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Artikel Reading Circle For Teacher-Dikonversi
Artikel Reading Circle For Teacher-Dikonversi
To cite this article: Jeanne M. McGlinn , Laurie B. Calvert & Pauline S. Johnson (2003) University-School Connection: A Reading Circle
for Teachers, The Clearing House: A Journal of Educational Strategies, Issues and Ideas, 77:2, 44-49
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University-School Connection
A Reading Circle for Teachers
JEANNE M. McGLINN, LAURIE B. CALVERT, and PAULINE S. JOHNSON
for most teachers, guilt is the nagging relative you can literature we had read in college was esoteric and
wish would go home. She lurks in the shadows in a inappropriate for middle school. We could not imagine
quasi—sleep state only to kick us awake if we ignore her teaching Native Son or Beloved to students more inter-
for too long. After two years teaching eighth grade lan- ested in skateboarding and discussing whether Tupac’s
guage arts, guilt took up residence in my classroom. death was faked. Collectively, we groaned because we
Redistricting and populations shifts altered the demo- needed to discover, read, and evaluate multicultural
graphics of my school district, and the books I had cho- books and determine their value. What teacher had
sen had lost their relevance. I felt guilty because novels time for that? When we did have some time to read and
such as Where the Lilies Bloom and 2001, A Space plan, we often found ourselves sitting in ineffective,
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Odyssey did not satisfy my new African American, mandated in-service programs—workshop after work-
Hispanic, Native American, and Russian students. These shop on "assenive discipline" and "thinking maps." We
readers needed more books and better books. They were stumped, tired, and feeling guilty.
longed for texts written for students like themselves, But something happened in the summer aher my
complete with characters and situations familiar to them. third year that helped me see a way through the guilt.
In While attending a conference on multicultural litera-
short, my new students needed books I had not read. ture, I received several lists of good multicultural books.
One Teachers Story: The Spark I had not read most of the books on the list. I could no
longer avoid the inevitable—I needed to read the new
At first, I ignored the nagging notion that I needed to books. Over coffee between sessions, I ran an idea by a
make a change because I was relieved to have finally university professor who taught adolescent literature
completed two years of teaching. I did not want to and was also attending the conference. I wanted to cre-
rethink my entire reading program after finally figuring ate a monthly reading circle for teachers. The meeting
out what I was doing. This problem is too big for me, I would allow teachers to discuss new books for their
said, chalking it up to the inadequate training many classroom, and get credit for doing so. A few weeks
teachers receive from universities. It was not my fault I later, we met with our district curriculum coordinator.
had read only thirty-three adolescent novels. She liked the idea too and became pan of the informal
I also knew that I was lying, trying to shield myself planning committee for our first eighth grade teacher
from the responsibility of solving this problem. I also reading circle.
realized change would be difficult. I could not do a
Coogle search and print out a lesson plan. I reached SeNing Up the Reading Circle
out to colleagues, only to find them as perplexed and Initially, we had to tackle logistical issues, such as
troubled as 1. Although most teachers openly acknowl- where the reading circle would meet and what we
edged the problem, no one had an answer. We were all would read. In our first strategy session, we picked
been bred on the same canon. The little African Ameri-
44
Vol. 77, No. 2 Reading Circle for Teachers 45
meeting days (the second Tuesday of every month, for expertise of the teachers. Teachers have become so
consistency) and decided the meetings’ duration (one iaded by this type of staff development that many
and a half hours each). We agreed that most teachers school districts now reson to penalizing absent teach-
would prefer to meet outside their school since the ers. Our first absolute principle was to make atten-
neutral space frees them from classroom duties. The dance voluntary.
university instructor reserved a i‘oom at the campus Second, we decided to offer two incentives: continu-
library where teachers could sit .mound a large table, ing Education Credits (CEUs) and free books, when
face to face. Although we felt the group needed to possible. The school district staff development officer
determine the reading list, we did not want to bog set up the CEUs, determining the required number of
down the teachers in the first meetings with the task of meetings and credit hours. Teachers could choose
selecting titles. So, the planning committee chose the whether they wanted the CEUs or not, depending on
first three books: Bud, Not Buddy (Christopher Paul their own needs. In the beginning, many of the teach-
Curtis), A Girl Named Disaster (Nancy Farmer), and ers did not choose the credit; they attended simply
Tears of a Tiger (Sharon Draper). We also developed a because they wanted to read more adolescent novels.
cursory list of multicultural books from which the "the state’s University/Schools Partnership initiative
group could later select other novels. All of the books awarded us a grant to purchase some of the books each
were initially selected by simply brainstorming titles year. The free books were helpful because busy teachers
we had heard of or read, referring to various ”best often lack free time to out and get a book, even when
books“ lists, and searching online. they want to read it.
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Our last issues were critical to our success: deciding We decided to rotate the role of discussion leader
who to invite and getting the word out. We limited the each meeting because we wanted book club partiri-
book club to eighth grade teachers only because our pants to have an equal stake in the learning. Teachers
purpose was to read books the teachers could use interacted with curriculum specialists and the universi-
immediately. This decision enabled us to target books ty professor as equals, sharing their knowledge and
that suited eighth grade students’ reading levels and expertise. This rapport had two immediate benefits:
interests, and fit the curriculum. It also avoided a pos- First, the collaboration demonstrated a rich variety of
sible ronflict with sixth or seventh grade teachers who teaching styles, and second, diverse points of view pro-
might want to select these titles for their own classes, vided insights into teaching and literature for adoles-
thus precluding their use in the eighth grade. With cent readers. Teachers determined the issues that were
some reluctance, we opened the circle to include eighth important to them. For example, if a teacher were deal-
grade teachers from any subject area, not just language ing with reluctant readers, she would try a reading
ans teachers. This was a fortuitous decision. In the strategy with the group. Another teacher concerned
three years since the reading circle started, the broad about censorship would describe her approach, and
range of teachers from various disciplines, including the group gave her feedback. The discussions were
media specialists, physical education teachers, and often eclectic, but the teacher-leaders always set the
teachers of the academically gifted, has led to rich agenda and tailored it to teachers’ needs.
cross-curricular connections. To get the word out, the
language arts coordinator distributed a flyer to all Typical Meetings
eighth grade language arts teachers in the area. "the rest The reading circle meets each month at the local uni-
of us personally phoned or sent messages to interested versity to discuss a work of adolescent literature chosen
parties and asked them to continue spreading the word
to other eighth grade teachers. Teachers who wanted to
participate sent in a registration form, and we returned Key Components of the Reading Circle
a confirmation and the first book. Soon teachers
recruited each other to the group. One teacher from a • Attendance is voluntary.
middle school would tell her colleagues about what
• Teachers choose the reading materials and
she was reading and why, and soon a new teacher
would join the group. direct the discussions.
by the teachers. The reading I ists are compiled at plan- circle used only the books and resources consistent
ning meetings a semester in advance, giving teachers with the eighth grade curriculum. The materials were
ample time to read the texts. Each meeting begins with appropriate for the age group’s developmental and
some socializing. Teachers unwind after the teaching cognitive levels. \Ve read a wide variety of genres dur-
day by sharing snacks and conversation. This valuable ing the three years of the program. The discussions
time establishes relationships so teachers feel comfort- always focused on how to “teach” the book in our
able sharing stories about their own teaching. classrooms. 1 n the first year, the discussions were
The discussion leader starts the session using the limit- ed to the needs of the English/language arts
approach he or she has planned. Some teachers start classroom. However, in the last two years, teachers of
by identifying traditional and Web resources. Others various dis- ciplines joined the circle, helping us incl
ask group members to write and share a journal ude interdisci- plinary literature as well. The differing
response or lead an activity similar to one they might perspectives and pedagogical expertise of history,
do with their students, such as reader’s theater. Often, science, and other teachers broadened our ideas for
all a leader has to do is pose one provocative question classroom or “middle level teaming” use.
and the discussion is off and running. Group Learning how to teach a panicular novel in a new
members share opinions, point to passages in the way was the most valuable result of the circle’s discus-
novel, or tell how their own students responded. sions. This opportunity was valuable staff development
Teachers often sug- gest related books, teaching because teachers learned about innovative techniques.
strategies, and additional resources. A variety of
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of our colleagues to complete the Professional Devel- sonal relationships. We celebrated the marriage of a
opment Plan required for all public school teachers in member and extended congratulations to one whose
our state. Some teachers used the reading circle as a
daughter was newly hired as a teacher. Because the
substitute for the staff development required by their
group is voluntary, it is composed of high ly dedicatecl
home schools' School Improvement Plan. Collabora-
individuals who share similar interests and concerns
tion with the university instructor gave our group the
about the education of their students. Our members
opponunity to learn about new J›edagogy and the lat-
are not a group forced to do the reading or attend the
est adolescent literature. In addition, the university
meetings. In fact, many of us sigh regretfully when the
instructor was able to apply the circle’s practical teach-
academic year is completed and there are no more
ing strategies to the training of preservice teachers. All
books scheduled for reading. We have become a pas-
the members of the circle have been greatly enriched by
sionate rommunity of lifelong learners and educators
the give and take of the monthly discussions.
striving to expand our own learning and ways of teach-
I ronically, the teacher reading circle began from my
ing. The teacher reading circle is the type of dynamic
sense of frustration and guilt but developed into a
staff development that can change the lives of ieachers.
nur- turing, supponive, and cooperative group of
educators. The collegial feeling of this group extends not
Key u urd.s: multicultural literature, pro]essionul
only to classroom and educational concerns but also
development, reading circles
to per-
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APPENDIX A
Eighth Grade Book Club Multicultural Fiction Selections
Bud, N‹›t Buddy Family. love, friendship, Bud has a suitcase filled with important things that he takes with him
Christopher Paul Curtis IOS% wherever he goes. Create your own suitcase fi lled with ‹objects spetial
u› you. In a letter to a friend, explain why you value these particular
objects.
Bud creates “Bud Caldwell’s Rules and Things for Having a Funner
Life and Making a Better Liar Out of Yourselt“’ that he rel ies on when
he gets in a tc›ugh spot. Create your own list of rules that help you get
through the challenges of a typical day in your I ife.
A Girl N‹iin‹•d Family, chiming of uge, Read a section of Nhamo’s self-talk. Brainstt rm typical problems you
Disa.strr sell-rel iance, cultural encounter as a middle school student. Imagine you are in a ditticult situ -
Nancy Farmer customs. power of ation or trying to meet an unusual challenge. Write out a mon‹ilogue ot
self-talk what you w‹iuld say to yourself to help you get thrt›ugh the ‹ibstac les in
this situation.
Tragic accident. guilt, Create a scrapbook for rune ot the characters in this novel, detailing this
Team.s ‹›f u Tiger loss, friendship year in I he lives of the Hazelwood High students.
Sharon Draper
Challenges facing Consider the novels’ authenticity. Conduct web-based research on the
Childreit of the ii seer immigrants, holding history ‹if Cambodian refugees and their move to the United States.
Linda Crew onto tra‹lilional values. Read a review’ critical of Crew’s portrayal of the immigrants. Present
facing the impact oi your ‹›wn arguments ahout the authenticity or lack of authenticity of’
new culture and the novel. including evidence from the novel and your research.
custtims. tamil y, guilt Analyze the symbol of’ the river. What does the river mean to the ma in
character" Everyone has a story relitted to water.
Write a story about yourself. using water as an important element ter
symb‹›l.
Emigration, illegal On a map trace the journey ot‘ Lupita and Sa1vadt›r. Describe h‹iw they
Luf›it‹i Maiianu aliens, courage. are changing as a result of events.
Patricia Beaity sacriVice An opening paragraph ter chapter often reveals important information
about the characters and events that are to follow. The lead can set the
tone for the story. Describe what you can tell about Lupita’s character
from the opening chapter.
(Apj›eii‹li. ‹’‹›tiIinu‹ .s )
48 The Clearing House November/December 2003
APPENDIX A—con
The Brave
In this sequel to The Contender, the main character struggles to control his monster, anger. Create aIdentity, taking
postcard, withcontrol, coming
a picture of age,
or collage true York
of New courage
on one
Using the novel, create a map of Josh’s journey to find his way. Robert Lipsyte
Mark important places in his process of “going backward” in order to move forward.
Construct a map for yourself describing how you would go about learning more about yourself. What are the places you will need to stop and what will you d
Song Sf›ell
Renewal, healing, cultural roots, magical realism, community and customs,
Phyllis Naylor
APPENDIX B
Eighth Grade Book Club Fantasy and Historical Fiction Selections
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The Chosen
Describe your father. How are you alike or different? How does this affect your ability to talk to each other?
Charm Potokyour friends. How are they alike and different from you? How do these qualities affect your relationship?
Think about
The Golden
Each Compass
of the characters has a demon. Describe your own personal demon and tell why it matches your personality.
Philip Pullman
The Ear, the Eye, and the Arm Create a reader’s theater of a key scene in the novel.
Nancy Farmer Write a journal entry about the value of traditions in your life.
Harry Potter and theWhat kinds of secrets do you have to keep? Which ones must be
Chamber of Secretsrevealed?
J. K. Rowling
APPENDIX C
Eighth Grade Book Club Nonfiction Selections
Never Cry Wolf Chris Tovani offers concrete strategies to guide strug-
Farleu Mowat gling adolescent readers through a process that has
become inaccessible to them.
The Dream Keeper and In this continuation of the memoir, / Have Lived a
Other Poems Thousand Years, the author recounts her story as a
Langston Hughes 14-year-old survivor of Auschwitz. The book adds
The Harlem important information to the ongoing attempt to under-
Retiaissatice (African- stand the Holocaust and its consequences.
American Achievers
series)
Mowat is dropped alone onto the frozen tundra, where
Veronica Chambers
he begins his mission to live among wolves and study
their ways.
Walk in the Woolfs:
Rediscovering America on
Harlem became the center of a great l920s black cultur-
the Appalachinn Trail
Bill Bryson al revolution that enriched the nation. Chambers weaves
together accounts of the leading artists, writers, musi-
cians, and intellectuals—Langston Hughes, Countee
Leon's Story Cullen, Zora Neale Hurston, W. E. B. Du Bois.
Leon Walter Til1‹ige;
photographs by Susan L. Roth