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Within Our Gates
Within Our Gates
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The economic opportunities in the industrial north during and after World War One,
coupled with the returning of black soldiers from European warfronts after the war, prompted
thousands of black people to migrate from the south to the north. The north promised higher
wages, good life, and better social conditions (Butters Jr n.p). As the high migration led to the
development of black movements, such as the New Negro Movement, and increase in calls for
national attention by African American leaders, racism emerged as a major issue in postwar
America. Racial hatred and discrimination escalated to new heights of hostility, destruction, and
lynching as whites resisted the advancement of black people in the American community.
Responding to the postwar events, Oscar Micheaux, an African American filmmaker, released
Within Our Gates. The film portrays the realities of racism that African Americans endured.
Racial hostility, lynching, prejudice and segregation, and religious blackmail are the main social
Siomopoulos, black men were lynched by white mobs, while black women were sexually
assaulted by white men (115). Butter Jr posits that postwar America was characterized by many
acts of lynching by white mobs to keep back people in their place (n.p). In Within Our Gates, a
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black couple in Mississippi is lynched and touched to death by white people for allegedly killing
their white landlord (Micheaux 56:11). The couple’s children, including their adopted daughter
Sylvia, escape the lynching. As Sylvia escapes capture in the forest she cries for justice and asks
God how long she had to endure injustice in the hands of white people (Micheaux 1:15:50).
Moreover, Sylvia narrates that she was a victim of attempted rape (Siomopoulos 115). The
attacker supposedly stopped his attack when he realized Sylvia was his daughter after seeing a
scar on her chest (Siomopoulos 115). These incidences are just examples of the kind of horrible
Even though all men were subjected to lynching, many of them were black. Between
1990 and 1914, nearly 1,100 black Americans were lynched in the south (Butters Jr n.p). Like
the south, the north was also not safe as the number of African American communities continued
growing. Micheaux uses an intertitle at the beginning of the film citing that characters in the
movie are situated in the north where prejudices and hatreds of the south are not common but
blacks still get lynched (Butters Jr n.p). Even though African Americans expected to live better
lives in the north, they experienced the renaissance of the Ku Klux Clan and white racism,
promoted by whites who feared the growing number of blacks in the northern cities. Members of
these sects were notorious for lynching people of color and sexually attacking black women. The
Tulsa riot of 1921 was a response by African Americans to the lynching of and attacks on black
people by white mobs (Messer 1217). As seen, Micheaux dramatizes not only the injustices but
African Americans experienced prejudice and racial segregation legalized by Jim Crow
laws. As black people moved into the northern cities to look for employment and fill labor
shortages caused by World War One, they faced racial segregation in public accommodations,
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institutions, and schools. Sylvia, the protagonist, is on a mission to raise funds for African
Americans schools and children. In Within Our Gates, the audience is introduced to Reverend
Wilson Jacobs who is the founder of a black school and advocate for black education. Blacks did
not enjoy the same educational opportunities like whites (Butters Jr n.p: Micheaux 15:28-18:20).
Apart from segregation, another reason why blacks did not have equal educational opportunities
is because of prejudice about African Americans. According to Butters Jr, many whites believed
that blacks were either too lazy or too stupid to want an education (n.p).
Micheaux also introduces the audience to a rich southern woman going by the name of
Mrs. Geraldine Stratton who expresses prejudice (Micheaux 23:57). Mrs. Stratton opposes
female suffrage fearing that African American women will also acquire the right to vote. At the
same time, Mrs. Geraldine is reading a column titled “Law Proposed to Stop Negroes,” in the
nullify the Fifteenth Amendment. The senator justifies his proposed bill saying that negroes are
inferior beings who cannot be allowed to vote (Micheaux 23:57). Later when another female
character, Mrs. Elena Warwick, seeks the advice of Mrs. Geraldine with regard to donating
money for black education, Geraldine gives her prejudicial reasons. She says that thinking about
black men would give her a headache because they are nothing but lumberjacks and field hands
(Micheaux 30:15). She further advices Mrs. Warwick to give $100 to Old Ned, a black preacher,
instead of donating $5,000 to black education (Micheaux 30:15). To conclude, white people had
prejudices about blacks and segregated them from voting and enjoying other public services.
Religious blackmail allowed African Americans to tolerate racial injustices and prevented
them from fighting for their rights and freedom. Micheaux saw black religion based on
Christianity as well as their leaders as a barrier the freedom and advancement of African
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Americans (Butters Jr n.p: Micheaux 40:40). Men who practiced black religiosity like Old Ned
lied to black people about their atrocities using religion. Thirty minutes into the movie, Old Ned
preaches to his congregation that white people, regardless of all their higher education and
wealth, will burn in hell, while black people who lacked them will go to heaven because their
souls are pure (Micheaux 30:15). Old Ned says that the present racial system is God’s plan. Later
when he meets his acquaintances who ask him about his opinions about voting rights for negroes,
Old Ned answers that he always tells his congregation that America is for the white people and
not black people (Micheaux 30:15 – 40:45). Old Ned continues to spread these religious lies
Even though Old Ned preaches that most white people will go to hell, they still agree
with his religious views because black religious teachings tolerate the existing racial system. Just
like in the slavery era when Christianity was proslavery, black religion was used as a means of
controlling black people to tolerate the racial systems (Zauzmer n.p). Those who believed
Christianity teachings about racial systems obviously refrained from fighting for equal rights and
opportunities in postwar America, citing their troubles as God’s ordained plan. Moreover,
another scenario in which religion is used to blackmail African Americans in the movie is when
talks about honoring the Sabbath day and allowing the strangers within one’s gates to rest as the
owners (The Bible), was translated by white people to justify lynching (Siomopoulos 115). It is
no wonder that in Within Our Gates Sunday is the day set aside for lynching offenders like
Sylvia’s family when whole families can attend (Micheaux 1:10:34). As can be seen, Christianity
was used to control African Americans and justify the presence of the racial system in America.
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In retrospect, Oscar Micheaux produced Within Our Gate to dramatize and unveil the
Racism heightened after World War One as many black people migrated to the north to look for
work. Although many film makers, both white and black, refrained from portraying real issues
that people of color faced in America, Micheaux vividly dramatizes it in his film. Lynching of
black men and families, sexual attacks on black women, prejudice, and segregation are the main
injustices black people experienced. Moreover, Christianity and black religious leaders were
used to control black people. The suffering of black people was translated as God’s ordained
plan, while certain bible verses were translated to justify lynching and American racial system.
Overall, Micheaux did an incredible job in the film to expose injustices committed against black
people, making his audience to identify with the victims of racism and white violence.
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Works Cited
Butters Jr, Gerald R. "From Homestead to Lynch Mob: Portrayals of Black Masculinity in Oscar
Messer, Chris M. "The Tulsa Race Riot of 1921: Toward an Integrative Theory of Collective
Micheaux, Oscar, et al. "Within our gates." Library of Congress [prod.], 2007.
Siomopoulos, Anna. "The Birth of a Black Cinema:" Race, Reception, and Oscar Micheaux's"
Within Our Gates." The Moving Image: The Journal of the Association of Moving Image
Zauzmer, Julie. “The Bible was Used to Justify Slavery. Then Africans Made it their Path to
used-to-justify-slavery-then-africans-made-it-their-path-to-
freedom/2019/04/29/34699e8e-6512-11e9-82ba-fcfeff232e8f_story.html