The three sources provide examples of cognitive dissonance from popular movies and television shows. [1] In Mean Girls, the main character Cady changes her persona to fit in with the popular clique, despite knowing it's not who she truly is. [2] The character Michael Scott in The Office regularly says and does things that make him and others uncomfortable to try to be cool. [3] The pranks on Impractical Jokers often challenge the comedians to do things they insist they don't want to do, creating tension as they experience dissonance. Together these examples illustrate how cognitive dissonance theory plays a role in influencing behavior.
The three sources provide examples of cognitive dissonance from popular movies and television shows. [1] In Mean Girls, the main character Cady changes her persona to fit in with the popular clique, despite knowing it's not who she truly is. [2] The character Michael Scott in The Office regularly says and does things that make him and others uncomfortable to try to be cool. [3] The pranks on Impractical Jokers often challenge the comedians to do things they insist they don't want to do, creating tension as they experience dissonance. Together these examples illustrate how cognitive dissonance theory plays a role in influencing behavior.
The three sources provide examples of cognitive dissonance from popular movies and television shows. [1] In Mean Girls, the main character Cady changes her persona to fit in with the popular clique, despite knowing it's not who she truly is. [2] The character Michael Scott in The Office regularly says and does things that make him and others uncomfortable to try to be cool. [3] The pranks on Impractical Jokers often challenge the comedians to do things they insist they don't want to do, creating tension as they experience dissonance. Together these examples illustrate how cognitive dissonance theory plays a role in influencing behavior.
challenges herself to fit in with the popular girls after moving to a new school. Throughout the course of the film, Cady becomes less and less her true self and resorts to following the Plastics, who included the most cliquey girls in her school. After learning that these girls are actually toxic Cady ultimately decides to take the group down and discover who she truly is through the process. This film shows what cognitive dissonance theory can do to a person. Cady changed her whole persona in order to get in with the Plastics even though she knew it wasn’t who she really was as a person. I saw this happen a lot in high school. There were people I would befriend because we had similar likes and dislikes, only to find that they would rather be someone they weren’t just to get in with the “popular” kids. I have experienced this at one point or another in my life too. Trying to be someone I wasn’t and having a feeling of dissonance because other people around me were making choices I knew weren’t ok. In the end, it really gives you an idea of who you truly are and helps to mature you overall. Dissonance will always play a role in how we act out in public but I don’t think it needs to be a negative concept.
Source Two: Michael Scott from The
Office
Even if you have seen just one
episode of The Office, you probably got a sense for what kind of a boss Michael Scott is. Throughout the show, Scott is portrayed as someone who doesn’t care, while also having a strong moral compass. There are certain times where he is given a task that may not sit well with him. Other times, he’ll do anything to get out of signing paperwork. In one episode called, Sensitivity Training, Michael has a meeting with his workers to talk about censorship in the office. To no one's surprise, this is a chance for Michael to talk about explicit and inappropriate topics in an “open” environment. Everyone feels uncomfortable listening to their boss talk about sexist issues in the office and no one seems to have a vocal opinion about it. The entirety of the show highlights Michaels crazy ideas and insecurities about basically everything.There are some instances of him acting more like his coworker Jim, whom he looks up to and strives to be more like. Even if it makes him uncomfortable, Michael will do anything to be as cool as the most valued salesman in the office. I love this show because dissonance is always a heavy factor in every episode. Regardless of how boring the day is for the employees at Dunder Mifflin, there is always someone who is experiencing this theory created by Leon Festinger. I don’t think I will watch this show without remembering the Theory of Cognitive Dissonance from here on out.
Source Three: Impractical Jokers
This show is probably the most insane idea
of comedy I’ve ever seen. Every episode is the four comedians going against everything they believe in to get a laugh from the viewers. After recently watching a few episodes, I can clearly see each “joker” experience dissonance in every prank they perform. The pranks can vary from trying to make the other joker laugh in a public setting, to pretending like they know how to be a professional chef in a restaurant setting. The guys in the group will challenge each other to do crazy things and most of the time, they don’t want to actually do it. For the fans, and for clout, the guys will do basically anything. Sure, they may not mind embarrassing themselves a few times, but during some episodes, it was painful to watch. There is usually so much happening it is hard to keep up. There were some parts of their show that portrayed the guys doing things that they really insisted on not doing. Most challenges involved talking to people and saying crude things that they would normally never say to a person. You can almost cut the dissonance tension with a knife as the joker contemplates if he should actually say what the rest of the guys are telling him to say. This show is a great example of cognitive dissonance because it doesn’t matter how the jokers feel. It is truly up to the rest of the group to decide what is in store for them when it comes to the pranks.
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(Psychoanalytic Inquiry Book Series) Robert D. Stolorow, Bernard Brandchaft, George E. Atwood - Psychoanalytic Treatment - An Intersubjective Approach (2000, Routledge)