Professional Documents
Culture Documents
In Marriage To The Self
In Marriage To The Self
SCENE By Aimee B. (for cast reading @ Primary Stages) Directed by Melisa Annis
Setting: A bedroom. Center stage there is a canopy bed facing the tv. In front of which is Poet
and microphone.. When poem reading complete, she backs into darkness. From which
Margot enters to center stage and a harsher light at microphone. (there are heckles in
audience like comedy club)
Poet: Strung up
Tangled and dangling
Weaving her own widow
Funny, I can see her tall
Courage is trampled
And pride will retreat
Know when water is barren
We bring our own fleet
Prisoners of doubt
Eyes shiny and wet
Cradling jagged dimensions
They’re ours don’t regret
Thing 3 / Oliver/ Coach /Thing 1/ Narrator: synchronized snap (as applause for poet)
Margot: Hello. Hi. My name is Margot. And I’m here to create something. Watch it morph and
grow. I hope it’s memorable. Touches you in some deep and penetrating way. Maybe you’ll
recognize yourself or someone you know. Maybe you’ll leave the theatre with more compassion,
insight. Or maybe you’ll think, you’ve got to be fucking kidding me. Who the fuck is SHE and
why should I care? I don’t know. Well, I can’t know. There’s so much I don’t know. Will never
know.
Thing 2: There, there Margot. Calm down, honey, you’re getting ahead of yourself. This is your
story done for you, dear. And just a part of it! It’s a matter of how you tell it. What version and
through what lens.
(Lights go darkish.)
Narrator: Margot gets into bed. Adam beside her, his back facing her.
(Narrator walks the perimeter of the bed detailing her environs pantomiming like a realtor) The
bed is flanked by two windows, each facing a brick wall. In one corner a vanity piled with books
and papers extending to the floor. Photos framing the mirror. Below each window is a brick
ledge upon which a spray bottle with water and some miscellaneous sit. Pigeons cooing
outside. Window on Margot’s side open. (spotlight on stage left) And there, (pointing palm open)
Oliver sits on a stool with legs crossed. In cat like fashion, he grooms himself. Licking his paws
and wiping his face. He proceeds to introduce himself.
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(spotlight corner of stage. Man in cat costume sitting at stool, legs crossed)
And Twister
Because I came into their lives
Like a tornado-
Running around, knocking everything down (video clip of him as real kitten chasing tail)
For attention.
They’ve taken over from the raccoon family that was forced out- Their nocturnal noises
too aggressive and their climbing habits too distressing for folks.
They’ve taken over from the raccoon family that was forced out-
Their nocturnal noises too aggressive and their climbing habits too distressing for folks.
But as I understand it, they’ve moved on to the “Goodnight Kiss” series.
When I was little, I didn’t know where my next meal was coming from.
I would scavenge at our local bodega for food.
One day, I got stuck hiding beneath a refrigerator door.
No, I was not one of those floor managers like other cats who serve security
Deterring the rodents and keeping guard.
After she found me, she took me straight away to the VET
A nice woman doctor with all kinds of animals in her care.
Apparently, I had fleas and worms and was not in top form,
But at least that explained my discomfort.
Personally, I think she got off the hook considering she doesn’t have a slobbering, needy, walk
me, take me out to defecate and urinate on every street corner kind of sibling.
She could always visit her cousin George, a rescue from Puerto Rico living in Connecticut, for
THAT!
Instead, she has a free thinking, independent, leave me alone, stroke me and my ego, when I
want, kind of sibling. Actually, a better match for her teenage needs.
Sometimes, when the mood strikes her, she’ll point her finger at me as either a misguided
attempt to befriend me or to get a rise out of me. Depending on my mood, I’ll let her.
I sometimes give her a hard time because when she yells, it hurts my ears and I don’t tolerate it
like Mom who apparently ” has been there,” when she was a teen (and remains every time HER
parents visit.)
My grandfather has supplied some nice antique rugs around our home
as he was “in the business”
I attempt to make them scratching pads but that’s not looked upon very kindly.
I like that they smell of him, old and worn.
My mom works from home and sometimes gets lonely. When I snuggle up beside her during
these times, I find I get lots of gratitude.
I still like to wake her at odd hours just to make sure I have her undivided attention
And get fed.
I love playing parachute with Mom when she makes the bed every morning,
Sheets billowing, rising and falling above me creating waves
And a rush of wind
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Margot: Fuck! (She reaches for the spray bottle w/ water and sprays him )You’re killing me
Ollie. Give me one more hour...Just one!!
Oliver: (he scratches her headboard) Come on Ma! My internal clock’s on go!
Margot: Ugh
Oliver: (he knocks over a pile of books stacked on the floor)Mommy… You gotta wake
Elinor..and you gotta go pee!
Narrator: ( reading newspaper) Margot gets up to pee. Cursing Oliver under her breath. Oliver
goes to toilet and rubs against her leg affectionately.
Narrator: She wipes, flushes, washes. Puts lid down on toilet seat. Oliver sits and watches her
at sink. She looks at him, smiles and starts brushing her teeth,
Oliver: Really?
Narrator: (sipping tea) Margot shrugs. She is killing time now that she is awake. She does not
want to feed him too early. She spits out the toothpaste and takes a swig of Listerine and
gargles. Spits again.
Margot: Really.
Narrator: She spoons a Fancy Feast into his bowl. Before putting it on the floor next to the
water, she bends down to let him lick the spoon clean. Oliver eats hungrily. She fills the kettle
with water and turns on the flame.
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Narrator: She goes to scoop the litter, sweep the area of debris and change the rubbish bag.
She washes her hands, picks up clothes, books, and papers left randomly strewn around and
goes to wake her sleeping daughter.
Margot: (softly) Good morning. I’m turning on the light. It’s 6:15. Did your alarm go off?
Elinor: ummmmm
Narrator: Kettle whistling, Margot gets a mug ready with tea, She opens the refrigerator and
retrieves some hard boiled eggs made the night before and an apple which she proceeds to
wash and cut in thin slices and put in a ziploc bag. She puts a waffle in the toaster from the
freezer and takes the maple syrup out from the pantry. She reads the time on the microwave...
Margot: (goes to Elinor’s room again) Get up hon, it’s getting late.
Narrator: Margot disappears into her bedroom to put on clothes in the dark so as not to
wake her husband.
•Poet (at microphone, just a voice in the dark) dim light is on husband in bed, center stage
I hate you she said to no one, as he unwittingly clawed her with his rogue toenail. Snoring
intermittently as if scoring his own musical. Wheezing notes of melancholy or at least monotony,
Nostrils whistling and flaring with each breath, oblivious to her thoughts.
I’ll always hate those glasses as I do this bed you know, her voice rising above a whisper.
A mute log; no fires burned there-he lay stone cold beside her. The foul familiar perfume of
flatulence breaking like applause, wafting through the air, sour and stale.
New glasses. Something they always picked out together. Eyes of a bat; his prescription
needed to be expensively modulated from coke bottles to a face that could see and be seen.
But tonight, he had forgotten it was just one of the many things they had done that he opted to
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do alone, too.
The partner she used to coil around, alternately with his spoon, in a queen sized bed
synchronized for two. But then her folks bought that king-sized luxury that fit into the new
apartment but not into their lives. Ample room to spread out and NOT touch. Other than the
occasional unintended scratch of a toenail when a leg spreads too far to claim its territory
and beyond.
•(light swings to Poet for last sentence starting @ “ to claim...” and then to stage
right to cast doing synchronized snap (as applause for poet)