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London Guitar Studio
62 Duke Street
Lo ndon
W1I( 6JT
Tel: 020 7 493 1157
Fax: 020 1495 4610
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A CFIORD is a group of notes played together. lf the notes are played
Chords & one after the other to build up the chord, the group of notes is known
as an ARPEGGIO or BROKEN CHORD. Arpeggios are usually played
Arpeggios FREE STROKE to allow the notes to ring together.

^.&^r-\
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-\.< .!\ Keep the right hand very still
a. /¿ ^ -
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Blue Lake when plavina the
4:_----

-f...

Tnp

TAMBORA: strike the strings


Rocky Shore with the right thumb or fingers
just in Íront of the bridge.

QmCt

1k-"#
(Hold Em chord until the end)

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l-and of the Silver tsirch '{/ "e
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canoeing song
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:1 t'nür(:uto
t-{
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¡d
'-d
'-d
t-,
Duet:1&3,or2&3
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l,,i Study in Tfirirds
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The Hurdy-Gurdy A let the note
I nng on

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The Harp

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Fine

F;A,;ea "f-
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rü Three Fart Study

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t W (piari^vsi^o) ,neans VHRY SOFT iff'l.lbrri.r.r¿z¿ol r'¡reans vERV LouD
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á t. A (ferrnata) is a pause:
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Song of the Sea
hold the note for longer
tirar¡ its written value
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Second Position
Second Position is olten used
when the key signature has
TWO SHARPS (Fi and CI
II@ O II @ @ -----------------

Learn the D scale (ptagal

Westminster Bells l-eave out the bass


notes at f¡rst

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Father l-lalpin's Topcoat lrish Tune

al

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Fine 0
frilasquerade & Dance '!
6th century lute
pieces (Anon.)
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Másfflerade

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Left Hand Slurs
A SL¡.JR is a very smooth connection between two (or more) notes.
On the guitan, the first note is played as normal, but the second note is
produced using the LEFT I{AND ONLY. There are 2 types of slurs:
ASCENDING slurs (Second note hiEhen than first)
DESCENDING slr.¡r's (Second note lower than finst)

ASCENDING SLURS ('Hammer-ons') DESCENDING SLURS ('Pull-offs')


Hammer the left hand finger + Pull the left hand finger
down onto the ope¡ string off the string in a
to prociuce the second note: --- -: dowr¡wards direction:

Slurs are shown with a curved tine (broken or solld) between the noteheads

lDuet' fi &14-'l

/ kil, Ap.u^A,6
4-J
gtrr5
( F¡ "Tacrcta'
Q¡"r the Run u r" Bak 2

(Part One)

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II II
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l3 Scale & Slur Studies
tr I

E D major
(1st position)

Lt
[:

l:lr 02

[¡ D major
lt (2nd position)

lr

lr
Ir
L4 fpuí' 1? alE
Ln
b
L.* On the Run
ln (Fart Two)

b

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fl-eEend

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(To Coda)
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e. e. ll*
l=---=l J
rall. e dim.

$ coot

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fI l-I fI f'f,V
f ,r,v Zl€.=----.--l
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4.

---1
1f,"9
=J
.:J-,
rall. e dim. - slower and softer a ternpo - return to original speed
10
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F
fÉ Elo{'t,ri ie J = staccato (detached)

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4G tG G ,C ,C ,G ,G ,D7 D7 ,.G
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.a Duet: 22 a zi, or zla-4
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Seventh Position
VII means '7th Posit¡on'
w¡th Íinger| at lret 7,
vII@ e VII@ @_
finger 2 at fret B, etc.
=--C
Use these notes to
ise VIBRATO

Scale of G maio!'(Plagal range)

@ @ '@ '

Sur le Pont d'Avignon

Three Note Chords

ti ---------_-l E
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Slower
@At' nenl
Pas, x.e¡ra le
E i-6r-l*uo.:
ts
AD
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I Learn the D maiorI

Serenade I scales on Page t5l

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rrup

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l=-----l
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r-n1P

rallentando .-9
Serenade Accompaniment Work out your own
left hand

DAILV SCALES

D major
(plagal)

@-@ @

G major
(plagal)

. VII
--- ¿'- , ¿

E minor
(melodic)
@@ e @-@

D major

@ '@ 'ie @@
Gmajor-2octaves
COMMON CHORDS
Tonic Subdominant Dominant
Key Signature (Key) Seventh
I IV v1
c F G7
L-_
il|*t
lt¡|t
XX
ir-T¡_
I i I t'aa' IIT
L¿Itl
mu] i¿iltl
rItfl
--b- - ++u| r+++t-l
cD7
l-lTTt
t¿| lt
ffiffi
ffiF
ffi+
YY

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'<.. D G N
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ifnr mml
i),, ,t 't
$t#
lIlli
H# ffiH ll |lt
A D E7
XX
mm
itt,l
lTTl-n if-J-¡
I I I l¿l¿
!-]+t-l ffi# ffi#
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| ll]l rr¡t
r rt¿¿ I
LL{l I
t¡t¿t¿
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ffi# ft-l+t ffiffi


#
Á,,n'".. D minor E7
XX
1lItl ¡-rTt
a L_tf{l I

#iH ffi#
E minor Aminor

IV Vz (or V) I
f z ,L 1,-1-1-
Sequence: ¡Z-l
l./ ./ ,/ ,/*+/ _¿_Z_Z_N
Right hand: In fr or ft t;me, p l¡ p li or
¡, i m a
Inflor$time: p i m a m i

16

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