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Mozart String Quartet
Mozart String Quartet
Mozart String Quartet
Name
Course
Date
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Introduction
Mozart’s Spring Quartet in G.K. 387, Mvt IV: Molto Allegro, is a form of music that uses
classical style during creation and performance. It was composed by Wolfgang Amadeus Mozart,
who had been trained in the art of composing music. It was developed by Wolfgang Amadeus
Mozart during his stay in Vienna. The music is one of his many compositions that he composed
and which he gave to his fellow composer Joseph Haydn who was instrumental in the
development of chamber music1. As a result of the Spring Quartet being given to Joseph Haydn,
When played, it is revealed in the second reprise, which inverts both leaps and the
chromatic line. While fluctuating, the melodic roles down into the viola and cello parts bringing
out or rather enabling witty contrast. This witty contrast aims at making the music interesting and
attractive to listeners. It is also a way of bringing out the different expressions and features of the
song. Contrast provides a subconscious break to absorb the material from the main expository
piece2. This was one way in which Mozart used to bring an overall change in chamber music so
The Mozart’s begins with all four players in bold unison. This provides a platform for
exceeding the full range and power of quartet texture. The trio also plays the role of introducing
the first dark shadow in the quartet. Cast in sonata form, the spring quartet exposition is made up
1
Mozart’s Viennese instrumental music: A study of stylistic invention (published by
Boydell&Brewe,Boydell press
2
Neumann, Frederick. Ornamentation and improvisation in Mozart. Princeton University Press, 2019.
3
of equal parts of polyphonic fugue and homophobic melody with accompaniment3. This
produces a unified drama par excellence. The two thematic areas in sonata form include both a
lyricism of the progressive sonata form is one of the key elements that Mozart used in achieving
a mature classical.
Mozart ends with subtle, delicate finesse, quietly completing the final statement of the
first fugato subject with its missing 3-note tail for perfect harmonic closure4. This is referred to
as Mozart’s effect. It has been shown to result in short term improvement on the performance of
certain kinds of mental illness and that has early exposure to classical music. It also results in
The spring quartet explores the use of a variety of genres to pass the message across.
Some of these genres include symphony, opera, the solo, and the concerto. Mozart was required
to explore the available and already known genres but add more to make adjustments in order to
create a new experience for his audience. In so doing, Mozart was able to not only impress and
entertain his audience but also use his act to express his emotions and art in a way that was
The Spring Quartet has greatly evolved through the years and as a result, it has gained
popularity, and it is being used even in medical research. Researchers have made claims that
Mozart’s Spring Quartet has some healing power over patients suffering from mental illness. It
has also been used to pass down cultures of different generations. It provides a platform where
3
Klorman, Edward. "Multiple Agency in Mozart’s Chamber Music." PhD diss., City University of New
York (2013).
4
Neumann, Frederick. Ornamentation and improvisation in Mozart. Princeton University Press, 2019.
4
cultures of different people are incorporated together in order to develop one music form that
serves the needs of all the cultures involved. The Spring Quartet, as a form of entertainment, has
Conclusion
It is evident that Wolfgang Amadeus Mozart played an important role in the development
of western music and especially chamber music. Through his invention of the spring quartet, he
provided a way for the expression of inner feelings in a way that results in the entertainment of
others and even help solve the dangers posed by the lack of a common factor uniting different
cultures.
5
Klorman, Edward. "Multiple Agency in Mozart’s Chamber Music." PhD diss., City University of New
York (2013).
5
Bibliography
Klorman, Edward. "Multiple Agency in Mozart’s Chamber Music." PhD diss., City University of
New York (2013).
Boydell&Brewe,Boydell press
2019.