Common Guitar Voicings ‘The following exercises simply connect the five patterns of major seventh, minor seventh, and domi- rant seventh chord shapes up and down the fingerboard. The three exercises below use C as the root, but you should practice them until they are comfortable in all twelve keys. Play in half notes (two clicks of the metronome and two foot taps per chord) at a moderate tempo (80 bpm). Strive for smooth chord ‘connections from each position to the next. Pattern 1 x00 Pattern 2 x Pattern 3 Pattern 4 x 32 x Pattern 5 13241 lotr vir 1342 Cond 1333 Pater: #1 n 8 “ s “ * “ “ Pattern 1 Pattern 2 Pattern 3 Iss Pattern 4 3241 ne Teta tir" anens Trr2 10fe vi24as 1324 Patiem2 PCTTT) Pattern 3 ks OE] patems x~ x 1ST - zane 2335 1423Chapter 1 Here are the most common chord voicings for the guitar. Most have the root in the bass, Examine the chord tones in each voicing as well as the fingerings. Begin to compare and contrast the voicings and notice how many only differ by one or two notes. You'll be able to memorize a voicing if you can clearly ‘see the scale underneath it. Pury Rb7313 6 6th-String Root Moveable Chord Forms. ae Gn eed ” ° gm pe rh eee fe ei : e 209) 1 ey 130) i769 ee ay i Chords Grouped by Type — os Str 4 Str a Z a = = ia a Dar T3241 ee oe § e10 ee e. cs a aif om ta os A = Pid Pind ° ° o m= oe won = os a & emp ean aan ems « Bae ont cuit at vines HE ip - ER autem stg siete same fe | cesrapten— sheipten deg —» & ome, gm omChapter 1 4th-String Root Moveable Chord Forms gina gm ebm? nit a oH Ha tH eS Fy Emirs) TH 1a a ee fin Chords Grouped in Patterns Pattern chords watt Altra fingering fr Mae ‘er Mine Pattern 2 chords i feat ie 388 faa Hadi cm? cm fat Ta nit isn cus crus cows Cos Te ote ape iat itp Hl ie iH ‘itt Tia ‘till Marmonized major salen rind based on Pattern 2—Keyof€ 1 0 v vi 1 fre at ste 12 13 ve ra 1s "Pattern chords & oo ae ea Pe i He 8 f@ & @ 8 =