when it comes to action. The artwork of the series is done well

visually to capture the gruesome moments in the ghoul world. Speaking of which, the ghouls themselves are

designed with monstrous traits such as their razor sharp teeth, scarlet eyes, and body structure. The ghoul’s

predatory organ known as the Kagune is designed to look artistically endearing with blood-like muscles.

Although the show doesn’t focus too much on the mechanics, it’s easy to tell that they are a race to be

feared. Likewise, most of the other character designs are designed with accuracy. I say this because of their

ability to blend in with human society despite being ghouls. Just take a good look at Nishiki. The background

and dark chilling atmosphere also has noir-like feeling to provoke power. Overall action coordination remains

top notch with cinematic battles scenes from start to finish. I just hope the BDs will remove the horrid

censorship from the TV series.

On the soundtrack front, the show’s delivery is effective. It shows enough ways to get most of the job done.

In fact, the very first minutes of the series wastes little time with its high volume of violence. The haunting

tones strikes fear with both wish-fulfillment brutality and chaos. Voice expressions too crafts the imagery of

our characters’ struggles. I also give credit to Kana Hanazawa who is able to play the character Rize. She

was able to convey the character as a graceful beauty until her true visage is revealed. Others such as Toka

and Gourmet have distinctive ways of speaking similar to those of a tomboy and aristocrat respectfully.

Finally, the OP and ED songs are beautiful and well decorated.

To say the least, Tokyo Ghoul is an adaptation gone wrong when it comes to story and characters. The way

it is adapted is a degeneration of its original source. But if you’re coming in as an anime original viewer,

then this show might be something to take a keen interest on especially when it comes to the cinematic

battles. The first episode will hook you in but the rest of them lacks that sort of development. Although

there are some occasional comedy, the majority of the show takes itself seriously, perhaps sometimes for its

own good. I wouldn’t call Tokyo Ghoul a hollow shell of what it should be though. Rather, it’s more of an

adaptation that should have been handled differently. VERY differently.