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    Sawano Hiroyuki : Arranger: Oldfrenchguy

    Uploaded by

    Ludwig Claude Lelis
    This musical score features a complex orchestral arrangement composed by Hiroyuki Sawano with additional arrangement by oldfrenchguy. The score uses various musical notation symbols and markings across 25 lines to notate the different parts for multiple instruments and voices.

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    © All Rights Reserved
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    Sawano Hiroyuki : Arranger: Oldfrenchguy

    Uploaded by

    Ludwig Claude Lelis
    6 views3 pages
    This musical score features a complex orchestral arrangement composed by Hiroyuki Sawano with additional arrangement by oldfrenchguy. The score uses various musical notation symbols and markings across 25 lines to notate the different parts for multiple instruments and voices.

    Original Description:

    rh

    Original Title

    Avid

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    © © All Rights Reserved

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    This musical score features a complex orchestral arrangement composed by Hiroyuki Sawano with additional arrangement by oldfrenchguy. The score uses various musical notation symbols and markings across 25 lines to notate the different parts for multiple instruments and voices.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    6 views3 pages

    Sawano Hiroyuki : Arranger: Oldfrenchguy

    Uploaded by

    Ludwig Claude Lelis
    This musical score features a complex orchestral arrangement composed by Hiroyuki Sawano with additional arrangement by oldfrenchguy. The score uses various musical notation symbols and markings across 25 lines to notate the different parts for multiple instruments and voices.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 3

    Avid


    Sawano Hiroyuki

                       
    Arranger: oldfrenchguy

    
      = 78
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         
            
        

          


       

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       
        
      
     
    3

      
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            


       


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              
    5

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                
          


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    7

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       
       
           
     


       

         
                     
    9

         
          
    cresc.

      
        
       

       
         
    2

      
           
    11

     
            

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    (cresc.)

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     


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     
      

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    13

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            
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     
      

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    15

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     

        


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    17

      
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               
           


                 
       

         
       
    19

      
      

         
      
          
           
    


     
           
      

        
             
    21

       

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       
       

         
                
    3

       
             
    23

        

               
                  

       


                            
                            
    25

       
                    
             

     


      


                
                        
    27

      
               

         
      

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