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Drum Mystery and Music Set
Drum Mystery and Music Set
In other words, this list is in no way comprehensive or in order of importance. Beyond the first
couple of issues, you can reprioritize any of these items. For example, you may have a teacher
who prioritizes hi-hat technique (7 on the list) over executing drum fills (6) or playing a basic
Try prioritizing these drumming basics — as well as any others you may consider — to tailor
This includes choosing the right tools and how to take care of them.
The Drums
Drums are the easy part. You don’t need brand new drums or the top of the line to sound great.
As long as the shells and rims are in good shape, you can put new heads on them and tune the
Cymbals
For beginners, the type of cymbal is more important than the quality. As long as you have a set
of hi-hats and a ride cymbal, you’re in business to work on the drumming basics.Try prioritizing
these drumming basics — as well as any others you may consider — to tailor your
Drumsticks
Sticks are a whole other issue. You don’t want to play with juck sticks. Used sticks lack
balance and can affect the feedback from the drum if they are broken in any way. So
buy new sticks that are comfortable for and fit the application.
Different applications of drum sticks can include the differences between playing drum
set or just snare drum. Snare drum sticks generally have a round tip to produce precise
attacks on the drum and tend to be thicker than drum set sticks.
Drum set sticks attempt to accomodate the needs of a cymbal — providing more
surface area on the tip for attack — and the roundness needed for playing drums. This
gripping the stick enough to stop the stick from rebounding away from the instrument
and being able to stop the stick from motion after an attack.
Gripping the stick comes in many forms. For drumming basics, I always suggest
learning American grip, which is a type of matched grip. This means both hands will
3. Stroke Technique
Most drumming consists of two strokes: rebound and controlled strokes. The rebound
stroke allows the drumstick to bounce off the drum and return to the preparation stage
of the stroke. Controlled strokes stop the drumstick from returning to the preparation
You are either letting the stick bounce or stopping the bounce. Almost all drumming can
Rebound strokes are great for building speed. This is especially true because practicing
rebound strokes helps drummers focus on accuracy, relaxation, and the economy of
motion.
Accuracy – Focus on striking the drum so the tip hits the center. This will train
your brain to play the area of the instrument that you want, making consistent
sounds.
Relaxation – It’s imperative to play with relaxed muscles. If you tense up too
much, not only will you not develop your technique properly, you may injure
your hands or arms. Breathing is key to relaxation. If your practice feels a lot
like meditation, you’re on the right track, for sure.
Economy of Motion – The rebound stroke starts with a preparation by raising
the stick so it is perpendicular to the playing surface. The next movement is an
acceleration of the stick toward the playing surface. The stroke is played with
a wrist turn, and the wrist moves back to the preparation position, allowing the
rebound to raise the stick up with the wrist.
All I ever wanted to do was play a basic drum beat. It’s why a lot of drummers start
developing the drumming basics — we want to play along to our favorite songs or jam
with friends.
The basic drum beat below can be played with the cymbal pattern on a number of
different instruments. Start with the hi-hat or ride cymbal, and move on to other timbres
5. Hi-Hat Technique
Growing up a huge fam of Carter Beauford, I learned early in the development of my
drumming basics that the hi-hat is very important. Some think it’s the most important
Hi-hat technique should offer a wide range of motions that produce a variety of sounds.
The technique should also compliment the other techniques we develop, such as the
The drumming basic for hi-hat, in my opinion, defines accented notes as being played
with the should of the stick on the edge of the cymbals. The unaccepted notes are
played with the tip of the stick on the top of the cymbal.