Landscape painting

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For related subjects, see Land art, Earthworks (art), landscape architecture, and Landscape
photography.

Joachim Patinir (1480–1524), Landscape with Charon Crossing the Styx, 1515–1524. Patinir
pioneered the "world landscape" style.

Themistokles von Eckenbrecher (German, 1842–1921), View of Lærdalsøyri, on the Sognefjord,

1901
Dong Yuan (934 – 962) Dongtian Mountain Hall (Chinese: 洞天山堂圖). 10th century, the Five
Dynasties (Chinese). National Palace Museum, Taipei.

Landscape with scene from the Odyssey, Rome, c. 60–40 BCE

Landscape painting, also known as landscape art, is the depiction of natural scenery such as
mountains, valleys, trees, rivers, and forests, especially where the main subject is a wide view—
with its elements arranged into a coherent composition. In other works, landscape backgrounds
for figures can still form an important part of the work. Sky is almost always included in the
view, and weather is often an element of the composition. Detailed landscapes as a distinct
subject are not found in all artistic traditions, and develop when there is already a sophisticated
tradition of representing other subjects.

Two main traditions spring from Western painting and Chinese art, going back well over a
thousand years in both cases. The recognition of a spiritual element in landscape art is present
from its beginnings in East Asian art, drawing on Daoism and other philosophical traditions, but
in the West only becomes explicit with Romanticism.
Landscape views in art may be entirely imaginary, or copied from reality with varying degrees of
accuracy. If the primary purpose of a picture is to depict an actual, specific place, especially
including buildings prominently, it is called a topographical view.[1] Such views, extremely
common as prints in the West, are often seen as inferior to fine art landscapes, although the
distinction is not always meaningful; similar prejudices existed in Chinese art, where literati
painting usually depicted imaginary views, while professional artists painted real views.[2]

The word "landscape" entered the modern English language as landskip (variously spelt), an
anglicization of the Dutch landschap, around the start of the 17th century, purely as a term for
works of art, with its first use as a word for a painting in 1598.[3] Within a few decades it was
used to describe vistas in poetry,[4] and eventually as a term for real views. However the cognate
term landscaef or landskipe for a cleared patch of land had existed in Old English, though it is
not recorded from Middle English.[5]