MELODIES = SECTION II To be used with Section II of all other chapters ‘These melodies contain simple modulations, more each melody is clearly defined. Some phrases are ‘complex chythms, and diatonic skips in a variety of longer; some are less symmetrical; syncopations are contexts. As in Melodies, Section I, the tonality of introduced, and the vocal range is extended. NEM The next six melodies introduce skips inthe V7 chord, in both major and minor. 142. Andante 143. Andante P tf aa, 144. Andante con moto nf 145. Langsam 146. Allegretto 147. Andante ba ce oc bo ee oe ktSection 29 148. Con moto af ae =f 151. Andantino30 Chapter One / Melodies 153. Rallando oS Fa ae SS Bz WX HB Thenext five melodies introduce less frequently used meters: §,8,'¥, and §. 154. Andante cantabile P 155. Douxet expressif pho ce oo be oe te be oe kLSection I 31 158. Andante con moto mf mf Nom R XK Triplets are included in the next three melodies. ‘159, Maestoso oF GP Gn? f —_ 160. Largo P 3 161. Andante con moto32 Chapter One / Melodies 162. Andante OP Pets Pe mp tee a ey 163. Ziemlich schnell c€5C. poco a poco => f S&_% XW Skips of all diatonic intervals up to an octave are included from this point on. 164. Andante con moto poi i i a a a i aSection I 33 SES Tiesare included in many of the melodies from this point on. 167. Allegretto 169. Vivace 170. Allegro34 Chapter One / Melodies 171. Allegro 172. Alla marcia Lo Bets mf f 173. Andante B® NW _ The next six melodies begin with upbeats 2) or £7. 174, Allegro marziale : riten. 3 a. vif _s ] ] ] 7 ] a] ] ] ] a J ] ] ] ] ] ] J ]Section IL 175. Andante pastorate 177. Con moto36 Chapter One / Metts B&W Syncopations are introduced in the next six melodies. 180. Allegro f 181. Sustained Psempre 182. Gaio oo 5 Ir Oho pel eee £ cresc. S subito dim.” “P 184. Lively P 72 f 185. Brisk foeSection It 37 186. Andante 187. Andantino (in one) 188. Andante38 Chapter One / Melodies 191. Allegro 192. Valse (in one) 193. Andantino grazioso SMH Nl Thenext four melodies include chromatic neighbor notes. 194. Andante f 195. Andante |Section IL 39 196. Andantino piacevole 197. Moderato Lf. * 198. Massig und zart 199. Lively40 ‘Chapter One / Melodies 200. Moderato con moto cS e 201. Allegretto f P f 202. Cheerful P sub. BEBE The next four melodies, in the minor mode, move through the relative major. Before singing, find the point where that motion begins. 203. Allegro oS AS f P eSSection IL 41 204. Allegro moderato 205. Larghetto 206. Andantino mf P “af P 207. Andante42 Chapter One / Melodies 208. Waltz tempo 209. Allegro moderato Sf pesante P WH Si Thenext three melodies include chromatic passing notes. 210. Moderato con moto a Zt foe co ce cs os oe a a ad |Section IL 43 211. Andante con moto 212. Allegro non troppo mf pes —— 213, Litting 214. Ben ritmico wf F44 Chapter One / Melodies 215. Maestoso 216. Anime 217. Lento P with expression crese. af P 219. Andante con moto mf P bee co ce Gs oe Od a a a a i aSection I 45 BEM BE The next three melodies, in the major mode, move through the dominant. 220. Allegretto grazioso mf : ° F 221. Fanfare 222. Allegro assai P estaccato46 Chapter One / Melodies 223. Allegro e ben marcato 224, Allegro gioviale mf 225. Andantino aes th ‘s : tn rit. a 226. Allegro moderato ta 7 eeaeueninern te Fene > ae pin forte | | | poe ce ce ce ce a a i a a a a a aSection IL 47 D.C. al Fine 227. Minuet 229, Allegro gioviale48 Chapter One / Melodies 231. Etwas gedehnt a te! ——. P ‘eresc. tf 232. Allegro tunatico f 233, Scherzando ¢ ce Kee A Geajelangl Sart pia poo ca ke ce te oe ks a a