NOH2 Easter Advent

“When the Vatican Edition began coming off the press in the first decade of this century, its
strongest supporters did not

perhaps expect it to last until the distant 1960.”
These are the words of Monsignor Francis P. Schmitt, published in 1959 in Caecilia Magazine. I can mimic his words now,
at the close of 2008, when I mention how, when Canon Jules Van Nuffel and his confreres started harmonizing Gregorian chant in the
1940's (so as to keep busy and not be drafted into the Second World War, according to a student of Peeters), they never dreamed that in
sixty years it would be so sought after that all 2,700 pages would have to be carefully scanned and preserved online. Nor would they
have imagined that the impetus for this would come, not from professional musicians or college professors, but from ordinary folks who
love chant and want to give the very best to God.
May our Savior grant that we not only enjoy this wonderful work of art, but (more importantly) allow its beauty to help us
pray and live the Holy Texts, so carefully decorated and ornamented by this lovely musical garment.
—Jeff Ostrowski, 10 October, 2008
CONTAINED IN THIS PDF FILE:

(1) Preface by Dr. Daniel Politoske
(2) Index of the current NOH volume
(3) Information on how to donate and make

possible more projects like this one
( Please note: no amount is too small )
(4) Introductory material by Monsignor Jules

Van Nuffel, producer of the NOH
(5) Instructions on how to sing from the

“pure” Vatican Edition of the chant
( The NOH corresponds to the rhythm of the “pure” Editio Vaticana,
not the rhythmic markings in the Liber Usualis )
→ Download the 1908 Vatican Graduale for free here:
http://www.musicasacra.com/
(6) Some tips on how to use PDF documents
Corpus Christi Watershed thanks Dr. Daniel Politoske for

providing the original NOH books that were scanned, and
providing a Preface.
Corpus Christi Watershed thanks Mr. James Ridley for

designing the beautiful new covers that enshrine these
wonderful Gregorian accompaniments. E-mail Mr. Ridley
Novargani
O
H armonia
Dear friend of the Catholic arts,
If you appreciated downloading

the Nova Organi Harmonia instantly
and totally free of cost, please consider
making a donation to Corpus Christi Watershed,
the 501(c)3 non-profit Catholic Artist Institute that made this project possible.
We operate solely on your generous donations!
Please note: No donation is too small.
* * Donate to Corpus Christi Watershed here: http://corpuschristiwatershed.org/
Watershed also owes a debt of thanks to the initial donors who made this project possible. Thank you!
The Nova Organi Harmonia is based on the “pure Vaticana” rhythm of the Vatican Edition
Graduale, and a short essay on that rhythmic method can be found on the next few pages.
To see how the Nova Organi Harmonia compares to other chant accompaniments, please visit:
http://chabanelpsalms.org/introductory_material/modus_operandi_modal_accompaniment.htm
Finally, Corpus Christi Watershed thanks the three men who were most responsible for the Nova
Organi Harmonia: Abbot Joseph Pothier, Canon Jules Van Nuffel, and Maestro Flor Peeters.
The Rhythm of the Vatican Edition
“In the Vatican edition, the morae vocis shall be indicated by a blank space of
equal and unchanging width, and four sorts of bars shall be used . . . .”
—Resolution no. 8, noted in the minutes of the Commission for the Vatican Edition (29 June, 1904)
Combe, The Restoration of Gregorian Chant: Solesmes and the Vatican Edition, 272.
In spite of the confusion that has existed since its introduction more than a century ago, it must be
understood that the Vatican Edition of Gregorian chant is truly a rhythmic edition. With one exception,
the “pure” Vatican Edition notates the rhythm by the same means that Dom Joseph Pothier's Liber
Gradualis employed. This is quite natural because (1) Dom Pothier was in charge of creating the Vatican
Edition; (2) his publications were in wide use at the time; and, most importantly, (3) it was ultimately
decided to use Pothier's Liber Gradualis and Antiphonale as the basis for the Vatican Edition.
Furthermore, large sections of the Preface to Pothier's Liber Gradualis1 were adopted verbatim for the
Preface to the Vatican Edition.2
The Vatican Edition presupposes an equalist interpretation. Since the late Renaissance, the
mensuralist interpretation (which assigned different time values to chant notes with different shapes) had
been accepted as the correct rhythmic interpretation of chant, and this was a great obstacle to Pothier's
work of Gregorian restoration. Today, one can easily see the way the melodies were sung during the
nineteenth century by comparing the chant notation of the “corrupt” Gregorian editions to the
corresponding organ accompaniment books (written in modern notation).3 Here is an example:
HABERL/PUSTET 1884 Graduale : Page [52] : Mass II for a Virgin/Martyr
SCHILDKNECHT 1892 Page [50] : Mass II for a Virgin/Martyr
Having studied the Medieval manuscripts, Pothier became convinced that the notes were shaped
differently in the Medieval manuscripts to make them easier to sing, not because they were intended to be
sung with the rhythm of the “measured” music of Renaissance polyphony (with longa, brevis, semi-
brevis, etc.). A surprisingly explicit reminder of Pothier's view was published in the Vatican Preface:
1 Both the 1883 and 1895 editions.

2 The now legendary Preface to the Vatican Edition will be referred to as the “Vatican Preface.” This article focuses on the
second part of the Vatican Preface, which gives the “Rules for Interpretation.”
3 Thousands of pages of chant accompaniments were published in the nineteenth century, especially by Friedrich Pustet.
I. The Rhythmic Notation
The rhythm of the Vatican Edition is not notated by means of dots, lines, dashes, or differently
shaped neums. The rhythmic notation is more subtle, and sometimes leaves room for interpretation by the
choir director. The first rhythmic sign used in the Vatican Edition is the bar:
Before 1. and 4., a ritardando is often taken. Pothier himself seemed to favor a pronounced
ritardando before the final division (as evidenced by the few precious recordings we have of him
conducting chant). Before 2. and 3., a smaller break is required.
The duration of the ritardando is not specified, and this has led to various interpretations. One of
the major differences among the different schools is what to do with a spondee coming before a bar
(whereas all are in agreement when it comes to a dactyl in the same place).4 There are literally thousands
of examples like this one in the Kyriale, Graduale, and Antiphonale:
Some schools will always double the length of both notes on “nóbis” (A & B). Other schools tend
to lengthen only the final note (B). Some schools treat each individual case differently. Some schools
claim to give a slight emphasis to the tonic accent of “nóbis” (A) and a longer length to the final note (B),
but this is difficult in practice.
In conclusion, Dom Pothier seems to have left it up to individual choir directors to decide the
length of each ritardando before the different bars.
II. The Melismatic Mora Vocis

If one knows that about the ritardando required before the various bars, one can sing through
almost the entire Kyriale and Antiphonale without a single problem. However, the Graduale is quite
different, because of its numerous melismas.
As the Vatican Preface explains, the “blank” space of a notehead or more in the Vatican Edition
indicates that one must insert a mora vocis (that is, a ritardando and/or pause). To distinguish this type of
mora vocis from the ritardando that is required before a bar, the term “melismatic mora vocis” will be
used henceforth.5
4 A spondaic word has the accent on the penultimate syllable (e.g. Páter). A dactylic word has the accent on the antepenult
(e.g. Fílius).
5 What is remarkable is that the Vatican Preface was not issued with the Vatican Edition Kyriale (1905), but with the Vatican
Edition Graduale (1908). This is akin to publishing a vehicle's operating instructions three years after issuing the vehicle
itself. The thought may have been that singers would know to apply the same rules they had been applying to the Pothier
books. Still, this approach seems open to criticism: why not clearly state the rules of rhythmic interpretation when the
Vatican Edition Kyriale was first published? It is unanimously accepted that the Vatican Preface rules for interpretation
For example, the following example has no melismatic mora vocis, since there are no melismas
with the space of a notehead or more (remember that the syllables change at the star, so it is not a
melisma):
This example is also devoid of any melismatic morae:
However, the following example would have a mora vocis at the arrow (because it has a blank
space of a notehead or more). However, that is the only melismatic mora vocis present. There is not a
melismatic mora vocis at either of the places below a star, because those instances have a change of
syllables, and there can be no melisma where syllables change.
This example has a melismatic mora vocis on the neum above the word “nos” (because there is the
blank space of a notehead or more at the arrow):
apply “retroactively” to the Vatican Edition Kyriale (and, as mentioned above, there are very few melismatic morae in the
Kyriale anyway). It seems probable that the Preface was not issued in 1905 (with the Kyriale) due to internal
disagreements among members of the Pontifical Commission (of which Pothier was the president). However, this
fascinating history will not be treated here, since it is the subject of several books. In this author's view, the most valuable
sources (available in English) treating this history are:
Combe, Pierre. The Restoration of the Gregorian Chant: Solesmes and the Vatican Edition. Trans., Theodore
Marier. The Catholic University of America Press: Washington D.C., 1969.
Wagner, Peter. Der Kampf gegen die Editio Vaticana Pamphlet. Graz: Styria, 1907. Published in English as
“The Attack on the Vatican Edition: A Rejoinder.” Caecilia 87 (1906): 10-44.
The following example shows the way an editor who put the Vatican Edition into modern notation
(there were many such editors!) chose to notate that melismatic mora vocis:
DR. F. X. MATHIAS 1911 Graduale
For the sake of curiosity, we include Pothier's editions:
Dom Pothier's Liber Gradualis (1883) Dom Pothier's Liber Gradualis (1895)
When singing, it can be difficult to instantly know where a melismatic mora vocis is indicated.
For example, there is a melismatic mora at the star but not at the arrow in the following example. Above
the star, “imaginary” noteheads are added for the reader to verify that there truly is at least one notehead
of blank space:
In the following example, there are three melismatic morae (indicated by arrows). However, there
is not a melismatic mora at the star, because there is not the space of a notehead or more.
III. Different Schools and Interpretations

The student who carefully studies the various editions of the Vatican Edition will notice several
things:
(1) Because the rhythm of the chant depended on the spacing, no publisher was allowed to change
the official text in any way. In a note from the Vatican publisher,6 publishers were reminded that they
must adhere strictly to the spacing of the official Vatican Edition when it comes to melismas. They were
also reminded that the space is measured against the “custos” at the end of the line when the melisma is
interrupted and must continue on the next line.7 Still, instances can be found where publishers got
6 This note is provided at the end of this document, courtesy of Monsignor Hayburn.
7 Most publishers did not want to bother doing that, so they almost always end a melismatic line with some kind of bar.
“sloppy,” and, in spite of the injuction from the Vatican, altered the spacing between the notes in
melismas. In such an instance (i.e. where different editions have different spacing), one must have
recourse to the Vatican Press edition to find out whether a melismatic mora was intended.
(2) Most of the editors felt that Vatican Edition was not practical when it came to the notation of
the melismatic mora vocis, so many invented their own system of notation, which was then superimposed
on top of the Vatican Edition. This is understandable, since (as eluded to above) it often happens that the
only way a singer can tell if a melismatic mora vocis was intended is to place the book by one's nose and
gaze outward. Doing this makes it possible to see whether there really is the space of a notehead.
(3) The idea of “space” indicating the mora vocis is foreign to modern musicians, but makes more
sense when one considers this excerpt from the Preface to the Vatican Edition:
In other words, the sections of the melisma are apparent to the ears when one hears morae, while
the same sections are apparent to the eyes when one sees spacing. Dom Pothier dwells on this idea at
length in the Preface to his Liber Gradualis.
(4) There are often discrepancies between the various editions. Incidentally, out of all the editions,
the Solesmes editions published by Dom Mocquereau are the least faithful when it comes to adherence to
the Vatican rhythm.8
IV. Additions and Subtractions from Pothier's Rhythmic Notation

In Pothier's original Preface to his Liber Gradualis, he said that if more space is given for a
melismatic mora vocis, the pause should be longer and vice versa. This seems to have been abandoned
with the publication of the Vatican Edition (and could possibly be explained in principle9 by the quote
given at the start of this document).
However, there is one thing that did not appear in Pothier's Preface, but was added in the Vatican
Preface, namely example (D):
8 The explanation for this is that Dom Mocquereau was trying to match the St. Gall rhythmic markings, rather than adhere to
the Vatican Edition. Solesmes published several pamphlets clearly stating this fact (cf. Plainchant and Solesmes, by Paul
Cagin and André Mocquereau, published in 1905).
9 N.B. the words “equal and unchanging.”
With regard to example (D) and the explanation for it, it must be understood that this was a very
poorly phrased section of the Vatican Preface and has led to serious consequences. As a matter of fact,
the Latin wording employed could be translated as either “preceded by” or “followed by” a neum
subordinate to it.10 Some editors translate it as “preceded by” while others translate it as “followed by,”
with obvious (conflicting) results. Furthermore, in example (D) Dom Pothier left the required notehead of
space, but the explanation does not require that space. Suffice it to say that each and every edition treats
instances of example (D) differently, and many are internally inconsistent. Furthermore, one cannot have
recourse to the earlier Pothier editions for clarification because (as stated) this rhythmic rule was
mysteriously invented for the Vatican Edition.
When the student finds different interpretations for melismatic morae in the different editions, one
need not necessarily infer sloppiness or ill intentions. Sometimes, the editor was doubtless trying to be
rhythmically consistent (when the same melodic passage occurs in more than one Proper, for example). It
is also possible that some editors were trying to correct what they perceived to be typos in the Vatican
Edition, and having recourse to the earlier “tradition” of the Pothier books in use for decades. The fact
that the Vatican Edition contains errors cannot be denied, and typos are entirely understandable,
considering how quickly these massive volumes were published. In his book, Joseph Gogniat11 has
pointed out some indisputable Vatican Edition typos; for example, the inconsistent application of
liquescents.
Finally, with regard to the rhythm of the quilisma, it could be noted that the Vatican Preface seems
to allow for the possibility of lengthening the first note (as has become traditional) when it says:
V. Who Produced the Vatican Edition?

Much confusion exists with regard to whether the Catholic Church officially adopted the
“Solesmes Edition” of the chant for the Vatican Edition. To understand the true state of things, one must
realize that Dom Joseph Pothier entered the Solesmes congregation in 1859 and published his Liber
Gradualis in 1883 along with several other important works on chant. In 1893 Dom Pothier was
appointed Prior of Ligugé, a Solesmes daughterhouse. Then, in 1895, he became Abbot of St. Wandrille,
another Solesmes daughterhouse. When Dom Pothier left Solesmes, his student Dom Mocquereau took
over where he left off, and quickly started experimenting with different methods of publishing chant as
well as modifying many of Pothier's ideas. It is enlightening to study these early Mocquereau editions
and note the evolution of his notation, sometimes changing from month to month. As stated above, Dom
Pothier used his editions as the basis for the Vatican Edition (especially the Graduale and Antiphonale).
In this sense, one can say that the Vatican Edition was the “Solesmes chant,” because Pothier published
his seminal works while at Solesmes.
10 The writer owes this linguistic point, along with so much of his knowledge and interest in this subject, to a humble servant
of Christ who will be rewarded “in secret.” (Matthew 6:6)
11 Little Grammar of Gregorian Chant: to Propagate the Principles Contained in the Vatican Edition. Fribourg: Switzerland,
1939.
To give just one example of the ways Dom Mocquereau departed from his teacher, this excerpt
from Mocquereau's 1903 Manuale should suffice:
VI. Looking Back at the Vatican Edition a Century Later

To Dom Mocquereau belongs the credit for advancing the scientific studies of Medieval chant
manuscripts in an unparalleled way, and his scholarship in this area remains totally supreme even to this
day. This seems to have been acknowledged to some extent even his own time, and one example would
be the eyewitness account given by Father Alexander Grospellier describing the visit of the Vatican
Commission to the Solesmes paleographical workshop in September, 1904:
Although some entered the scriptorium with some residual caution and defiance, they left
with confidence in their souls and with praise on their lips for Dom Mocquereau and his
worthy team.12
However, when it comes to the assimilation of all available manuscripts, the scholarly impetus and
rationale for the equalist interpretation of rhythm and “restored” melodic text from the Middle ages, the
artful combination and musical adaptation of (literally) the whole Gregorian repertoire into a consistent
whole accepted by the musical community, and the conquest over every form of political and
ecclesiastical opposition to produce the Vatican Edition, the credit here belongs to Dom Pothier. Pothier's
editions of chant, officially adopted by the Church, have been sung, studied, and loved by hundreds of
millions of Catholics.13 Now that our Holy Father, Benedict XVI, has called for a renewal of the liturgy,
interpreters of the Vatican Edition may consider singing the chant according to the rhythm that Abbot
Pothier originally envisioned. Indeed, on 30 September, 2008, when the Church Music Association of
America generously released the preliminary version of the 1908 Graduale for free download on its
centennial, the traffic was so overwhelming that the server actually crashed. In his wildest dreams, while
painstakingly hand-copying manuscripts of Gregorian chant, could Dom Pothier ever have imagined that?
12 Combe, The Restoration of Gregorian Chant, 291.

13 Many more Catholics than have ever sung any other edition of chant throughout history.
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NOVA
ORGANI HARMONIA
AD GRADUALE
IUXTA EDITIONEM VATICANAM
A RECTORE
UNA CUM PROFESSORIBUS
Mechliniensis Interdirecesani Instituti Musicre Sacrre

composita ac aptata
EDITIO TERTIA
Pars II
PROPRIUM DE TEMPORE
A PASCHA AD ULTIMAM DOMINICAM POST PENTECOSTEN
Ad dominicas, a Pascha ad Pentecosten inclusive, harmonia auct. Jul. V ANN U F F E L

Ad ferias, harmonia auct. Jul. V Y V E R MAN
A feria II post Pentecosten ad finem anni ecclesiastici, harmonia auct. Mar. de JON G
MECHLINIlE, H. DESSAIN
NOVA
ORGANI HARMONI.A
AD GRADUALE
IUXTA EDITIONEM VATICANAI'v1
A RECTORE
UNA CU~I PROFESSORIBUS
Mechliniensis Interdirecesani Instituti Musicre Sacrre

composita ac aptata
EDITIO TERTIA
Pars II
PROPRIUM DE TEMPORE
A PASCHA AD ULTIMAM DOMINICAM POST PENTECOSTEN
Ad dominicas, a Pascha ad Pentecosten inclusive, harmonia auct. JuI. V ANN U F F E L

Ad ferias, harmonia auct. Jul. V Y V E R MAN
A feria II post Pentecosten ad finem anni ecclesiastici, harmonia auct. Mar. d e JON G
MECHLINllE, H. DESSAIN
Imprimatur
Mechlinire, die 27 februarii 1962
P. THEEUWS, Vic. Gen.
N° 179-11
NOVA ORGANI HARMONIA
AD
GRADUALE
INTRODUCTIO, auet. Jul. VAN NUFFEL.
Pars I - PROPRIUM DE TEMPORE, a dominiea I Adventus ad Sabbatum sanctum;

ad dominieas harmonia, auct. J ul. VAN NUFFEL,
ad ferias, auet. Jul. VYVERMAN.
_ Pars II - PROPRIUM DE TEMPORE, a Paseha ad ultimam dominieam post Penteeosten;

ad dominieas harmonia, a Paseha ad Penteeosten inclusive, auet. Jul. VAN NUFFEL,
ad ferias, auet. Jul. VYVERMAN,
a feria II post Penteeosten ad finem anni eeclesiastiei, auet. Mar. de JONG.
Pars III PROPRIUM SANCTORUM;

a 29 novembris ad 31 maii, auet. H. DURIEUX,
a 1 junii ad 26 novembris, auet. G. NEES.
Pars IV - a) COMMUNE SANCTORUM, auet. Fl. PEETERS,

b) MISSlE VOTIV lE, auet. E. DE LAET,
c) MISSlE PRO ALIQUIBUS LOCIS, auet. E. DE LAET.
Pars V - KYRIALE et MISSA PRO DEFUNCTIS;

auetorum nomina in fine uniuscuiusque Missre huius Partis inseribuntur.
Pars VI - MISSlE PROPRllE DIffiCESIUM BELGII;

a) Missre proprire pro direcesi Meehliniensi, auet. Fl. PEETERS,
b) Missre proprire pro aliis direeesibus Belgii, auet. Jul. VAN NUFFEL.
Pars VII - AD LAUDES VESPERTINAS;

hymni a dominiea I Adventus usque ad festum S5. Corporis Christi exel.,
auet. Jul. VAN NUFFEL,
hymni a festo SS. Corporis Christi ad uItimam dom. post Penteeosten,
auet. Mar. DE JONG,
Commune Sanetorum, auet. Jul. VYVERMAN,
Proprium Sanetorum, auet. H. DURIEUX,
hymni de SS. Sacramento, auet. Fl. PEETERS,
hymni de B. Maria Virgine, auet. G. NEES.
Pars VIII - NOVA ORGANI HARMONIA AD VESPERAL£:;

dominiea ad Vesperas et Completorium, Propriurn de Tempore et Propriurn Sanetorum,
auet. Jul. VAN NUFFEL.
Commune Sanetorurn, auet. Jul. VYVERMAN.
Aartsbisdom Mechelen
De Zeereerwaarde Heer Kanunnik Van Nuffel

Bestuurder van het Lemmensgesticht.
Mijnheer de Kanunnik,
Met grote voldoening begroeten wij het verschijnen van NOVA ORGANI HARMONIA,
waarvan gij het zo vurig betracht opstel tot een goed einde hebt kunnen leiden.
Zulk omvangrijk werk kon slechts ondernomen worden met de medewerking van uitnemende
meesters, vertrouwd met de gregoriaanse melodieen, en onder de krachtdadige leiding van een hoofd,
sinds lang tot deze taak voorbereid en met een vurige Hefde tot de gewijde muziek bezield. Bovendien
was het nodig, om de strengste eenheid van zienswijze en van Hjnen te verzekeren, dat de toonkun·
digen tot dezelfde school van godsdienstige muziek zouden behoren. Het Lemmensgesticht te Mechelen
is een der zeldzame artistieke middens dat aan deze voorwaarden voldoet; het heeft de verheven en
allernuttigste zending willen aanvaarden onze kerken te begiftigen met een orgelbegeleiding, di,~ aan
de eisen van de liturgie en van de kunst beantwoordt en tegeHjkertijd in het bereik ligt van .'11 de
talenten. Iedereen weet welke schitterende verdiensten het Lemmensgesticht op het gebied v~.n de
gewijde muziek veroverd heeft : de uitgave van NOVA ORGANI HARMONIA is een nieuwe uiting van
zijn dele en vruchthare werkzaamheid ten bate van de goddelijke eredienst.
Sinds hijna vijf.en-twintig jaar bezielt gij deze werkzaamheid, Mijnheer de Kanunnik, met
uw geestdrHt, met uw verheven idea.'11 van godsdienstige kunst en met uw voortdurend streven naar
hoger volmaaktheid. NOVA ORGANI HARMONIA, vrucht van uw initiatief en van uw volhardende
inspanningen, zal het gedenkteken zijn van dit merkwaardig jubileum.
Is het weI nodig wensen uit te brengen voor de bijval van uw werk ? Het beantwoordt zozeer
aan de verwachtingen van zovelen, dat het voorzeker uiterst welkom zal zijn in de meest uitgehreide
middens. Voortaan zullen de harmonieen, waarvan uw uitgave de overschrijving brengt, levend worden
en opstijgen onder de gewelven van de heiligdommen; zij zullen deelnemen aan de meest verheven
handelingen van de katholieke liturgie, haar stem versmelten met de smeek· en dankgebeden van
de Kerk, de diepste gevoelens van de godsdienstige ziel vertolken.
Uit ganser harte zegenen wij het werk dat verschijnt in ons bisdom, de christelijke kunste::laars
die hun taIentvoBe medewerking verleenden en al degenen die het zuBen benuttigen in het begeleiden
van de gregoriaanse zang.
t J. E. Card. van ROEY,

Aartsbisschop van Mechelen.
Archeveche de Malines
A Monsieur Ie Chanoine Van Nuffel,

Directeur de rInstitut Lemmens.
Monsieur Ie Chanoine,
Nous saluons avec nne vive satisfaction la publication de 181 NOVA ORGAN I HARMONIA, dont
vous avez reussi a achever la composition tant desiree.
ffiuvre de grande envergure, elle ne pouvait etre entreprise que par la collaboration de mahres
excellents, familiarises a vee les melodies gri;goriennnes, et sous 181 forte directiion d'un chef prepare de
longue date a cette tache et anime d'un !uIte fervent de la musique sacree. Encore fallail-iJ, pour
assurer la plus grande unite possible de vues et de ignes, que les compositeurs appartiennent it la rneme
ecole de musique religieuse. L'Institut Lemmens de Malines est un des rares centres artistiqucs qui
realise ces conditions; il a vouIu assumer la haute et tres utile mission de doter nos eglises d'un
accompagnement d'orgue, a Ia fois conforme iJ Ia liturgie et a 1'art et accessible ii to us Ies talents.
Personne n'ignore les merites eclatants que cet Institut s'est deja acquis dans Ie domaine de la rnusique
sacree : I'edition de la NOVA ORGANI HARMONIA est une manifestation nouvelle de sa noble et
feconde activitf: au service du culte divino
Voici bientot vingt-cinq ans que vous ammez cette activite, Monsieur Ie Chanoine, de votre
impulsion ardente, de votre haut ideal d'art religieux et de votre volonte de fairc toujours mieux.
La NOVA ORGANI HARMONIA. fruit de votrc initiative et de vos efforts perseverants, seLl Ie
monument cornmemoratif de ce remarquahle anlliversaire.
Est-il besoin de former des vu:ux pour Ie succes de votre leuvre '? Elle repond si bien a
I'attente d'un grand nombre qu'elle est assur{'e de trouver Ie meilleur accueil dans les milieux les plus
etendus. Desormais, les harmonies dont votre puhlication apporte 1a transcription, prendront vie ct
s'eIeveront sous les voutes des sanctuaires dies s'associeront aux actes les plus sublimes de la liturgic
catholique, meleront leurs voix aux prieres, aux supplications, aux actions de graces de l'Eglise, e"pri-
meront les sentiments les plus profonds de Lime religieuse.
De grand Cleur nous benissons l'leuvre qui voit Ie jour dans notre diocese, les artistes chn;ticns
qui y ont prete leur concours talentueux et tous ceux qui s'lOn inspireront dans l'accornpagnement tlu
chant gregorien.
t J. E. Card. van ROEY,

Archeveque de Pvlalines.
v0 0 R WOO R D van Z. E. H. Kanunnik VAN NUFFEL, zie Pars I, b1. IX.
VOORBERICHTEN
I. OVERSCRRUVING VAN DE GREGORIAANSE MELODIE
a) De gregoriaanse melodienoot wordt verbeeld door het teken _

b) De liquescentnoten of vloeinoten : cephalicus en epiphonus, door een zwart punt van kleiner
formaat ~ ~
c) De ruitnootjes, ancus vormend, door zwarte puntjes van even klein formaat ~
d) De afzonderlijke « virga» wordt verbeeld door een zwart punt gevolgd door een klein
puntje _.
e) De« mora vocis », insgelijks door een zwart punt gevolgd door een klein puntje _.
f) Ret« quilisma» door het teken ltV
g) De « groepen» worden door verbindingstekens afgelijnd. Deze beantwoorden getrouw aan de

« neumatiek» van het Graduale romanurn.
h) «Pressus minor» wordt aangeduid door een verbindingsteken tussen de laatste en de ,~erste
noot van beide groepen -~Jr"),
i) «Salicus» wordt onderscheiden van «scandicus », door verdeling van het verbinding~,teken
over de tweede noot van «salicus» die het accent draagt ~
j) «Oriscus» wordt door een zwarte noot van gewoon formaat verbeeld • en onderscheiden
van «mora vocis» na de groep ~
k) Wanneer « quilisma » voorkomt in de tweede helft van een samengestelde groep, verwijst het
verdeeld verbindingsteken tevens naar de noot die het «quilisma" voorafgaat _~
1) «Distropha» en «tristropha» worden onderscheiden door afzonderlijke verbindings-
tekens G ;;-.
II. SCHRUFWUZE AANGEWEND VOOR «BEGELEIDINGSSTEMMEN"
a) In de begeleiding wordt naast het zwarte punt - slechts het teken 0 gebruikt. Dit
teken heeft een «onbepaalde» waarde, en geldt steeds tot het inzetten van de volgende noot in dezelf·
de stem.
b) Wanneer een begeleidingsstem zich aansluit bij een andere stem, wordt deze stemvoering
aangetekend door een «dwarsstreep ».
Deze dwarsstrepen worden niet zelden aangewend om de verdubbeling van stemmen te
vermijden, die het orgelspel compliceren.
c) Wanneer de basnoot van een akkoord wordt overgenomen door de noot in tenor in het
volgend akkoord, wordt deze stemvoering door een stippellijntje aangewezen, enkel om de aandacht te
vestigen op het vereiste «legato ».
d) Item wanneer tenor van het voorgaand akkoord, basnoot wordt in het volgend akkoord.
e) Wanneer bas en tenor een gemeenzame noot vormen, dan wordt zulks door een dubbele noot
aangetekend.
f) Wanneer dan deze twee stemmen unisono voortlopen, bepalen we ons bij het schrijven van
een enkele noot.
III. UITVOERING
a) De begeleiding onderstelt een steeds «aangehouden" orgelspel, behalve bij bet einde van
elke grote periode, aangeduid door een grote deelstreep getrokken door de twee notenbalken. Bij al de
de andere rusttekens : namelijk de vierde en de halve deelstreep, die getrouw overeenkomen met die
van het Graduale Romanum, moet het laatste akkoord nauw verbonden blijven met het eerste akkoord
van de volgende zinsnede (1).
b) De organisten zuBen weI die «passages» onderscheiden welke zich gunstig lenen tot een
pedaalbegeleiding. Deze zijn over het algemeen de in «brede ligging" geharmoniseerde delen. De
passages echter in «enge ligging" zijn minder geschikt om met pedaal te worden uitgevoerd, zoals
b.v. de eerste inzet van het «Alleluia », waarvan de herhaling in brede ligging zich dan best leent
voor het pedaa1. Dc enge ligging treft men ook niet zelden aan bij de inzet van het «vers" ni!! het
« Alleluia ", alsmede bij de inzet van het tweede deel van het « Graduale ".
0) Uitzonderingen hieraan doen zich voor bij gebeurlijke afwisseling van solo en koor, overeenkomstig met de
verandering van klavieren, zoals b.v. bij de herhaling van het «alleluia ».
f N T ROD U C T f 0 N de Mr Ie chanoine VAN NUFFEL, voir Pars I, p. IX*.
INDICATIONS PRATIQUES
I. TRANSCRIPTION DE LA MELODIE GREGORIENNE
a) La note de Ia melodie gregorienne est figuree par Ie signe ,

b) Les notes liquescentes au notes coulees: cephalicus et epiphonus, par un point rand, nair et
d'un format plus petit ~ e")
c) Les losanges formant un ancus par des points noirs de meme format ..-:-.
d) La virga isolee par un point noir suivi d'un petit point _.
e) La mora vocis aussi par un point nair suivi d'un point nair ,.
f) Le quilisma pa r Ie signe IW
g) Les groupes sont demarques par des ligatures; elles repondent fidelement it Ia neumatique
du Graduale romanum.
h) Le pressus minor est indique par une ligature entre Ia derniere note du premier groupe et
la premiere note du groupe suivant '~.'-
'-./
i) Le salicus se distingue du scandicus par Ia coupe de Ia ligature sur la deuxieme note du

salicus qui regoit l'accent ~
j) L' oriscus est figure par une note noire de format ordinaire • et se distingue de Ia mora
vocis apres Ie groupe ~
k) Quand un quilisma se trouve dans la se<onde partie d'un groupe compose, fa ligature coupee
renvoie egalement it la note qui precede Ie quilisma ~
1) Les distrophre et tristrophre, quand elles se suivent, sont marquees par des ligatures
speciales n ~
II. NOTATIONS ADOPTEES POUR LES VOIX D'ACCOMPAGNEMENT
a) Dans l'accompagnement, nous employons, a cote du point nair • Ie signe 0 . Ce signe

a une valeur indeterminee et compte jusqu'it l'entree de la note suivante dans la meme voix.
b) Quand une voix d'accompagnement passe it l'unisson avec une autre voix, nous indiquons
cette marche des voix par une ligne transversale.
Nous faisons un usage assez frequent de ces lignes transversales pour eviter Ie
redoublement des voix qui complique Ie jeu des orgues.
c) Quand Ia fondamentale d'un accord passe au tenor dans l'accord suivant, ce mouvement est
marque par un pointille, uniquement pour appeler l'attention sur Ie legato requis.
d) Item quand Ia note du tenor devient la fondamentale de l'accord suivant.
e) Quand la basse et Ie tenor passent it l'unisson, nous l'indiquons par une note doublee.
f) Lorsque ensuite ces deux notes continuent it l'unisson, nous nous bornons it ecrire une seule
note.
III. EXECUTION
a) Notre accompagnement suppose toujours un jeu d'orgue lie, sauf a la fin de chaque grande
periode indiquee par une grande barre passant par les deux portees. A toutes les autres pauses: au
quart de la barre et it la demi-barre, qui correspondent exactement it celles du Graduale Romanum, Ie
dernier accord doit rester etroitement uni au premier accord de la phrase suivante (1).
b) Les organistes discerneront sans peine les passages qui se pretent avantageusement it l'accom-
pagnement de pedale. Ce sont generalement les parties harmonisees en position large. Par contre, les
passages en position serree conviennent mains it ce genre d'execution, comme, par exempJe, 1a premiere
intonation de l'Alleluia (ou la reprise en position large se prete d'autant mieux it la pedale). La
position serree s'emploie assez souvent it !'intonation du verset apres l'Alleluia, de meme qu'it celIe de la
deuxieme partie du Gradue!.
(1) Exception est faitea cette norme lors de l'alternance eventuelle du solo et du chreur, correspondante au change-
ment de clavier, par exemple a la reprise de l' Alleluia.
PROPRIUM D~~ TEMPORE
PARS II
DOMINICA RESURREC110NIS.
Re_sur _ re_ xi, et ad _ hue te _ cum ~um,
Intr.
IV.
al Ie III la: po _ su _ sti su _ per
--
me rna _ nurn tu am, al _ Ie I~ la:
~ go&- -e-
........--r----~,,__,
-~ ?7 "6- Z
n ~
77
----• lI"
----- -
ml_l"a
I
hi _ lis fa cta est SCI en - ti - a
7'J
-----/ 61 (;J
tu a, al - Ie - ItI_ ia,
I
al Ie - lu la.
o ~ __o,---y 0 _Y~ o
ri~~n r>
- - -
PARS II.
2
~ Ps. D6 _ mt _ ne pro_ bit _ sti me, et co _ gno _ vi _ sti me: * tu co
{
,
<
--- _-----'-
...... '-
_ gno _ vl _ sti ses _ SI _ 6 _ nem me _ am, et re _ sur _ re _ cti _ 6 _ nem
me- am. Gl6 _ rl a Pa _ tri, et Fi _ Ii _ 0, et Spi _ ri _ tu
San _ eto. * Sic _ ut e _ rat m prm_ ci _ pt _ 0, et nunc, et:
-------------- -...-"'--------
,,--.....
I ~ "6-
, sem_per, et m sre_cu_la sae_Gu_16 _ rum. A _ men.
--
di es, quam fe - cit
G-rad.
(§~~~~~~~~~~~~~~~~~ii~~i~~~~ ~~-...- .. "6-
II. --...... ,,--....
PARS II
3
D6 ml - nus: ex_ sul_ te

1\ ~ ~
j
tJ
u ~-""
Q
-
~
""'- -- ~
-
-"'-
n
"'-------
mus, et Ire _ te
,.~ ....
_ mUT In e a.
-'0"-"""'0
~---....--19-_ _~
<9
'\ ~ H
t. Con-fi - t6 - ml _01 D6 Inl no
I
------~
~
Q
!J ~
<
u ~/ - ~ ~~"\9::~-=--~ -:
{
qu6
-
-
m - am bo nus: qu6 _ ni_ am in sre
u
.-..
~
.--- - .
-
~
I~
-
~
•
-
PARS II
4
cu .Ium mi. se ri _ c6r _
<
di _ a * e JUS.
I
I -
- -
AI _ Ie _ lu la, * al .Ie . Iii
VII.
t. Pas.cha no - strum
- _.~----,;
.-.~~~~
Ii
$ ........ ='1:
im _ mo. Iii
(~~~~~~~~~~---~~.~
~ -----,.-.,,--
(~~i~~$~~~::~~~~~~~~-59-~~~~~D:Q.~~-92-~~~!~!~~~~~~-6~6=-
~
PARS II
5
tus est
~ ----069-
Chri stus .
.101 !! I I
!J VI
--
~
1 " --- -
-
Non repetitur Alle!llia, sed statim additur,
Vi _ cti _ ma: pa.5r:ha _ Ii lou _ des ' 1m _ rno_ lent Chri.sti _ a _ m.
A _ gnus re _ de _ mit 0 _ ves: ChrLstus in - no _ cens Pa _ tri
re _ con _CI • Ii . a • vii pec.ca _ t6_ Te!>. Mors et VI _ ta du.61_10
, I J,j
enn _ Hi _ xe . re mi.dln.do dux VI _ tl;e m6r.tu -us, le.gnat VI.VUS.
PARS II
6
Die no_ bis Ma _ ri _ a, quid VI _ dl_sti In vi _ a? Se - pul_ erUlill

I
Chri.sti vi _ yen _ tis, et gI6-ri_am vi_di re_sur_gen_tis: An _ ge _li _ cos
"""'----------
'-'
-
-
te_stes, su_dcLri_um,et ve_stes. Sur_re_xitChri-stusspes me_ a: pne _
I
------/'"
_ ee _det Sll _ os in Ga _ Ii _ lae _ am. Sci _ mus Chri_stum sur _ re _ xis _ se'
~
!.i
<
a m6r _ tu - IS ve _ re: tu no_ bis, vi _ ctor Rex, mi _ se _ re _ reo

I
A - men. AI- Ie_Iii _ la.

I
PARS II
7
Tn _ ra • tre mu et qUI e _
vit, dum re _ sur _ ge _ ret

JJ, -
.61 --
ci _ 0 De us. al
-
Ie Iti_ ia,
'\ JJ, I
-
Pa_scha no_strur'1 • est Chri_ StU8#
-
COIllBl.
VI.
aL it' _ 111 1a: _ ta Clue e _ pu _ Ie _ mm
PARS II
, sm _ ee _ rl _ ta _ tis et ve _ ri _ ta
In a zy - 1015 tis,
al- Ie Iii _ la, al _ Ie lu _ ia, al _ Ie Iii la.

I
I
FERIA SECUNDA.
In _ tro_ dti _ xit vas D6 _ 101 _ nus * In ter _ ram flu_en tem
lae et mel, al Ie lu _ la:

I
----
I
- .... _./~ r;~~
<
.---...... ---.
-6'- -9- -9- I -9- -9- -9-
• Q S 16--"""
o
_ per sit 10 0 re ve stro, al _ Ie _ ltI _ la, al _ Ie lu _ la.
~--'_.7 "If
--- ..-~ ....-----""',./" ........ ...--...f" -~ .--
Ps. Can _ fi _ te _ mi _ni D6 _ mi _no,

I
et in _ va _ ea _ te no _ men
---
e _ JUS: *
.t2-
a g
..a.
06-
S
......
.... .£
PARS"
9
an _ nun _ ti _ Ii _ te in _ ter geo_ tes 6 pe _ ra e _ JUs. G16_ ri _ a
II(~§.~~~~~~~~
lJ -
~'-""" ........
- - - 0
~~
--
Pa _ tri, et Fi _ Ii _ 0, et Spi _ ri _ tu _ San _ cto~ Sic _ ut e _ rat In pnn_

/ j
) ~ - -.a-
(~~~~V~~~~~~~~~~'~~~~Q~~tJ~~~-9-~:::~~
~,/'~~~~~
_ cl _ pI _ 0, et nunc, et sem_per, et In sre_cu_la sre..cu _ 16 _ rum. A_men.
u ~ Ha-c
di _ _ es,' etc. p. 2 t. Dicat nunc Is_
Grad.
I
lJ •
II.
) Il
01 _ am bo nus: qu6 _ 01_ am

- I
"'----~
PA RS \I
10
eee
, In CU _lum
I
_______ (I "",-----/--.T •
~~ a ~ ...------.......... ~-,.....-.,
rl _ c6r di _ a • e JUS.
~.
o
-.-------
.----"
6>
§il-----
Al _Ie hi _ ia, * al _ Ie lILia.
VIII.
.....
t. An_ ge lu~ D6 _ mi _ m des_ cen
dit de cce _ 10: et ac _ ce dens re _ v61

I
--~
~ .... 1,T-'-'---
- -
PARS II
11
vit 18 pi _ dem, et se _ de bat * su - per e - um.
- ---- . .a.
Sequentia. Vlctimre paschali, cum Alleluia in fine, ut supra in Dominica PaschG?, p. 5.

An _ ge lus * D6 ffil _ OJ de-seen
dit de ere
--..--.. --..
10, xit mu _ Ii _
n _ bus: Quem quae ri _ti~.
+.
PARS"
12
sur - re xit, sic _ ut di xit,
al Ie Iii la.
,
Sur _ re xit * D6 rnl _ nus, et ap-pa :ru _ it
Comm.
VI.
Pe _ tro, al Ie lti _ la.

I
.a..
-
..-.....
....
"
FERIA TERTIA .
A _ qua * S8 • pi _ en _ ti ae po.ta _ vit e os, ell_
~
Intr.
VII.
Ie _ hi 18: fir_ rna bi _tur m il lis, et non He _cte . tur,

.Ll -
----+-
• ----===::
-.--" ..........-'-------~" '-""---------..>'~-'~
.....-.....,.......--...... ".n 12. __ ~.... ~
PUS II
13
al - Ie lu _ 13: et ex _ al _ t~ _ bit e os In re_

jJ,
l '.J -
~ ~ (,}
0-
.-..,.-------- ----- -
jJ, _ ter . num, al _ Ie lu la, al _ Ie l~ _ 13 •
-
IiPs. Con - fl' . t·<c_ ml' - nl D6 - ml' - no , et In _ vo _ ca' _ te no - men e - JUs'.·
,
an . nun _ ti . a . te in _ ter gen_ tes 6 pe ora e - JUS. GI6 - n - a
.Ll
'.J
'"
-~/
'" -9-
......
0
--
---...
~ -
%~
-
Pa_tri, et Fi _Ii _ 0, I et Spi .rl _ tu_ San _ eto. * Sic _ ut e _ rat In pnn_
s~.cu_la
I '
- CI _ pI _ 0, et nunc, et sem_per, et m SIle. cu _ 16.rum. A _ men.
jJ,
-- -Q-
PARS II
14
.Ll -II Hree di es, * etc. p. 2 t. Di.cant nunc, qui
sunt a D6 ml no:
I
<
quos red. e mit de rna_nu In_ _ ml
ni _ bus eon_gre _ ga vit • e -

~ ~ -
<
u
_ os.
I
c9- c9-
'.J
~
,
-
-
<
PARS II
15
AL Ie _ lu 18, al _ Ie _ hl la.
1.
=
_G---- -----&
06 rol _ nus
pul ero, qUI pro no
I .
-9- go .... ~ i~~-9-~_-9-
-------:--e~~ or~o -------,., -------...

,(~~~~~'>~:_7"T
~~~'=""~""'"=""~~
bls pe pf~n dit • In li _ gno.
---
< ---- '--

-,9- ..
PHS II
16
Sequentia. Victimre paschidi, cam Allelll.ia in fine, at sapra in Dominica Pasch(l!, p. 5.
In _ t6 _ nu it '" de cre 10 D6
ml nus, et Al _ tis Sl mus
~" 09-
-- "---------,, "6-
"
-------- ..... ..< ==E
de dit vo cern su am: et ap _

I
------ -,
~
I
!.J 09- pGl 09-
- .... "6-~"6-
....
<
.---.....--... -......
~
---- ----~ . -e-
"
.......
pa ru _ e runt fon_ tes a _ qua rurn,
al _ Ie la.
--- ---
I I
---'---------_.../ ~ ------
".....--..."
....... ",""
Si con _ sur _ re _ xis _tis'" cum Chri _ sto, qure sur
Comm.
VII.
liARS II
17
8um aunt quae _ ri _ te, al Ie lu _ la, u _ bi
-
" •
FERIA QUARTA.
Ve _ oi te * be _ ne _ di cti Pa _ tris me i,
Intr.
VII.
, Ll ~
per _ CI/ _ pI _ te re
------.,-
gnurll, I al _ Ie
•
lu - la: quod vo _ bis
------ u -<-I
0 ~. ../' -(T
~
U
-....-
----. n~ ....-........ .--.._, ...... ...---...-
t
/
ra _ tum ab
/
- mun _ di,
.Ll ~
pa - est o - n gl ne
I
0
.--..-.... rr---- -y;
-
-"'>,
0
""" - /-....-
PARS II
18
al _ Ie hi ia, al _ Ie _ Iu is, al _ Ie Iu _
- I I
18.
~ liPs. Can - ta _ te 06 _ mi _no can _ ti _cum no _ vum: * can _ ta _ le
l(~~~~~~~~~~-----
'J - ----.....- ~ ____
..--$:
-9-
06 _ ml _ no o _ mOls ter ra . G16 _ rl _ a Pa_tri, et FL Ii_o,

.u fI
----+
.'JII:. ------
!J
~
J.l ~
-
et
,.-...
Spi _ ri - tu - San _ eto.
-
* Sic _ ut
..
----------
'--
..
e _ rat
• .-""....
_ pI _ 0,
---I-
~
:.1'---
-9- .!2. ~
, -
et nunc, et sem _per, et lD sae_cu _18 sae_cu 16_rum. A - [neo.
J.l ++
!J <J
--
,,--...
---- "_....___v - ,,..
.....--..........-.
--
t. Oex_te - ra
, .u fI Haec di
- -
es, etc. p. 2
~
--.-
Grad.
II.
!J •
.!2. ~
---
"
PARS II
19
mJ _ OJ fe cit VJr _ tu
-
< -
tern, dex _ te _ ra
I
- ..
o
D6 mi _ 01
* ex al ta _ vit me.
u ~
• '<...... ~'<.._-----/
~
U "9-
,.-..,/ -..."
~
n
- ~
~
I
-
I
I
I
PAR8 II
20
Al - Ie III la, * al - Ie
... ..-
~~
- -----
~
VIII. '--'" ------
~--.....
a ~-
Iu la. ,. Sur _ re xit
I
D6.
--
I
.... ~ f-~"
---------
u_ -6- - -9-.-
!J ~
.c;I
~ "'it- ""9- ~
~
'--'"
[1 ......... - n ~ n ~ n--:O (; .~~
mLnus ve re, et ap pa _ru _ it *

I
----t-
Pe tro .
.a ~ I
I ..,
!J ~
~~~-
~.
+
II --. 0 ~.....--......-
Sequ8ntia. Victimre paschaIi, cum Alleluia in fint, at supra in Dominica Pasch(l!, p. 5.

Por. tas cce Ii * a - pe ru • it D6
_ ml _ nus: et plu - it il _ lis man _ na, ut e -
PAIl8 "
21
I
- de _ rent: pa - nem ere Ii
I
de dit il
V ~('.,I~
-
~
• 0
I
- lis: pa _ nem An. ge _ 16 rum man_du -
!J r::J-......----('.,I-...-. .--('.,1 'J

• -6--....--
-I') -9-
• -~
--.. ..,... - .-t':)
,
ea vit ho mo, al.le Iii la.
I
~
....:?"
('.,I ~ -......---- 0-....-9---"--Y_. -~- ~ ..
<
I') + £L "9- t':) ~-.. n'"-b~
{
Chri - stus • re . sur.gens ex mor _ tu _ 18, Jam non m6

I
Comm.
VIII.
al _ Ie _ lu la: mors il _ Ii ul_ tra non do _ mi _ nA

I
(;)
• •
- -
---- ......-..-...
(;) 0
'-----~
- bi tur, al . Ie _ lu al _ Ie lu la.
• I
- 18,
!J
Q
- .------..- >" + _______-9-
+ I 0 "0
PARS II
22
FERUlQUlNTA.
Vic _ tri _ cern * ma.num tu am, D6_ mi - ne, lau - da - ve - runt p~-
Intr.
VIII.
rl _ ter, al- Ie _Iu la: qui_ a sa - pI _ en - ti - a
~
-+'---"""-6-
I
+ . +
• •
;0 ... ----+
~
rJ' -_______
1 ""---'" -~
~
a - pe ru _ it os mu tum, et lin_guas 10 - Ian_

ii·
.. ... -
j
- .a. -
~
!J J +- -
-6- .a.~ ~ J!. ...!r
:z::=::=
- ti _ urn Ie _ cit di ser tas, al _ Ie _ lu la,
(~~~~~~~~~~ ----- ~ "-..--- '--""

,. -. . . . ----.. ----=---- .a. ~ ~
(~~~~~~~~~~~~gl~
al _ Ie ia. Ps. Can_ ta _ te D6_ mi_no elm _ ti _ cum no _ vum: *
".
-- -
qUI _ a mi _ra _ bi Ii _ a Ie _cit.
PARS II
23
et Spi _ rl - tu - San _ eto. '" Sic _ ut e _ rat In prin _ ci _ pi _ 0,
/"">
• • • • • •
I
~
~ .Q
- Q
-
09-
----
12. -6r~
o
et nunc, et sem _ per, et 10 8~ _ eu _ la sae _ eu - 16 _ rum. A_men.
!J "--'
.J2.
-
n
~
--....
- ---
.a.
- ~ ..
.~
di es,· etc. p. 2 t. La _ pl_
Grad
II. 11
,
_ dem, quem re _ pro _ ba _ ve _ runt ae_di _ fj _ can
I
tes, hie fa _ etus
u -
ll-~
est
•
<
PA RS II
24
In ca put an
' ...
.~
;
, gu Ii: a D6. ml _ no fa ctum est, et
est ml hi . Ie
, In
.
6 cu _ lis * no stris.
I
----
........}'.-
J
~---
11
-
Al _ Ie hi la, * aI.Ie Iu
(~~~~~~~§6~~~
H. .. v _ v -----
--
~ ~ _ la. • t. Sur _ re _ xit Chri_stus,
....
~
PARS II
25
qUI ere _ a _ vit 6 _ mn; 8: et mi _ SeL tus est
,
, U
~ H hu rna _ no * ge_ ne - n.
-----
CT
-9-
........- ~ -9- ...
11 ~---- ........-...... n~.~o .....,..-......
Sequentia. Viclimre paschali, cum Alleluia in fine p. 5.
In di e so _ lern _ ni _ t~ tis
ve strae, di _ cit D6 mr - nus,
Z-9~, ...-'y, ••J";~ c.I~r.I
- '<:;;;;,f" ...........
-
In _ du ~am vos In ter
ram flu _.en tern

,
'--'" ---"-.-
PARS II
26
, J.l
--If-------ji---
lac et mel, al _ Ie
--
Po_ pu Ius * ac - qUI _ SI ti 6 nis, an_ nun_
Comm.
'T;, ,it • t;. •
VII.
..- -----
,--...
- ti _ a te vIr _ tu _ tes e _ JUs, al _Ie
, _ lu la: qUI vos de te - ne
. ...... wi •
"
bris vo
~------- -----
J U
,
ra _
,
_ ca vit In ad mi _ bi _" Ie Iu _ men
a
•
~
"
\
r
..--. ,,-
PARS II
27
-
FERIA SEXTA.
E _ dli _ xit e _ os * D6 rOl _ nus In spe,
I ntr.
IV.
a
-------
•
-- °
- Ie I _ 6
..
al Iii la: et In _ Dl1 cos e _ rum
a I
I
0 o_~
_0______-
"- ~
~
.-0
....... - -
.a:-',
\
lu
.....
o _ pe _ ru _ it rna re, al _ Ie _ Iii _ la, aLle _ ia,
a
- ---- ----- ....... - °

.
?'J y
~--
•
~_a® gO ate
a
al _ Ie lu ia. Ps. At _ ten _ di _ te p6_pu_le me_us Ie _ gem
I
<
- - -
me _ am:* in _ eli _ na _te au_rem vestram In ver _ ba 0 _ TIS me _ I.
I
- o ... .
- -
PARS II
28
GI6 ~ fl - 8 Pa _ tri, et Fi ~ Ii _ 0, et Spi _ ri tu _ San _ cto. *

u
,.--,
!J ~,
.a-%
- %
---
Sic _ ut e _ rat ID prin_ci _ pI _ 0, I et nUIIC, et sem -per. et In
o •
u
see _cu _ la sae - cu _ 16 _ rum. A - men.
.. .
---------- - -
di es, * etc. p. 2
qUI ve_
.....
.-
nit in n6
·0
.......
PARS II
II:'! rr
29
mi m: De _ liS D6
ml _ nus, et il _ Iii Xlt

. .
no bis.
I
Ai-Ie _ Ju la, aJ - Ie _ hi
VIII.
u ~
t. Oi -
l) ~__• ... JR:)-..--- ...

'--.- 009-
1
II r--
---
.....
~
_ CI te In gen _ ti Lus: qUI_ a D6 _
- ......._------ . -
<
--
PARS"
30
a Ii gno.
~~~ Q...J..- ..,-:::..---- ~ •• ~
" ....-... ~,~,/- --... .-.. ~
Sequentia. Victimre paschflli. cum AlIeUiia in fml p. 5.
E rit * vo bis hie di es
Offert.
VI.
me- mo_ rl - a
I
lis, al _ Ie
_lu - la: et di. em fe - sturn ee - Ie _ bra - bi tis 80 _
t ~
r-
<
!J ___...r; ~
6. ~ -" ...-........~-~
'----'""',,--"
61
"-
~ ~
-....-'
Ie mnem D6 ml - no in pro-ge - ni _ es ve
PARS II
31
_ stras: Ie . gl ti _ mum sem _ pI _ ter num di
.....--.....
-
Q 0
.......... <
_ em, al Ie lu la, al _ Ie I~ _ ia,
al _ Ie
-
la
Da. ta est ml - hi • 0 mnls po _ te stas In ece _
-+-
Co lIun.
l.
u
~ //~'
a --
z!=1: =z
•
..
_. 10 et In ter _ ra, al - le lu 18: e _ un _ tes. do.
PA RS II
32
ce te o _ mnes gen tes, ba - pti _ zlln_ tes e os in
et SPI _ ri _ tus
hi ia.
--
SABBATO IN ALBIS.
E - du _ xit D6 - mi nus * p6 - pu - lum "u urn In
...........
~ •. ~ w. : ~
~
Intr.
VII.
ex _ sui - ta - ti 6 ne, al - Ie lu la:

I
<
et e _ Ie - ctos su os in Ire _ ti ti a,
PARS II
·u,.
33
al _ Ie It'! la, al _ Ie hi la. Ps. Con _ fi _ te _ml _ nt
D6 _ mi _ no, et In _ vo _eel _ te no _ Illen e _ JUS: .. an _ nun _ ti _ a _te

• •
Il*~
in_ter gen_tes 6 pe _ fa e JUS.

{' I '
,-,,0 _ n _ a Pa_tri, et Fi_
l.L #
I
o
7J ~ /~. -::- <
(~~~i~l.l~'---'~~~~~~~~:~~~~~~~'~~:~"---"""~~~~~I~-t'T~~~-+~~~~~-e-~.~~~~~~
~ # _ 11 _ 0, et Spi _ ri _ tu _ San _ cto. ,. SIC _ ut
...
__ I
er nunc, et sem _per, In sre-cu_Ia see_cu _ 16_ rum. A _ men
<
It ...--.
Ab hac dIe usque ad sabbatum Quatuor Temporum Pentecostes inclusive. in omnibus

Missis. non dicitur Graduale: sed quatuor Alleluia cum duobus Versibus ordine infrascripto;
in Vigilia Pentecostes et post quamlibet Lectionem in Sabbato Quatuor Temporum eiusdem.
unum Alleluia dicitur cum unico versu. Alio tempore usque ad Septuagesimam. quando dicitu!'
Graduale. dicuntur tria Alleluia post Graduale. bis ante Versum. ec semel post Versum : cum
autem dicitur Sequentla. Alleluia, quod dicendum esset post Versum. dzcitur post Sequentiam.
PARS II
34
Al Ie Iii la, * al _ Ie
VIII.
lti la.
I
--
-6- ..
t. Hrec di es, quam fe _ cit D6 _ ffil _ ous:
..a..
),
«:::::_---
ex - sui - te
I
L
"
mus, et lre_
-----_.-/ -- --
te _ mur * m e a.
PARS II
, I
•
Al Ie _ lu la.
IV.
I 9
j. Lau _ da _ te pu
, I
-
<
----
o
I
e - JI D6 - ml-nUrTI, lau _ da te 00 _ men *

I I I
{
!J
--- • ;; n
-6'
-------
09-
~~'---
+ I I'}
CJ
-
--------
D6 - ml OJ.
I I
~
~
... ~-9-
-------~
L
--• _
"
'-
'"9-
"
--
,.,--r;
"
~'"
PARS II
Sequentia. Victimre paschMi, cum AllelClia in fine p. 5.
Be ne _ di ctus * qUi. ve nit 1111
f}
--------...-
Offert.
VIII. ---- -""--:..--- --
I!!"",=-", .~.--
......
ne D6
n6
- -
ml ml _ 111:
I
(
v ~ _ v~o
!J
-------
---:-9'"------~ ~-~~~-"j-~~,-....• •
,n
--
be _ ne _ di XI _ mus vo _ bis de do _ mo D6
ffil 01: De us
- •
i
<
-- - --~-
n n
--- --------
..g:::---6- a. I
---.-
J!.
- ~
mi _ nus, et il _ lu _ xit no
bis, al _ Ie _ hi la, al _ Ie
l'A R8 II
37
lu _ ia.
--
<
0 Olnes • qUI In Chrl sto ba_ pti _ za _ti e
:--..
"9- ----.... . - " '-.....-..... ~
(;
"-
'-- "
9s~
stis, Chri sturn In - du - atis, aL le_ lti - la
(1_ _- '<_y-------:.<.. . Q~"--.,_~'---' u --.::'-~.
rJ -9- n n ---.
'7
DOMINICA IN ALBIS
IN OCTAVA PASCHJE.
Qua_ si mo_ do * ge oi _ t-i in _hin.tes, al_ Ie _ 11'1 _ la:

I
fntr.
<
VI.
ra _ ti _ 0 _ O<t bi _ les, Sl _ ne do _ 10 Jar.
?7,~ 77. ______

...........-=-t -. .--==--....
"
con _ eu _ pi _ sci _ le, al _ Ie _ lu la, al _ Ie _ lu _ ia,
H.R8 II
38
, '"
I
al _ Ie ie. Ps. Ex - De_o ad _ju _t6 _ ri nO_Etro:
u - lu - suI ta - te
!J .-..-
-r; •
•
------
a.~~ q-
~
u
0 .-
51
JU _ bi _ lit _ te De - 0 ]a _ cob. GI6 _ 11 _ a Pa_tri, et Fi - Ii _0,

-----+
-----
et Spi _ ri _ tu _ San_ cta. '" Sic _ ut e _ rat m prin _ ci _ pi _ 0, et
nunc, et sem-per, et m s~ _ cu_ la S8e_CU .16 _ rum. A_men.
f
~ Dicitur Gloria in excelsis in hac et sequentibus dominicis post Pascha, etiam quando
infra hebdomadam adhibetur Missa dominicae praecedentis.
Al _ Ie _ 1.'1 ia, '" al _ Ie _ lu
VII.
....
'?1
_ la.
/--------...
o
PARS II
•• ;-. ; r-
39
t. In di _ e re _ sur _ re _ cti _ 6 _ nis
me ae, di _ cit D6_mi nus, prre ce
dam vas * In Ga_li _ lae am.
n
• ~ ..
~----'
~
--.-I
l .
--..
~
--
Al_ Ie
VII.
~.,
1"-"'---"-'"
-
PARS 1/
40
di _ es o eto. iii nu _I S clau _ SIS.
ste _ tit Je _ sus In me di _ 0 di _ sci _ puJ6 .. rum
su rum. et di _ xi t ; f Pax vo _ bis.

'] II
0)
. . -.-,:u
.. ~
-- -
~.
~~~~~~~---~~~~.~
?7
o
Offertorium. Angelus Domini, p, 11.

Mit _ te " rna _ Hum tu _ am. et co _ gnosce 10 _ ca
;C:===--I
;
PARS IT
it
la: et no _ Ii es _ se in _ ere _ du _ Ius,
lis, aI _ Ie _ Iu _ I a • al _ Ie lu ra.
-0> ' - - ---' ,"-,c. u,
~
.._-----... b6~~ •
DOMINICA n. POST PASCHA.
Mr· _ se _ rr co'r _ dr' _ a * D6 rnl _ nI ple_ na est
Intr. u'- .-'u -~u
IV.
, fl
(t)
.IJ
ter _ fa.
u
al - Ie _ lu la :
u"__'u 1~
ver - bo De
....
I
•
--- b6~6 n ~
cae Ii fir _ rna _ ti sunt. ai_Ie lu _ ra. al _ Ie
_ _ _/u'--'v'---' U '-- --'-.
lu ra. Ps. Ex _ suI _ ta _ te JU - sti In D6_ rnr. _ no: ""

fl J..l
l!)
I
-
PARsn
42
re _ ctos de _ cet coL lau _ dli _ ti _ o. CIa _ ri _ a Pa _ tri. d
u'-- ......u
-
R . Ii _ 0, et Spi _ ri _ tu _ San _ cto.* Sic _ ut e . rat in prin_c1 _ pi _0,
-"" '---------~ - -
I
.~ -
et nunc. et sem _ per. et In sre_cu.la s,~_cu_16 _ rum.A_men.
It.i la, '" at _ Ie
In.
_ hI la.
a-'......
Y. Co - gno_ ve _ runt
I
,;-.
PARS II
43
pu _ Ii 06 ml _ num Je _ sum
In fra _ cti _ r5 ne pa _ n1S .

fJ
,
Ie lu la.
I.
y. E _ go sum
-..; 0-- -..-.0
pa stor bo nus:
.0 u. -u,-"o '""'''-"'' -..;~(). '- ./
~~,.,~,.,~.'~n~)~,.,,,-......,n
PARsn
ves me as et co _ gno
scunt me * me
le.
~ J,I
I
~ ""',"-"Y' "--'" {;.oI~
<
U---...-"
I
. ~ n~ ---,..,""--""'n..--.,.,
De _ us. '" De _ us me us. ad te
Offert. ~~~~~~~---- -B- "--' _ ____''
n.
PARS II
45
no_ mi _ ne tu o Ie _ va bo rna _ nus me_
..
_ as, al _ Ie hi la.
J I
go sum " pa stor bo _ nus, al_ Ie _lti la
et eo _ gno _ seo o _ ves me as, et co _ gno _ scunt me
~ ~-----~
me re, al _ Ie _ lli la • al Ie _ lli la.
DOMINICA ill. POST PASCHA.
Ju _ hi _ lei te De a "am _ nIS ter _ ra. al_ Ie - lu - la:

I
Intr.
VIU.
.
PARS II
46
psal ~ mum di _ CI _ te n6 _ ml _ OJ e _ JUS, al _ Ie -
III la : da te gl6 - n _ am lau _ di e JUS,

I
l
0 ..... ~ U (;,/-- .-/"'I!:::l -9
u'-__.......P ' - /..
<
•
.. ~ • --
al _ Ie _ IU la, al Ie _ lU _ la, al _ Ie IU _ ia.
Ps. Di _ CI _ te De _ 0, quam ter _ ri _ bi _ Ii _ a sunt 6 _ pe _ ra tu - a,
06 _ mi _ ne! .., In mul _ ti - tu _ di _ ne vir _ tu _ tis tu _ If men_ ti _ en_

I
• n-
~ I
- tur ti _ bi In _ ml _ CI tu. I. GilLri _ a Pa _tri, et Fi _1i _ 0 ,
----+
~ » -0'---'0"'__ ..-/-,0
..--...-
_______
rr--n:--
PARsn
47
," I
et Spi. ri - tu San. cto. • Sic. ut e _ rat In prin _ d _ pi _ O.
-JJ -
,
@.
< -----.,.) '6l- ~ o
et nunc. et sem _ per. et ,<Ie _ cu _ la sre _ cu _ 16 . rum. A _ men.

" I
ALle. lu _ la. " ai. Ie .Iu _ la.
II.
..,. Re. demp. ti _ 6 nem
'---------- -----
si t Dei TIll _ nus III p6 _ pu _ 10
su _ o.
, I
-
v " ' _ _ ' v '--- --..-'u o o
-
"--------_../'
PARsn
48
Al _ Ie lu la.
IV.
. .Q
Q 6'
1(.0 _ por te bat pa

?
••
-so <
•
ti Chri sturn, et re _ sur _ ge _ re a mor _
rz:
~
tu - IS, et ta In - tnt
I
.., C7___ :;£
--'u'__'u---....-u
• ./?;r--
,--
. ~
•
•
-- e t)
'-- 2
• - 0
0
~
re g\6 n _ am * su _ am .
PARS II
-49
Q
;0
Il
• u'__ ..-/v--.?
~)
, t)
Offertorium. Lauda anima, ut in Feria VI. Quatuor Temporum Pentecostes, p. 97.
M6 di _ cum, *' et non VI _ de- bi _ tis me, al _Ie _hi la
Comm.
VllI .
te _ rum mo _ di cum et VI de - bi _ tis me,

fJ -
•
qUi a va_do ad Pa_trem, al- le_lu_ia, ai_Ie Iii _ la.

I
-9 -9'--- --/.. -9 • 9 u
o -
f
DOMINICA lV. POST PASCHA.
Can _ tii _ te Do _ ml _ no * can _ti _ cum no - vum.
Intr. '---'" ~ '--' ~
VII. ·I.a~n~o~
PARS II
50
81 _ Ie hi 18 qUI _ 8 ml _ f8 _ bi Ii _ 8 fe _ ci t
~ __ -~ 0'---- ..../..
, -------... b~6- •
D6 _ ml _ nus., a1 _ Ie III _ 18. con.spectum
-
f
ti _ urn fe _ ve • Iii vit jus _ tt ti _ am
su am, 81 _ Ie _ III la. 81 _ Ie hi ia.Ps.Sal_ vii _vit
q-9
--
u '''--'"''
u •
•
- - .....-.. -, b-9
-
, SI _ bi dex_te _ ra e _
u
JUS:. '" et bra _ chi_urn san _ ctum e _ jus. Glo_ri _ a
<
,
•p a _ tn,
.
et Fi .1 i _ 0 , et Spi _ rI . tu _ i San _ cto. ,. Sic _ ut e _ rat In prrn _
PARS II
51
cI _ pI . o. et nunc.et sem.per. et s~ _ cu _Ia sre. cu.16 _ rum.A.men.

f) lot -
I
q-& U v____..._v ?7 q-9- v
f~~----~~~~~-~~~~~E~~~b~9--"~~.~
AI Ie _ 16 _ la. ... al
IV.
'------_/
_ la.
- -
y. Dex. te ra De fe cit vIr _
J.l - tli tem dex • te - ra 06. ml nJ • ex al - la -
-.:;p q9 "0-
~ '"0_ --,'"0,--
___7'7 .-.".
--------...~ ~( 0.. n ~ ,..--....
~ J+ - vit me.
J o v
- - - r.
PARsn
52
Al _ Ie lu la. *
I.
~)
.
I
Chri _ stus re _ sur gens ex mor_
tu - is, Jam non
,
mo _ n _ tur: mors
leo
- I
-6'--1
PARS IT
53
il Ii uI _ t ra * non do _
ml _ na bi _ tur.
'---------_/
.- - -
Offertorium. Jubilate Deo universa terra, Pars I, p. 123.
Dum ve _ ne eli _ tus Spi _ rJ_
Comm.
VIII.
e
tus Vte _ fI _ ta tis. il _ Ie ar gu _ et mun _ dum de peeea_

fl 1-
-
to, et de JU sti t i_a, et de ju_di _ CI. 0,
PARS IT
54
al _ Ie hi la, al _ Ie lu lal •
---.
--- ..........,
~~
DOMINICA V. POST PASCHA.
Vo _ cern JU _ cun. di _ ta. tis • an _ nun.ti Ii • te,
Intr.
III.
et au di Ii _ tur, al _ Ie hi 181
0 - - - ~ ~
te us que ad ex _ tre mum ter _
~ ,..--.,,,...-....
-& 08- -9- 08-
9, 2
_ rae : Ii _ be ni _ vit D6 _ mt • nus po _ pu .Ium su _ urn.
PARS II
55
at Ie _ lu la. al _ Ie
III Ps.ju _ bi Iii _ te De _

,
la. 0 om _ OIS
,
<
ter _ ra: " psal _ mum di _ ci _ te no _mi _ni e _ JUS, da _te gl6 _ n _ am
I
-
.. e Q
di e _ IUs. GI6 _ ri a Pa _ tri, et Fi _ Ii _ 0, et

I
-~so:
, IJ. - ri - tu - San _ eto.
•
• Sic _ ut e _ rat In prin.ci _ pi _ 0, et nunc, et
fJ
sem - per, et In s.r _ cu _ la sae - cu 16 - rum. A - men.
@).-' • -9
.Q .Q ~ -~
PARS IT
56
lu ia , '" al _ Ie Iii _
I.
, -.
y. Sur _ re xit
,
Chri _ stus •. et il . \6 xit
f} no bis. quos re _ de
-
....
mit
, ..
san gUl ne '" su o.
PARS II
57
I'
iU _ la.
vn.
--+-
fj 'f. Ex. i VI a Pa
I
f) ~
....
U
...-
'-.../ '-"- ./u'-""u'--'u_____u ~ e- o
--- - rr n ~ e- n
tre. et ve
•
-
mun dum: I _ te rum
..
PARS II
58
re _ lin mun
dum, et va
I
C/ o,,---- -o
, ----..
----
--....-- '------_/ , ", ----~
do " ad Pa
I
trem.
•
- I
Be _ ne _ di ej _ te gen tes • D6 ml _ num De

I
Ollert. • ti'
-
-9 ~---....
II. --.... ..-... r'Q -...

-9
• ~
::::t,
strum. et ob_ au _ di . te vo cern
PARS II
59
qUI po _ SU jt nl _ mam me _ am
ad VI • tam, et non de _ dit com_mo _ ve _ rJ
pe _ d.. ., me Oti : be _ ne _ di ctus D6 ml _ nus,

fJ
t} -.9- GI~'J
~~
-9----.:fr
- --::..
- -- '="
....-
77
·
,/ r
---
non a mo _ vi I de _ pre _ ca _ t i _ <5 nem me am,

I
Q.
0
1 --
et mi. se _n _ cor di am su am
fJ
a me, al - Ie hi la.
u GI~D~O,,-- u,----,,--'-
--
GI~ --/~ '--
!.J -J' "7-
r; -9- . Q 09- ..
··
0,
PARS IT
60
Can_ til _ te 06 _ ffil no, '* al Ie lti _ la:
Camm.
II.
can _ til - te 06 - ffil - no, be - ne - di - CI - te no men
,~. • t;;;:;' )~
--
e JUS: be ne nun _ t i_Ii

fJ I
•
•
- Q~
0'- -...-0 ..... _ 77
di em sa - Iu - ta re e JUS,
-e-___-9______ ~
y ..".
t2
, I
al
-- Ie - lu
-
la,
, al Ie hi la.
. 0,- 9 '~ o'---'u u
.. n~ - rF h
-
t)
PARS IT
6\
IN LITANIIS MAJORIBUS ET MINORIBUS

AD MISSAM.
Ex _ au _ di _ vit " de tern _ plo san _ cto su o vo cern
Intr.
IV.
o o 9...... z<
me am et cia mor me _ us in. con _ spe -
e jus. T.P. At _ Ie ill ia. al _ Ie

-=====--=========- ::~~=--.~ wL Ie- • •. e1fS. &;;
0______
.-.-~
.... ----0- - 0 . ~-..=~
~
0 _______0
PARS n
62
la, Ps.Di _ Ii _ gam te 06 _ m i _ne for _ t i_ttl _ do me _ a :

.u - Iii
--Y"----_. --,0
, a
06 _ ml _ nus fir _ rna _ men.tum me_ urn. et re _ fu • gl _ urn me _ urn.
et Ii _ be _ ra _ tor me _ us. (;16. rl _ a Pa_tri.et Fi Ii _ o.
I
• •
• • • . ----t
.-....-.
-="'"'""
f
-
et Spi _ TI _ tu _ San _ eto,- Sie _ ut e _ rat In prin_ci _ pI _ o.
nune. et sem _ per. et In sk _ eu _ la sre _ ell _ 16 - mm. A - men.

fJ ~
~
e> -r 0,,--- ~o
, ..
-- &
~ In hac Missa non dicitur Gl6ria in excelsis.
Tempore paschali dicitur Alleluia. alleluia. j- Propltius esto. D6mine. Pars IV. p. 203.
Extra tempus paschale, graduale Liberasti nos. D6mine. ut infra. p. 256; deinde Alleluia.
alleluia. Yr Propltius esto. Pars IV. p. 203.
Post Septuagesimam, omissis Alleluia et W sequenti. dicitur Tractus De Necessitatibus
meis, Pars I. p. 185.
PARS n
6;
bor· D6 _ ml _ no nJ mls o _ re
Offert.
VI.
..
me o rum
-. .
8-
r-------------,.---,
-G- 8-
~
-&
-.I
t) 61
lau _ da _ ho e um, qllit Ii _ sti tit
.~
• ---+
ad dex te ram pall pe _ flS,

I -
~
·
-
..
~,
a
0
-& Q
·
ut sal yam fa ce _ ret a per _ se quen _
~~/--~~. .~-G-
o
, ti bus Ii nl malTJ me am. T.P_ AI-
u v
----Z-
'-'
@) '-
~.Q... a"---'
Z~~-:e
·
~
d2 0
o 0
PAHS n
lu la.
t)
Pe _ ti _ te, * et ac . CI • pI _ e
et In - ve - m -e tis : pul - sa te,

-----+
:I4=
• ~ "--- _,0"--,,,
~
Q G' .c2...-....f
't9;:
... f);; P", ~
e _ mm qUi
et a _ pe n - e - tur vo bis : om - ms pe.
'o· q~ 77,_,;'-
~
~
0 3-9
- =::lIII:::::=
=::;:::::::'
.j.! - ti t • ac - CI pit: et qUI qu~_rit , in - ve nit:
----n--n
77___
___v -------.'- - n
~e-
~
• ~/'U
"'" --+I--
fl Jj
pul san ti a pe - n - e - tur, T,P.AI - Ie
~
~ v~ .Y "----" u'- '-:-.~-9 O+,g V''--''u''------'
. r --.. I_~ --.. -

-=-,"
PARS n
IN VIGILIA ASCENSIONIS.
Missa dicitur de Dominica V. post Pascha. p. 54.
PARS II
66
IN ASCENSIONE DO~1INI.
Vi _ n Ga _ Ii _ Ire I, ;II quid ad _ mi _ ra ml 01
Intr.
~~~@~~g~~~~~~
VII.
SPI _ CI _ en _ tes m cre _ lum? al _ Ie lu 18 :
quem_ad _ mo_dum vi _ di _ stis e _ urn as _ cen. den_tern In cre (urn,
(~~~~~~~~~~~~~~~.:-=I
, fi I
- ta ve _ ni _ et. al _ Ie _ 16
~
""-"'
ia,
I
al _
O"-"'U
Ie
-G-
IU _ la.
-G-
----t
~
• __
- ~. I ~
fj I al_ Ie Iii - ia. A. Om _ nes gen_tes ~u_di_te rna _ ni _ bus: '"
, , I
]u _ hi. la_te De_o m vo_ce ex_sui
- _ ta_ti_ 6 _ nls. Gla _ ri _ a
-Go
ri-.n-Cl~_
l~~~~~~~~~~~~~~
P<\RS IT
67
Pa_tri.et Fi_li _ 0, et SPI_ ri _ tu_
/6 _ rum. A _
---
et nunc. et sem _ per. et In sac _ eu men.
fJ I
-
..
--
Al _ Ie lli la. * al _ Ie Iii _ la.
IV.
,9 9;;
In JU - hi - la ti - 0 11(', et Do _ ml - nus
fJ i
J
---' n
----.-. '-----'"'
~
-----
~
-6l-_________+
n .,.,.
---...
• ---,..
vv_____.."'v-..
In YO _ ce
fJ I
-
- ---
PARS If
68
tu bae.
Al Ie 16 la.
VnI.
'f. 06 £01 _ nus Si _ na In san eta,

--
In
fJ I -
u _____ §§
tJ '--"
~ C":9~
~~ -e- .t2
a~
•
~~
a _ seen _ dens al tum, ea _ pti _ varn

- 10
xit * ea _ VI _ ta tern .
PARS n
69
..
A - seen - dit '" De lJS !n JlI
Offert
I. ~~~
-- ---
'--'"
,- bi la - ti <1 ne. 06
~ &----&-----& '---..--
0 77"
9
~
0 '-'""
...r;
"'7
-e- 12:2
:.J~
---...
.u
,~
---
- ~,
nlls In V(} ce til _ bre, aI
Ie
f. - lti - 13 •
, -
~ ~. • .,c;. ~77--'- -61-~-61-,-".

.J!" ....
-"
PAHS IT
70
Psal.li _ te D6 _ ml
,. as _
no, qUI
su per cae - los cae _ 16 rum ad o
TJ • en _ tern, al • Ie lu 18 •
~ Disbus a feria VI post Ascensionem usque ad feriam VI ante vigiUam Pentecostes inclu~
sive, dicitur Missa de festo Ascensionis, ut supra, p. 66, cum Gloria sed sine Credo.
DOMINICA POST ASCENSIONEM

au _ di,'" D6 •
bi di _ xit cor me • um,
• •
quae _ Sl • VI vul tum tu urn, vuLtumtu.um D6.mi.ne
PARS IT
71
J.I re - qui - ram, ne a - ver _ tas fa _ CI _ em tu _ am a me.
v v ~,~ u~ v~v ___
- - ,..f-,.,~--y,
-
al - Ie - \u lao al - lt~ hi lao
~ J.I
) _v_ .-v v~C/,-"v

lJ ?5~C7,--- .___7:7
-----.- - In 9
fJ J).Ps. 06 - mt nus il _ lu _ ml _ nil _ ti _ 0 me _ a. '" pt sa - Ius me _ a
- '~
..
quem ti _ me _ bo? Gl6 _ ri _ a Pa- t ri. et FL Ii _ o. et Spi _rl _ tu _ i

fJ .u
San _ eto. '" SIC _ ut f> _ rat In prin_c1 _ pi _ o. et nunc. et sem _ per,
I
-- "--------------
,
u
'-
et sa. _ ell _ la Sir _ eu 16 _ rum. A men.
o
t ---
PARS 1I
72
Al _ Ie _ lu la, '" al _ Ie _ III la.
1.
'f. Re gna _ vit 06 _ ml _ nus su per
o _ mnes gen tes: De us se _ det su_ per se dem *

I
----t
-v •
)
san _ ctam su am.
I.
- -
PARS II
73
Non Vos re lin quam or pha nos

I
J • • -
b 09-6h
~~ .... •
, J.l
va
~~ ~~
do.
I
el
u~u
ve - nl _0
u~~
ad
--!!-- v. ..-
~
vos.
I") ..- - ~-- ,...-..,-..,~
et gall _ de
hit cor ve strum.
-
--- -
PARS IT
Offertorium. Ascendit Deus, p. 69.
cum es sern cu'rn e IS.
~
-e- --.-
e e
va barn e _ os. quos de _ di _ sti rnl hi,
,-~- ----------
, - 16
al Ie Ja: nunc au tern ad te vi:. -
.LI
-~
~ u u ?:J________77~77 -..-77 u
'--""
~
I
- n - -
- - .-..,-
fJ .LI -
nI o : non ro go ut tol - las e - os de rnun do.
@) •
_____V'
'"-'""" 0 ~-9___-9
~~
- "----,, ~.-- -,., ..... '"""'-

~
--- /1
--&-----'-
rna _ 10,
sed ut ser - ves e os a al - Ie - hi la.
--+
.-
--- 1J"
.--.... ,.-,
---...-'-""
:!:::::::±
~
al Ie lu la.
n .LI
~
@) ~u
u ____ ___ u u--.;u
.-...-u........
,..,
I
PARS II
SABBATO IN VIGIIJA PENTECOSTES. 75
Introitus Dum sanctifidltus fuero. de feria IV post dominicam IV. Quadragesimae, addito
duplex Alleluia in fine. Pars I. p. 262.
Gloria in excelsis.
Alleluia ~ Confitemini Domino. Pars 1. p. 345. incipiendo a tertio Alleluia; et in fine non
rcpetitur Alleluia. sed immediate sequitur tractus Laudate Dominum. omnes gentes. Pars I
p. 199. * ~
E mit _ te ::Spi n tUm tu urn •
Offe rt.
VIII.
o
et cre a hun tur. et re no _ va

fJ I
-
-- ..-..
.~n~.~
~ U
,...-----____
, I - bis fa CI em ter rre :
..
sit gl6 - n a D6 ml ill
00- ~
Q -0-
-----Q ~
F3 SO t)
cu la. al Ie
0"--,,.
, I
Iii la.
PARS II
76
UI .. ti rna 11< fe _ sti VI tci _ tis di e
comm.(~~~~~~~~~~~~~~~~~~~~~~G~'~~O~~~~~~~C~
V.
ee _ ba t Je _ sus': Qui 10 me ere d.it.
flu _ rni _ na de yen _tre e _ JUS flu _ ent a qure VI _ vre.
...------------ ,.-....
Hoc au _ tern di _ xit de Spi _ ri _ tu. quem ae _ ee _ ptu _ n
f'J
~
I
e rant
_u""'-""o_.___..
ere _ den
.~~r
tes
~
In
---- l_r
e
'0".......
;..,
urn,
.___'0"
al
I"'J'-""
~ .
III la.
PARS n
77
DOMINICA PEN'rECOSTES.
Spi _ ri tus D6 _ OJI III * re - pie - vit or - bern

•
•
e.;
Intr. ~
VIII. -6'-- .Q., ~~
ter ni _ rum. al _ Ie lu la. et hoc
quod con ti net 6 mOl_ a. SCI _ en _ ti
_ am ha _ het vo CIS, al _ Ie lu la,
al Ie - IIi Ja, al Ie lu la.

~ I
•
- ''----'" v~.
, ..-.... ~,/- --.,.. rJ ~-e-~e~

0
•
PAHS II
78
sur _ gat In _ I _
e
De. us. et ml _ CI - JUs;
et fu gl _ ant. qUI 0 _ de _ run t e. urn, a fa _ CI • e e _ JUS.
-
•
~
Sic: . ut e • rat In prin. ci • pi - 0, I et nunc, et sem - per,
0 '----'" -==>~ ~'---'~
12 ~
---- -9 ,12 rj :>.,
et In s~ _ cu . la sae _ cu 16 rum. A _ mem.
'J •
• •
Al . Ie lu la. * al . Ie lu la.
. I
IV.
PARS n
79
'f. E _ rni t _ te
u'____ --?:J
Spi _ fI tum tu urn. et cre _ a bttn
~ "-----_.-'
tur et re _ no _ va _ his
U~?;7---..J7 -v. p
_____, _ n
CI em * ter rce.
0'___ _-'
Al _ Ie Iii _ 18.
II.
~--------
PARS IT
80
Hie genu/lectitur Y·Ve
San _ cte Spi n _ tus. re _ pIe tu _ <> _ rum
cor_ da fi _ de _ Ii _ urn: et
~
~ -17 -..-Y <7,--,<7~G~
_~ ':--h~~n .e-
ns In e 15
nern * aC cen _ de.
~~-9~~$~¥~~~~ ~,~
~~~~~~~",~~~-9
~~
(J
- -+--
• ~ u~u .e-
, u
----n '> r;
...,.
t
PARS IT
81
01 San _ cte Spi _ n _ tus, Et e _ mit _ te roe _ Ii _ tus
------------ '-----
pa _ ter pe _ runl,
1 .u
Lu - CIS tu - ae ra di - urn . Ve - nl pau -
:J ~.........
n~-
- y- y------~" .. ~,
-- ...P ?:J.
~
....
I? ./ ~
----
Ve _ OJ da _ tor mu ne _ rum, Ve _ nI lu _ men cor _ di _ urn.
Con _ so _ 18 _ tor 6 pti _ me, Oul _ cis hos _ pes 8 IT! _ mae,
' - - - - - - - _ / '---'
Ou Lee re _ fri _ ge n _ urn. In I a _ bo _ re re - qUI _ es.
, In ae _ stu tern _ pe _ n _ es, In fie _ tu so _ Is ti _ urn.
PARS II
82
a lux be . a _ tis Sl • rna. Re _ pIe cor _ dis In _ ti _ rna
~~~~~~~~~~---~~
----....... -------
Ni. hit est 10 ho _ mi. ne. Ni . hil est In - no Xl _ urn.
La _ va quod est sor _ di _ dum. Ri _ ga quod est a n _ dum.
• I
o~ _ _~
----~-------- ------ ----
-==t
Sa . na quod est sau _ ci - urn. FIe _ cte quod est ri _ gl _ dum.
fJ U
o ••
Fo . ve quod est fr; _ gl _ dum. Re _ ge quod est de _ vi • um .
PARS II
83
ru _ IS fi _ de _ Ii _ bus. In te con _ fi _ den _ ti _ bus, Sa _ crum
a-----a-----l ,., .,---- - :a----------- ------.

-9 r:L ~
==== .
I
-~
_
se _ pte _ na _ n _ urn, Da Vir _ tu _ tis me. ri _ tum. Da sa _ 111 _ tis
• • - • po g- ....
ex _ )
- turn , Da per _ en - ne gau _ di _ urn . A - men. AI - Ie _ lu - 18.
fJ ..
l!J u'- y U ____---... ~. -....

U 6- U,,-,T
0 0-- 6 .~ ~.
Et dicitur qlJi.'tidle llsque ad sequens Sabbatum inc/listv/!.
Con _ fir _ rna 1< hoc De _ us,
Offert.(~~~~~~~~~~~~~j~Eg~~~~~~~~~~~-&S~_~
IV. ".a Q;;I rL: --o~-
~
quod 0 pe ra tus es In no bis
, .....· - T o
-
tern _ plo tu o. quod est
.----------0 o-----=-n'--------_/
_
PARS li
84
, ru sa _ lem. ti hi 6f
f. u
In Je -
~ _________ o..::...--o
~
[.,1'_
7:J~ ?7
~
. -
-6-
_ fe rent re ges mll _ ne ra. al
fJ J,l - Ie
hI _ la,
---------~---'"
- -
Fa _ ctus est * re _ pen _te de ere .10 so - nus ad _ ve -
I
i? • • •
Comm.
VII. . , . ' - T-~:-:----..
SO;; _~
en _ tis spi _ n _ tus ve _ he _ men _ tis, u _ hi e _ rant
9 =tQ
y • tG rt:
se _ den tes. al Ie 16 - la: el re _ pIe _ ti sun! om .nes

I
u~ 9,--,,9 ?7~T 6- 9
- - - -,."-,, ~
PARS IT
85
Spi_ri _ tu San_ eto. 10 _ quen tes rna .gna Ii _ a
o~0
----------
, ~ j,j H De
?5~
I. al _ Ie _ III
-e~~--------~---...fr~#
la. al III la.
, ,--::,,----.~--- ----y, I
FERIA SECUNDA POST PENTECOSTEN.
Ci.hci _ vit e _ os * ex a _ di pe fru _ men ti.
Intr.
II. o 0-
f
al - Ie III la: et de pe - t ra mel - Ie I
• ~) '"- u.. J' "9- u

U
<
f
. ---.. ..-.. <~.--??;c:
0 0
9
OC=Y
sa _ tu _ ni _ vi t e _ os, al - Ie _ hi 13. al Ie
_ III la. a! _ lti la .
o ---&--
'-"'-'-----~
PARS II
86
...
to _ no _ stro JU _ bi _ lei _ te
,
, Ps. Ex_sul_ tA _ te De_o ad_ ju _ ri
u'--'u - u
~-n-------""""'n/ n
,
De _ 0 }a _ cob. GI6 _ ri _ a Pa _ tri.
. .. . ..
et Fi _ Ii _ o.
I
et Spi_
. .--
,
]
ri _ tu _ I San _ eto.·
-
Sic _ ut e _ rat In prin_ci
•
-
• • •
0
pi _ o.
I
et
.~
«
.
nunc. et sem _ per. et In sre _ cu _ la sre _ cu _ 16 _ rum. A _ men.
- -. ./
Al _ Ie III la. 11< al _ Ie
PARS II
87
'''---'''" - ?'J_____
-
./ 0,,- ./(.1 ~
0 0 -...
0
que _ ban tur va Tl IS
.a~----
Q
n I
6
lin
slo Ii rna _ gna Ii _ a '*

-
I.
------_.-'
o
AIlelCtia. r
Veni Sancte Spiritus, p.79.
Sequentia. Veni Sancte Spiritus. Allelui2" p. 81.
Offertorium. Intonuit de ccelo, p. 16.
PARsn
88
Spi _ ri _ tus San _ ctus '" do _ ce _ bit vos. al _ Ie _ 10 la :
comm.~~~~~~,,---~~~-,,~. .~~-,~,-~./~~~§§~~~~E~~~"---,,,~§e
VIII.
quae_ cum _ que di _ xe _ ro vo _ bis. al _ Ie _ III _ ia. al _ Ie 10 _. la.

I
FERIA TERTIA POST PENTECOSTEN.
CI pI _ te *' JU cun _ di ta tern
Intr. ~~~¥~~~~~
.. .
IV.
ve str~. al Ie III la :
gra _ ti _ as a _ gen _ tes De _ o. al _ Ie _ hi la :
qUI vos ad coe _ Ie sti _ a re _ gna vo _ ca vito
:PARS II
89
, al _ Ie _Ill _ ia. at _Ie _ hi la, a I _ le

I
lu la.
~ -&~9---"y GI~ -&~9,--,-&--"::"""--B-~--,,9,-,-e-
~" ..r-. -y-
flPs. At - ten _ di _ te po _ pu _ Ie me _ us Ie gem me am
--- '--------------------- '--.--~ '--------_.---' ~------

,
(;
In - eli na - te au _ rem ve - stra rn In ver _ ba a - rlS me - I .
~ -6
Q
"-
---~--- ----
9 _________-&
"0,,-,"-
...
,.- -- ..--", .- ~~----~
Cia _ ri _ a Pa _ tri. et Fi _ Ii _ a • et tu San _ eta.
Sic - ut e _ ra t In et nunc. et sem _ pc,r •
...
, ~
) -e-
et In
GI
sre - eu - la Sle - cu .. 16
u
rum.
-B-
A
V
men.
,
<
~....--..~---------- ~-
PARS IT
90
Al _ Ie 111 la. '* al _ Ie Iii
VIII.
't. Spi - n tus

~ I I
..,---
,If::::::=
-....-; u 9 _ _• u
~ "--'" '--' '---' ~
-,., 9- o~ 'v -'1".----,.., ,.,~n::. --n
San _ ctus do _ ce _ bit vos qUill _ cum que di _ xe_ ro
vo _ bis.
Alleluia. ~.
Veni Sancte SpIritus. p. 79.
8equentia. Veni Sancte Spiritus. AllelUia, p. 81.
Offertorium. Portas creli, p. 20.
Spi _ ri _ tus '" qUi a Pa _ tre pro _ ce _ .dit. al _ Ie _Iii ., la:
comm.~~~~~~~~~9-~~~?7.~~~~~~~~~~~~;-!
~rr. ~
me cia _ ri _ fi _ ca _ bit. al _ Ie _ lu _ la. al _Ie _ Iii _ i a .
~3
zs;;
PARS n
91
FERIA IV. QUATUOR TEMPORUM PENTECOSTES.
De _ us, dum e _ gre _ de _ re tIS co _ rar,} p6 _ pu _ 10
Intr.
III.
.
, tu o. al Ie 16 la: 1 _
-
ter fa _ ci _ ens e - IS.
I
-
.. - --.;
q. n ~ n -",
I
, fJ
al _ Ie
""--"'
16 la : hcl bi - tans In il lis.
~- .,-",
<
.-.., 8- .Q. ... 8-~~ .~
al _ Ie lu la. al - Ie Iii la .
fJ I
,
tJ..---
-n & !2
•
'"' " - ' "--' "---' - ' - "
..
----;;..
'7
&
--- hn
-u
--- -,.
&
, fJ Ps.Ex - sur - gat
-
De _ us. et dis _ SI _ pen _ tur In _ _ mi _ c i e - JUS
, Q
e _ urn •
~
et fu - gl - ant. qUI 0 - de- run t a fa - CI - e e - JUS.
» ---- ---
~--
--- ~.
I~
.'-....
rJ
. ----- j
fl •
-.0:::::
--
PARS n
92
Gl6_ri _ a Pa _ tri, et Fi _ Ii _ 0 , et Spj _ rl _ tu _ San _ eto. '"
, Sic _ ut e _ rat In prin _ ci _ pI _ 0, et nune,et sem_per, et In
s~ _ eu _ 18 sre _ eu 16 _ rum. A _ men.
v"-- ./---. . .
.
-
POSl Lectionem,
Al _ Ie III _ 18 • '"
VIII.
bo DO _ ml _ nJ ere Ii fir _ rna _
f u - ti - sunt, et n _ tu 0 _ n s e JUS
I
•
-
PARS IT
93
a _ mnIS vIr tus '" e_ 6 _ rum.

f J.j
~ -0 _.P..______/~---__-.9 "_'°'--'°
~
l
..
'-"
- --- - -
Non repetitur AlielOia, sed statim dicitur Gloria in excelcis.
Post Epistolam : Alleluia, alleluia. ~. Veni Sane Ie Spiritus, p, 79.
Sequentia, Veni Sancte Spiritus. Alleluia, p. 81.
bar * In man_ dil _ tis tu IS,
Ollert.
II.
. .~~/~~~~~~~~,--,~
m~~~~~~~~~~~~~~~~~~
6- ___
qUIe di _ Ie XI val de: et Ie _ va ba rna
..
I
I .-P - • 0 to' G' 0,---,,0
- 6-
• ~6- rJ
_ nus me as ad man_d<i - ta tu a,
I
'.I CI
..-6 - ~
6- G-
77
0
/----
quae di _ Ie XI,
, fJ I
al - Ie Iu 1a.
V ' '-'~
• 6-
,
< -a 8-
-
PARS II
94
Pa _ cern me _ am * do vo _ bis. al _ I~ - 16 18 : P8 _ Cl~m
fJ
~ --.-"'"
Comm. ~ -" ./
V. 4 ~
.Q. -t-~-e-
I
Ie - IiI - ia, al _ Ie
re _ lin _ quo vo - bis. al -
- III la.
0-..-. --- 0_,.0" Y "19-
~ 1,."-0 ~.hn ~.bn""----.
FERIA QUINTA POST PENTECqSTEN.

Omnia ut in die Pentecostes, p. 77.
FERIA SEXTA QUATUOR TEMPORUM PENTECOST1E:S.
Re • pie _ a _ tur * os me. urn lau - de tu ,'I.
Intr.
III.
a1 • Ie (11 18 : ut pos _ sim can _ ta re,
, al _ Ie hi
•
18: gau' _ de bunt Iii bi a
PARS II
95
me a, dum can _ ta _ ve _ ro t i bi, aJ _ Ie _ lli la,
~ ,---------~~
16 la. Ps, In te
~~-----..
Do_mi _ ne VI, non COD _ fun _ dar In Ie _ ter _ num '" In JU
I, - st i _ t i - a tu - a II - be- ra me, et n - pe me, Cia _ ri _ a
f
@'J
,-
',- ~
---, - ~,
-'"
Pa _ tri, et FI _ Ii _ 0 • et Spi _ rl _ tu _ J San_ eto. "Sic _ ut e _ rat In

I
..
,
, , '
pnn.Cl_ pl_C>, et nunc. et sem.per, et In
I
PARS n
96
I.
~. 0 quam bo_
'J J,j
..
et su _ Ii VIS est. Do - ml ne.
Sp~ _ ri _ tus tu
PARS IT
97
us * In no _ bis!
~ -
--
Alleluia. 1t. Veni Sanete SpIritus, p. 79.

Sequentia. Veni Sancte Spiritus. Alleluia, p. 81.
*' a _ m _ rna me _
Offert. m~~~~~~~~~~~~~~~E~~~~~
E~~~~~~~~
IV.
D6 _ mi num tau _ da bo D6 ml
fJ .. - a
.
num In VI ta me a :
o ----u-----u u ~ v
-..... ~
PARS IT
98
lam De o me o. quam. di u
Non vos re_ I,In _ quam * or _ pha nos: ve _ni _ am ad vos
te _ rum. al. Ie . lu 1a et gau.de _ bit cor

fJ I
ve strum. al _ Ie III 13, a J . Ie lu la.

/l I
SABBATO QUATUOR TEMPORUM PENTECOSTES.
ea . ri _ t as De. *dif.fu sa est
Intr.
III.
PARS II
99
In cor di _ bus no stris . aI Ie _ III la per In

I
_ ha _ bi _ tan tern ri _ turn e JUS In no
bis. al _ Ie lti la. al _ Ie 10 ,a.
, ~ Be _
?s. ne _ die Ii nI _ rna rne _ a 06 _ ml _ no et mnl_d QUce
< -
{
no_ IlIl _ nl e _ Glo_ ri Pa _ tri • et

~
In _ tr a me sunt. I 'an - cto IllS. - a
, ··
<
n
-- .--...
.JI.. ...
.-'
'---"
.~~
- ¥ ---.
Fi _ Ii . o. et Spi _ ri _ tu . Siln _ eto. '* ,Sic _ ut
·•
PARS IT
100
et nunc. et sem - per, et In slie _ cu _ la s~ _ cu 16 _ rum. A _ men.
~ •
<
J-
. -----'"
u
-- ---- "----
Q
~ ,"- n
t
-
Post I. Prophetiam.
AL Ie _ Iii la.
VIII.
~. Spi _ n _ tus est qUI VI _ vi _ fi cat:

IJ
•
-
Q.
------ -6-
u
,.,
"6- v~u'--
" -6- ~~
* qUI'd quam.
,
Non repetitur Allel(lia.
•
I •
-
PARS IT
101
Quando adhibetur forma Missae breviar, hie dieitur Gloria in excelsis. Deinde 'If Dominus
voblscum. etc. Omittuntur Prophetiae II. III. IV et V cum suis versibus alleluiatieis, sed post
Epistolam, loco tractus, dicitur Alleluia.' VenL Sancte Spiritus, ut supra, p. 79, et sequentia
Veni, Sancte Spiritus. cum Alleluia in fine, ut supra, p. 81.
POSI II. Prophetiam.
, f
~
Al _ If' 1IJ
-
la .
VIII. <
, ..
~. Spl _ fJ tus e JUS
.. Q.
or _ na vit los.
,
•
..,- o
-
Non repetitur Alle!(lia
Post III. ProphetillID.
IIi la.
I.
.----'0
,
PARS II
102
,!. Dum com _ pie _ ren _ tur di es Pen _
_ te co stes. e rant o
I
, ----------
'. 0
I -
mnes pa _ri _ ter *
O-'p..._ ..l/_ _O• :....Jo

. o-o..--.:-p------u~~'__'o
. V
" " -----

se den .. tes.
.
Non repetitur AllelOia
PARS IT
Post IV. Proplzetiam . Alleluia. XI Veni Sanct~ Spiritus, p. 79.
Post V. PLOphetiam,
Al_ Ie _ lti _ la
VIU.
~. Be _ ne _ d i _ c tuse s . 06_ mi _ ne
- .. ~
De u~ pa _ trum no _ stro _ rum. el lau _ dil _ hi _

fJ -
(0
"9-
..-
"""
Q
•
sa> _ Cll _ Ii!..
---_.-/
Finito Vasu dldtUT C;I'11::a in exceisi'i.

Po,,'t Epl'-Io!([rn Sl'qll 'u: Tr:lcills La:;j"fe D(llJ,"'IIII1. Pars I, p. 332.
Sequentia Veni Sa'lc!e Spiritus, ut in Dominica, p 81. sed in fine non dicituT Alleluia.
P'\RS II
104
D6 _ rnl _ ne '" De _ us sa 111 tis me _ re,
Offert. ~~~~~~~~~~~~~~~~~~~~~~~---~=:=
VIII.
In di e cia _ rna VI. et no - cte co _ ram te :

-
I
...J - --~ -9
·o_____ -.~o
-6'"
.,...........~ ..r---,..- --., -6'"~ ...!'"-""'- 1,,,.... -.., -

~ '"
_ tret 0 _ ni ti _ 0 me _ a
D6 _ rnl ne. al _ Ie hi
Sp; _ n _ tus * u _ bi vult Spl rat et vo _ cern
e _ JUS au _ dis. I al _ Ie - IIi la: et nescls un _ de ve _ nj .. at.

I
u
....
_
~
, ......
PARS IT
105
quo va dat. al Ie _ lu _ ia. al _ Ie _ III _ ia .
"----------' --x---------..... ----•

'" "'.7
I
al _ Ie Iii la.
.
Post Missam exspirat Tempus Paschale.
IN FESTO SANCTISSIMAE TRINITATIS.
Be_oe_di eta sit " San eta Tri 01 _ tas.
lntr.
VIII.
at que In _ di vi sa U - 01 tas : eoo _fi te -

fl I
@) '--' 6 C<..-..J...I,,--,,-'--'
~ ~ ~~f
• 0
-----
qUI _ a fe _ ei t 00 bis cum
'------------'
PARS II
106
ml • se • n cor _ di _ am su am.Ps. Do. mi _ ne Do . mI .• nus

fJ I
-9 0"--...,0'__'0
e ,.., -'" ~ n~.. n~,.r---.n~-----

ttH~~~~~~~~~~~;::;;;;;;;;::::;~
no _ ster; '" quam ad. mi _ ni _ bi • Ie est no. men tu _ urn u _
Fi _ Ii _ o.
ver . sa ter _ ra I Clo. ri - a Pa _ tri. et et Spi.r! .
~
-e~'----"-e
-c:r-
~ -..... ::::z:22;
tu - San _ cto. '" Sic - ut e _ rat In prin _cl _ pi _ 0 • et nunc. et sem.per.

~ I
) '---' o"-'v ,---",'~

•
-. ,..,---. ~n - --
---
.....--'
f I
et In s~ - eu - la SIE
- eu 16 rum. A _ men.
j
~ u"-,,O
....- -
o~
- P -e
_.
n •
Be. ne _ di etus es. D6 _ mi _ ne.
Grad.
V.
Fl\RS IT
107
qUI In tu_ e _tis
II bys sos. et se des Sll - per Che_
~ '------------
_ ru _ him.
,
~. Be. ne _ di
fJ I
u~'---"u -----.Y-.... ..Y

<
-9 n~~..•..••• rP-
etus es Do ml ne.
In fir _ rna _ men to ere Ii.

fJ I --.
et lau _ d<i _ hi _ lis * In sre eu _ la .

~ I I
(.) U ~. u
?7"'-----"~
n--n
.• I n l
PARS II
108
• OJ<
AI. Ie _ Iii _ Ja, al • Ie . lu. _ Ja.
VIII.
..,. Be ne _ di - ctus es •
~ I
D6 _ mi - ne De us pa • trum no - str6 _ rum,

1 I I
:J-. '--.-/ 0 ~ '---'" v~o
. • n 9---" ~ -9'----"""-9 n
Q
et Jau.. da . hi _ Jis
JIl
In sre _ cu _ la.
1'7"-- ---"1'7 ..
PARS II
]09
Be. ne di etus sit lI< De us Pa
Offert.
Uf.
U 01 . ge 01 - tus que De
*---.fr
0
~
? ~ bo .~c---e
Fi Ii us. San etus quo _
-
-
que Spi. tus: qUI _ a fe
-
fI
(.)
--
_ cit no _ bis eum Inl _ se fI _ c6r _ di . am
su am.
PARS n
110
Be. ne _ di _ CI _ mus • De _ urn cae _ Ii.
Comm.
IV. • 9
et co _ ram 6. mm _ bus vi _ yen _ ti _ bus con. fi _ te _ bi _ mUI
ml _ se ri cor di . am su flID.
MISSA D01VIINICJE I. POST PENTECOSTEN

Haec Missa dicenda est diebus ferialibus hebdomadae sequentis.
D6. mi ne, * in tu - a ml.se n • cor.di a
Intr. ~a~~~~~~~
... ......,-9 -6>'
_____
m~~@~~~~~~~:~
V.
spe ex. suI- t8
.
VI: vit cor me _ urn
I
,
-
PARS II
1 J1
f: I
In sa - lu _ Lit rI tu 0 : ca n . til _ bo 06
~ u _ _ _.,.,. .. -9
~
9~9
<
,---...~-...~ ...---......... .....--.....
~
_ nIl no, qUi bo na t ri bu
,
it ml hi. Ps. Us .que.quo Do.mi. ne 0_ bli.vi _
IJ 1-
77
L
_ see. ris me 10 fi . nem? * us. que .quo a. ver _ tis fa • ci • em tu. am a me?
I
-
•
---
Clo.ri.a Pa .. tri. et Fi_li.o. et Spi.ri.tu.i San.cto.*Sic.ut e.rat In pnn.
fj L
.---~------_./ .. ~
·•
fJ I - ci - pI - o. et nunc, et sem.per. et In sIC. cu .Ia sre. cu.16 • rum . A - men.
~ ------ ......_ --_/ u u

•
•
.-- C'o...... d!Fit.
PARS II
112
E _ go" di _ xi : Do _ mi _ ne.
Grad.
y.
ml _ se re re me . sa .' na
I I
l --?:J......._=-===
@
• b~ ~ + .... +J 0 -9'-" __
-
?:J
•
r---- n h
~
Ii _ OJ _ mam me am.
I
quo _ OJ _ am pee _ c8. VI ti bi .
"f. Be. a tus

"J I
<
,., I
- •
--=="'--"
•
PARS II
113
qUI 10 _ tel.li.git su _ pc r c _ ge
num et pau pe _ rem
In
di _ f' rna
I I
•
I
-
Q
-
~
-9
~
'-"
. .Q..
. -9
"-"
..Q.. -9~
u'--- .-/-"
0 I
----- -
o~
D6 _ rnl _ nus.
I
.•
PARS II
114
AI. Ie _ 111 _ la, 'AI al . Ie _ hi _ ia.
O-"' --'O-.......---(.)..,J (.) u,_~. u_.___ 9 ..

II.
":ir~.1 n ......... . . - -
". Ver _ ba me a {IU n - bus per Cl _
-+
-4--
pe.
"'--""
'9
--+
'}
Do ml _ ne: In _ tel Ii '"
cI a _mo _ rem me _ urn.
--_.-' ..
Non dicitur Credo.
Offertorium. Intende voci, Pars I, p. 245.
Communio. Narrabo 6mnia ibid., p. 215.
FERIA V, POST FESTUM S.SMAE TRINITATIS.
IN FESTO CORPORIS CI-IRISTI.

Ci _ ba _ vit e as 'AI ex a _di _ pe fru _ men ti.
I ntr.
II.
PARS IT
115
lu la: pe _ tra, mel _ Ie

fJ .u 1-1
al - Ie et de
I
~ 2) e- .. ~
-'" ----~
0
-e-~
(.,1'-. _ _r..I..... -
_ vit e _ 0 s, aI _ Ie _ Iu _ 1a. aI Ie . lu la •
I
o
, al Ie lu la. Ps. Ex. sui. tii . te ad •
, - -
I .u off - )u. t6 - n no - stro! ]u - bi . Iii. te De. 0 1a - cob. Clo. ri a
--,09-
/1 .-
Pa .tri. et Fi .Ii _o. et Spi.rl . tu _ San _ eta. 11< Sic. ut e.rat m prin.ci .pi.a,
I
/
-- - - -
, I .u t+ et nunc, el sem - per, ei III s? _ eu .Ia sa: _ Cll • 16. rum. A _ me n .
~) ---.9 .. e- 0 o
<
- - -
PARS IT
116
o eu Ii '" 6 mm um
Grad.
VII.
te spe rant. Do _ ml _ ne
et tu das il lis e scam
In
op _ por. tu _ no.
PARS IT
117
• .Q.
ns tu ma num tu am
,
1m pies
I
..J u
o _ mne a_ 01 mal .. be _ ne _ di cti _ <5 _ ne.
,...-..,
1-
PARS IT
118
AI. Ie hi 18, '* at _ Ie
Vll.
_ lu 1ft •
t· eft - ro me - a ve _ re est
gUls me _ us ve _ re est
po tus : man .du cat

-
qUi
fJ.u+l
~
<
l
~)
-- £ -.-,.
-
-
•
"
------ ~
-~
~'--'
§'---'
am car. rem, et bi • bit me
~~~~~~~~~'~
~ -.9--::'--
.-~
t2
PARS IT
119
urn san gUI _ nem, In me
..,
rna net, et e go In e o.
"---
~C- ;; • P:) .::)
7';j---J7~----7
La\!. da Si _ on Sal. va _ to _ rem. Lau. da du .cem et pa_
Sequent.
VII.
..
, Jj 1+ - sto - rem. In hy _ mnis et can. Ii . CIS. Quantum poLes. tan _ tum au _ de :
Qui _ a ma. Jar o _ mnl lau - de. Nec lau. da. re sM _ fj . CIS.
.
o o ..
PARS II
120
Lau.dis the. rna spe.ei. Ii lis. Pa _ ms VI • vus et vi • ta . lis
-e-
...-6-----.:?... ....
===!
::~
, H6. di • e pro. po _ ni _ tur. Quem in
~~
sa _ ene
-e;
men.sa
•
ere
£'.
~
nie,
.~
lIr"--,,,
·
11
§
- __
11~
, fJ 111+
t.l __75
Tur _ blr fra _ trum du _ 0 • de • n~ Da • tum no n am. bl .. gl _ tu r .
e- ~.
·· II
--
e-
Sit laus pie. na, sit so • n6 • ra, Sit JU. eun .da, sit de _
+....J'
co . ra
Men.tis JU _ bi • lei • ti • o. Oi . es e _ mm so. Ie _ mnis a _ gJ .. tur •
In qua men. sre prJ .. rna re. co . Ii • tur Hu. jus in. sti . tu • ti .. o.
•
•
PARS IT
12 1
In hac men.sa no • VI Re. gis • No. vum Pascha no _ V~ Ie • giS.
Pha . se ve - tus ter . ml _ nat. Ve . tLl . sta - tem n6 . VI . tas.

f ~ 1±
I
<
~ -e- :: - ... -e-~~~ ~ -. +--...-'
f
0 ... -
, .. 1f
Um _ bram fu - gat ve - n - tas • No • ctem lux e - 11 . ml • nat.
~l • • ~ ..,
J<_=_J~'" ?7 .~
...
Quod In coe _ na Chri.stlls ges.sit. Fa _ ei _ en .dum hoc ex _ pres.sit
Q.
In su • me _ rno _ fI _ am. Do _ cti sa. ens In - sti _ tu _ tis.

fJ JJ H
I
0
V -""
I .. ~
Pa . nem,VI _ num In sa . Iii .tis Con.se. era. mus ho. sti • am.
Il J.l 1f
I
PARS II
122
Dogma da _ bJr ehri _ sti _ Ii _ nlS. Quod 10 car _ nem trans_it pa _ nlS.
Et VI _ num In san _ gUI _ nem. Quod non ea •. PIS. Quod non VI - des.
fJ .u 1±
• • • • .c:::::t
..., 0
~J -.-./ o~ -&
II~ ~ -
IS' ~
fl .u +!
A - nt - mo _ sa fir _ mat fi - des. Proo _ tf'r re - rum or - di - nem.
~) 0 -&
C' I • •
--
-&
"'i"
11 -&
----- '"
•
t) IS'
•--=-1" I
Sub di _ ver _ !lis spe _ CI _ e _ bus. Si _ gnis· tan _ tum. et non re .. bus.
_ ml Ca _ ro
~ .u 1+
La _ tent res ex - _ 00 • CI - bus. san _ gUls po _ tus:
-8-_ ___-&
~
-------
I) [.I
.Q..
77 r.¥'l -:::n---. n -9
, f) .u +t Ma - net ta - men Chri - stus
./
to - tus Sub u _ tra _ que spe _ CI .• e.
PARS II
123
A su _ men. te non eon. ci _ sus. Non eon .. fni. _ etus. non di _ VI _ SUs:
,
In _ Ie _ ger ae . el ~ pI _ lur. Su _ mit u _ nus. su _ munt mil .I e
<
f
. •
Quan _ tum - sti. tan _ tum it - Ie: Nee sum _ ptus eon _ su _ ml - tur
- '~
/------.
....... .....-.... -
&~
~
...
Su. munt bo. ni. su _ munt mil _ Ii So r . te ta _ men In _ If' _ qua _Ii.
,
<
Vi . Ire vel In _ ter_ _ tus. Mors est rna - lis. VI _ ta bo • ms
-
Vi • de sum _ pti _ 6 • nts Quam sit dis. par ex_ • III S •
fJ .Ll ++
~....~--- ...
-&
PAHS II
124
Fra _ eto de _ mum Sd _ era _ men _to • Ne va _ eil _ les. sed me _ men .. to
Tan _ tum es _ se sub fragmen. to. Quan _tum to. to te _ gl _ tur .
• ,.
lIr
Nul. la re • fit scis _ su _ ra Si _ gni tan _ tum fi t fra _ ettl _ ra.
• • •
0 t9
• • ~
0
Qua nee sta _ tus, nee sta _ ttl _ ra Si _ gna _ ti ml _ nll _ _ tur .
Ee . ee pa _ nIS An _ ge _ 16 _ rum. Fa. etus ei _ bus VI _ a _ to _ rum:
Ve _ re pa . nIS fi _ Ii . 0 . rum. Non mit .. ten dus ca. nI _ bll S •
PARS IT
125
In fi _ gIl. TiS prae. SI. gna.lur, Cum I . sa _ ac 1m . mo . la _ tur,
.•
A. gnus Pasehae de. pu. lil lur. Da. tur man. na pa . tri _ bus .
..... ........$--------' ...
Tu nos pa _ see, no s tu. e. re , 'Ill nos ho _ na fac vI • de _ re
In tt'r. ra VI • ven. Ii _ urn . Til qlll cun - eta SClS et va . les,
Qui nos pa. SCIS hie mar. ta . les Til _ as - bi com.men.sa .Ies,
PARS ]]
126
Fae san.eta.rum c1_vi.um. A. men. AI.le.lu.ia.

f .u * Co.hre. re . des et so. da.les
o . .
-9---..J9- ...
11
-- I
Sa • eer _ d6 _ tes 'AI D6 ml.OI
Offert.
IV.
in . een • sum et pa nes Of - fe runt De.
~
-e- ~
'" ~
~
0 et id . e _ 0 san . eti e runt De . 0
- I
It
~v
-
~n-'n~"
"'.... _ x y
r---
r---
SU o. et non pol lu ent
i '\
fi').
~ .......
no men e JUs, al Ie 16 . la .
-- ./-----, ------.....
PARS II
127
Quo. ti es • cum _ que .. man _ du • ca bi _tis pa. nem hunc.
Comm.
VII.
que man.du _ ca ve_ Iii pa. nem, vel bi. be. rit ca. Ii . Cf'm
I
"----------'"
e
ml _ nI In. di gne. re _ us e • ril cor _ po _ flS f'1
GO
san . gUi • OJ s Do ml 01, al Ie lu la .

fJ ~ rt
@ 77_ ._v____?7 .. ?J" -e- 0
J""
77~7f
-.....
e 6" s
• rr ........
;;
u'"-----'u~.
PARS n
128
DOMINICA II. POST PENTECOSTEN
Fa ctus est " Do. mi _ nus pro _ te _ ctor me us,
Intr.
I.
et e _ du. xit me In la. ti tu _ di _ nem: sal. vum me

I -
_ nus fir. rna. men.tum me. urn, et re. fu • gl .um me.um, et Ii.
_ be • ra. tor me us. Glo. ri a Pa _ tri, et F; _ Ii. o.

----4
~
,
-
PARS Il
129
, ef Sp i _ ri _ tu_ San _ eta. .. Sic _ ut e _ rat In prin _ ci _ pI _ o.

I
I
@) - u~ __ • u-.-u,--",'""
./2 bt'J 60"----"0 .r--~---- ----,

I~~~~~~~~§~~~~~
et nunc. et sem _ per, et 16 _ rum. A men.
,
Dicitur Gloria in excelsis in omnibus dominicis post Pentecosten: non dicitur antem In
diebus ferialibus quando adhibetur Missa domi!lIcae praecedentis.
Ad 06 _ mi num. .. durn tr j _ bu _
Grad.
y.
_ lei rer, cla _ rna VI,

I
..-
et eX au _ di vit me.
bo
'f. 06 - mi - ne ,
- ~
PARS II
130
be ra m _ mam me_
L~
bi _ is ,
In _ I
et gua
qUIS
- a lin
----t
do _ 16 _ sa.
AI _ Ie lli 18, .. al _ Ie
l.
_ 1t1 la.
PARS II
13 I
yr. D6 - ml ne
us me us, In te spe _
~ _ Ta VI sal vum me fae
\
)
t 0 -~
"------,,.,~
..
-
mm hus per se - quell _
------ ------
Q.
fJ - ti bus me, * et Ii - be - ra me.
---.
I
fI) 09-
.~~ : ~~ "---" ..
, --""
~.
- ,--.-....,
,
<
.•
Sic dicitur Alleluia cum suo versu post graduale in omnibus dominicis post Pentecosten,
etiam si Missa domin/cae in [eriis adhibetur.
PARS IT
132
06. mi _ ne * , . te . re.
con _ ver et e. n pe a _ 01 _
mam me _ am: sal. vum me fac pro pter mJ. se _ n .
-=--
~ .u it - cor. di . am tu am.
~ ' ....
<
!J 9-----.ft
" -
~
bo ;II 06. mi _ no, qUi bo. na tri
Comm.
~~~~~~~~~~:~
n. ------~ "..---., ---
II 1+ - bu - it ml hi et psal.lam n6 mJ _ 01 06 _ ml
-
. II
-
al tis 51 ITI1 •
~.. (7 --77
.-
-
PARS II
133
FERIA VI. INFRA HEBDOMADAM II POST OCTAUAM PENTECOSTES
IN FES'TO SACRr\'TISSIMI CORDIS JESU.
Co - &1 _ ta _ t i _ 6 _ nes '* Cor dis e JUS
I ntr. ~ '-'
V --------- ~ "....--.... ".--.......
-&
09-
Z §
-&
f( Z \,a:;E , -
0
ge _ ne _ ra _ t i - 6 ne _ fa
, fJ I
ne
I
et ge -
-
ti 6
-
oem
~>.....- - - - - - - ----...-- '-""
~~ - ---n--'yj -;- 'n -

f
e _ ru _ at a mor - te n1-mas e 6 rum
et a _ la t e _ os In fa me. T.P. AI _
fJ 1
l
I
-
, I- Ie - Iii la,
u,_ _ _-f-'
I
al _ Ie
-&----:fr_____~
!u
u
lao Ps. Ex _sul_
---
-'"
<
n ~.- I n
la _ te JU _ sli 10 D<Lmi_no," re - ctos de _ eet coLl8u_dLti _0. GI(Lri_8

~ 1
PARS n
134
Pa • tri, et Fi.1 i . o. et Spi.r!. tu _ i Sancto. • Sic. ut e. rat In prin.ci. pI- O.

fJ I
.. ~ . ..--.-..
o
--l
-------------'~
- -- -~
et nunc, et sem _ per. et m sre _ cu _ la sre _ cu _ 16 _ rum. A _ men.

~ I
lit
CIS el re ctus
---+
I==:
Grad.
I. .a:- -.... .Q
~---I
, D6 ml nus. pro _ pter hoc Ie _ gem da _ bit

I
de lin quen. ti bus In VI
, _ a. ~. Di _ n _ get man _su _ e _ tos
•
a
-~
PARS II
135
In JU _ d; _ c,
..r-----...
~
_ 0, do bit
I
VI as
., su as.
t --
-
AI Ie 16 _ la,*al _ Ie lu _ la.
!II.
PARS 1I
136
'f. Tol Ii te JU
gum me urn SU _ per vos et di _ SCI _ te
- -."---------,-----
a ml _ tis sum
et hu
.•
ml _ lis Cor de. et In _ ve _ OJ e _ tis re

I. -
qUI _ em
I~RS II
137
a nI _ rna bus ve _ stris.
• .
-
In Missis votivis post Septuagesimam. omissis Alleluia, et Versu sequenti, dicilur
Mi _ se _ n cors '" et ml _ se _
Tract.
II.
_ ni _ tor Df) _ ml _ nus, Ion _ ga _ nI _ mls et
'--'" -
, -
,
, f.)
mul
~
tum
0 .... ..p,-_,,"
ml _ se n _ cors.
,
<
-,.r-~rf - "n ~ /'-
PARS IT
138
't Non in per _ pe _ tu
tur. ne que In ~ - ter

fJ
~
y u _____ -e- 0"-,,,
- ~-e-~
u~
@) ---'u.....
en ,.5 r;::-n - ;rze.
num com. 10' _ na bi _ tur. 'to Non se - cun . dum

I
pee ca _ta no _ stra fe cit no
bis. ne - que se _ cun • dum I _ nt _ qui. ta _ tes no_
stras re • tr! bl.l _ it * no
PARS If
139
bis.
Tempore adem Puschali, OIllISSIS (]raduali et Tractll, dicitUT Alleluia, alleluia. t. Tol-
lite, Ilt supril, p. 13::; ; delnde
At Ie _ III fa •
•
VIll.
IQ6~-
tJ
o
~. Ve _ III te ad
fl I
Q ~-- Q~ ~-
eQ~~~
me, 0 mnes qUI la _ bo _ fll
s 0
PARS IT
140
tis. et o _ ne ra _ ti
e stis: et e _ go * re. H _ CI _ am vos.
..
I
u'--- -~. ~
pro _ pe _ n um '" ex _ spe. cta, ,_ VI't Cor
~~~g~~~~~~~§~~ . .... .. .... ...
PARS IT
14 I
,
et su _ ,ti nu qUI SI _ mu. me cum con _ tri _ sta_
~ _ re lur et non fu it ;
...-
• •
. - ~--_.---- -.
,
con so _ Ian tern me que _ 51 VI el
non In m.
Q.. ---"O
PAHS n
142
Tempore vero Pasclzali, in Missis voavis, sic mutatur Ojjertorium
Ho _ 10 _ du sturn • et pro pee _ ea

.........
Nt •
Offert.
VL
'-
_ to non po _ stu lei sti; tune di XI:
, Ee _ ee ve _ m o. In ca pi _te Ii bri
sen _ ptum est de me ut fa _ ce _ rem vo _ lun _ ta .. tern
tu am: De _ us me _ us, vo _ lu _ I et Ie
_ gem tu _ am me di _ o.
PARS II
143
Cor _ dis mf' I • AI - Ie lu ia.
.,,--,...
...--... \ ,,........." ,
? ,--..-'O~9 0 0.
b~...
..
U _ nus mi _ Ii _ tum .. Ian. ce _ a I a _ tu s e _ JUS a _ pe _ru _ it.
Cowm.
VB. &Q
•
et con. t i _ rl U _ 0 ~x- _ vit san _ gl1ls et a qua.

fJ I
O'----'~7J...y e
_------ ~,..--... rl'---"'"
Tempore autem Paschali. in Missis votivis. sic mutatur Communio
s, qUI, SI _ tit " ve _ nI _ a tad me et bi hat
Comm.
VL
at - Ie - Iii - la. al - I.- lo la.

fJ I -
It)
,- -......
'--'
i
0 a-b.
.......
0.
- J
•
--
PAHS n
144
DOMINICA Ill. POST PENTECOSTEN
, sum
-
e go: vi _ de hu _ mi Ii • ta tem me am,
-
0 .. -9__..._-9__..._-6>-___ ..-/-&
-
0,_:-- ~
• --- §
b6 rem me um: et di - mit te
~~. -&---
_:9_ ----+
G=
rz:=::±
--
~
6 mm - a pee _ ca ta me a, De us
__-9
..
~------- '--/-&~. .
~ - -9",---",,-& 77
~
, me us. Ps. Ad te D6 _ mi _ ne Ie _ va _ vi a _ nl • mam me. '1m: *

I
~ ~ .... -- r.,;
=
~ -9
.e--
,
-9
~ bn ---"'e9 bn
PARS IT
145
De _ us me _ us. 10 te eon.fi .do. non e _ ru.he_scam. Glo.ri _ a Pa _ tri,
) - '--" -
f
et Fi.li_o. et Spi.ri _ tU_1 San_eta." SII:. u1 e_ rat In prin.ci _ pl.O.

I
0 . ._ ,
Ie 9
(
_"'
et nunc. p t sem_ per. et sre _ cu. la S~ _ cu _ t6 _ rum. A _ men.
-
o
Ct. _ iP - ta _ tum tu 11m
Grad.
VI£.
Do mi. no. cl , . pse tp
./ ..... _ /
e nu _ tri_
PARS IT
146
.,. Dum cia _ rna
I .. *- rem
I
ad 06- ml - num.
--- .-.
~)
-- '-" ~ "--/
. ~ I"J ,e~ Q 6- 0 e
ex _ au _ d. _ vit vo _ cern me am ab
qUI ap_ pro_ pin_quant '" ml
PARS II
147
AI. Ie _ lu la , ~ iJ I _ Ie _ lu 16.
VIII.
'to De - us III - dex /u
'1'9- u._. -9~ •. ".7'J
- stUg, for ti s pt pa _ ti ens. num -quid

fJ
~ • -9 • 7'J
.£.
--9
... C-' .~ ....- - " ,
0----" U
•
-...,-....... /' -.. -~
Q
e
ra see tllr gu - los di - es ?

~
:t~ •
I~
P G '2_
PARS II
148
te '* 0 _ mnes. qUI no _ ve _ runt
Offert.
m.
, f.
no men tu urn. Do_mi ne quo _ ni am non
.<--..
de re lin _ qUIs quae _ ren tes
, 1
te ; psal Ii te D6
-
ml no. qu ' ha bi _
,
) (.)
9~'--. .-/-9___..___-6-
<
In 5i on quo _ ni _am non est 0_
, fl - bl; tus o _ ra _ ti _ <> nem pau _ pe _ rum.
PARS II
149
Di _co vo _ bis. '" gau • eli _ urn eSI An _ge.lis De- su . p~r
Comm.
V.
u _ no pee _ ea _ 10 re p~ _ nl Ie n _ t i_a m
, I
-
I
o___..__------u--.---u'-" D__._D---.P D
<
- ___ - n 0
DOMINICA IV. POST PENTECOSTEN.
'" 11. lu _ mi _ na. ti o me a.
I nt r.
II.
el sa Ius me a. quem Ii me bo?

fj
~)
.
-.-P-----..P
---
'- ..
r:-
'--'
,-....-- -...
u
06 ml _ nus de _ fen _ SOY VI me _ ae. a quo
-
da Iri _
- ho?
tre _ pi _ qUI bu_Iant me
I
PARS 11
150
In _ mi _ ci me I. 10_ fir - rna _ ti SUllt.

--t
~
- ---+
Q
• --
et ee _ el de _ runt.Ps.Si eon.sl. stant ad.ver.sum me ea _ str!l;*
non ti. me. bit eor me. urn. C16. ri • a Pa _ tri. e t Fi _ Ii _ o.

=:::f:
.--
0'-- ./- v
J
--+
et Spi _ rI - tu - I San - eto. * Sic _ ut e _ rat 10 prtn - cI - PI .. o.

--+
.--
".I U ''.-.-~
'9 0
?7 ?7
-.. n----. t)c=
'-' ~---
:;ft
fJ
et nunc. et sem _ per. et In sae. eu _Ia SIE _ ell .16 - rum. A - men,
-- -- •
Graduale. Propitius esto, Pars I, p. 194.
Al _ Ie _ hi la, '" a I . Ie _ III la.
VII .
B\RS II
15 I
JJ l±
U!=', qUI se des su - per
'..)
.- ---"
,,---, ',,------.
-"
"-""
..--..
'----'
,. '6'
Q -0& '3
.....
-9
"U
"w", •
:7 ,'" I-&-~
thro
,! ill _ di _ cas 1J: _ qui _ ta !I~rn :
e sto IU _ lim pe rllm "
PARS IT
152
In tri _ bu _ la _Ii _ 6 ne.
u jf I
I
---" '-- .----~--------~
....
- /'
l
.. ,,- -9~ ~
11 _ 16 ml na 'I< 6 _ eu los me
off er t . ~~~~~~~~ ----=:::;::;"'""

IV.
os. ne _ quan _ do ob _ dor ml am
In mor
-
a..
,
di _ cat In _ ffil
PARS If
153
lu _ ad vcr _ sus e urn.
'--- --'0
--
D6 _ mi _ nus '" fir _ rna _ men _ tum me _ urn. et re-
Comm.
n.
f - fti gl _ urn me urn • et Ii - be - ni tor me - us :
(! ---' .'--"o....___p ~ ~ . 0 '~ •

~ 'n - - - - - .-
De. us me _ us ad ju tor me us.

fJ
o
..
DOMINICA V. POST PENTECOSTEN.
Ex _ au _ di 06 .. ml _ ne
.. vo _ cern me _ am. qua cia ..
Intr.
IV.
_ rna _ VI ad te ad .. iu tor me _ us e sto.
PARS II
154
ne de - re _ lin
- quas me, ne que de - spi Cl
- as me,
"---'
--- ---- .....
....
CI
......05\..
15
,tit:)
~
l:r
r:@
1 JJ
De us
I
sa lu - ta flS me us.
C-'.....----u-..-L'______• • 0
0 v~-:-'-v v
-- I .- - B
("l
quem ti - me.ho? CI6- n - a Pa _ tri , et Fi .. Ii " 0, et Spi _ r~ ~ tu ~ i

fJ JJ
l
.@)
~~
,., r---,.
6-
Q
-.....
6-
-/
n-
C-'
;.,
---
06-~
---'
=-=
I ~
e _ rat prm _ CI pi _ a, et
,
San. cta. .. Sic _ ut In _ nunc, et sem _ per,
Il JJ. I
, - -
et sre _ cu _ la sa' _ cu _ 16 rum. A men.
- -
PARS II
155
Graduale. Protector noster, Pars I, p. 196.
AI. Ie • III la, " al _ Ie _ III
VI.
_ la.
~. Do _ ml ne.
Vir te t\l a lae _ la
...
bi _ tur rf'X
O u~U-----j _ p"_y -
hn ~
PARS II
156
su _ per sa. lu " ta _ re tu
urn ex _ sui _ tli bit ve
_ he ter .
Offertorium. Benedicam Dbminum, Pars I, p. 212.
U _ nam pe ti _ a D6 _ ml _ no,
I
hane
-- re qui ram ut In
-
ha -
I:::::::=
-----7"
.--..,.,
- - -- 0
CU" ~
..
e...___
/2 e- .a n ~ --.
-"*\""
I:::::::=
.<
PARS It
157
bi _ tern In do _ mo D6. rnl . m 6,. mni .• bus di bus
,,
~
~)
J
VI
-- --
". tee
.~-----
me
0------,0
ceo
-e-
n---n a -.
f
DOMINICA VI.POST PENTECOSTEN.
D6 ml ~ nus "" f0r _ ti _ til .. do pie,. bis su
Intr.
n.
et pro. te • etor sa III urn Chri sti

I
su est sal vum fac po. pu _ lum

f1 I
-........--
~ r-;~v"--,,.
~ v~,,--/(.(
-
--- -& Q
--- /' - ---t2
, be _ ne • die h~.
tu ,. um, D6,. mi • ne, et re ,. di ,. til _ ti tu _ ~,
..
f
-
-----' -
PAH.S IT
158
et re _ ge e. os
_ cu _ I urn. Ps. Ad te 06 • ml _ ne cl a • rna. bo. De • us me. us ne
SI
I
• Ie • as a me : 'AI ne _ qu~n _ do ta. ce _ as a me I et as. 51 _ ml •
I
o'___ -------u-----o
Is _ bor de. scen.den _ ti _ bus In la - cum. CI6 • ri _ a Pa _ tri. et
---.. -~-----, ,.-...
FI _ Ii _ o. et Spi • rI _ tu _ San _cto. 'AI Sic _ ut e _ rat In prin .ci • pi o.

----j.
et nunc. et semI per. et s~ • cu _\a sre _ cu _ \6 - rum. A - men.
Graduale. Conv6rtere, Pars I, p. 197.
PARS n
159
AI. Ie .< III la, JI< at .. Ie III la •
•
III
L
'r.
, f. I
In te
<
f
..
VI, non con _
, , I
ftJn dar
I
In ae
-e-.'
num In tu
-
a iu 0 st! ti ~ a Ii 0 be .. ra me, et e.. rJ pe
. -
me In 0 eli na ad me au _ rem tu am,

fJ I
--+-
u.
PARS IT
160
ac _ ce Ie ra * ut e ri pl as
me.
Ot't'ertorium. Perfice gressus meos, Pars I, p. 143.
Cir. cu •
I
I boo 11< et im . mo. la . bo In ta _ ber • na .
Comm.
VI. ---------
~~~~~~~~:~
_ cu _ 10 e JUS h6 sti _ am ju _ bi _ la _ ti _ 6 illS:
can • tti boo et psal _ mum di cam D6 . mi .. no.
DOMINICA VB.POST PENTECOSTEN'.
mnes gen _ tes 11< pIau _di _ te
I nt r.
VI.
PARS II
J 6]
rna _ m bus: JU _ bi la te De o
-
In vo _ re ex _ su! _ ta _ 1i nis. Ps. Quo_ni _ am Do _mi _ nus
fJ lJ.
• --
•
ex _ cel_ sus. ter_r! _ hi _lis: Rex rna _ gnus su _ per 0 _ mnem ter _ ram.
• "--' u
.--"'~n b~• •
4:
Gla _ n a Pa _ lri • et Fi _ II - 0, el Spi_r1 _ III
- San _ clo.
f lJ. I
t) --- - Q...
u
-':) be ,Q... be -':)
Sic _ lit e _ Tat prin _ Cl - PI _ 0, sem _ per,
,
In et nunc. et et In
lJ. I
- .~
u'-'
2~ ~f ~ 1'. r; ~
s.r _ e u _ Ia sre _ eu _ I,) rum. A _ men.

fJ lJ.
,
PARsn
162
fi _ Ii _ I • au _ di Ie
Grad.
v.
, me: Ii _ IUO _ rem Do _ mi _ nl do - ce _ bo vas.

fJ -?
<
I
J
.
u
,.(
--
.... .e- n L
lJ .. ./~'-
'----' ........"
. - ..
------'"
:;;:;.-- " - '
Ir~n
*
---t2-
:::::z:z::::
'f. Ac - ce - di - Ie
I: I
i I _ lu _ mi _ na fa _ ci _ es ve _
-
et rnl _ nI el slr~
fJ I
I
- .....-
-=- z
non con fun_den- tur.

I
PARS IT
163
.AI . Ie _ III la. *
I.
13.
fl I
'f. 0 mnes
@) --,0 e- -~ --
,
77
77
n ~ -----
--
gen piau
di
-G--
nt bus:
fJ I
PARS II
164
ju _ bi _Iii _ te De o vo ce
~~o,-----,~~~~~~r.;,----,,~r;;
~--.~
(e~~~e~~~~~~~~--...
ex _ sui _ ta ti 6 _ OIS.
Sic ut '* In ho _ 10 _ C8U sto a _ ri _ e _ tum
Offert.
v.
et tau ra rum. et sic ut In mil _ Ii
f}
a _ gno . rum Pin . gUJ urn , SIC fi at
g
~
,.~ ......
-
a ~ -e-
---
-~~o
S
PARS II
165
sa _ cn _ fi _ CI urn no strum Irl con _ spe _ ctu tu _ 0
h6 di _ e, ut pia ce _ at ti bi: qUI _ a

')
..
non est con. fli _ SI o con _ fi _ den _ ti • bus
In te 06 _ mi ne.
..
-o .-/o.::J
In _ eli na " au _ rem t\l am, ac _ ce

-
•
Comm.
IV.
-
Ie ra , ut f.; ru - as no, .
fJ I
-
~ -
~
-- t.2 ~
-9 ,. Q
'---'
.-- ....
PARS II
166
DOMINICA vm.POST PENTECOS1EN.
Su. see pi.mus.*De _ us. 011 _ se _ ri _ cOr
rntr.
I.
_ di _ am tu am In me _ di _ 0 tem. pli tu I:
se _ clin _ dum no • men tu _ um De us. 1 _ ta et laus
, 1
~
tu
0
a
"-'
In fi
~-e-
- nes
___"l9____"l9
ter
~
rae : JU - st! _ ti _ a
'"l9 • 9
~
I
- -~~~
~
pie na est dex _ te _ ra tu a. Ps • Ma _ gnui 06 _ mi _ nUi
~i~~~,,-_~_~_~_§_~.-/~:9~~~~~~~~~~~~~~~~~~1~~~~~~~~5
~~~~~g~~~§e~.a..~~
et lau _ d" • bi _ Iii 01
- mls: * In CI - vi _ tli _ te De _ i no - itri.
I
---+
- P- ~
U<..--7 .. u~v
=-===
<
h" ~r5?, 6--
---.....
~
-tr
0 --+
PARS n:
167
In mon _ te san _ etc! e _ }'Is. GllLri ,~ Pa _ trio et Fi _ Ii _ 0,
.(2------
I
et Spi _ ri - tll - San _ eto. * Sic _ ut e _ ra t In prin _ ci - pi _ o.

fJ
<
~
'-"12
-
#
~--------
b....,
.. U ________ U~J
hri'n -.......~
----.
( ----- G
et nunc, et sem_per. et In s~ _cu _Ja sae _ eu - 16 _ rum. A men.

fJ
r.J
4!)
~
'.J~."
'-
-6- ___~-e-____",6
"9-
!!:..
V ~
E _ sto ml - hi 111 De _ um pro te
Grad.
V.
eta rem. et In 10
cum I,~ RI - I.
t:::J'
?J;;/~i
'9 'J
PARS II
ut sal vum me fa
• 7:J . ' - - " 6 - _..... J v"--,,V 6-- ft
r£T'o 9 l~
CI _ as. .,. De _ us, in

I I
-
te spe _ ra _ VI' D6 _ ml - ne,
9~=
~
,...-.....
..Q. 6-
• ~~S: .a 6-- .Q.~
non con_ fun dar

.. .
In ae -
num.
Al Ie _ lu la. '" al Ie _ III 18.
VII.
PARS II
169
- - -
'f. Ma gnus 06 ml nus. et I au • dci _ bi - I i s
'---" '---------- ------
val de. In CI _ vi _ tel _ te
O'-...-/.,---,o~o o
~~---~
De I, '" In mon _ te
san. cto e _ JUS •
..
PARS IT
170
t
.
Po _ pu _ lum hti ml lem .. sal _ vum fd
Offert.
.'•
V.
<
Cl es. Do ml rre. et
.
~
~
-e-
-----
6 cu _. los su. pe r _ b6 rum hu _ ml _ Ii
fJ 1-
a bis quo _ ni _ am qUls De
, -- --~------ ..-
us prae _ ter te , Do
"-Jri. I
PARS IT
171
Gll _ sta _ te et VI _ de te. quo
Comm.
III. -----------.
_ am su _ a VIS est Do _ 011 nus be _ a _tus VI r,
qUi spe _ ral o .
--
•
-G---
DOMINICA IX. POST PENTECOSTEN.
Ec _ce De us ad _ ]U _ vat me. et Do
Intr. - '-- ---""---'--....-.

V. ,..------
ce - a_ _ rr.re
- - nus sus ptor est me ;c:
-
ml nI
~
-
~ u 9 _______-6---6-------...- -------
~ I,n - ~ ~
PARS IT
172
a _ ver _ te ma- la In • ml CIS me IS.
..
10 \Ie n • ta _ te tu a di _ sper .de il _ los.
pro _ te clor me us Do _ m, ne.
Ps. De _ us In n6 _ mi _ ne tu • 0 sal _ vum me filc ,'" et In VIr _ tu _ te
, ttl _ a ju _ di .'::8 me. Cia _ ri _ a Pa _ tri. et FI _ Ii _ o.

t
et Spi_
....r---- ----------,....."....----......
t)
_ rJ. tu • San. cto. '" Sic. ut e _ ra t 10 pri n. CI _ pI • o. et nunc. et
-, -/-----"1'-'.~ ___
PARS II
173
sem _ per. et SIE _ ell _ fa Sie _ ell _ 16 _ rum. A _ men.
06 ml _ ne 06 nll _ nus no _ ster.
Grad.
V. bQ
, quam
6o~-e-
ad _ nil _ rei _ bi Ie est
I
no_
~ ~ -----'-
t~~~~~~~~~~~~
_ men tu um II _ nl ve r _ sa
-&'-.... .--/60____._. .'---".'-.-/6o,--",-e-~

,---....
ter ra ! 'f. Quo - ni - am e - Ie

I
ta est
9-
•
PARS 1]
174
ma _ gOi _ fi _ ceo _ ti _ a tu a su _ per
, cae los.
1 -
- -
AI _ Ie Iii _ la, .. al Ie
II.
hi _ ta •
.,. E _ n _ pe me
.J ~ o e-
.:-a -
- - ----
PARS II
175
f, .. -
us: et ab In - sur - gen
I
....... 7
............ \ -
~ --a.rt 0
,.-...,~
-0...-/
q. 6- ~r~
~
~ ~
1
--- .t2 ~
0
ti _ bus In me '" Ii _ be ra me.
fJ J.J.
o
•
Offertorium. Justitire D6mini, Pars I, p. 229.
Qui man _ dli _ cat" car _ nem me am. et bi hit
Comm.
VI.
, - -
san gUI nem me urn, In me rna nt-I,
~ l.l
» '--' v____..__G.I
I
~o~n - -
PARS IT
176
et e go In e • o. di cit 06. rni • nus·
DOMINICA X. POSTPENTECOSTEN.
Dum cia rna _ rem J!I ad 06 _ rnl _ num. ex _ au - di
In t r.
III.
_ vit vo _ cern me am, ab his qUI ap _ pro _ pin _ quant
, ~
rnl hi et hu. mi Ii _ a vit e os.
-~
,
<
}-fr
~
"=
;- -& "6- ~~~
-
-
~
..--..._~ -----
a
qUI est an _ te sk - cu la. et rna net In re
~
--.-" -&-
,,---..... ------ ~
.Q. Q. ------..-&~ ----
, ~
ter num : Ja cta co - gl - tii _ turn tu - urn In Do
----- F==
T __-U ___'9-
-....
-&---- "9- 0
...
('J
<
,,-----...., - ....... ~-
t ~
PARS II
177
no. el I _ pse Ie
, "
el de _ spe _ xe _ rlS de _ pre _ ca _ ti _ 6 _ nem me am :
-
<
.. Q
10 - ten _ de mi _ hi. et .~x _ all _ di me. Gln- ri _ a Pa _tri. et Fi.li _ o.

fJ
I
0 -e-
,
@.l
£"
et Spi _ rl _ tu _ San _ eto. " SIC _ uI e _ rat 111 pnn _ CI _ pI _ o.
,..-
, tJ...-'
et nunc. et ~em _ per. et
0
111
-&
SIP _ eu _fa sa>. _ eu _ In _ rum. A _ men.
<
~ ----
'-""
Q e
"-''-'"
---
PARS JI
178
eu _sto . di me '" D6 ml ne,
Grad.
l.
ut pu-
pil lam· 6 _ eu ~ Ii sub urn _

.ll
----....-., D
77 .,--,,0 1r --- ?)" • ---
- ~. 0 be n n"---')~
L-
_ bra a _ Iii rum ttl • Ii Irum
pro te
_ ge me.
I
0 -0..... ......-o~~o q-6--.? o~o'----"u
, --. ------ -------- - ~-
PARS II
179
'I. De vlIl tu III _ 0
, )1I di
0"-
CI
----':;
lim me
-
urn pr6d_e at
6 _ ell _ Ii tu
, f, J,l
- I
"--'- 0 q9
VI
----
I
~~
r-zJ V"-"'V '-...-'
n ""'---" rJ--.,,~J~----.....1
"=?:E 2 2 e
de ant " ~ • qUI _ ta
----'-
'19'--- -'19
PAH.S JI
180
AI. Ie Iii la, * al _ Ie 16
VII .
_ 18.
de _ eet hyrn _ nus. De
on
turn * In Je _ ru _ sa _ lern.
I'L\RS II
18 ]
---
~ .u
~
~ Q'-. • 0 :ry
, .. --- ----
-
Offertorium. Ad te Domine levavi, Pars I, p. 6.
Ai' _ cep Iii cri _ fi
~
Corom. '-'
IV. b I,
---- (' . ...---------
~I; - Ii <Ie,
ob _ la _ ti _ 0 _ nes
et ho _ 10 _ cau 51 a, su per al til
t\l urn, Do _ rni ne.
PAHS II
182
DOMINICA XI. POST PENTECOSTEN.
De _ ~ . De _
us In 10 co san cto SU _ 0: US,
!nt r.
V. ~ .-------.-
qUI In _ ha _ bi ta re fa ci t un
11 nl
- rnes In do rno : Ip - se da - bit vIr - to tern
.
I -
----f
~
@) u u 0"-.-"_,,-,,,
.,--...... -e~
tJ
.Q. -e r; ...-.~
fo r _ t i_to di nern pIe bi SU _ ~.
Ps. Ex _ sur _gat De _ liS, et dis _ si _ pen_tllr In _ I _ rn, _ CI e - JUS: .*
.---------:g-
-&-
a.
Q
~
et (Ii _ gol _ ant, qUI 0 _ de _ runt I' _ lIlTI, a fa _ CI _ e e _ JUS.
PARS II
183
~
-------.. ~ .Q. Q
cI _ pI _ o· nunc. pI et In <;p_ (,,-In _film. A_men.

I - I
v
,.-,.
•••
In De o spe _ ra V!t cor me urn.
Gran. • '-------- •
v.
f'l fe _ 116 _ lu _ iI
ca _ If) me _ a "I f'X vo _ lun _1.1

fJ I
_ te me _ a ron _ h _ Ie
PARS II
184
'f. Ad
fJ I
il Ii. teo
-
06
-
...--+ ITII_ne.
,
cia _ rna _vi
I
De us
- me us.
, - ..
-
(.I (.1,,-,,'-
~~r,-C;
~ e-
ne SI
,..-.....-..,~
Ie
e- n
as ne
-
dis _ ce _ das JI< a

=
me.
fl I
~~. e-,--,,-9 ~ -&-...-7 i'J':::J

,
0
L n--"""~~ -~ ~,
16 _ Ja. *' al _ Ie 16 _ la.
VII.
PARS II
185
'f. Ex - sui -
C""--- ---'
De o ad _ )u _ 10 _ r I no
fJ I - slro • )ll - hi - Iii If' Of' 0
~) - - = 0"_"
a. a.~ ...... r; ~~aa. ".,~
fl
tJ
I
Ja
.-/,---,,0
coh :
- -
su _ ml
• q 9
te psal
.-.. c:....
--- -
mum
I
. ~~~ ......-..... r~ - 'I--~ ~~~I

Q
JU - elm _dum cum CI tha - ra .
--. .. .
~
6- a
~ 6- ...,.. G. "..-.....,
0 ,.
\"
:
"
I~ G;!39 '3
fJ I I
......~----_.-/
.Q
---- _---"
...... -
PARS II
186
Otfertorium. Exaltabo Ie, Pars I, p. 162.

Ho _ no ra 1l< Do ml _ num de tu a sub
Comrn.
VI.
stan _ ti a • et de pn _ ml _ ti IS
~~~~~~~~~
----
, fru gum ttl rum: ut im _ pie an _ tm
Co' v
.Q.
~, _ ;~......9,....--....
G
tu - n _ ta Ie. et VI no
, tor _ ell la _ r I
~
_ a
~J
red
-&-.....-ft
un
o,_./-",---",v
da hunt.
t~~---....~~~/~~~. . .~~~---~~~~.-.-...~~~~~~-~~~~~~~~~~e~~~~~:,~,_~~
.
DOMINICA XU.POST PENTECOSTEN,

us '" In ad _ ju - to _ n _ urn me _ urn In
Intr.
VII.
PARS II
181
de Do. mi. !lP ~ tl _ na
con. lun _dan. tur el re. Vf _ re. an tur Hl_l.rrll.CI me I,
7' -ex .......
qUI qllae _ runt a. nl _ mam me am ./~~. A ver. tan.tur re.trorsnm el
• -
_ _ L - -__
fJ.u e - ru. bes - c<lnt," qUI 11(\ - IlInl rni_hi rna. Iii. Cia n _ a Pa _ tri,
-- -
0 ....
1J.u et Fi.li. 0, et Spi.r. - tu_ San.eto." Sic-III e _ rat III prio.c1 - pl.O
fj ~ et nunc, et Sem _ per. et In Sie _ cu.la sae _ ell _ 16 _fum. A _ men.
_ - ' _ U----.. U Cl
PARS II
188
Be _ ne _ di cam" 06 _ ml _ num
Grad.
VII.
om nl
~~~~~~~~g~g~
"l9- 6"--,,,o9,,--,,"l9- ~,--,,"',,--,,'"
,.-.,..-. ,......--....,
PARS n
189
Do _ ml no
lau _ da _ hi • lur 111 ma me
f,.u#_a au . di anI man .so _ e
e •
_.
e • Z;."'" • e-
. ......
- ./ ~/ ----,. -----...
0
('" <'9
el
fJ .u 1:1 len - lu r . I
PARS 1I
190
lu . *
la, al .1 e lu la _
-.:;1
r:J '--" 0,--
III.
~
61, I
Jj 1- 06 ml • ne De _ us
- sa
Q::
) ...-/"'---~. '-'"
-- - ~
- Q
• ~
~ 9~ ~ e I~
::::=:z:
cia .ma
fj Jj - I~- tis ~- ae. m di
- e
V
--
~ ~
-
~ -&~ Q.
n
'---'"
~,
0
6-"
~,-"
VI et no _ cte * co rllm Ie.
u'-- --/
--
- -
'= ",/
PARS II
Prt' _ ca Ills (' 5 I 51'S
Offert.
r-:~,_Pe
VIII.
t·
10 cno _ spc _ elll Do ml 01 De _ i Sll
..
t> I-
di XII.
Pre _ eel IllS est M6 _ y _ ses In con_
_ elll 06 tTl! 01 De _ su I,
PARS II
192
_ ra see _ flS In po pu _ 10
, \ tu o ? P~r ce _ r~ 01 _ m~
(:i fl CJ' -~,.J _
, -
tu ae me _ men to A _ bra _ h~
fJ I
S:t
-"---"" -& C.J.
L~ rn-----........
.... ~
_ sa _ ac et J8 _ cob, qui. bus ju _
sti da _ re ter _ ram flu. en . tem lac et
mel. Et pia _ ell - tus fa ctus est
~
~ I
•
C-- • 5g
--
!J '-""'-~'--" -6',,-",",.
I
n~o
--- - 5' t2
---I
PARS II
193
nus de ma _ Ii gnl lil _ Ie •
.... e a.
quam di xi t fa ce re po _ pu _ 10
l~
. ?".<'
su 0 •
De 6 _ pI' _ rum tu _ 6 _ rum. Do_ mi _ ne. sa _ Ii
~.u -
a_ hI _ tur te r ra ul e _ d6 _ cas pa _ nem de te r _ ra,
et VI num I~ - 'I Ii _ cet cor h6 _ ml nls :

~ .u
t ____ q
, ,-
,) ",--,-,,-,," qe '--
--- ""'-. ~ ~ - - ""---":~ -e-~ ?;
~
.".--....1")
PARS TI
194
ex _ hi la ret fa _ CI _ em In 6 _ Ie o.
et pa rns cor h6 _ ml nlS coll_ fir _ met.
~--------
.....--61 0
11 6 e
DOMINICA xm.POST PENTECOSTEN.
'" m, . ne, m te sta - men.
I ntr. "-'" '--' r;; ~

VII. --.a..-..
~
tum tll urn • et a Ill. mas pall _ pe _ rum tu _
50 '-. .-/[,1"
---.-
-e- _-&
0--- :n
:::=::z
fJ.u- O rum ne de. re _ lin quas 10 Ii nelm : ex _ sur _ ge
60- r;;~~ ", ",,_t:-'
..-...~ ,--r-.. _~.---...
~ Jot
Do - ml ne, et iu - di . ca cau sam tu am:
•
---- '-' .... ::w'
I')
S
-
0
r;;'---.......~
PARS II
195
et ne o _ hli VI S • e;. fJS vo ces quae. ren
---- ~ :.-'-------------./
, .u - ti 11m t e. !\;. Ut quid re_ pu _Ii _ sli fi _ oem,*
-
'. -
r a_ tus f'Rt Iii _ ror til _ U, su _ per 0 - vPS pa seu _ oc

+
• • • •
~ .
F; _ Ii _ ", SPI • rl _ 'II. _ I
______ ~ ....
• •Q J
------
•
r~
• Q ••
nunc. ·>t sem _ per.
el JJl ,~ - ('II _ la 'o,lf' _ cu If< _ fI\ rn. A men.
--
09
PARS IT
196
Re: Spl _ ce. '" D6 _ ml ne,
Grarl.
V.
In tes - ta - men - tum tu urn :

I
I
~ u
, - .- ~ a.
et mas pe rum tll _ <5
rum ne 0 _ bli _ vi _ sd
~ I
fj I
ris In fi - nem.
tl
..-....---- ---
r; .r---".,
v
e
------ ".,
'--'
;--...
-
-
--- 0 L
e ~
'f. Ex - sur _ ge D6 _ ml _ ne.
~~~~~~~~~
•
"PARS II
197
, ~ I
f'l III di
··
ca call
~ . -a -9
".'-'
sam III am: me _ mor

I
---- - --..
-......-
-G-
--
r: -G- r;
'-"
"", e-
~
n •
",~
r~
G
~lo op _ prii _ hri
\~/!",-,,"
G
vo
se r _ rllm
..
tu _ l) rum.
'.:Z=--.
PAHS IT
198
AI _ Ie _ It! la • '" a I _ Ie • lu _
VII.
• 'RE£~~
?f j.,
r;;--------~
I
'f. D6 m, _ ne.
f ··
~
;e
~~
S:§
.--
re - fu g, lim fa
;;.
.-:.J ==:::;::>
'---'
~ a ---a. ....-. a. . . .- . .
•
r; 6-
5>;8 rft
./
$
~
es no
... ~---.....';e,,--- ____
I - bis a ge _ ne _ rll _ ti _ <5
-
--
•
PARS II
199
oe
';)
pro _ ge L.
• ~'---n~~
s I t
spe _ ra V! . Of' ;
Offert.
II.
------
,
rna _
di ~ XI: Til liS. In
oi _ hus .pO _ ra me _ a.
- III 'em
PARS II
200
Pa nem de ere 10 '*' de • di sti
------_/-
bis. 06 ml ne . ha. ben • tern om _ ne de Ie _
~6---?nC?7;=:ti:=
5 Q 5 ~
fJ I - eta tum. et 0 _ mnem sa - pel rem I SLJ
II I - a VI tis.
DOMINICA XIV. POST PENTECOSTEN'.
Pro. te etor no Spl _ ee. Ol~
Intr.
IV.
us. et re • Spl. ce 10 fa _ CI. em Chri _sti
---
PARS II
201
tu O( est
fj U - -+
l
~
l!J
'-
6-
~ ~.!:L
---- . ,.~-----"
-tiL
o
°
----I
nil In IIi lu
su per mil ~. /'s. Quam dl
I
.-,~v .... .., --J-- ~
.. - rr------...
'I[. tu _ turn!"
con _ cu. pi . "cit , 1'1 rle _ I, . nt a _ nl • rna me. a In a. Iri • it
-'''--- -''''''-- __'0''-"''' •
9. •
Do _ TOI .01 • Cia _ Ii • it Pa .Irl. d Fi .Ii . 0 , el Spi .ri • lu _ i San. elo.*
I
-'. '"
PAHS n
202
Sic _ ut t" _ rat 10 prin _ ei _ pI _ o. et nunc. tot sem _ per. et
-
· '61'-'
tJ
s.e _ eu _ la sae _ ell _ 10 rum. A - men.

fJ u
• @) rJ (/
e-
I'"),....-....I'").....-....I"f-.
~ ·
Bo _ num est * con _ Ii de _ re 'n
Gra ct.
V.
·9::::::: 7
ml _ no. quam con _ Ii _ de _ re
,n ho _ m, ne.
I
e- -9_ _~_..._._._.'<9-~..... --.~ ~ 9-.;9 ?';~
L..--,...., ~n-n"-""rJ L-r---_

·
I
61 'C
'f. Bo - num egt
Q.~~
---
PARS II
203
S PI' _ ra _ re I n Do _ ffil _ no .
fj I
- ,,....,
-
,·
spe _ ra re
10 prlO_ CI pi _ bus.
06_____09-
?5 b:9 .".
c; '9
»-( 9 P
5 0 G-""-:'p '"
,
<
13 , Ii}.
VII.
, ~ I I
,·
)
"-
PARS IT
204
te , ex _ suI _ te D6 _ ml _
_ no: JlI _ bi _ Ie mus De
- 0 sa _ lu _ ta no stro .
T
- - --
1m _ mil tel " An ge _ Ius Do
Offert. \~~~~3~~~~~~~~~~§~~~~~~~~~~.·~
VIII.
PARS n
205
nl In ClI_CO i _ lu ti rn(;n _
f) 5,_2
II urn lim. el e ri
•
·
, , pi et gu sla
-
-
If'
,·
tf' • quo _ t'ii. am su _ a
est Do
fJ - ml nus.
mRS II
206
I " 1.l
Pri _ mum qu~ _ ri te 11< re _ gnum De _ I. et
-
om - ni _ a
,~
Comm. t!.
VII£.
,
_ CI _ en _ tur vo bis, di cit Do _ mi _ "lUS.
DOMINICA XV. POST PENTECOSTEN.
ell na. '!O D6 ml _ ne. au _ rem tu am
Intr.
I.
ad me, et ex au _ di me: sal vum fac
- _ . ~
-
-
ser _ vurn tu urn, De _ us me us. spe _ nll1 _ tern In
PARS II
207
te: ffil • ,e Ie _ If' rn, _ h,. D,,_ mi ne. quo _ nj
-
,.
am Ie to I ~ di e.
1r ---?5
f ~ Ps. L~ - ti ji . ell a. 01 _ rnam ser .VI til • qllO. III _ am ad tf' •
Do.mi.ne. Ii _ nt. marn me . am Ie . va . VI. GI(L n _ Il Pa _ tri. et
Fi • II . fl, San _ eto. ,. Sic. lit e _ rat In prin _ CI _ pi .0 •
I
<
Q.
et rHIne, et ,em _ per, e' In 5;i' _ ell _ III "3~ _ ell _ 16 . rom. A _ men.
--
20B
1< co n _ fi
Grad.
v.
te rI 06 - rnr _ no et psal -
fJ .. H - I
• ~
~) J-..-P e e;- o e;- -e ........9----
- - n - I
- ~
e'-
-;;;'_;;!J!;:::::::::
n6 rnr _ nI tu o. Al _ tis
SI _ me.
dum rna _ ne
- _ cor
fJ u l± - ml se - rt
!l ~
- '=
- -- 0 .. ~
-..
" rr:. ,n e;- .Q.. ",
- _,r
209
di _ am tu am,
et \e _ ri _ ta _ tern tu
no
) . -6-
-.--.----.
- - - -
c.lem.
'.! ....;
-
.. - - /-'""'-. I.
AI _ I... _ 111 la," 81 _Ie _It; 18.
VII .
PARS IT
210
11 .u 11 D6 ,- ml nus,
,
~
'-'-- -9-----.:..,..ft
,,--......,
77"""
_.
•
-&- IJ-....-fJ
---
-8
~,
~
el Rex rna gnus
E3
6-
.....-..
---.......
t2 -&-
---
...cL-
e 9
~
ler _ ram •
•
•
- - - o
P<\RS n
211
Ex _ spe ctan s '" ex _ spe _ eta VI D6 _mi _ num.
Offert. ".--......--
V. ~S ~
2,.,
~ ... 1-& ~
~ ~ +[
et re - spe xiI me: et ex au
•
» -
----
6- ...-'~j .-9
i'7
- -
_ df vit de _ pre ca ti _ 6 nem me
""9-'- ,/"'51-
.,
, , ~ +[ am et 1m - Inl - ,it In os
•
,
) u ;ry 6- -9-----.,....'-'S'- ~ ~
<
11
- r~
9
Q
t<
""9-~
td
SO .......
me urn can _ t j _ cum no _ VUllI •
-",,'--/ &~...,..
""9-
c;.-
'l~ rJ~, .-, ~.~----- .....----.... ~

•
· 5
hy _ mnum De (J no stfO.
@,l
·•
PARS II
212
go de - de _ ro,
Comm.
I. ~§~~~~~~~-e-~"'''-''''''~.Q.~I~
ca • ro me a est pro S1e
fJ .u
q-e
a=
I
@)
--- e a.
c-' ~ &,---,,&
r~ ~.
~
_ cu Ii VI ta.
'J"--",,:;I~~.;' O--....."'--......O_(..I,---,,,,-,--,-' .~.e~
I ~~~~=O~
DO:MINICA XVI.POST PENTECOSTEN.
Mi. se _ re - re mi. hi '" D6 - ml • ne, quo. ni am ad
Intr.
VII[.
'~
,....- -.-----
e
~
9--
te cia _ rna VI to ta di _ e: qUI
_ a tu Do _ ml ne su _ a _ ViS ac mi _ tis es. et co _ pi _
PARS II
213
sus In rm _ Sf' _ n c.-ir di a
mm _ bus In _ VO can _ tl bus tf' .
. Ps. ) n _ eli _ n a 06 _ mi _ ne au. rem III _ am et ex _ all _ di me
. . - - - - - - - - - - - - - . -r
quo _ nJ am In _ ops el pau per slim e _ go. Gla _ fI II
Pa _ Iri. el Fi .Ii _ O. I £01 SpJ.rl _ III _ 1 San.clo." Sic-ut e. rat in prln_

" I =
"'----------
CI _ pl. O. nunc. d sem. p,·r, t'l Il\ ,~_ clI.la SiP. co _ 16 _ rllm . A _ men.
fl I
•
- ..
PAns u
214
Graduale. Timebunt gentes, Pars I, p. 127.
AI _ it' _ hi la. '" al _ Ie _ Iii la.
I.
y. Can. til
06 ml • no can Ii cum no
vum: qUI a ml _ ra bi
IJ .u 1
- .pl
~
--- --
~ ~----- ,
~ _lJ Q-9 ?7 '--'- ./"
~
,.., _I ~.
:::::::::::::::
~
Ii _ a fe • cit '" 06 • ml
P\RS II
215
_ nus.
f. ~ I
-"" ""
--....
_''
_ _U---..-"
-
··
D6 _ ml ne. In au _ xi _ Ii _ um me urn
Offert.
VI.
, ~ H. re SPI ce con _ fun _ dan _ 1m

I
et re _ w, _ re _ an
~
<
@) -"-"'--" . ..;
•
f
-
tur . qU! quae _ rllnt a _ 01 _ mam me am.
6-"--",?-"---"","""'~.6J-,-,,,.,-,,
.~------..,.
·
ut fe _ rant "_am D6 _ ml
·· - -
- ne. In all
- Xl - Ii - um me um re _ SPI _ ce.
II ~ 1± I
t @) -,9
i?"
<
11 --'I.
f
j
-
PARS II
216
D6 ml _ ne. me _ mo _ ni bor IU _ sll Ii
Cornrn.
VIII.
~ - ~ tu so Ii us De _ us. do cu
I
» '----__-_--->9- • 6- 0,--"" 0"-,,,-
· - •
I /
, De LIS • I ne de re lin _ quas me.
,·
DOMINICA XVII.POST PENTECOSTEN .
slus * 06 _ ml _ ne, et re _ clum JlI - di _ CI -
Intr.
l.
PARS II
217
, fJ - urn III urn
•
fac cum ser
E?
vo
:: • <fr;
tu . 0 se cun . dum
'3JjjlJj;~
, ·· . 0 I .....---~e
0........... ;;;;;ZQ 5t_/Q
9'-"'"
ml • se . n _ car . di . am tu am. Ps. Be . Ii ti 1m •
IJ - rna • eu - Iii . Ii VI a qUI am . bu. lant In Ie ge 06.
~ .--
t:.I ..... /Q
"--"
e b
~
s
.. h~
o..;_...__u
~
r..;
·
9
• 9
0,,-
Q Z
,, ml m. Gla. n - a Pij _ tri • el Fi _ Ii • a • et Spi. ri - tu -

1I)
~~ :: '-"'
Z"-/6- .Q ........ I ...A- -e
IJ
San - eto " Sic - ul e . nl In pnn.ci _pi.o • el nunc. et sem. per.
..
I
~ ~ ~~ v",-,.
4rJ "!')~r
--- -"""9-- --.
IJ
et In s~
- cu - fa S~
- ell 16 - rum. A men.
..J U"_'? -G- • ~?7 ::

hrJ -~ ~.'-
• ,. ---
PARS IT
218
Be - a - ta gens, * CU - JUS est Do - mi .. ntis

)
::=::::±
{ =-==
Grad.
<
0 W,--",J. ".
'-
b~ W .---
l. -6:
, » -Y---Y
De us
-6--....ft
e
u
6 po pU _ Ius,
<
I
n6~quem~C~le~~gi~t~Do~m~1_~nus~~~=
(i.
.
&~ -.ft
::>'" , '6
:""".'
.
•
::to J z:y.
hiE _ re _ di _ ta tern Sl _ bi.
, •. ~ Q·if4~i
-6-
PARS II
219
et ri _ tu o flS e JUS
60 G'
5< G'
o mms
e 6 rum,
'--------
?
Al _ I, la. " a I _ Ie hI
VII.
y. D6 mi ne. ex au
~i ~ ..
I ~. ~.
j
~ 7~?----------~. ;J!- ;::; •
·
,- fi • I,..,
, Il - di
--'J____ o___.__ ./
o _ ra ti _ 6 nem me am.
, ··
~
0(
n .- - ...-.... -
PARS II
220
cla mar me us * ad te
ve _ OJ _ at .
---- .---.fr----- -
;/I
rei VI
Offert.
~~~~~~~~~SSE= €J_-e{') .--...-
[V.
ser VI tu il - lu ml - na fa CI
- em
~
I .----!!9_______o __
oJ C.-'
e-~ ::;0 e-
e-~
,., 009-
Z-------=::.
~ G t2
cc:: ...-n
PARS II
221
() tu arn su per san - ctu _ a rJ _ urn tu urn
,oJ "V"
v '-, - .~
?
-~~- ~7 Q
c
c
et pro _ pi tJ us In _ ten de po pu _ tum
'_________6"
• 9 -"
su per quem 10 _ VO tum est
z;;-. G
.-
7""""
• • .e-----.-""7____
~--...9~S' I
Si 105" ....
Q
men. tu urn, De
s ...
us.
-e- •
"'----------"
~
'"--,---_.---"
---ar-__ s
-----:.J ~ ;;;;;> <
Vo ve _ te, * et red _ di _ te 0,6 _ mJ _ no De_ 0 ve - stro.
Comm.
n.
PARS IT
222
o mnes qUI 10 CU _ _ tu e _ JUS af _ fer tis
fj
mu _ ne ra: ler _ ri - bi Ii.
I
et e qUI au - fert
;~ I
l!J ."--,,,,09- - - 0 :.-
.-/"'C:7_____
"r--,.) ~".--
-----
$I
-.
r,,;
~
, spi n tum prin CI purn : ter - rI bi - Ii

--4
l
~ - -n-r. - e
- -
0 n---
~
----
--JL-..+
~ ., -<
pud o _ rnnes re _ ges ter rae.
FERIA IV. QUATUOR TEMPORUM SEPTElVIBRIS.

Ex _ sui te De _ 0 * ad _ ju _ to no -
I ntr.
VI.
_ stro: JU _ bi _ la _ Ie De _ o Ja - cob:
~ ..
su; _ mi _ te
•
psal
G
o
F:-\RS II
223
dum lha _ fa n i _ te
- mum jU cun cum Cl In
~
l'. 0"
-'--- -----
----- 4'
.::;:.
_ Ii _ 0 men _ SiS tu ba : qUI • a plumin 15 _ ra _1'1
4".; -/'~---.~'~
.. ~~
est. ," JU _ <Ii CI _ um Dt' _ 0 Ja cob.l's, 'Ie _ st! _ rno _ n, -
_ urn II, Jo - seph po • su - it il _ Iud. cum ex _ I _ ret de ter _ ra
•
------.--.....
• )t:·
.'
.--- -.. 5
•
..r7 ~ ~.
--.------ I
--ry-
lin _ guam.quam non rll-l-Ve _ rat, au _di_ vit. Gle. ri • a Pa _tri, et
c'
Fj _ Ii _ 0 • el Spi.ri _ tll _ i San. <:10. " Sic .. ut e _ rat In prin.ci .pl.O,

I
1;• • • • • • •
224
'J.1 et nunc, et sem_per, et JO s~ _ cu _10 S1e - CU - 16 rum. _A _ m=eno
• iii • -
Post Lectionem
Quis sic _ ut Do ml • nus *' De us
Grad.
V.
I I
no ster.• qUI In al _ tis ha - bi tat: hu - mi -
~
-n
'-9__-9
L
?7
........-..
- - rI~ h
-----.......
-e
-- ~
.,-.....
a re _ spi _cit In cae _ 10 et In te r _ ra ?
fJ I
y. Sus. ci _ tans
• P !j. ~i <{j~
~
"='"
------=----'
•• ~
fiiJ£g------ "'-=-"'
~--- :e:---+:? ai
PARS II
225
a ter la
In _ () pem p - n _ gens
pau _ Pt' _ rem. I

fl I
.. •
\' 2(
Post Epistolam " Graduale. Beata gens, p. 218,

Offertorium. MedWlbor, Pars I, p. 20R
)',
Co _ mp di _ Ie p!n gill a. 1"1 bi bi Ie
• O~
sum. f't mil. 11 _ Ie par _ Ips e _ IS qUI non pr~_pa _
---===- • • :,-__•__·_3~~~
? '5
'"'<
9:;;;; 2
G..... .....5
f. jj - ra _ 'e _ runt ;l) hi

..
SiHI _
"....
nus
•
p
• •
- mm dl
•
- es
•
06.
• •
m) m
p
est.
-" f
, •
'
c.. .· '---______:....;~0-------0 9"'!...J
.~ g -=----- g ;~
'h:r J
1/6
-<
i:( 2
PARS II
226
. . ,-. .
no _ Ii • te can _ tri _ sta _ ri : gau _ di _ urn et _ e _ "1m Do _ ffil _ nl
fj J.I
for _ ti - tu do no stra .
~) ~ "";"----...--"'9- .~ ..
, ··
FERIA VI. QUATUOR TEMPORUM SEPTEMBRIS.
Introitus Lretetur, Pars I, p. 264.
Graduale. Cormhtere Domine, ibid, p. 197.
Offertorium. Benedic anima mea, ibid, p. 191.
Au _ fer a me '* op_ pro. bri _ urn et con _ tern _ ptum.
qUI _ a man _ da _ ta tu a ex _ qUI _ Rr _ III. 06. mi _ ne: nam et
te _ sti. rna _ni • a tu _ a me _ di - ta - ti • 0 me a est.
· G
PARS II
227
SABBATO QUATUOR TEMPORUM SEPTE1VIBRIS.
Vt' • Ol _ t f' • .. ad _ G _ re mils De um,
Int r. - - f·G ~e ?:f

II. Q
c
pro _ ci • da _ ITlU~ an Ie Do ITlI num' pin -
_ re milS an te E' lim. qUI fe. cit nos:
, Il I
qUI
-
________
~
~'--" 0,---,,0
pse !'SI Dn _ 1111 _ nus D" - liS no _ st,,?
~)
. ..
~-,...
---
1'5. VI' _ 0 I _ 'c. ex _ suI _ tt _ mils [).0' .
_ Inl _ nn, ",.III - b' I _ mus De _ 0
.1 _e
S~ _ III _ ta _ n on Glo _ ri _ a Pi! _ In. "I Fi _ Ii _ o.

fJ I
- 0;; j
PARS II
228
et S pi • ri _ tu San _ eto. '" Sic _ ut e _ rat 10 pr i n _ ei _ pl. 0 •

I ~
-----...-
--'
-",---~"""",,,,,---,.,-
----~
nunc. et sem _ per, et s~ • eu _ la sae. ell • 16 _ rllm. A _ men.

et
.
, I
• :~
• o
Post primam Prophetiam. Oraduale Propitius esto, Pars I, p. 194.

Quando adhibetur forma Missae brevior. omittuntur Prophetiae II. III. IV et V cum
grad. et hymnus Benedlctus es, sed post Epistolam dicitur tractus Laudate D6minum. Pars I.
p. 199.
Post secundam Prophetiam, Oraduale Protector noster. ibid., p. 196.
Post tertiam Prophetiam, Oraduale Convertere, ibid., p. 197.
Post quartam Prophetiam, Oraduale Dirigatur, ibid., p. 19R.
Post quintam Prophetiam, Hymnus Benedictus es, ibid.} p. 31.
Post Epistolam, Tractus Laudate Dominum, ibid., p. 199.
Offertorium. Domine Deus, ibid., p. 200.
se _ pti ~ mo fe _ sla ee _ Ie _ bra _ bi tis.
la beL na _ eu _ lis ha _ bi _ la _ re fL ee _ rim fi _ Ii

--~ ..
;
, '1 - os Is _
o"'-~
ra _ el.
_
cum e _ d6 _ ee _ rem e _ os
Ii..
de ler _ ra
,.... •
PARS IT
229
_ gy _ pt!, e _ go 06 _ ml _ nu~ De _ liS ve ster,
DOMINICA XVIII.POST PENTECOSTEN.
Da P'l _ oem. Do ml _ oe, sus _ ti _ nen _tl _
0 s
Int r. '----' ,~--------. '?
(,)
l.
I e-
l gB
phe _ fi _ de les ve _
u - pro _
bus te , ut tilt" in In _
f; I
-
~) ,---,,":-1---9 :.....-----s...,,_ ___ ~ .., q-e-
if
~,
>"C=l?~{ <
9
CC3' G
fJ u - nl
an _ tu r ex _ au ell pre _ res ser _ VI tu I. et
'§S •
s
his quae dl _ cta slInt rni _ hi do _ mllm D6 _ mi _ m _ hi _ mus.

----
I?:----
~ --
PARS IT
230
G16. n _ a Pa _ tri. et Fi. Ii _ a. et Spi _ rl _ tu_ Sao.cta. *'
Sic. ul e . ra t 10 pri n _ cI _ pI _ a. et nunc. et sem _ per.
---.. .---.. ,..------------. ~---------o

o
el In s~ _ cu _ la sae _ cu 16 _ rum. A men .
•
------------..-------0
Graduale. LreHttus sum. Pars I, p. 252.
1.
f· Ti me bunt
fJ J.l I
~ ~ 0-. . -..-
----~ ?:5"______lJ" '--' . fF!::
~-,...
--- 0
.Q."-",,.a.
PARS II
231
gen no men tu urn.
r. Q.
Do _ In) Of n mot's re
fJ II
tet
$I
rJ _ am
-I
,/ $I
tu 1'1111 •
0'___'' '- .--0 •

t
::" 5 s
l'AHS II
232
San _ cti _ Ii vii M6 _ y _ ses
• •
Offert. :..',,----'
V.
..
, al _ lei - re Do. ml
- no. Of _ Ie - rens su per
~
t - "-"
v _______ c.;
• c.; -e-_ _ _.....-e-
-.., r,
-- 2" ,
it Iud ha 10 cau sla •
--- ~
'--' "-" '-" --.....- -'9--..ft 0
.e----e s e
.......... 5 tJ
et 1m - rna - lans VI eti mas: Ie cil Sa
:d::
. ---
09- -&
-------
.Q.
,-....
-&
.
a
....-...a.
"6-
• .... ---------
~
e
?7
-&
51.
£;;.--....
... 5~
_ cn Ii CI • urn ve - sper _ Ii num In a _ do . rem
, su _a _ VI • I a Ii s Do m, • no De . o.
<
•
, ~..,.....----,",
s, ~ t)
PARS IT
233
In can _ spe ctu
fi . Ii _ 6 _ ru In Is _ ra el.
•
•
·
-
o
lIE
T61 _ Ii • te h6 sti _ as. et In _ t ro - te
Comm. ~~~~~~~~~~~~~~~~~~~~,---~~~__~~~~~~~[l~~
IV. o
, I
In tri a e JUs: ad - a - ra - te 06. mi _ nllm
l
- o
j
10 au la san - cta e JUS.
,--,,+ 0,--- ~o--.:o~.
",..--...", 9
.-- --..9 ~
f ·• r--..
PARS IT
23i
DOMINICA XIX.POST PENTECOSTEN.
Sa Ius po _ pu _ Ii e _ go sum, di
In t r.
IV.
_ cit 06 _ ml nus: de qua _ cum que tri • bu-
_ la ti 6 ne cia _ rna _ ve _ rint ad me,
~
o~~
o q;
.Q.
",$I
~
..
di _ am e os et e _ ro it _ 16
_ _ _ _ _-----<.1"'---"'0''___ .--'''''- • .. ~u'---

'"~
.--""'C::;---
-
_ rum 06. ml nus In per
o '9;;;:::::::;0
~'-----""~:a~ ),
, J.l - pc - tu um.Ps.At. ten.di.te po.pu.le me.us le.gemme.am:*
PARS II
235
In _ eli _ na _ te au _ rem ve _ stram In me _ I .
• • •
<
-----~'-------_.-.
J.i
CI6 _ rJ
- a Pa _ tri. et Fi _ Ii - 0, et Spi _ ri - tu - San - eto. '"
______C-'
-
-
~
-..... .-" '--
",--
0_
.Q -e n
+=0 "'9
e ~
•
, Sic _ lit e _ rat In prin _ ci .. pi _ 0, et nunc, et sem _ per,
•
,
<
et 10 sae _ cu _ 18 s~ _ eu 16 rum. A _ men.
Graduale. Dirigiltur, Pars I, p 198.
Ie _ lu 18, '" 8 it _ Ie _ Iu
II.
>",! 0 Q
9 .....
'f. Con - fi te _ ml _ 01
I
• ~!-~
,,~
PARS II
236
06 ml _ no, et In _ YO _ eli te
no _ men e JUS: an _ nun _ ti _ 8
7 ....~
?7-'p_ _ _
- - •
e
7B ~
te In _ ter gen tes
Si am _ bu _ 18 ye ro
Offert.
VIII.
me _ 6
fJ
di 0
I
t ri bu - 18 ti nJS ,
e~fZ
v~
--
e
• e
"-'"
e
0 I""'>:,.
PARS II
237
VI VI _ fi _ ca bis me,
Do _ ml ne :
-9____ ../ 6 -9- '-"'
9~:: tF?EYC
- ram In - rnl - co rum me . 6 rum
'--' '---" '---" -9 0 , , - , '--" "---'" '-""

6-
.Q. Q 6 o~ ~
des rna
am, et sal - vtlm me fe cit
;;: •
G
• ,---= ....
o_____o~o
.~ • -I
--------- -9
, dex _ le - ra ttl - I
a.
o •
"-"
PARS IT
2313
Tu man _ dt:i - sti '" man. dci ta tu a -

cu _ sto
Comm.
~~
a.~
V. • 6------r- ~~.---....-~
I
<9
_ mls: ti _ nam di _ ri _ gan _ tur VI ~

fJ - di OJ
me _ Be. ad cu _ sto di - en das IU - sti
_ fi _ ca ti _ 0 nes tu ~ s.
DO:MINICA XX.POST PENTECOSTEN.
o _ mnl _ a • quae fe _ ci _ sti no _ bis. D6 _ ml ne.
Intr.
III.
, I.
!J
I
10
v
ve ro
u
JU - di - CI
- 0 fe
77----.p_______'7_____ ~ •
ci sti.
rJ e 0- ~ - 9
- 0
PARS II
230
qUI _ pee _ CEt VI _ rnlJ:,; II h" et man.da _ tis
tu _ IS non ob _ p _ rll _ Y} rnus sed da
girl '10 rlli l ~ 01 tu 0, et fae no _

1-
Q
t?
r--------------- __ ...::L.-
bis cum ~e _ C!Jn dum mill _ ti _ !Ii di
011 _ se _ t. _ cor tu ~. Ps. Be. a _ ti 101_
m<J _ cu _ i a _t i VI _ <J; qu, am _ hu. Ian! In Ie _ ge Do. mi _ ni .

fJ I
--1--
1'\l<S 11
240
GI6 _ rl _ a Pa _ tri, et Fi _ Ii _ 0, et Spi _ ri _ tu _ San _ eto,
"-----------------'
e _ rat
I
Sic _ ut 10 prin _ ci - Pi _ 0, et nunc, et sem - per, et 10
r..
I
~ 'J
",,_ _9 , - ~'--
..-
----",u_ ~ ~ ?:J e ~
16 _ rum. A _ men.
o -9- .-/• •
Graduale. Oculi omnium, p. 116.
III.
'f. Pa ra _ tum cor me urn, De US, pa
PAHSII
241
fJ - tum cor me lim: can _ ta boo et psal_
- ~---~ ~j. . . " /::. ~

~ ...-.L ~
--
_ lam ti bi. gin
I ,
a ill£": a .
.-
3"
-
Su _ per flti _ mi na
~~~~~~~
Offe rt.
1. • /--- ------'-..
.Q. a .LJ.
PARS IT
242
Ba _ by 16 il lie
-
nlS,
~~ ":7
mllS, et fie lTlUS.
dum re _ cor _ da _ re _ mur tu I. Si _ on.
~~~~~~~~"""
__~"5'~;;:I~'"
Q~ ~r-
:E
Me _ men _ to * ver _ bi tu _ ser .. va tu _ o. D6 _ TOI
Comm.
IV. Q
1',
, f1~ _ne, In quo ml _ hi spem de _ di sti h~e me can _ so _ I,; _
- -
-~
PA]~S II
243
hu .. Ii _ til me a.
f J,; - ta e sl rrd Ie
DOMINICA XXI.POST PENTECOSTEN .
In vo _ Iu n • la _ Ie tu _ a.
. 06 .. mi _ ne
. .;.
t
I •
Intr.
IV.
----_. =-= ...-. -
---
--
sunt p6 51 Ia . et non eSI qUI pas sit re -
~
~1 • CG? • • ,~~ ;-.
J ____
~t!~
-G-
s
5 ~ g~ ~~
~ 3:9, .-'
5' sle re YO lun - la - ti tll It:: : III e
_-=-"B-
_ film !e _ CI sti ,) _ mn, _ a. et ter _ ram,
nJ _ yer _ sa quee cee Ii am - hi _ lu
u"-- ----
5
'"
PARS II
244
con _ ti nen _ tur 06 ml_ nus u _ nl _ ver _ so rum
, tu es.PS. Be-a
•
- ti im _ rna _ cu _ Iii _
-
ti In VI. a
,
qUI am - 6u _ lant In Ie - ge 06_ ml_ m. CI6 - ri • a Pa _ tri. et Fr _Ii. a •
f. J.I
~
u _I;;;;;tt::
__
~
v -e •
- .--n~------' .Co2 -e n,......~
, prin. CI _ pi • a •
et Spi _ ri _ tu • San_cta.* Sic_ut e _ rat In
)
_v - ..-..;; -• '---" o
----l-
.-.-
,.
<
-n -e
-e
-
, et nunc. et
" ......
sem_per.
•
et In sre.cu.la s~ _cu_16_ rum. A _men.
<
- -
ml .ne. * re. fli gl - urn fa ctus
Grad.
n. -----"7--..~
PA.RS II
245
, fJ j,I +t es no bis. 8 ge _ ne _ ra _ ti
<
- - f") .___-------..,
ne
l!.)
pro _ ge _ n I _ e.
, 1. Pri _ us _ quam
- ---
mon
I
- --=-
,
tes fi
I
-
Q
_ e _ rent. aut for _ rna _ re _ tur ter
.-----~
c
t)
PARS II
246
ra et or _ bis: a sae
It_
---
s~ -
,
et In CU _
CII _ 10.
fJ .u 1t
=-==
:: •
-
~ -'---"" i/-" • ~.
,
<
" n --....
_ 111m til es * De liS •
AI _ Ie lu . la • '" al Ie lu _ la .
~
II.
........... 6-
e
-------- -9"--,,,,6-
...c...
~
'f. In ex _ _ t II Is
I2
-
•
- -
PARS II
2H
_ ra
"I ex A:: _ gy pto.
do po pll _ 10 It
bar _ ba _ rn
,
,
<
-
•
ra no _ ffil
Offert.
n.
, f1 I - tlP
job. ")rn plex ('f ctus.
---
,.
<
PARS n
248
ae ti _ mens De _ um quem Sa _ tan pe _ ti

I
-
-
--
ut ten . ta ret et da - ta est e po .
e r2
=-===
.............. ::::::;:::::"
-&----..~
--- -----
>. <'
per _ di _ dit
, et In car. ne e JUS _ que o
-& -..ft
PARS II
249
ce re \lui _ ne ra vito
'I<
In sa lu til - 1I tu - 0 a - m - rna me a •
Cornm.
I.
?7,--"",?7 '---
-' ..--
--
~ _ _ _1 r _
) lot
et In ver _ hum tu urn spe - ra \/1 quan _ do L~ _ CI
~ » C,.J_ _ _ _
~J .<:..../ 0- ~
~
j-----
,. •
r I':~ b-Go r; ..{" ...
,
de per_ se .. quen _ ti - bus rn!' III - d; .- 1:1 urn ? In - I
- _Q
~~,
0-6'-,-,,""" ?7 ",-",
_ qlll pe r .. se .. cu _ ti sunl fne? ad - IU -va me, Df; _ITII _ ne
-'" "--------------"
) / .J
cc:=:::;/;
De us me n< ~
() lot
I
;.;
t) ~ -Go_.__-Go ?7
, - _/
------:.L...-
PARS II
250
DOMINICA XXll.POST PENTECOSTEN.
_ qUI _ la _ les !AI ob. se r _ va ve _ flS 06

o
Intr.
m.
_ ml ne. Do _ rnl _ ne quis sus Ii _ ne bil?
qUI a a _ pud Ie pro. Pi _ Ii • a Ii • 0 est.
if
~
"9 0
S;; (9 t)
Us Is _ ra eI . Ps. De pro _ fun _ di~ cia.
•
___---77
rna _ vi ad Ie Do.ml. ne Do _ ml _ n,~ ex au di va
• • G'•
"9
---------- .----'-
~.
.9 .....
cern me _ am. CIa _ n _ a Pa. lfi • el Fi _ Ii _ o. el Spi _ fi _ 1u _ i

fJ 1-
~~v
• • -~
• • · ....-.-
.. r;~--' ------------,..,--------r;
PARS II
251
, I
San _ eta. • Sic _ lit
u'-"'O'-"'J
e _ rat in prin _ei _ pi _ ().
~(.-'------
I
et
-~v
nunc. et sem_ per.
-==:--t )
, et s~ _ eu _ la S~ _ ell 16 _ rum. A men.

r. I
+ , - ". . .
quam bo _ num. et quam
Grad.
I.
Ctin dum ha _ bi _ ta re fra tr es
'f.
, In num!
9'"-. - ....- '7 & 0---...--

Sic-ut
-
un _ guen_
-~.;
fi~
;; t)
_ tum
PA.RS IT
252
, ,n ea_pi_te, quod de - seen

-
_;;:;rz::=
~-----. - --.. .a.
, r. - dit ,n bar bam. bar bam'"
<
- ron.
.. .
!
9 ______6----9- .......... 7';}____77
~ -e-
0 t:c:::=J2 0 9 s.:.J
'?;i
AI _ Ie - 16 la,
.. al _ Ie - 16 la 0
I.
~
-e- e-e- .. --- --- -e-
..-~
~
~
I
'fo Qui Ii
.... .~-----
- I~
... <
menl
m~~~~~~~~~~~..-'~,--i~~./~~3-9~,--~~~~~-e~~~~~~E~
~E~~~~~~~~~~_~~
PARS IT
253
ml _ £111m, spe rent 10 e
(2~
,t)
0: ad _ JU tor et pro - te
,
rum est.
.,,,.........-
Re cor _ da re me _ I. 06 ml ne,
Offert.
l.
..
mnl po _ ten _ til tu do fDl nans:
PI\RS n
254
ser_ mo .nem re ctUffi In os me urn,
ut pia. ce ant Ver ba me
In con _ spe
fJ
~ 9 ~~ ~J.
...
-& • 0
f
. ~
G c
ctu prin . CI pIS.
E go cia _ rna VI, ,. quo _ III _ am ex _ au _ di
Comm.
VIII.
PARS IT
, 1-
"t i 'ne D" - us In - eli na au - rem tu am.
l ~
0.______ :;
-
---- -- S 0
6
, ,'t I-""X - all di Ii' r ha me - a
..
I ,.....,
@) ~ "9- 0 ~
-.- "9-____-
2-----0 --- -----r,

, .. G--- ">.,
b
s
'9 ~
S
DOMINICA XXill.POST PENTECOSTEN.
Intr.
Di _ cit mI _ nus: '"
I
E - go
. co
~-.-.
gl _ to
VI.
ta tl _ 0 ne, pa CIS, et non
al _ til _ eli 6 n" In _ vo _ ca bi
.2
Q..
e _ gp vos
t .u -
,
<
~<.
.~.~--
'5 g,<..
P,\HS H
256
et re _ du _ cam ca _ pti _ vi ta _ te m ve stram de cun
7.7 --7.7---- ...
_.~
'it
Be _ ne _ di
f, .. - ctis 10 CIS. Ps. - xi _ sti Do.mi_ne tel' _ram tu _am:
~ --,0 7.7_ _ ?7 u g..... -

.-...
v
a. a. -e- .a. b-e- ,,-.,
a _ vel' _ t~ _ sti ca_ pti_vi - ta _ tern Ja . cob. Clo. ri _ a Pa _ tri , et Fi. Ii _ 0,
~~~--~~~~~
et Spi _ ri _ tu _ i Sancto. lIo Sic _ ul e _ rat '" prin_cl_ pi _ 0 , et nunc,et sem_per,
nn
et sae _ cu _ la s~ _ cu _ 16 _ rum. A _ men.
Li _ be _ nl _ sti nos, * 06 m, _ ne,
Grad.
VII.
PARS II
257
ex al_ fli _ geo_ ti _ bu' oos et e _ os qUI

'J U
. - .....
, nos 0 _ de runt, coo - fu di sti .
<
- -
't. In De
()
~-_._~
~(
da _ bi _ mur to di e .
et nn _ rm _ 0 I tu o
) -.
258
con _ fi _ Ie bi rnur '* 10 cu la.
AI _ Ie _ lu la. ~ aI _ Ie _ lu la.
VII.
cIa _ rna VI ad Ie I
----- -----
Q.
~ .Q
-....Q.
-
~'"
~.
----
PAR~ II
259
,
Do _ m,
.
ne:
.
ex
-
au _ di
• 9","---
I s Q
f
vo cern rrH~ _ am .
--
De pro_ lun * cia _ rna V! ad teo
Offert.
II.
D6 _ Inl oe D6 m' _ nf' di
I~~'--I
,r,;.·
PAHS II
260
de pro _ fun
I
) J--':;""'- ':.1 Y &::::: • "9 .. .:..r
-
~'..J_ '..,1 rJ
~----.-
dis cia _ ma VI ad Ie. 06 _ mi _ ne.
men d i_co vo
Comm.
I.
.....~
~~~~§~~ .... .~
.... ~.~
Ii lis. cre di _ Ie qUI _ a ac _ Cl _ pI _ e tis,
el fi et vo bis.
_·..,I - _ _ ---u----'-" ~e_e-
,..,..-......'"
In Dominica XXIV. et reliquis, si plures XXIV. fuerint Dominiere post Pentecosten,

Introitus, Graduale, Offertvrili!li d COlllniuTliu semper dinwtur ut in Dominica vigesima
tertia
E<\RS IT
INDEX PARTIS II
Pag. Pag.
Dominica Resurrectionis 1 Dominica II. post Pentecosten 128

Feria secunda 8 Sacratissimi Cordis Jesu 13.3
Feria tertia 12 Dominica III. post Pelltecosten 144
Feria quarta 17 Dominica IV. post Pentecosten 149
Feria quinta 22 Dominica V. post Pcntecosten 153
Feria scxta 27 Dominica VI. post Pentecosten 157
Sabbato in albis 32 Dominica VII. post Pentecostcn 160
Dominica in albis 37 Dominica VIII. post Pentecosten 166
Dominica II. post Pascha 41 Dominica IX. post Pentecostcn 171
Dominica III. post Pascha 45 Dominica X. post Pentecosten 176
Dominica IV. post Pascha 49 Dominica XI. post Pentecosten 182
Dominica V. post Pascha 54 Dominica XII. post Pentecosten 186
In Litaniis majorilJUs et minoribus 61 Dominica XIII. post Pentecosten 194
Vigilia Ascensionis 65 Dominica XIV. post Pentecosten 200
Ascensio Domini . 66 Dominica XV. post Pentecosten 206
Dominica post Ascensionem 70 Dominica XVI. post Pentecosten 212
Sabbato in vigilia Pentecostes 75 Dominica XVII. post Pentecosten 216
Dominica Pentecostes 77 Feria IV. Quatuor Temporum Scptembris 222
Feria II. post Pentecosten 85 Feria VI. Quatuor Temporum Septembris 226
Feria III. post Pentecosten 88 Sabbato Quatuor Temporum Septembris 227
Feria IV. Quatuor Temporum Penteeostes 91 Dominica XVIII. post Pentecosten 229
Feria V. Quatuor Temporum Pentecostes 94 Dominica XIX. post Pentecosten 234
Feria VI. Quatuor Temporum Pentecostes 94 Dominica XX. post Pentecosten 238
Sabbato Quatuor Temporum Pentecostcs 98 Dominica XXI. post Pentecosten 243
Sanctissimre Trinitatis . 105 Dominica XXII. post Pentecosten 250
Dominica I. post Pentecosten 110 Dominica XXIII. post Pentecosten 255
Corporis Christi 114 Dominica XXIV. post Pentecosten 260
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“When the Vatican Edition began coming off the press in the first decade of this century, its

strongest supporters did not

CONTAINED IN THIS PDF FILE:

(2) Index of the current NOH volume

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Corpus Christi Watershed thanks Dr. Daniel Politoske for

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HABERL/PUSTET 1884 Graduale : Page [52] : Mass II for a Virgin/Martyr

SCHILDKNECHT 1892 Page [50] : Mass II for a Virgin/Martyr

1 Both the 1883 and 1895 editions.

II. The Melismatic Mora Vocis

This example is also devoid of any melismatic morae:

DR. F. X. MATHIAS 1911 Graduale

For the sake of curiosity, we include Pothier's editions:

III. Different Schools and Interpretations

IV. Additions and Subtractions from Pothier's Rhythmic Notation

V. Who Produced the Vatican Edition?

VI. Looking Back at the Vatican Edition a Century Later

12 Combe, The Restoration of Gregorian Chant, 291.

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Mechliniensis Interdirecesani Instituti Musicre Sacrre

Ad dominicas, a Pascha ad Pentecosten inclusive, harmonia auct. Jul. V ANN U F F E L

IUXTA EDITIONEM VATICANAI'v1

Mechliniensis Interdirecesani Instituti Musicre Sacrre

Ad dominicas, a Pascha ad Pentecosten inclusive, harmonia auct. JuI. V ANN U F F E L

Mechlinire, die 27 februarii 1962

P. THEEUWS, Vic. Gen.

Pars I - PROPRIUM DE TEMPORE, a dominiea I Adventus ad Sabbatum sanctum;

_ Pars II - PROPRIUM DE TEMPORE, a Paseha ad ultimam dominieam post Penteeosten;

Pars III PROPRIUM SANCTORUM;

Pars IV - a) COMMUNE SANCTORUM, auet. Fl. PEETERS,

Pars V - KYRIALE et MISSA PRO DEFUNCTIS;

Pars VI - MISSlE PROPRllE DIffiCESIUM BELGII;

Pars VII - AD LAUDES VESPERTINAS;

Pars VIII - NOVA ORGANI HARMONIA AD VESPERAL£:;

De Zeereerwaarde Heer Kanunnik Van Nuffel

t J. E. Card. van ROEY,

A Monsieur Ie Chanoine Van Nuffel,

t J. E. Card. van ROEY,

a) De gregoriaanse melodienoot wordt verbeeld door het teken _

g) De « groepen» worden door verbindingstekens afgelijnd. Deze beantwoorden getrouw aan de

a) La note de Ia melodie gregorienne est figuree par Ie signe ,

i) Le salicus se distingue du scandicus par Ia coupe de Ia ligature sur la deuxieme note du

II. NOTATIONS ADOPTEES POUR LES VOIX D'ACCOMPAGNEMENT

a) Dans l'accompagnement, nous employons, a cote du point nair • Ie signe 0 . Ce signe

al Ie III la: po _ su _ sti su _ per

~ Ps. D6 _ mt _ ne pro_ bit _ sti me, et co _ gno _ vi _ sti me: * tu co

_ gno _ vl _ sti ses _ SI _ 6 _ nem me _ am, et re _ sur _ re _ cti _ 6 _ nem

me- am. Gl6 _ rl a Pa _ tri, et Fi _ Ii _ 0, et Spi _ ri _ tu

San _ eto. * Sic _ ut e _ rat m prm_ ci _ pt _ 0, et nunc, et:

, sem_per, et m sre_cu_la sae_Gu_16 _ rum. A _ men.