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Siddhi Military Architecture of The African Diaspora in India
Siddhi Military Architecture of The African Diaspora in India
3. Gate
Fort gates forts were much decorated, often tall and wide. The length of the gate
was app 25 ft and width 13 ft. The gate of the fort had steel spikes to protect it
from elephants. Basically these gates had a smaller small gate inbuilt in them for
passage of the normal activity. The large gate was opened for the King
Sheesh Mahal, Moti Mahal are some examples of palaces. In Janjira there is also
a palace for the residence of the higher Ups.
7. Water Supply
Numbers of Baolis were built during the medieval times. Baolis are step-wells to
obtain underground water. It was an intelligent and durable technique for
obtaining water. Baolis had a unique and beautiful architectural style with
impressive appearances. Earthen pipes were used for water supply. These pipes
would have been used to carry water to different places in the palace. Internal
Ponds, wells, small lakes are also present.
8. Worship places
In forts, there were places of worship. In Mughal forts there were mosques and in
Hindu forts there were temples. Temples have marble halls, pillars, carved
ceiling, and roof. The architectural wonder of the medieval period was built to
showcase power and wealth.
Who Designs Forts?
The rulers design Forts and play a major part in seeing that their ideas are put
into reality.Therefore if one takes the modern day example of DUBAI. See our
paper-The Client as the Final Arbiter of Architectural Creations. Here in Dubai
all structures are personally approved by the Sheikh and his team. Same as in
Forts. Therefore, when the nazir of Ahmednagar wanted a Fort built that was
impregnable he had in mind a Sea Fort and he gave this task to Malik Ambar,
The Siddhi (or of African descent ) to carry out his VISION.
The western Indian state of Maharashtra is home to over 350
majestic forts, and some of them have been strategically built in the midst of
the Arabian Sea, referred to as 'Sea Forts. The fort lies on a rocky island just
off the coast of Malvan which is accessible by a boat from mainland. The
district is named after the fort of Sindhudurg which means 'Fort in the Sea'.
A sea fort is (in its classic form) a fort completely surrounded by water by
virtue of being off a coast. It may be a fortified island, built on a large part of an
island or a tidal island, a construction built on the sea bed, or consist of steel
towers erected on the seabed. The builders have sought to command a sea lane
or block a potential landing place. Being surrounded by water impedes a land
attack.
Murud is a Konkani word, which probably refers to the Shahi of Ahmednagar,
who wanted this fort to be one of his strongholds. Janjira is a colloquial and a
more localized form of the Arabic word Jazeera that means island.Example is
the Omani TV chanel Al Jazeera.
Murud Janjira fort was attacked by the Marathas, some say 30 times, the
British, and the Portuguese, yet remained unconquered. The Siddis were so
powerful here that they established their own sultanate of Janjira here.
Maratha Ruler Sambhaji attempted to unsuccessfully storn Janjira
The Legends of Janjira Fort: Standing tall and proud, forts and palaces of
India are the living legends that stand testimony to a bygone era of indulgence,
elegance and romance.
There is another legend to all forts- the story of the fort itself. In view of the
lack of written records, people living in or around these forts tell stories of
grandiose of bravery – not necessarily true.
The Murud Janjira is One of the strongest marine forts in India, the Murud
Janjira is an oval shaped structure near the port town of Murud. Now in ruins,
the magnificent fort still has 19 bastions left around. Being built in the 15th
century by a Maratha fisherman to protect his people from pirates.
During its construction days, the Murud-Janjira fort was equipped with all
the necessary facilities like mosques, quarters for officers and natural fresh
water lakes. The design of the fort was also kept unique as the gates are
embedded with Ashok Chakras.
Legend 1. Ram Rao Patil or Itbarrao was an Admiral of the Ahmadnagar
Navy and king of Kolis and Janjira. He built and fortified the Janjira Island. He
is credited with building the Janjira with permission of Sultan. But later he
refused to obey the orders of the Sultan. In 1489, The Ahmadnagar was
attacked and sacked and the new ruler appointed his new admiral called Piram
Khan and ordered to capture Janjira from Ram Rao Patil as Ram Rao Patil was
acting like a King on his own in the Janjira Fort.
Legend 2. Piram Khan marched from Surat but would not dare to attack
at Patil as Janjira was difficult to capture. So made plans to enter in to janjira.
Piram Khan and his Afro descent team members of Muslim Siddi mercenaries
disguised as merchants and requested to the Patil for keep their three hundred
large boxes containing silk and wine at island safe, and the request was
granted. After that, Piram Khan thanked him and gave a him alcohol (wine).
When all of the soldiers and Ram Rao Patil were drunk, he attacked at Janjira
and captured it. In the century that followed, the rulers put themselves under
the overlordship of the Sultanate of Bijapur. During the seventeenth and
eighteenth century Janjira successfully resisted the repeated attacks of
the Maratha Empire.
Legend 3. The Architect of Janjira – The Malik of Deccan
Solid Rock Fortress built by Malik Ambar the Malik (owner) of Deccan.:
According to the third legend, The origin of this majestic fort can be traced
down to the fifteenth century when some local fishermen of Rajapuri
constructed a small wooden fort on a huge rock to protect themselves and their
families from the pirates. However, the Nizam Shahi Sultan of Ahmednagar
wanted to capture the fort purely for strategic reasons, and when his general
Piram Khan captured it. Malik Ambar- his spokesperson who was also an
Abyssinian regent of Siddi origin- decided to construct a solid rock fortress in
place of the original wooden garrison. This fort was originally called Jazeera
Mahroob Jazeera.
He died in 1626 at the age of 77. Malik Ambar had by his Siddi wife, Bibi
Karima two sons; Fateh Khan and Changiz Khan and two daughters. His tomb
lies in Khuldabad, near the shrine of the famous sufi saint Zar Zari Baksh.
Legacy: There are conflicting perspectives on Ambar's long-term impact in
Deccan, and its surrounding Indian states. Some credit the former slave with
creating a long-lasting legacy of Africans rising to power in the eastern regions
of the world, namely India.
Others agree more with historians like Richard Eaton. He cites Ambar's
military prowess as the reason he rose to such influence during his life, but
claims that a string of decisive defeats at the end of his career instigated
distrust and resentment amongst those in his close administration. All claim
Ambar's journey is an impressive story of success, and gave African's
representation in India for a short while, but also believe his lack of positive
leadership in the final years of his tenure prevented him from solidifying his
influence.
Regardless of his posthumous impact on the Deccan, and Indian states
generally, it cannot be disputed Ambar was an avid supporter of education and
a patron of the arts. Historians Joseph E. Harris and Chand cite Ambar's
patron ship of the arts and learning as a shining achievement of his tenure as
Malik of Deccan.
Patron of Architecture: Malik Ambar cherished strong love and ability for
architecture. Aurangabad was Ambar's architectural achievement and creation.
Malik Ambar the founder of the city was always referred to by harsh names by
Sultan Jahangir. In his memoirs, he never mentions his name without
prefixing epithets like wretch, cursed fellow, Habshi, Ambar Siyari, black
Ambar, and Ambar Badakhtur. Some historians believe that those words came
out of frustration as Malik Ambar had resisted the powerful Mughals and kept
them away from Deccan."
Foundation of Aurangabad
He founded/inhabited the city of Khirki in 1610. After his death in 1626, the
name was changed to Fatehpur by his son and heir Fateh Khan. When
Aurangzeb, the Mughal Emperor invaded Deccan in the year 1653, he made
Fatehpur his capital and renamed it as Aurangabad. Since then it is known as
Aurangabad. Two imperial capitals Viz. ‘Pratisthana’ (Paithan) i.e. the capital
of Satavahanas (2nd BC to 3rd AD) and Devagiri – Daulatabad the capital of
Yadavas and Muhammad bin Tughluq are located within the limits
of Aurangabad District.
Aurangabad canal system
"Malik Ambar is especially famous for the Nahr or "Neher", the canal water
supply system of the city called Khadki now known as Aurangabad. Malik
Ambar completed the Neher within fifteen months, spending a nominal sum of
two and a half lakh Rupiyahs. This city is situated on the banks of Kham, a
small perennial stream which takes its rise in the neighbouring hills. The
Canal was an impressive engineering feat as it consisted of a 7 feet deep tunnel
large enough for a man to walk through. The Canal had 140 manholes and it
worked efficiently without the need for any maintenance or cleaning for 321
years until it finally needed cleaning in 1931.
Architecture and Art of the Siddhis: Under the reigns of successive rulers of
the dynasty, architecture and art flourished in the kingdom. The earliest extant
school of painting in the Deccan sultanates is from Ahmadnagar. Several
palaces, such as the Farah Bakhsh Bagh, the Hasht Bihisht Bagh, Lakkad
Mahal were built, as were tombs, mosques and other buildings. Many forts of
the Deccan, such as the fort of Junnar (later
renamed Shivneri), Paranda, Ausa, Dharur, Lohagad, etc. were greatly
improved under their reign. Daulatabad, which was their secondary capital,
was also heavily fortified and constructed in their reign. Literature was heavily
patronised in the kingdom, as seen through manuscripts such as the Tarif-i
Husain Shah Badshah-i Dakan. Sanskrit scholarship was also given a boost
under their rule, as demonstrated by the works of Sabaji Pratap and
Bhanudatta. The city of Ahmadnagar, founded by the Nizam Shahs, was
described as being comparable to Cairo and Baghdad, within a few years of its
construction. It was modelled along the great cities of the Persianate world,
given the Shi'i leanings of the dynasty.