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Afi 2020 Production Design Showcase: Highlighting The Work of Future Designers
Afi 2020 Production Design Showcase: Highlighting The Work of Future Designers
B Y J O S E P H T. G A R R I T Y, A F I H E A D O F P R O D U C T I O N D E S I G N , A N D E R N I E M A R J O R A M , S E N I O R L E C T U R E R
A B
16 PERSPECTIVE | S E P T E M B E R / O C TO B E R 2 0 2 0
D E
their choice. These projects span several classes, form of a virtual design show, available through A. FIRST-YEAR FELLOW
HAVEN KIM PRESENTING A
where the fellows pick up a full range of analog the AFI Production Design Showcase website:
DESIGN.
and digital skills. https://conservatory.afi.com/production-
design-showcase/. When it is safe to do so, the B. SECOND-YEAR FELLOW
We are grateful to the professional design AFI Conservatory will invite the professional BRONTË CAMPBELL
PAINTING A WATERCOLOR
community for their continued support, and community to join us on campus to explore in
SKETCH.
especially want to thank Production Designers Dan greater detail the designs of the 2020 graduating
Bishop, Melanie Jones, Keith Cunningham, Rick class and the work of the first-year designers as C. THE AFI SHOWCASE
GRAPHIC, DESIGNED BY
Carter, Doug Meerdink, Sarah Greenwood and set they move into their second year.
FELLOWS RACHEL KAHN
decorator Katie Spencer, who generously shared AND RHEA SOLANKI.
their wisdom and experience with the fellows as It is worth noting that for the first time in the
virtual guest speakers during the year. Conservatory’s history, the fellows completed a D. UNDERGROUND
BUNKER SET IN PROGRESS
substantial portion of their curriculum remotely.
ON THE AFI SOUNDSTAGE.
The current public health concern here in LA has The AFI faculty is proud of the way they rose to
forced the live presentation of AFI Conservatory’s this unique challenge, remained professional E. PRODUCTION DESIGN
annual Production Design Showcase to be and delivered their best work under di cult CLASS PRESENTATION WITH
JIM BISSELL AND GUEST
postponed. During these COVID restrictions, circumstances. We are pleased to present the
RICK CARTER.
the work normally presented each June at a following examples of our talented fellows’ work.
live event on the AFI soundstage is taking the
Haven Kim
F I R S T-Y E A R F E L L O W
F. BOUND,
CONTEMPORARY MIAMI.
INTERIOR CEASAR’S
APARTMENT, NIGHT.
SKETCHUP MODEL
F
DIGITALLY RENDERED AND
FINISHED IN PHOTOSHOP.
S E P T E M B E R / O C TO B E R 2 0 2 0 | PERSPECTIVE 17
Yiming Zhao
S E C O N D -Y E A R F E L L O W
A
A. FOLDING BEIJING. THIRD
WORLD NEIGHBORHOOD,
MODELED IN SKETCHUP,
RENDERED IN PODIUM AND
PHOTOSHOP.
B. ELEVATOR LOBBY
ISOMETRIC VIEW OF AN
UNDERGROUND VAULT.
MODELED AND RENDERED
IN RHINO.
C. FOLDING BEIJING.
VECTORWORKS PLAN. B C
TIANHAO GAO (SIMON) IS A RECENT GRADUATE WHO KELSI DREW HOWARD GRADUATED FROM HOWARD
HOLDS A BA IN ART AND DESIGN FROM THE UNIVERSITY UNIVERSITY WITH A BA IN ARCHITECTURE. HER
OF LEEDS. BORN AND RAISED IN BEIJING, CHINA, HE D. BASEMENT SET FROM UNDERGRADUATE THESIS, A PLACE FOR BLACK CINEMA
STUDIED IN THE UK IN 2014 AND DISCOVERED AN DONNIE BRASCO. TREASURES, WON THREE GOLD MEDALS IN DESIGN. AFTER
INTEREST IN ART AND FILM. DURING HIS TIME AT THE GRADUATING, SHE WORKED AS A PRODUCTION ASSISTANT
UNIVERSITY OF LEEDS, HE SPECIALIZED IN PRACTICAL ART E. THE DAY OF THE LOCUST ON THE FILM THE WEDDING YEAR (2019) AND THE TV
WITH A KEEN FOCUS ON SCULPTURE AND SCENIC DESIGN. INTERIOR SOUNDSTAGE, SHOW SINGLE PARENTS ON ABC. KELSI HAS HER OWN ART
HIS RESEARCH AREA MAINLY INVOLVES ARCHITECTURAL PALACE OF VERSAILLES, COMPANY THAT SELLS SKATEBOARDS AND PRINTS OF HER
DESIGN AND THE SOCIAL-HISTORICAL CONTEXT OF ART HAND-DRAWN SKETCH ORIGINAL PAINTINGS AT KELSIDREWDESIGNSHOP.COM.
PRACTICE. OVER A SKETCHUP MODEL
RENDERED IN PODIUM AND
PHOTOSHOP.
D E
18 PERSPECTIVE | S E P T E M B E R / O C TO B E R 2 0 2 0
Brontë Campbell
S E C O N D -Y E A R F E L L O W
A. SOME FORTUNATE
A
FUTURE DAY. ATTIC
WORKSHOP. MODELED
IN SKETCHUP, RENDERED
IN PODIUM, DETAILED IN
PHOTOSHOP.
B. EXTERIOR FLOATING
CASTLE. MODELED AND
RENDERED IN RHINO,
DETAILED IN PHOTOSHOP.
Xi Chen Chou
S E C O N D -Y E A R F E L L O W
F. TEMPLE. RENDERED
E F RHINO MODEL.
S E P T E M B E R / O C TO B E R 2 0 2 0 | PERSPECTIVE 19
Xiyu Lin
S E C O N D -Y E A R F E L L O W
C. PAINTED SKIN.
INTERIOR TAOIST TEMPLE.
PROCREATE, DIGITAL B C
ILLUSTRATION.
Rhea Solanki
S E C O N D -Y E A R F E L L O W
E. MODERN HOUSE.
RHINO MODEL AND
RENDER. FINISHED IN
PHOTOSHOP.
20 PERSPECTIVE | S E P T E M B E R / O C TO B E R 2 0 2 0
Taylor Liyucan Chen Marc de Bertier
F I R S T-Y E A R F E L L O W F I R S T-Y E A R F E L L O W
A. MULLHOLLAND DRIVE.
TAYLOR LIYUCAN CHEN IS A GRADUATE OF BOSTON KEYFRAME RENDERING OF BORN IN ITALY AND RAISED IN FRANCE, MARC MOVED
UNIVERSITY WITH A BS IN FILM AND TV PRODUCTION THE RYAN ENTERTAINMENT TO THE U.S. TO ATTEND CHAPMAN UNIVERSITY AND
AND MINOR IN SOCIOLOGY. SHE EXPERIENCED PRODUCER’S LOUNGE. GET A BFA IN FILM PRODUCTION WITH AN EMPHASIS IN
DIFFERENT POSITIONS IN FILM PRODUCTION IN HER PRODUCTION DESIGN. BEFORE ENROLLING IN AFI, HE
UNDERGRADUATE STUDIES, AND DECIDED TO PURSUE A B. LEGEND, INTERIOR WORKED AS AN ART DEPARTMENT ASSISTANT ON SEASON
CAREER IN PRODUCTION DESIGN. AFTER GRADUATING, BLIND BEGGAR PUB, ONE OF THE SONY/SHOWTIME SERIES BLACK MONDAY, AS
SHE WORKED IN CHINA AND STARTED HER CAREER AS AN NIGHT. MODELED IN SET DESIGNER FOR AMAZON’S REALITY SERIES MAKING THE
ART DIRECTOR IN TV COMMERCIAL PRODUCTION. SKETCHUP, RENDERED IN CUT AND AS PRODUCTION DESIGNER ON INDEPENDENT,
PODIUM, ENHANCED IN LOW-BUDGET SHORTS AND FEATURES.
PHOTOSHOP.
A B
D. AMSTERDAM HOUSE
FACADES. DRAFTED
ELEVATION.
E. DRACULA’S CASTLE.
D E PHOTOSHOP COMPOSITE.
S E P T E M B E R / O C TO B E R 2 0 2 0 | PERSPECTIVE 23
Minolae Jain
S E C O N D -Y E A R F E L L O W
A
A. THE FERMI PARADOX IS
OUR BUISNESS MODEL.
SHIP CONTROL CENTER.
DRAWN IN ILLUSTRATOR,
RENDERED IN PHOTOSHOP.
C. ANARKALI. COLUMN
DETAIL DRAFTED IN B
VECTORWORKS.
BORN AND RAISED IN BARCELONA, SPAIN, MARINA D. INTERIOR TENEMENT MARIAN GRADUATED FROM THE UNIVERSITY OF ARKANSAS
GRADUATED FROM POMPEU FABRA UNIVERSITY WITH APARTMENT NEW WITH A BACHELOR IN INTERIOR DESIGN (BID). HER WORK
A BACHELOR IN FILM STUDIES WHICH ENDED IN A YORK, 1957. HAND CO-FOUNDING A WEDDING VIDEOGRAPHY BUSINESS,
SCHOLARSHIP TO UCLA. SINCE SHE FINISHED HER STUDIES, DRAWING PAINTED WITH CREATING SCULPTURAL DISPLAYS FOR THE FASHION
SHE HAS FOCUSED HER PROFESSIONAL CAREER IN ART WATERCOLOR AND COMPANY ANTHROPOLOGIE, AND DESIGNING MANY
DIRECTION AND SET DECORATION, WORKING ON A HUGE PHOTOSHOP. THEATRE STAGE PLAYS GAVE HER THE LOVE FOR WORKING
RANGE OF PROJECTS, COMBINING FASHION, ADVERTISING HANDS-ON IN COLLABORATION WITH OTHERS. SHE
AND FILM. SHE DESIGNED THE SPANISH ACADEMY WINNER E. GHOST WORLD, ENID’S HAS ASSISTED IN PREVISUALIZATION ON A HANDFUL OF
WATERMELON JUICE, WINNING THE BEST SHORT FILM DAYDREAM ONE, HAND PRODUCTIONS, MOST NOTABLY, WITH DIRECTOR JEREMY
AWARD IN 2019. SHE IS A CURRENT FELLOW AT THE AND DIGITAL RENDER IN SAULNIER OF HBO’S TRUE DETECTIVE, WHICH FURTHERED
AMERICAN FILM INSTITUTE THANKS TO HER LA CAIXA PHOTOSHOP. HER ASPIRATIONS TO WORK IN NARRARTIVE FILM.
FOUNDATION SCHOLARSHIP.
D E
24 PERSPECTIVE | S E P T E M B E R / O C TO B E R 2 0 2 0
Rachel Kahn
S E C O N D -Y E A R F E L L O W
A. NEVERWHERE.
DOOR’S FATHER’S STUDY.
DIGITAL MODEL WITH
LINE DRAWING AND
PHOTOSHOP.
B. PAVILION. DRAFTED
ELEVATION.
C C. WAC RECRUITMENT
OFFICE. SET DECORATION
B
WB 3rd Floor WAC Recruitment Office Boston - January 1942 Rachel Kahn BOARD.
F. TERRARIUM. PHOENIX’S
APARTMENT. SKETCHUP
MODEL RENDERED IN
F PODIUM AND PHOTOSHOP.
S E P T E M B E R / O C TO B E R 2 0 2 0 | PERSPECTIVE 27
Caroline Grebner
S E C O N D -Y E A R F E L L O W
D. THEMED HOTEL
ROOM IN KUSHIRO. LINE
DRAWING FINISHED IN
PHOTOSHOP.
E. BALLROOM. MODELED
AND RENDERED IN RHINO.
F. SMALL TOWN
BARBERSHOP. MODELED IN
SKETCHUP AND RENDERED E
IN PODIUM. F
28 PERSPECTIVE | S E P T E M B E R / O C TO B E R 2 0 2 0
Molly Moses
S E C O N D -Y E A R F E L L O W
C. OCCULT THRILLER
TREEHOUSE, MODELED
AND RENDERED IN RHINO,
B C
FINISHED IN PHOTOSHOP.
D E
S E P T E M B E R / O C TO B E R 2 0 2 0 | PERSPECTIVE 31
Esmé Jackson
S E C O N D -Y E A R F E L L O W
B C
E
D
32 PERSPECTIVE | S E P T E M B E R / O C TO B E R 2 0 2 0