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  • Lover Medio Partitura

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    alexa rosas
    942 views2 pages
    The document is a musical score containing lyrics and musical notation. It consists of lyrics written over several lines of musical staff with notes. The lyrics describe a relationship between two individuals referred to as "Lover" and the singer "Taylor Swift". The score continues for multiple pages with the musical notation and lyrics.

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    The document is a musical score containing lyrics and musical notation. It consists of lyrics written over several lines of musical staff with notes. The lyrics describe a relationship between two individuals referred to as "Lover" and the singer "Taylor Swift". The score continues for multiple pages with the musical notation and lyrics.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    942 views2 pages

    Lover Medio Partitura

    Uploaded by

    alexa rosas
    The document is a musical score containing lyrics and musical notation. It consists of lyrics written over several lines of musical staff with notes. The lyrics describe a relationship between two individuals referred to as "Lover" and the singer "Taylor Swift". The score continues for multiple pages with the musical notation and lyrics.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 2

    Lover

    Taylor Swift

     
    Wesley Steenbergen

                     
      = 74

                
     
           
             
    

           
     
                    
    5

               
         
           

           
         
     
    8

              
          
                     
      



                      

            
    11

                             
           

           
           
                       
      
    15

              
                   
       
        
                         
    
    19 To Coda 1. 1.

                  
               
           

     2. 
      
                 
    23

                      
          

     
      
     
    
       
    26

                   
       

      
     
                   
           
    29

               
         
      
    
      
         
        D.S. al Coda
                          


      
    33

              
         
      
       
               
     
    37

           
                

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