Professional Documents
Culture Documents
Mahabharata - 2
Mahabharata - 2
Mahabharata - 2
SAMHITA ARNI
Colleges/ Unis where I’ve spoken at/ lectured etc:
(TV)
http://
outofprintmagazine.co.in/
archive/
march_2019_issue/noor-
niamat-singh_the-
semicircle-of-life.html
Approaches
• Creative approach
PETER BROOK’s MAHABHARATA
(1989)
VYASA
PARIKSHIT
AMBA
GANDHARI
EKALAVYA
KARNA, ‘the driver’s son’
1. “What’s your poem about?”
Vyasa: “It’s about you. It’s about the poetical history of mankind.”
ITIHASA
Two genres: Itihasa, Kavya
“As it happened”
“As it was witnessed”
“History”
“Once upon a time”
Charioteer bards
Back in the day, charioteers motivated the
warriors they drove with stories
Which charioteers are heroes in this story?
Which bards are heroes/ central to the story?
LITERARY TECHNIQUES: Frame Story
Story within a story within a story…
“Mahabharata” Ugrasravas/ Sauti and Saunaka
“Bharata” Vaisamapayana and Janamejaya 100,000
Vyasa and Ganesh verses
Sanjaya and Dhitrashtra 200 CE
“JAYA”/ 8000 verses
4 Century BCE?
Krishna
Arjuna
“Bhagavad Gita”
700 verses
200 BCE
// with Ashoka
What other Frame Stories
can you think of?
The Mahabharata, Ramayana, Panchatantra
Vikram and the Baital
Arabian Nights
Decameron
Canterbury Tales
Heart of Darkness
How I met your Mother
Inception
What does a frame story do?
What does a frame story do?
• disorienting
• confusing, a labyrinth
• multiple perspectives