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Musette
BWV Anh. || l26

Avmnged o/ Peter Batthela: Anon.

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D. C. a] Fine

The great German composer Johann Sebastian Bach presented two Cluuierbu“chlein (Little Keyboard Books), copied with the help of
family
members and friends,
to his second wife Anna Magdalena. The first, from 1722, consisted entirely of his own music; the second, from 1725,
was an anthology of pieces mostly by other composers, for Anna Magdalena to play for enjoyment or to teach to the
couple's children. The
latter collection is the
source of this anonymous Musette. The title indicates a dance ofpastoral character, named after a type of small bagpipes
popular in the 18th century. The repeated bass notes in the accompaniment suggest a bagpipe drone, while the D sharps in bar 17' also imitate
rustic piping.

', 2018 by The Associated

Board ofthe Royal Schools of Music

AB 3922

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Gigue
‘rom Pieces de théort'te et tie luth

Robert de Vise'e
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Robert de Vise’e was a chamber musician to the French king Louis XIV, playing various plucked-string instruments: guitar (which he also taughI
to the king), lute and theorbo (bass lute). He also composed pieces for all these instruments, publishing selections in three volumes. This giguev
a dance in brisk compound or triple time, is from his Piecesjo'r theorba and lute. which appeared in Paris in 1716.
edition
Source: first edition, Pieces de lhe’orhe et (10 lulh mixes en partition, (Iessus e! Imxse (Paris: Be'langer; Hurel, 1716) The source is notated in g time but this
original also includes more ornamentation.
'

appears in The

a 2018 by The Associated Board 0fthe Royal Schools of Music

AB 3922
 Twenty Ways Upon the Bells A3
from The Schoo/e of Music ke
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Thomas Robinson
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(Ion moto . = v.72

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an English player of the lute and the cittern (an instrument with plucked wire strings), and the author of influe ntial
Instruction [moks for both. “is The scimolc ofMusickc, which appeared in London in 1603,
is for the most part a lute tutor, with text in the form
0t dialogue and exercises for the student. it also contains a series of complete pieces, lute solos and duets,
including several in the form of
variations over a 'gmund', a repeated
pattern played by a second performer. This one has a two—bar ground imitating the ringing of church hells.
'" “'8 exam, the candidate should play part I.
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AB 3922
AB 3922
 Andantino
No. 4 from Bagate/le, Op. 73
Mauro Giuliani
(1781—1829)

Andantino [. = 5.56]

bagatelies (a word meaning ’trifles’ or miniatures) published in Vienna in 1816.

Source; [fflgalellg per [a chimrra (Vienna: Pietro Mechetti, c.1819).
All dynamics are editorial.

“I 2018 by The Assnu'utcd Board ofthe Royal Schools ()fMusic

AB 3922
_

1
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 10

Danny Boy
Arranged by Richard Wright
Trad. Irish
Adapted by Harold Samuel
Heartfelt . _— C56

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The
melody of ‘Danny Boy' is an Irish folk tune from County Londonderry, first printed in 1855 and commonly known as the ‘Londonderry Airi
The
words [are by the English lawyer and lyricist Fred B. Weatherly: they were written for another melody in 1910, and adapted by Weatherly in
accompaniment by the pianist and composer Harold Samuel (1879 —1937), the result became one of
1913 to fit the ‘Londonderry Air'. With an
songs in the early years of commercial recordings. Weatherly's lyrics are a girl's farewell to her beloved Danny as he leaves,
the most successful
perhaps to go off to war.
. .
4, Copyright 1913 by Boosey 8! Co. Ltd
& Co, Ltd. Reproduced by permlssmn.
'1 his arrangement © 2018 by Boosey

AB 3922
 ll

[Urdriit't'tl n, Helm Sanderson

attrib. Francisco Ta’rrega
(1852*l9‘0m
Appassionato . = ($.09

The Spanish guitarist and composer Francisco Ta'rrega was largely responsible for the revival of the guitar as a solo instrument in the
vears
around 1900. This piece published under his name is called ‘Tango', after the national dance ofArgentina, which is popular all over the Spanish—
speakjng world. However, it was printed after Ta’rrega's death, and closely resembles a Habanera (a dance of Cuban origin) written for two guitars
and called iEmiqueta, by Tairregals
compatriot and fellow-guitarist Carlos Garcia Tolsa (1858—1905). So it seems that Ta’rrega's ‘Tango' mav be an
arrangement rather than an original composition — in which case this duet version restores Tolsa's original scoring! In the exam, the candidate
Should play part I.
t I, .9
I hL page may be
t

photocopied to avoid the page turn.

2018 by The Associated Board ol‘the Royal Schools of Music

AB 3922
12

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AB3922
 13

AB 3922
 14

Take Five
Arranged by Abigail James

Mellow, with swing . = c.138 ‘1

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CV -

CVIII - ®----1 VI ®__________

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T‘ F' ared on the 1959 LP record Time Out by the American jazz group the Dave Brubeck Quartet,
and became a masswe internationa1
akeBrulbyeecakpcpoemposed most of the tracks on the album, using the unconventlonal time Signatures
hit. for which he was renowned, but this piece In?
Was \ertten
' ) the Quartet’s saxophonist
by ~ . Paul Desmond.
fi Each
. ha 1‘ is re gula
‘ I' leld ed1 nt 0 fee plus “V 0 beats. As well as alluding to the metre.
Ihe le is a falnlllaf instruction to mUSlClanS to take a Ve-mlnu te b e 8k

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(:O'Pyr‘ght O 196n0[((:ROCSVBH'ghT . U.S.A.); Desmond
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A rig 1 s 0 excluding USA, Canada 81 Iapan controlled by Valentine Musxc Ltd.

AB 3922
 15

—————

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 ~~

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{\J
Carmen
(Tango Waltz)
from Invitation to the Waltz

F.
mf espressz'vo) vzbrato, molto rubato e
cantabz'le
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ritmico ,
senza ritenuto

m1) pz‘u‘ am'mando

Tatiana Stachak is an award-winning Polish guitarist, composer and educator. Since her student years at the Wroclaw
Academy of Music, she
has been interested in the education of young children, and she has written several volumes for b eginner and intermediate
guitarists, as well as
She describes her Invitation to the Waltz, publish
textbooks on guitar teaching and ear training. ed in 2010, as a collection presenting 'some of
enduringly popular musical form'. It includ
the many and varied manifestations and styles ofthis es this piece in the style ofthe Argentine tang0
waltz, which is a relaxed, flowing dance.

to 2010 Wydawnictwo EUTERI’E

EUTERPE, www.euterpe.pl,
Licensed with permission from Wydawnictwo

AB 3922
 17

1110110 rilmico

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D. S. al Coda
tempo
primo

AB 3922
 The Snow Globe

o _— C. 1

01/ d
© 3‘ \

The
British guitarist and composer Laura Snowden studied at the Royal College of Music in Lond sh
the Wigmore Hall
premiere of a new work by Julian Anderson,
commissioned by the Julian Bream Trust, and she erofon‘ e was emmSted With
at Shakespeare’s Globe with her folk
of John Williams. The Snow Globe is named after a popular top a Srmlled
ensemble Tir Eolas at the invitation aWimer scene
The composer says: ‘I have loved snow glyo'begm-a glass Sphere .Comaining
which when shaken fills with a miniature snowstorm. ‘0 Portia)"
waltz-like rhythm and an expressive melody.’ In the esxlanmce Ithweacsaa Cdl-hdfld' anhd Sought
their magic by combining harmonics with a slow r n 1 ate s ould play part .
avoid the page turn.
" Page 20 may be photocopied to
ofMusic
(0 2018 by The Associated Board of the Royal Schools

AB 3922
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AB 3922