The document provides guidance for directing a production of Bertolt Brecht's play The Good Woman of Setzuan. It prompts the director to consider their desired effect on the audience, mood, and style. It also discusses significant elements of the play like capitalism, patriarchy, and identity. The document explains Brecht's epic theatre techniques like estrangement effect and using signs/projections. It then analyzes important characters and proposes casting choices to embody those roles. Finally, it summarizes the roles of the gods and how they reflect on human goodness.
Original Description:
Production approach in adapting "The Good Woman of Setzuan"
The document provides guidance for directing a production of Bertolt Brecht's play The Good Woman of Setzuan. It prompts the director to consider their desired effect on the audience, mood, and style. It also discusses significant elements of the play like capitalism, patriarchy, and identity. The document explains Brecht's epic theatre techniques like estrangement effect and using signs/projections. It then analyzes important characters and proposes casting choices to embody those roles. Finally, it summarizes the roles of the gods and how they reflect on human goodness.
The document provides guidance for directing a production of Bertolt Brecht's play The Good Woman of Setzuan. It prompts the director to consider their desired effect on the audience, mood, and style. It also discusses significant elements of the play like capitalism, patriarchy, and identity. The document explains Brecht's epic theatre techniques like estrangement effect and using signs/projections. It then analyzes important characters and proposes casting choices to embody those roles. Finally, it summarizes the roles of the gods and how they reflect on human goodness.
• What effect do you want to have on the audience?
• What do you want them to get from seeing your production? What aspect of the play do you want to illuminate? • What mood, tone or style do you want to create? What “look” do you want? • Do you want the audience to laugh, weep, think, sit in stunned silence or run screaming out the door? • If you’re the director, what well-known stage actors would you cast in the leading roles, if you could? Why? Be sure to show us pictures of them. Your concept—your approach to staging the play—is the heart of your presentation and determines your choice of actors. • And most important: how did the principles of analysis developed in your analytic exercises influence your artistic decision Bertolt Brecht’s
The Good Woman of Setzuan
an Adaptation Significant Elements • Capitalism • Patriarchy • Identity • Water • Divine Entities • Goodness Epic Theatre/ Non-Aristotelian Drama Hallmarks • Socioeconomic basis • Commentary on society; goal is to instigate social change • Give context to base observations and opinions • Less theatrical illusion, audience involvement; • Signs, placards, projections
Estrangement Effect • “Break fourth wall” • Actors play multiple characters • Use of a narrator
Brecht and Non-Aristotelian Theatre
• Montage technique of fragmentation • Contrast and Contradiction • Interruptions Shen Te Shui Ta • Capitalism • Identity • Shen tu is aware that it is unholy • Alter ego to be a protitute and sell your • Used as a way to make people body. However she also is aware listen to Shen Te without that for her there is no other dismissing her way to make ends meet. • Being a women. No one takes • Tobacco shop = better way of her seriously making money. • However, not true • Miss Saigon, Broadway Theatre • Hadestown, Walter Kerr Theatre (Broadway) • Les Misérables, Queen’s Theatre • Yellow Rose, Feature Film Mr. Shu Fu • In love with Shen Te • Helps her out with whatever she needs • Shen Te cannot accept his love because of capitalism • Stays loyal to her regardless Marc DeLaCruz as Mr. Shu Fu Yang Sun • Patriarchy • Yang Sun insists that women are easily satisfied and that Shen Te lacks common sense. • Shen Te sings about how she will protect her son and prevent him from becoming a man like his father Riz Ahmed as Yang Sun Wong/Narrator • Element: Water • Wong has to work off of others suffering in order to survive. When there is no water, he must travel far for it, but he does make a lot of money that day. But when it rains, he makes none due to people using the rain water instead of buying it Peter Koo as Wong Rebel Wilson as 1/3 of the 3 gods
• Pitch Perfect movies 1-3
• The Hustle Andrew Farrell as 1/3 of the 3 gods • QC tones • Mens acappella group HS • HS musicals productions: • The little mermaid • Grease • The addams family Sarah Gross as 1/3 of the 3 gods
• Womans acappella group HS
• HS Musical production: • Grease • The little mermaid • The Addams Family • Cinderella The 3 gods • Divine entitites • Traveling in hopes of finding one good person • Showing how poor the world has gotten (poor as in undivine) • Checking up to determine if people are "living lives worthy of human beings" • they change it or leave as is Tracy Ullman as Mrs.Mi Tzu Into the woods Corpse Bride The Tale of Despereaux Mrs. Mi Tzu • Goodness • Everyone is damaged by capitalism • Motivated by money and greed onstead of listening to their heart • There is potential to be good and do good, but it is overclouded by the need to survive and have money BREAKING THE FOURTH WALL Shen Yun Dance Performance