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    Suai

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    D
    The document is a musical score for the violin. It contains musical notation across 54 lines, including notes, rhythms, dynamics, and other performance instructions. The piece shifts between sections marked by changes in tempo, volume, and style of notes.

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    © All Rights Reserved
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    Suai

    Uploaded by

    D
    63 views2 pages
    The document is a musical score for the violin. It contains musical notation across 54 lines, including notes, rhythms, dynamics, and other performance instructions. The piece shifts between sections marked by changes in tempo, volume, and style of notes.

    Original Description:

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    © © All Rights Reserved

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    The document is a musical score for the violin. It contains musical notation across 54 lines, including notes, rhythms, dynamics, and other performance instructions. The piece shifts between sections marked by changes in tempo, volume, and style of notes.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    63 views2 pages

    Suai

    Uploaded by

    D
    The document is a musical score for the violin. It contains musical notation across 54 lines, including notes, rhythms, dynamics, and other performance instructions. The piece shifts between sections marked by changes in tempo, volume, and style of notes.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
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    of 2

    Violin Speechless

    Dan + Shay

                                    


     = 68

          
    Swing Sixteenths


    3

                  
    

                              
      
    6

     
                                                   
    cresc.

       
    10

     
                                               
    3 3
    (cresc.) 

         
    14

       
                                     
       
    18

                                 
                    

    23 3

              


     
    


                
    27
    3

                  


        
    3 3 3 3 3

           
    29

     
                                               
    3 3 3

         
    32
       
                                          
       
    36

                                                   
         
    42

    3 3
    

                                                   
          
    46

     
                                             
         
    50

                                            

        
    54

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