Maimeri Oil Chart Catalogue

made in italy
general catalogue 2007

2011
“For the painter, no longer existing are colored objects
but outcomes of compositions of pastes.
What for you is a delightful flower
(as notion or a part of sentiment)
for me is a chord based on pink lake,
pale blue on white
and sallow yellow slightly cooled
by emerald.
Yet not ceasing to remain a flower”.
Gianni Maimeri,
Treatise on Painting, 1933
We thank all of our employees who,

with their professionalism,
commitment and dedication,
have contributed
to the excellent reputation
that Maimeri products
have worldwide.
in cover, Gianni Maimeri, Self-portrait (detail), 1916, oil on canvas, cm 50x41

Fabio Pietrantonio, Guerriero di pace (detail), mixed technique on canvas
“Keep Superior Oil Colours
everything Oil and pure pigment, nothing else.
that is not The product of a dream and of outstanding technical
necessary out achievement, Maimeri Puro superior oil colours are
of the painting, the most advanced and yet the most traditional of oil
colours.
everything
Restoring the outstanding simplicity and quality of
that is not felt” original oil colours to paint formulas: that was the
Gianni Maimeri, The diary dream of painter and paint manufacturer Gianni
October 31 1905
Maimeri, though his dream which did not take
Maimeri Puro on concrete form as paste in a tube until three

generations down the line.
Striving for simplicity and purity, putting years of
technical experience to work, Maimeri’s company
came up with the formulas for the 80 colours in this
range one by one. Using the best quality
safflowerpoppy seed oils that will not yellow and
stable pigments which require no additives to produce
a perfect impasto, Puro offers top quality, the perfect
manufacturing process and the correct balance
between binder and pigment.
Squeeze a tube of Maimeri Puro, and you’re squeezing
the very idea of oil colours.
Maimeri Puro
00 = superior oil colours,complete range 80 colours in 6 price groups
All colours Whites

12 = 40 ml tube 22 = 150 ml tube
Sales unit 3 pieces Sales unit 3 pieces
018 HHH gr. 1 106 HHH gr. 1 181 HHH gr. 3 278 HHH gr. 1
Titanium White Naples Yellow Reddish Garnet Lake Burnt Sienna
Titanium Dioxide PW6 Zinc Oxide PW4 Quinacridone PV19 Original Natural Earth
Anthraquinone PO43 Dioxazine PV23 calcinata PBr7
Zinc White Naples Yellow Deep Rose Lake Green Earth
Zinc Oxide PW4 Zinc Oxide PW4 Quinacridone PV19 Natural Earth PG23
Synthetic Iron Oxide PY42
Avignon Orange Nickel Titanate Yellow Red Ochre Cadmium Green Light
Quinacridone PR 206 Antimony-Nickel-Titanium Oxides PY53 Natural Earth PY43 Cadmium Sulphide PY35
Chlorinated Phthalocyanine PG7
Cadmium Orange Primary Yellow Cadmium Red Orange Cadmium Green Deep
Cadmium Sulphoselenide PO20 Arylide Yellow PY97 Cadmium Sulphoselenide PR108 Cadmium Sulphide PY35
Mars Orange Orange Lake Cadmium Red Light Cobalt Green Light
Synthetic Iron Oxide PY42+PR101 Anthraquinone PO43 Cadmium Sulphoselenide PR108 Cobalt-Titanium Oxides PG50
Cadmium Yellow Light Golden Lake Cadmium Red Medium Cobalt Green Deep
Cadmium Sulphide PY35 Synthetic Iron Oxide PY42 Cadmium Sulphoselenide PR108 Cobalt-Titanium Oxides PG50
Cadmium Yellow Lemon Yellow Ochre Cadmium Red Deep Cupric Green Light
Cadmium Sulphide PY35 Natural Iron Oxide PY43 Cadmium Sulphoselenide PR108 Brominated Phthalocyanine PG36
Cadmium Yellow Medium Yellow Ochre Light Mars Red Cupric Green Deep
Cadmium Sulphide PY35 Natural Iron Oxide PY43 Synthetic Iron Oxide PR101 Chlorinated Phthalocyanine PG7
084 HHH gr. 4 134 HHH gr. 1 250 HHH gr. 2 325 HH gr. 2
Cadmium Yellow Deep Golden Ochre Transparent Mars Red Hooker’s Green
Cadmium Sulphide PY35 Natural Earth PY43 Synthetic Iron Oxide PR101 Diarylide Yellow PY83
Phthalocyanine Beta PB15:3
Mars Yellow Raw Sienna Light Primary Red - Magenta Green Gold
Synthetic Iron Oxide PY42 Original Natural Earth PBr7 Quinacridone PV19 Arylide Yellow PY97
Brominated Phthalocyanine PG36
Transparent Mars Yellow Raw Sienna Deep Tiziano Red Verde Chromium Oxide
Synthetic Iron Oxide PY42 Original Natural Earth PBr7 Quinacridone PR209 Chromium Oxide PG17
Calcined Original Natural Earth PBr7
Naples Yellow Light Crimson Lake Sandal Red Viridian
Zinc Oxide PW4 Quinacridone PR122 Pyrrole-pyrrole PR254 Hydrated Chromíum Oxide PG18
Arylide Yellow PY97 Quinacridone PR 206
Turquoise Green Ultramarine Deep Cobalt Violet Deep Raw Umber
Phthalocyanine PB16 Sodium Polysulphide-AluminosilicatePB29 Cobalt Phosphate PV14 Natural Earth PBr7
Emerald Green Primary Blue - Cyan Mars Violet Warm Grey
Zinc Oxide PW4 Phthalocyanine Beta PB15:3 Synthetic Iron Oxide PR101 Titanium Dioxide PW6
Brominated Phthalocyanine PG36 Zinc Oxide PW4
Synthetic Iron Oxide PBk11
Berlin Blue King’s Blue Light Mineral Violet Cool Grey
Phthalocyanine alfa PB15:1 Zinc Oxide PW4 Manganese Ammonium Titanium Dioxide PW6
Titanium Dioxide PW6 Pyrophosphate PV16 Zinc Oxide PW4
Cobalt Aluminium-Chromium Oxides PB36 Sodium Polysulphide-Aluminosilicate PB29
Cerulean Blue King’s Blue Deep Verzino Violet Neutral Grey
Cobalt Aluminium-Chromium Oxides PB36 Zinc Oxide PW4 Quinacridone PR122 Titanium Dioxide PW6
Titanium Dioxide PW6 Zinc Oxide PW4
Cobalt-Aluminium Oxides PB28 Synthetic Iron Oxide PBk11
Cobalt Blue Light Green Blue Mars Brown Payne’s Grey
Cobalt-Aluminium Oxides PB28 Chlorinated Phthalocyanine PG7 Synthetic Iron Oxide PR101PBk11 Sodium Polysulphide-AluminosilicatePB29
Phthalocyanine Beta PB15:3 Bone Black PBk9
Cobalt Blue Deep Violet Lake Transparent Mars Brown Ivory Black
Cobalt-Aluminium Oxides PB28 Dioxazine PV23 Synthetic Iron Oxide PR101 Bone Black PBk9
Faience Blue Ultramarine Violet Vandyke Brown Carbon Black
Anthraquinone PB60 Sodium Polysulphide-AluminosilicatePV15 Calcined Original Natural EarthPBr7 Carbon Black PBk7
Bone Black PBk9
Ultramarine Light Cobalt Violet Pale Burnt Umber Mars Black
Sodium Polysulphide-AluminosilicatePB29 Cobalt Ammonium Phosphate PV14 Calcined Natural Earth PBr7 Synthetic Iron Oxide PBk11
0099101
ARTE BEECHWOOD BOX
25x35 cm
Cardboard box
Metal dividers
Palette
12 assorted 20 ml tubes
2 white bristle brusches
1 safflower oil 75 ml bottle
2 charcoal box
“Keep Oil Colours
everything This line of oil colours offers the tonalities
that is not of the master artists of the Italian Renaissance:
necessary out in paint composition, in grinding pigments
of the painting, and in the use of rare semi-drying oils,
everything non-yellowing and crystal clear.
that is not felt” Many pigments in this range correspond
to the ancient originals; others replace,
Gianni Maimeri, The diary
October 31 1905 in calibrated and perfect imitation, compounds
of heavy metals that, being toxic, harmful
Rinascimento or polluting, should no longer be used.

This also provides for safe mixtures of colours,
eliminating any risk of alteration.
Research into ancient pigments made it possible
to select the finest and most stable colours,
eliminating problems with incompatible substances
once hard to mix.
Rinascimento
00 = oil colours, complete range 11 colours at a sole price
All colours
00 = 40 ml tube
Sales unit 3 pieces in 3 price groups
022 HHH gr. 8

Ceruse
Titanium Dioxide PW6
108 HHH gr. 9

Vasari Yellow
Antimony-Nickel-Titanium Oxides PY53
169 HHH gr. 9

Kermes Lake
Anthraquinone PR83
217 HHH gr. 9

Paris Red
Cadmium Sulphoselenide PR108
281 HHH gr. 9

Vermillon
Cadmium Sulphoselenide PR108
314 HHH gr. 10

Greek Green
Cobalt-Titanium Oxides PG50
349 HHH gr. 10

Malachite Green
Hydrated Chromíum Oxide PG18
379 HHH gr. 9

Murano Blue
Cobalt-Aluminium Oxides PB28
401 HHH gr. 8

Michelangelo Blue
Sodium Polysulphide Aluminosilicate PB29
478 HHH gr. 8

Mummy
Gilsonite NAT.Bk6
538 HHH gr. 8

Bistre
Carbon Black PBk7
“ There’s Extrafine oil colours
a strong link Tradition and innovation. The qualities of the
between components and workmanship that go into Artisti
technique oils combine harmoniously to yield a product that
and subject” represents the best of both tradition and innovation.
Gianni Maimeri, The diary The impastos offer the average drying rate typical
December 29 1905
of oil painting to permit optimum use of blending
and allow the artist to take up the paints again and
continue work. The line offers a vast palette of 106
colours, including a number of authentic historical
Artisti pigments such as Flake White and Zinc White, Aureolin

and true Sienna Earth, Prussian Blue, Manganese Violet,
and Bitumen. Maimeri’s decision to continue producing
valuable classic pigments which are all but impossible to
find these days means that the artist must comply with
the ancient basic rules of mixing.
The less lightfast pigments, and especially those which
are hazardous to the health, have recently been replaced
with synthetic pigments guaranteeing comparable colour
purity with improved stability and safety. The few colours
still considered to some degree damaging to the health,
obviously to be used with due precautions, are always
marked with the “harmful” symbol.
Artisti
01 = Traditional Oil Colours, complete range 102 colours in 8 price groups
All colours All colours Whites Whites

02 = 20 ml tube 06 = 60 ml tube 22 = 150 ml tube 34 = 500 ml can
Sales unit 6 pieces Sales unit 3 pieces Sales unit 3 pieces Sales unit 3 pieces
012 HHH gr. 1 083 HHH gr. 7 122 HH gr. 4 176 HH gr. 6
Flake White (Hue) Cadmium Yellow Medium Transparent Yellow Rose (Alizarin) Madder
Zinc Oxide PW4 Cadmium Sulphide PY35 Benzidine Yellow PY17 Quinacridone PR122
Titanium Dioxide PW6 Cadmium Sulphide PY35 Benzidine Yellow PY17
018 HHH gr. 1 084 HH gr. 7 124 HH gr. 5 177 HH gr. 6

Titanium White Cadmium Yellow Deep Gamboge (Hue) Antique Rose (Alizarin) Madder
Zinc Oxide PW4 Cadmium Sulphide PY35 Benzidine Yellow PY17 Quinacridone PR122
Titanium Dioxide PW6 Diarylide Yellow PY83 Diarylide Yellow PY83
020 HHH gr. 1 091 HH gr. 4 126 HHH gr. 4 178 HH gr. 6
Zinc White Chrome Yellow Light (Hue) Raw Bergamo Permanent Madder Deep
Zinc Oxide PW4 Titanium Dioxide PW6 Original Natural Earth PBr7 Anthraquinone PR83
Hansa Yellow G PY1 Natural Earth PY43 Quinacridone PV19
Bone Black PBk9 Dioxazine PV23
024 HHH gr. 1 092 HH gr. 4 131 HHH gr. 1 179 HHH gr. 5
Super White Giallo di cromo limone (Hue) Yellow Ochre Geranium Lake
Titanium Dioxide PW6 Titanium Dioxide PW6 Natural Iron Oxide PY43 Quinacridone PR122
Hansa Yellow 10G PY3 Quinacridone PV19
Super Rapid White Chrome Yellow Lemon (Hue) Yellow Ochre Light Garnet Lake
Zinc Oxide PW4 Diarylide Yellow PW83 Natural Iron Oxide PY43 Quinacridone PV19
Titanium Dioxide PW6 Titanium Dioxide PW6 Synthetic Iron OxidePY42 Dioxazine PV23
Benzimidazolone PO36
Indanthrene Orange Indian Yellow Yellow Ochre Pale Magenta Lake
Anthraquinone PO43 Benzidine Yellow PY17 Zinc Oxide PW4 Quinacridone PR122
Diarylide Yellow PY83 Natural Iron Oxide PY43 Dioxazine PV23
Anthraquinone PO43 Synthetic Iron OxidePY42
Mars Orange Mars Yellow Golden Ochre Solferino Lake
Synthetic Iron Oxide PR101 Synthetic Iron OxidePY42 Natural Iron Oxide PY43 Quinacridone PR122
Natural Iron Oxide PY43 Dioxazine PV23
075 HHH gr. 5 105 HHH gr. 4 159 HH gr. 4 191 HHH gr. 1
Brilliant Yellow Light Naples Yellow Light Yellow Stil de Grain Red Ochre
Zinc Oxide PW4 Zinc Oxide PW4 Hansa Yellow GP Y1 Synthetic Iron OxidePR101
Titanium Dioxide PW6 Arylide Yellow PY97 Sodium Polysulphide-Aluminosilicate PB29 Natural Iron Oxide PY43
Arylide Yellow PY97 Synthetic Iron OxidePY42 Carbon Black PBk7
Brilliant Yellow Deep Naples Yellow Reddish Raw Sienna Light Ultramarine Red
Zinc Oxide PW4 Zinc Oxide PW4 Original Natural Earth PBr7 Sodium Polysulphide-Aluminosilicate PV15
Titanium Dioxide PW6 Titanium Dioxide PW6
Arylide Yellow PY97 Benzimidazolone PO36
Cadmium Orange Naples Yellow Deep Raw Sienna Deep Quinacridone Rose
Cadmium Sulphoselenide PO20 Zinc Oxide PW4 Original Natural Earth PBr7 Quinacridone PV19
Titanium Dioxide PW6 Calcined Original Natural Earth PBr7
Arylide Yellow PY97 Chromium Oxide PG17
Cadmium Yellow Light Nickel Titanate Yellow Permanent Carmine Cadmium Red Orange
Cadmium Sulphide PY35 Antimony-Nickel-Titanium Oxides PY53 Anthraquinone PR83 Cadmium Sulphoselenide PR108
Cadmium Sulphide PY39
082 HHH gr. 7 112 HH gr. 4 175 HH gr. 6 226 HHH gr. 8
Cadmium Yellow LemonCadmium Permanent Yellow Lemon Madder (Alizarin) Light Cadmium Red Light
Sulphide PY35 Hansa Yellow 10G PY3 Anthraquinone PR83 Cadmium Sulphoselenide PR108
Quinacridone PR122
Anthraquinone PO43
Cadmium Red Mediumo Green Earth Ultramarine Transparent Brown
Cadmium Sulphoselenide PR108 Natural Earth PG23 Sodium Polysulphide-Aluminosilicate PB29 Calcined Original Natural Earth PBr7
Chlorinated Phthalocyanine PG7 Original Natural Earth PBr7
Natural Earth PG23
Cadmium Red Purple Antique Green Earth Ultramarine Deep Vandyke Brown
Cadmium Sulphoselenide PR108 Natural Earth PG23 Sodium Polysulphide-Aluminosilicate PB29 Calcined Original Natural Earth PBr7
Natural Earth PBr7 Bone Black PBk9
Chlorinated Phthalocyanine PG7 Carbon Black PBk7
Cadmium Red Deep Cadmium Green Prussian Blue Brown Stil de Grain
Cadmium Sulphoselenide PR108 Cadmium Sulphide PY35 Ferric Ferrocyanide PB27 Anthraquinone PR83
Phthalocyanine Beta PB15:3 Diarylide Yellow PY83
Chlorinated Phthalocyanine PG7 Chlorinated Phthalocyanine PG7
English Red Cobalt Green Deep Phthalo Blue Green Cassel Earth
Synthetic Iron OxidePR101 Chromium Titanium Oxide PG50 Chlorinated Phthalocyanine PG7 Natural Earth calcinata PBr7
Sodium Polysulphide-Aluminosilicate PB29 Phthalocyanine Beta PB15:3 Bone Black PBk9
Carbon Black PBk7
Mars Red Chrome Oxide Green Violet Lake Burnt Umber
Synthetic Iron OxidePR101 Chromium Oxide PG17 Dioxazine PV23 Calcined Natural Earth PBr7
Anthraquinone PR83
Quinacridone Red Permanent Green Light Ultramarine Violet Raw Umber
Quinacridone PV19 Cadmium Sulphide PY35 Sodium Polysulphide-Aluminosilicate PV15 Natural Earth PBr7
Cadmium Sulphide PY35 Chromium Oxide PG17
Red Lead (Hue) Permanent Green Deep Cobalt Violet Pale Ivory Black
Anthraquinone PO43 Sodium Polysulphide-Aluminosilicate PB29 Cobalt Ammonium Phosphate PV14 Bone Black PBk9
Quinacridone PV19 Cadmium Sulphide PY35
Venetian Red Viridian Cobalt Violet Deep Mars Black
Synthetic Iron OxidePR101 Chromium Oxide idrato PG18 Cobalt Phosphate PV14 Synthetic Iron OxidePBk11
Natural Earth calcinata PBr7
Synthetic Iron OxidePY42
Pozzuoli Earth Emerald Green Indanthrene Violet Vine black
Synthetic Iron OxidePR101 Zinc Oxide PW4 Quinacridone PR122 Bone Black PBk9
Natural Earth PBr7 Chlorinated Phthalocyanine PG7 Quinacridone PV19 Sodium Polysulphide-Aluminosilicate PB29
Hansa Yellow 10G PY3 Dioxazine PV23
278 HHH gr. 1 358 HH gr. 4 458 HHH gr. 6

Burnt Sienna Sap Green Manganese Violet
Calcined Original Natural Earth PBr7 Chlorinated Phthalocyanine PG7 Manganese Ammonium
Diarylide Yellow PY83 Pyrophosphate PV16
Anthraquinone PR83
286 HH gr. 4 368 HHH gr. 7 459 HHH gr. 4

Cinnabar Green Light Cerulean Blue Mars Violet
Hansa Yellow G PY1 Ossidi di cobalto alluminio e cromo PB36 Synthetic Iron OxidePR101
287 HH gr. 4 373 HHH gr. 7 466 HHH gr. 6

Cinnabar Green Yellowish Cobalt Blue Light Quinacridone Violet
Hansa Yellow G PY1 Cobalt-Aluminium Oxides PB28 Quinacridone PR122
Sodium Polysulphide-Aluminosilicate PB29
288 HH gr. 4 374 HHH gr. 7 470 HH gr. 1

Cinnabar Green Deep Cobalt Blue Deep Bitumen
Sodium Polysulphide-Aluminosilicate PB29 Cobalt-Aluminium Oxides PB28 Gilsonite NAT.Bk6
Hansa Yellow 10G PY3 Cobalt-Aluminium Oxides PB28
Hansa Yellow G PY1
290 HH gr. 5 378 HHH gr. 4 474 HH gr. 6

Green Lake Phthalo Blue Brown Madder (Alizarin)
Chlorinated Phthalocyanine PG7 Phthalocyanine Beta PB15:3 Naphthol AS PR146
Hansa Yellow G PY1 Diarylide Yellow PY83
Diarylide Yellow PY83 Chlorinated Phthalocyanine PG7
294 HHH gr. 4 380 HHH gr. 5 476 HHH gr. 4

Ultramarine Green Indanthrene Blue Mars Brown
Sodium Polysulphide-Aluminosilicate PB29 Anthraquinone PB60 Synthetic Iron Oxide
Chlorinated Phthalocyanine PG7 PR101PBk11
“ The painter fine oil colours
must do as The Artist’s daily bread and butter. Anyone -
the poet or professional or amateur – who picks up a tube of
the musician Classico oil paints will find in it just what they need.
does: speak; Classico fine oil colours are versatile, offering an
the word that unsurpassed price to quality ratio. These colours are
produced by strict principles that yield a top quality
calls up a
product. They revolutionise the criteria by which a
world” economical (rated “fine”) range is judged.
December 29 1905 They contain no waxes or thickeners, (no manufacturing
Classico shortcuts). The colour palette includes the best

original natural earths and true cadmium pigments.
Average pigment concentration is very high. Formulas
are perfected to balance the drying times of all
colours. Bright, lively colours with overall harmony in
the palette, Classico colours are made with modern
non-toxic, non-polluting pigments that improve
lightfastness. All colours may be intermixed together
in any ratio or proportion, without limits.
All this thanks to Maimeri’s vast experience, summed
up in an oil line that has proven to be so successful it
has become the daily workhorse of a whole generation
of artists.
Classico
03 = Extrafine Oil Colours, complete range 77 olours in 3 price groups
Reduced range 30 colours

All colours All colours All colours marked by t
02 = 20 ml tubetto 06 = 60 ml tubetto 24 = 200 ml tubetto 34 = 500 ml can
Sales unit 6 pieces Sales unit 3 pieces Sales unit 1 piece Sales unit 1 piece
018 HHH t gr. 1 106 HHH t gr. 2 178 HHH gr. 2 276 HHH gr. 1
Titanium White Naples Yellow Reddish Permanent Madder Deep Pozzuoli Earth
Zinc Oxide PW4 Zinc Oxide PW4 Quinacridone PV19 Synthetic Iron Oxide PR101
Titanium Dioxide PW6 Titanium Dioxide PW6 Quinacridone PR206 Natural Earth PR101
Anthraquinone PO43 Dioxazine PV23 Calcined Natural Earth PBr7
019 HHH t gr. 2 107 HHH gr. 2 214 HHH gr. 2 278 HHH t gr. 1
Titaniumzinc White Naples Yellow Deep Quinacridone Rose Light Burnt Sienna
Zinc Oxide PW4 Zinc Oxide PW4 Zinc Oxide PW4 Original Natural Earth
Titanium Dioxide PW6 Synthetic Iron Oxide PY42 Quinacridone PR122 calcinata PBr7
Arylide Yellow PY97
020 HHH t gr. 2 110 HHH t gr. 2 226 HHH gr. 3 284 HHH gr. 2
Zinc White Permanent Orange Cadmium Red Light Vermilion Light (Hue)
Zinc Oxide PW4 Benzimidazolone PO62 Cadmium Sulphoselenide PR108 Benzimidazolone PO36
Titanium Dioxide PW6 Anthraquinone PO43 Pyrrole-pyrrole PR254
026 HHH t gr. 2 111 HHH gr. 2 228 HHH t gr. 3 285 HHH t gr. 2
Super Rapid White Permanent Yellow Light Cadmium Red Medium Vermilion Deep (Hue)
Zinc Oxide PW4 Arylide Yellow PY97 Cadmium Sulphoselenide PR108 Pyrrole-pyrrole PR254
Titanium Dioxide PW6 Titanium Dioxide PW6 Quinacridone PV19
Brilliant Yellow Light Permanent Yellow Lemon Cadmium Red Deep Cinnabar Green Light
Zinc Oxide PW4 Benzimidazolone PY175 Cadmium Sulphoselenide PR108 Hansa Yellow GPY1
Benzimidazolone PY175 Phthalocyanine BetaPB15:3
Brilliant Yellow Deep Permanent Yellow Deep Mars Red Cinnabar Green Yellowish
Zinc Oxide PW4 Arylide Yellow PY97 Synthetic Iron Oxide PR101 Hansa Yellow GPY1
Isoindoline PY139 Isoindoline PY139 Sodium Polysulphide-Aluminosilicate PB29
Arylide Yellow PY97 Titanium Dioxide PW6
080 HHH gr. 3 116 HHH t gr. 2 249 HHH gr. 2 288 HH gr. 1
Cadmium Orange Primary Yellow Permanent Red Orange Cinnabar Green Deep
Cadmium Sulphide PY35 Arylide Yellow PY97 Anthraquinone PO43 Hansa Yellow GPY1
Benzimidazolone PY175 Phthalocyanine Alpha PB15:1
081 HHH gr. 3 131 HHH t gr. 1 251 HHH gr. 2 290 HHH gr. 1
Cadmium Yellow Light Yellow Ochre Permanent Red Light Green Lake
Cadmium Sulphide PY35 Natural Iron OxidePY43 Benzimidazolone PO36 Arylide Yellow PY97
Synthetic Iron Oxide PY42 Pyrrole-pyrrole PR254 Chlorinated Phthalocyanine PG7
Zinc Oxide PW4 Phthalocyanine BetaPB15:3
082 HHH gr. 3 132 HHH gr. 1 253 HHH gr. 2 296 HHH t gr. 1
Cadmium Yellow Lemon Yellow Ochre Light Permanent Red Deep Green Earth
Cadmium Sulphide PY35 Natural Iron OxidePY43 Quinacridone PV19 Natural Earth PG23
Titanium Dioxide PW6 Pyrrole-pyrrole PR254 Chlorinated Phthalocyanine PG7
084 HHH gr. 3 134 HHH gr. 1 256 HHH t gr. 2 307 HHH t gr. 3
Cadmium Yellow Deep Golden Ochre Primary Red - Magenta Cadmium Green
Cadmium Sulphide PY35 Natural Iron OxidePY43 Quinacridone PR122 Cadmium Sulphide PY35
Synthetic Iron Oxide PY42 Chlorinated Phthalocyanine PG7
Zinc Oxide PW4
098 HHH gr. 1 161 HHH t gr. 1 258 HHH gr. 3 321 HHH t gr. 2
Indian Yellow Raw Sienna Quinacridone Red Phthalo Green
Arylide Yellow PY97 Original Natural Earth PBr7 Quinacridone PR209 Chlorinated Phthalocyanine PG7
Anthraquinone PO43
105 HHH t gr. 3 167 HHH t gr. 2 262 HH gr. 1 336 HHH gr. 2
Naples Yellow Light Permanent Carmine Venetian Red Chrome Oxide Green
Zinc Oxide PW4 Quinacridone PV19 Synthetic Iron Oxide PY42 Chromium Oxide PG17
Arylide Yellow PY97 Quinacridone PR206 Calcined Natural Earth PBr7
Synthetic Iron Oxide PY42 Synthetic Iron Oxide PR101
339 HHH gr. 2 392 HHH t gr. 1 463 HHH t gr. 2 535 HHH t gr. 1
Permanent Green Light Ultramarine Deep Permanent Violet Blueish Ivory Black
Benzimidazolone PY175 Sodium Polysulphide-Aluminosilicate PB29 Dioxazine PV23 Bone Black PBk9
Chlorinated Phthalocyanine PG7 Carbon Black PBk7
340 HHH gr. 1 400 HHH t gr. 2 465 HHH gr. 2 540 HHH gr. 1
Permanent Green Deep Primary Blue - Cyan Permanent Violet Reddish Mars Black
Chlorinated Phthalocyanine PG7 Phthalocyanine Beta PB15:3 Quinacridone PV19 Synthetic Iron Oxide PBk11
Phthalocyanine Alpha PB15:1 Phthalocyanine PB16 Dioxazine PV23
Benzimidazolone PY175
356 HHH gr. 3 402 HHH t gr. 1 484 HHH t gr. 1 003 HHH gr. 2
Emerald Green Prussian Blue Vandyke Brown Silver
Zinc Oxide PW4 Ferric Ferrocyanide PB27 Calcined Original Natural Earth PBr7 Titanium Dioxide+Mica+
Benzimidazolone PY175 Bone Black PBk9 Synthetic Iron Oxide
Phthalocyanine Beta PB15:3 Carbon Black PBk7
358 HHH t gr. 2 405 HHH gr. 3 488 HH gr. 1 137 HHH gr. 2
Sap Green King’s Blue Light Brown Stil de Grain Light Gold
Synthetic Iron Oxide PR101 Zinc Oxide PW4 Naphthol AS PR146 Titanium Dioxide+Mica+
Chlorinated Phthalocyanine PG7 Cobalt Aluminium-Chromium Oxides PB36 Diarylide Yellow PY833 Synthetic Iron Oxide
Cerulean Blue Turquoise Blue Cassel Earth Deep Gold
Cobalt Aluminium-Chromium Oxides PB36 Zinc Oxide PW4 Calcined Original Natural Earth PBr7 Titanium Dioxide+Mica+
Phthalocyanine Alpha PB15:1 Phthalocyanine PB16 Bone Black PBk9 Synthetic Iron Oxide
Chlorinated Phthalocyanine PG7 Calcined Natural Earth PBr7
370 HHH t gr. 1 410 HHH gr. 2 492 HHH t gr. 1

Cobalt Blue Light (Hue) Phthalo Blue Green Burnt Umber
Sodium Polysulphide-Aluminosilicate PB29 Chlorinated Phthalocyanine PG7 Calcined Natural Earth PBr7
Zinc Oxide PW4 Phthalocyanine BetaPB15:3
371 HHH gr. 2 414 HHH t gr. 2 493 HHH t gr. 1

Cobalt Blue Deep (Hue). Sky Blue Raw Umber
Sodium Polysulphide-Aluminosilicate PB29 Zinc Oxide PW4 Natural Earth PBr7
Zinc Oxide PW4 Phthalocyanine BetaPB15:3 Chromium Oxide PG17
Phthalocyanine Alpha PB15:1
391 HHH gr. 1 448 HHH t gr. 2 514 HHH gr. 1

Ultramarine Light Cobalt Violet (Hue) Payne’s Grey
Sodium Polysulphide-Aluminosilicate PB29 Quinacridone PV19 Sodium Polysulphide-Aluminosilicate PB29
Dioxazine PV23 Bone Black PBk9
0398052
CARDBOARD BOX
5 x 60 ml tubes
(Primary colours - White - Black)
0398051
CARDBOARD BOX 0398100
6 x 20 ml tubes PLASTIC BLISTER
(Primary colours - 2 Whites - Black) 10 x 20 ml tubes assorted
“Keep Coarsely Ground Oil Colours
everything The chromatic assortment of Coarsely ground
that is not Mediterranean.
necessary out Colours is basic, because only a few essential tones
of the painting, are needed to render the magic of a harmonic motion.
everything Pure and, one may say, fundamental, the colours
that is not felt” of this light are in any case calibrated to capture
every nuance and modulation needed for sunny,
October 31 1905 luminous and natural painting.
The grain size of these colours is larger than for other
Mediterraneo oil paints and paste density is thicker,

with brushstrokes accentuated.
The colour dried on the canvas damps
the ray of light and softens tones,
giving the surface a rugged feel.
Mixable with other oil colours.
Mediterraneo
03 = coarsely ground oil colours, complete range 11 colours at a sole price
All colours
03 = 60 ml tube
Sales unit 3 pieces
028 HHH
Santorini White
057 HHH
Trinacria Orange
088 HHH
Vesuvius Yellow
Antimony-Nickel-Titanium Oxides PY53
089 HHH
Damascus Yellow
Benzidine Yellow PY17
213 HHH
Provence Rose Lake
Quinacridone PR122
218 HHH
Sevilla Red
Monoazoic PO5
315 HHH
Salento Green
Hydrated Chromíum Oxide PG18
357 HHH
Green Obsidian from Pantelleria
Ferrous Nitrous Beta Naphthol PG8
396 HHH
Ercolano Blue
Cobalt Aluminium-Chromium Oxides PB36
397 HHH
Capri Blue
439 HHH
Grasse Violet
Sodium Polysulphide-Aluminosilicate PV15
“Keep Oil Colours
everything The Italian Natural Earth colours are created
that is not with pigments of antique origin that have always
necessary out been used to make the colours that until
of the painting, a few years ago characterized the regional schools
everything of painting throughout Italy.
that is not felt” The colours of Roman houses, of Venetian palaces,
of the Umbrian or Tuscan hill-towns.
October 31 1905 The grain size of the dispersed pigment is larger
than for traditional oil paints.
Terre grezze d’Italia The paste is denser, the appearance more opaque
due to a different refraction of the light,
the tone is more natural and the coat is thicker
and more material.
Italian Natural Earth colours can be mixed
with other oil paints.
Slight discontinuities in tone are a guarantee
of the authenticity and naturalness of the product,
which contains no additional colorants of organic
synthesis.
Terre Grezze d’Italia
03 = oil colours, complete range 11 colours at a sole price
All colours
03 = 60 ml tube
Sales unit 3 pieces
030 HHH
Terra bianca di Carrara
Calcium Carbonate PW18
031 HHH
Orange Earth from Herculanum
Natural Iron Oxide PY43
033 HHH
Yellow Earth from Rome
034 HHH
Yellow Earth from Verona
035 HHH
Raw Sienna
Original Natural Earth PBr7
036 HHH
Venetian Red Earth
Natural Iron Oxide PR101
037 HHH
Sardinian Red Earth
038 HHH
Burnt Sienna
Calcined Original Natural Earth PBr 7
039 HHH
Green Earth from Verona
Natural Earth PG23
040 HHH
Antique Green Earth from Verona
Natural Earth PG23
041 HHH
Brown Earth from Florence
“ The painter Oil Colours
must do as In Maimeri Olio has been perfected all the expertise gained
the poet or the in many years of work, free from binding precedents, aiming
musician does: towards an element that changes one’s view of oil colours,
speak; the word completing an assortment of the existent with what
that calls up a had been lacking.
world” 38 essential colours well balanced and with new pigments.
Gianni Maimeri, The diary high quality at a convenient price safety and respect
December 29 1905
for the environment.
All toxic or harmful substances have been excluded from
Maimeri Olio the formulation, modern, efficient, useful .

Composed of layers of plastic material coupled with an
impenetrable and impermeable barrier, the tube is therefore
exceptionally practical and manageable and, above all,
extremely resistant.
Average drying time for the range is less than for other
oil colours, decreasing work time, freeing time spans,
providing some savings and allowing for the use of painting
techniques and utensils more in tune with acrylic colours
while enjoying the brilliance of oil paints.
The range includes 4 oil painting mediumsof new
formulationn in the same 200-ml tube.
Maimeri Olio
05 = Oil Colours, complete range 38 colours at a sole price
All colours
24 = 200 ml tube
Sales unit 3 pieces
018 HHH 191 HHH 370 HHH 535 HHH

Titanium White Red Ochre Cobalt Blue Light (Hue) Ivory Black
Titanium Dioxide PW6 Synthetic Iron Oxide PR101 Titanium Dioxide PW6 Carbon Black PBk7
Sodium Polysulphide-
Aluminosilicate PB29
020 HHH 214 HHH 391 HHH 540 HHH
Zinc White Quinacridone Rose Light Ultramarine Light Mars Black
Zinc Sulphide PW7 Titanium Dioxide PW6 Sodium Polysulphide- Synthetic Iron Oxide PBk11
Quinacridone PV19 Aluminosilicate PB29
105 HHH 256 HH 400 HHH

Naples Yellow Light Primary Red - Magenta Primary Blue - Cyan
Synthetic Iron Oxide PY42 Naphthol AS PR 146 Phthalocyanine Beta PB15:3
106 HH 258 HH 402 HHH

Naples Yellow Reddish Quinacridone Red
Prussian Blue
Monoazoic PO5 Ferric Ferrocyanide PB27
Disazoic PO13 Monoazoic Strontium Salt PR 48:3
110 HH 278 HHH 414 HHH 850

Permanent Orange Burnt Sienna Sky Blue Oil painting
Hansa Yellow PY1 Calcined Original Natural Earth PBr7 Titanium Dioxide PW6 primer
Disazoic PO13 Phthalocyanine Beta PB15:3
112 HH 284 HH 422 HHH

Permanent Yellow Lemon Vermilion Light (Hue) Indigo
Hansa Yellow PY3 Monoazoic PO5 Carbon Black PBk7
Phthalocyanine Alpha 15:1
114 HH 285 HH 448 HHH 851

Permanent Yellow Deep Vermilion Deep (Hue) Cobalt Violet (Hue) Impasto oil
Hansa Yellow PY1 Monoazoic Strontium Salt PR 48:3 Dioxazine PV23 medium matt
Disazoic PO13
116 HH 286 HH 476 HHH

Primary Yellow Cinnabar Green Light Mars Brown
Hansa Yellow PY1 Hansa Yellow PY1 Synthetic Iron Oxide PR101
Phthalocyanine Beta PB15:3 Synthetic Iron Oxide PBk11
131 HHH 296 HHH 484 HHH 852

Yellow Ochre Green Earth Vandyke Brown Impasto oil
Synthetic Iron Oxide PY42 Natural Earth PG23 Synthetic Iron Oxide PR101 medium gloss
132 HHH 336 HHH 492 HHH

Yellow Ochre Light Chrome Oxide Green Burnt Umber
Synthetic Iron Oxide PY42 Chromium Oxide PG17 Calcined Original Natural Earth PBr7
161 HHH 356 HHH 493 HHH 853

Raw Sienna Emerald Green Raw Umber Impasto oil
Original Natural Earth PBr7 Chlorinated Phthalocyanine PG7 Natural Earth PBr7 medium coarse
167 HH 358 HH 514 HHH

Permanent Carmine Sap Green Payne’s Grey
Monoazoic calcium salt PR57:1 Ferrous Nitrous Beta Naphthol PG8
“Keep Oil Colours
everything New colours have entered the imagination
that is not of the contemporary and younger generations,
necessary out they are the hues of a colourful dreamscape.
of the painting, They are the colours of video, of high-definition,
everything of the liquid crystals of the virtual. Maimeri HD,
that is not felt” 30 oil colours mostly based on high concentrations
of organic-synthesis pigment. So the colours aren’t opaque
October 31 1905 and muted but have luminosity and vibrant transparency.
Thanks to their composition and grinding,
HD HD oil colours allow light to pass in a diffused fashion.

They have properties the opposite of opacity.
They are limpid, translucent.
All the tints in the range are devoid of substances
considered hazardous for humans and the environment.
HD
06 = Oil Colours, complete range 30 colours at a sole price
All colours
16 = 75 ml tube
Sales unit 3 pieces
570 HHH 582 HHH 595 HHH

NO COLOUR GREEN DRAGON BLACK HACKER
Titanium Dioxide PW6 Chromium Oxide PG17 Carbon Black PBk7
571 HHH 583 HH 596 HHH

DOUBLE WHITE FREEDOM GREEN STURDUST PURPLE
Titanium Dioxide PW6 Hansa Yellow 10G PY3 Titanium Mica
Chlorinated Phtalocyanine PG7
572 HHH 584 HH 597 HHH

MOON WHITE LUCKY GREEN STARDUST BLUE
Titanium Mica Hansa Yellow 10G PY3 Titanium Mica
Phtalocyanine Beta PB15.3
573 HH 585 HHH 557 HHH

LIFE YELLOW HAZARD GREEN
Hansa Yellow 10G PY3
HEAVY METAL
Chlorinated Phtalocyanine PG7 Synthetic Iron Oxide PBk11
574 HHH 586 HH 598 H

CAUTION YELLOW RESET GREEN FLASH MAGENTA
Hansa Yellow G PY1 Ferrous Nitroso Beta Naphtol PG8 Fluorescent Dye fixed on Resin
575 HH 587 HHH 599 H

TILT YELLOW NOBLESSE BLUE FLASH YELLOW
Diarylide Yellow PY83 Phtalocyanine Alpha PB15:1 Fluorescent Dye fixed on Resin
576 588
oILM e DIUM
HH HHH
ENERGY ORANGE AVATAR BLUE
Anthraquinone PO13
Hansa Yellow G PY1
Phtalocyanine Beta PB15:3
ECO MADE I N ITALY
577 HH 589 HHH
Thinner suitable for all oil colours, mixable with water, non-hazardous for human health nor for the environment.
FIREWALL RED COOL BLUE Liquid like water, colourless, with a barely perceptible odour, the Oil Medium can be used indoors without causing disturbances. For very sensitive users
Monoazoic PO5 Sodium Polysulphide Aluminium the workplace should be ventilated during or after use. Oil Medium is the ideal alternative to traditional solvents (turpentine, white spirit, odourless
Silicate PB29 thinner), it reduces the density of oil colours, softening the paste and making the application easier and smoother. It can also be applied with a dropper
to avoid waste or the product can be added to the colour in controlled quantity. Excessive use may cause dull or dry areas on the painted surface and
therefore it is advisable not to exceed 30% of Oil medium with respect to the colour. It evaporates more slowly than traditional solvents, however we
578 HH 590 HHH recommend closing the container well after use in order to avoid unnecessary dispersion. If clean, the remnants of Oil Medium can be returned to the
original bottle after use and reused countless times. The product does not slow down the oxidation of oil colours and can be disposed of in household
REBEL RED SOUL BLUE drains. Keep out of the range of children.
oILCL ea N e5
Naphtol AS PR112 Ferric Ferrocyanide PB27
579 HHH
LUXURY RED
591 HHH
DRY OCHRE

ECO MADE I N ITALY
Quinacridone PV19 Synthetic Iron Oxide PY42 Ammonia-free cleanser mixable and dilutable with water.
Non-hazardous for human health nor for the environment.
It thoroughly cleans all painting tools, such as brushes, painting knives, palettes and
580 HH 593 HHH mixing bowls. Suitable for cleaning the insides of plastic tubes allowing a perfect recycling
of the tubes. Slightly straw yellow, it is odourless and has excellent dispersion power,
RED DEVIL FLASHBACK UMBER removing all traces of oil and pigment. Slightly foamy.
Monoazoic calcium salt PR57:1 Synthetic Iron Oxide PR101 For cleaning plastic tubes cut the end of the tube just below the weld.
Pour the detergent into the tube either pure or slightly diluted with water.
In order to obtain maximum cleaning power shake well or use a bottlebrush to clean the
low end of the tube.
581 HHH 594 HHH For cleaning painting tools use the detergent slightly diluted with water or if necessary for
a stronger action directly on the support with a soft sponge in a way not to damage the
GAME OVER PURPLE URBAN GREY painting instruments.
Dioxazine PV23 Carbon Black PBk11 For cleaning the painting supports follow the instructions for cleaning the tools.
We recommend taking action immediately to avoid permanent stains on easels, tables or
other supports caused by the drying of oil colours.
“ The aesthetic extrafine acrylic colours
emotion is All the colours of acrylic painting. Artists looking
always an for acrylic colours with guaranteed quality and
act of lightfastness will find what they are looking for
synthesis, in Brera Acrylics. All Maimeri’s experience with
perhaps an colour has been combined in this extrafine range

of 72 colours, all made with the highest degree of
act of love”
lightfastness.
Spring 1907. These are colours for professionals, responsive
to great skill and dexterity and offering fantastic
Brera Acrylic colours in return. In addition to all the pigments

most commonly required by artists, the range offers
a number of metallic and translucent hues, perfect
for contemporary art as well as for decoration and
other special uses. These special colours, produced
with precious materials, may be intermixed with other
more transparent colours in the range to obtain a
wide range of chromatic effects. Brera Acrylic is the
top of the line in acrylic painting. The binder in all
colours is an ultra fine emulsion of acrylic resin with
the addition of special preservatives, surfactants and
UV filters which help maintain a resistant, supple film
with a smooth, silky, matte finish.
Brera Acrylic
08 = Extrafine Acrylic Colours, complete range 72 colours in 3 price groups
All colours Reduced range 42 colours marked by Reduced range 12 colours marked byt
06 = 60 ml tube 22 = 150 ml tube 30 = 350 ml jar
Sales unit 3 pieces Sales unit 3 pieces s Sales unit 1 piece
018 HHH t s gr. 1 100 HHH gr. 1 226 HHH s gr. 2 331 HHH s gr. 1
Titanium White Lemon Yellow Cadmium Red Light Olive Green
Titanium Dioxide PW6 Benzimidazolone PY175 Cadmium Sulphoselenide PR108 Isoindoline PY139
020 HHH s gr. 1 116 HHH t s gr. 1 228 HHH t s gr. 2 333 HHH gr. 2
Zinc White Primary Yellow Cadmium Red Medium Verde oro
Zinc Oxide PW4 Arylide Yellow PY97 Cadmium Sulphoselenide PR108 Arylide Yellow PY97
Cadmium Sulphoselenide PR108 Sodium Polysulphide-Aluminosilicate PB29
052 HHH gr. 1 131 HHH s gr. 1 232 HHH gr. 2 336 HHH s gr. 1
Brilliant Orange Yellow Ochre Cadmium Red Deep Chrome Oxide Green
Anthraquinone PO43 Synthetic Iron Oxide PY42 Cadmium Sulphoselenide PR108 Chromium Oxide PG17
054 HHH gr. 2 134 HHH gr. 1 234 HHH s gr. 2 339 HHH s gr. 1
Cadmium Orange Golden Ochre Naphthol Crimson Permanent Green Light
Cadmium Sulphide PY35 Synthetic Iron Oxide PY42 Pyrrole-pyrrole PR254 Cadmium Sulphide PY35
Cadmium Sulphoselenide PO20 Synthetic Iron Oxide Quinacridone PV19 Chlorinated Phthalocyanine PG7
PY42+PR101
063 HHH s gr. 2 147 HHH s gr. 2 248 HHH gr. 1 340 HHH gr. 1
Quinacridone Orange Quinacridone Gold Mars Red Permanent Green Deep
Quinacridone PR206 Synthetic Iron Oxide PY42 Synthetic Iron Oxide PR101 Chlorinated Phthalocyanine PG7
Arylide Yellow PY97
068 HHH s gr. 1 161 HHH t s gr. 1 256 HHH t s gr. 2 350 HHH gr. 1
Flesh Tint Raw Sienna Primary Red - Magenta Turquoise Green
Titanium Dioxide PW6 Synthetic Iron Oxide PY42 Quinacridone PV19 Titanium Dioxide PW6
Anthraquinone PO43 Isoindoline PY139 Chlorinated Phthalocyanine PG7
Anthraquinone PO43
072 HHH gr. 1 165 HHH s gr. 2 257 HHH gr. 2 356 HHH gr. 1
Orange Yellow Bordeaux Pyrrole Red Emerald Green
Arylide Yellow PY97 Dioxazine PV23 Pyrrole-pyrrole PR254 Arylide Yellow PY97
Isoindoline PY139 Quinacridone PV19 Chlorinated Phthalocyanine PG7
074 HHH s gr. 2 170 HHH gr. 3 258 HHH gr. 2 364 HHH s gr. 1
Brilliant Yellow Quinacridone Crimson Quinacridone Red Brilliant Blue
Arylide Yellow PY97 Quinacridone PR122 Quinacridone PR209 Sodium Polysulphide-Aluminosilicate PB29
Titanium Dioxide PW6 Quinacridone PR206 Titanium Dioxide PW6
Isoindoline PY139
081 HHH s gr. 2 214 HHH gr. 1 278 HHH s gr. 1 367 HHH s gr. 1
Cadmium Yellow Light Quinacridone Rose Light Burnt Sienna Cerulean Blue (Hue)
Cadmium Sulphide PY35 Titanium Dioxide PW6 Synthetic Iron Oxide PR101 Titanium Dioxide PW6
Quinacridone PR122 Isoindoline PY139 Phthalocyanine Beta PB15:3
Anthraquinone PO43 Synthetic Iron Oxide PR101PBk11
082 HHH s gr. 2 219 HHH gr. 2 321 HHH t s gr. 1 368 HHH gr. 3
Cadmium Yellow Lemon Brilliant Red Light Phthalo Green Cerulean Blue
Cadmium Sulphide PY35 Anthraquinone PR168 Chlorinated Phthalocyanine PG7 Cobalt Aluminium-Chromium Oxides PB36
083 HHH s gr. 2 221 HHH s gr. 2 323 HHH gr. 1 372 HHH gr. 3
Cadmium Yellow Medium Brilliant Red Deep Yellowish Green Cerulean Blue
Cadmium Sulphide PY35 Pyrrole-pyrrole PR254 Titanium Dioxide PW6 Cobalt Aluminium-Chromium Oxides PB28
Quinacridone PV19 Arylide Yellow PY97
Quinacridone PV19 Chlorinated Phthalocyanine PG7
084 HHH s gr. 2 224 HHH gr. 2 325 HHH s gr. 1 375 HHH gr. 1
Cadmium Yellow Deep Cadmium Red Orange Hooker’s Green Cobalt Blue (Hue)
Cadmium Sulphide PY35 Cadmium Sulphoselenide PR108 Chlorinated Phthalocyanine PG7 Sodium Polysulphide-Aluminosilicate PB29
Synthetic Iron Oxide PY42 Phthalocyanine Beta PB15:3
Carbon Black PBK7 Titanium Dioxide PW6
378 HHH s gr. 1 493 HHH s gr. 1
Phthalo Blue Raw Umber
Phthalocyanine Alpha PB15:1 Synthetic Iron Oxide PBK11
Synthetic Iron Oxide PR101
380 HHH s gr. 2 507 HHH gr. 1

Indanthrene Blue Warm Grey
Anthraquinone PB60 Titanium Dioxide PW6
Synthetic Iron Oxide PBK11
390 HHH t s gr. 1 510 HHH gr. 1

Ultramarine Cool Grey
Sodium Polysulphide-Aluminosilicate PB29 Titanium Dioxide PW6
394 HHH s gr. 1 513 HHH gr. 1

Permanent Blue Light Neutral Grey
Titanium Dioxide PW6 Titanium Dioxide PW6
Phthalocyanine Beta PB15:3 Synthetic Iron Oxide PBK11
400 HHH t s gr. 1 514 HHH s gr. 1

Primary Blue - Cyan Payne’s Grey
Phthalocyanine Beta PB15:3 Sodium Polysulphide-Aluminosilicate PB29
Carbon Black PBK7
443 HHH s gr. 2 535 HHH s gr. 1

Violet Ivory Black
Dioxazine PV23 Carbon Black PBK7
447 HHH gr. 1 540 HHH t s gr. 1

Brilliant Violet Mars Black
Titanium Dioxide PW6 Synthetic Iron Oxide PBK11
Dioxazine PV23
466 HHH gr. 3 006 HHH t s gr. 1

Quinacridone Violet Iridescent Silver
Quinacridone PR122 Titanium Dioxide+Mica
Titanium Dioxide+Mica+
Synthetic Iron Oxide
468 HHH gr. 2 016 HHH s gr. 1

Violet Reddish Iridescent White
Quinacridone PR122 Titanium Dioxide+Mica
Dioxazine PV23
476 HHH gr. 1 146 HHH t s gr. 1

Mars Brown Iridescent Gold
Synthetic Iron Oxide Titanium Dioxide+Mica+
PR101PBk11 Synthetic Iron Oxide
484 HHH gr. 1 201 HHH s gr. 2

Vandyke Brown Iridescent Copper
Calcined Original Natural Earth PBr7 Mica+Synthetic Iron Oxide
Quinacridone PV19
Carbon Black PBK7
492 HH t s gr. 1 471 HHH gr. 1

Burnt Umber Iridescent Bronze
Synthetic Iron Oxide PBK11 Bioss. di tit.+Mica+Synthetic Iron Oxide
Synthetic Iron Oxide PR101PBk11 Mica+Synthetic Iron Oxide
Diarylide Yellow PY83 Carbon Black PBK7
“Refinement fine acrylic colours
in art is often The greatest versatility in acrylic colours.
a sign of The Polycolor line is intended to make the most of the
weakness enormous versatility of a painting technique which
and has revolutionised the way the world is painting in
superficiality” the past fifty years. Polycolor contains a special ultra

fine acrylic emulsion binder, a high tech product
May 17 1908. which dries to produce an extremely strong, resistant,
supple, opaque film which performs very well even out
of doors, exposed to natural elements.
Polycolor All pigments are highly concentrated to offer

excellent coverage and colour impact (100 ml of paint
will cover about 3 square metres).
All colours are lightfast and may be intermixed freely.
The range includes seven indelible metallic colours
intended for a wide range of uses in billboards and
decorating.
Polycolor colours are ideal for covering large surfaces,
for beautiful stage sets, for interior decorating and
indoor and outdoor murals.
Polycolor
12 = Fine Acrylic Colours, complete range 54 colours at a sole price
Reduced range 49
TAll colours colours marked by t All colours All colours
02 = 20 ml tube 06 = 60 ml tube 20 = 140 ml jar 34 = 500 ml jar
Sales unit 6 pieces Sales unit 3 pieces Sales unit 6 pieces Sales unit 1 prices
018 HHH t 131 HHH t 304 HH t 404 HHH t

Titanium White Yellow Ochre Brilliant Green Light King’s Blue
Titanium Dioxide PW6 Synthetic Iron Oxide PY42 Hansa Yellow 10G PY3 Titanium Dioxide PW6
Titanium Dioxide PW6 Titanium Dioxide PW6 Phthalocyanine Beta PB15:3
Chlorinated Phthalocyanine PG7 Chlorinated Phthalocyanine PG7
020 HHH t 161 HHH t 305 HH t 408 HHH t

Zinc White Raw Sienna Brilliant Green Deep Turquoise Blu
Titanium Dioxide PW6 Synthetic Iron Oxide PY42 Chlorinated Phthalocyanine PG7 Titanium Dioxide PW6
Zinc Oxide PW4 Synthetic Iron Oxide Hansa Yellow G PY1 Chlorinated Phthalocyanine PG7
PY42+PR101 Titanium Dioxide PW6 Phthalocyanine Beta PB15:3
021 HHH 165 HH 321 HHH t 438 HHH t

Ivory White Bordeaux Phthalo Green Lilac
Titanium Dioxide PW6 Naphthol AS PR12 Chlorinated Phthalocyanine PG7 Titanium Dioxide PW6
Synthetic Iron Oxide PY42 Titanium Dioxide PW6 Sodium Polysulphide-Aluminosilicate PV15
052 HHH t 166 HH t 323 HH t 443 HHH t

Brilliant Orange Carmine Yellowish Green Violet
Benzimidazolone PO36 Naphthol AS PR146 Hansa Yellow 10G PY3 Dioxazine PV23
Naphthol AS PR9 Titanium Dioxide PW6 Titanium Dioxide PW6
Titanium Dioxide PW6 Chlorinated Phthalocyanine PG7
068 HHH t 191 HHH t 336 HHH t 447 HHH t

Flesh Tint Red Ochre Chrome Oxide Green Brilliant Violet
Titanium Dioxide PW6 Synthetic Iron Oxide PR101 Ossido di cromo PG17 Titanium Dioxide PW6
Quinacridone PV19 Dioxazine PV23

Orange Yellow Rose Pale Emerald Green Vandyke Brown
Benzimidazolone PO62 Titanium Dioxide PW6 Titanium Dioxide PW6 Synthetic Iron Oxide
Quinacridone PV19 Chlorinated Phthalocyanine PG7 PR101PBk11
Phthalocyanine Alpha PB15:1 Synthetic Iron Oxide PBk11
074 HH t 220 HHH t 358 HH t 492 HHH t

Brilliant Yellow Brilliant Red Sap Green Burnt Umber
Titanium Dioxide PW6 Naphthol AS PR9 Chlorinated Phthalocyanine PG7 Synthetic Iron Oxide PR101PBk11
Hansa Yellow G PY1 Diarylide Yellow PY83 Synthetic Iron Oxide PR101
Naphthol AS PR112 Carbon Black PBK7
083 HH 256 HHH t 366 HHH t 493 HHH t

Cadmium Yellow Medium Primary Red - Magenta Sky Blue Raw Umber
Cadmium Sulphide PY35 Quinacridone PR122 Titanium Dioxide PW6 Synthetic Iron Oxide PY42+PR101
Hansa Yellow G PY1 Phthalocyanine Beta PB15:3 Synthetic Iron Oxide PBk11
Diarylide Yellow PY83 Synthetic Iron Oxide PR101PBk11
100 HH t 263 HHH 378 HHH t 514 HHH t

Lemon Yellow Sandal Red Phthalo Blue Payne’s Grey
Hansa Yellow 10G PY3 Pyrrole-Pyrrole PR254 Titanium Dioxide PW6 Sodium Polysulphide-Aluminosilicate PB29
Phthalocyanine Alpha PB15:1 Carbon Black PBK7
104 HH t 278 HHH t 388 HHH t 530 HHH t

Naples Yellow Burnt Sienna Navy Blue Black
Hansa Yellow 10G PY3 Synthetic Iron Oxide PR101 Sodium Polysulphide-Aluminosilicate PB29 Synthetic Iron Oxide PBk11
Titanium Dioxide PW6 Synthetic Iron Oxide PY42+PR101 Carbon Black PBK7 Carbon Black PBK7
Synthetic Iron Oxide PY42 Synthetic Iron Oxide PR101
116 HH t 280 HH t 390 HHH t 541 HHH t

Primary Yellow Vermilion (Hue) Ultramarine Micaceous Black
Hansa Yellow G PY1 Naphthol AS PR112 Sodium Polysulphide-Aluminosilicate PB29 Micaceus Iron Oxide PBk11
Titanium Dioxide PW6 Carbon Black PBK7
Hansa Yellow 10G PY3
118 HH t 298 HHH 400 HHH t 003 HHH t

Deep Yellow Verdaccio Primary Blue - Cyan Silver
Diarylide Yellow PY83 Synthetic Iron Oxide PY42 Titanium Dioxide PW6 Titanium Dioxide+Mica+Graphite
Titanium Dioxide PW6 Titanium Dioxide PW6 Phthalocyanine Beta PB15:3
Cromium Oxide PG17 Chlorinated Phthalocyanine PG7
Platinum White Rich Gold Bronze Steel
Titanium Dioxide+Mica Titanium Dioxide+Mica+ Titanium Dioxide+Mica+Synth.Iron Oxide Micaceus Iron Oxide PBk11
Synthetic Iron Oxide Carbon Black PBK7 Titanium Dioxide+Mica+Grafite
Mica+Synthetic Iron Oxide
144 HHH t 200 HHH t

Pale Gold Copper
Titanium Dioxide+Mica+ Mica+Synthetic Iron Oxide
Synthetic Iron Oxide
1298173
INTRO SET
CARDBOARD BOX
13 assorted
20 ml tubes
1298058
INTRO SET - CARDBOARD BOX
1 Gloss Medium 75 ml bottle
1 White bristle brush
1298100
PLASTIC BLISTER
1298051
PRIMARY CARDBOARD BOX
6 x 20 ml tubes assorted
(Primary colours - 2 White - Black)
“Keep fluid acrylic colours
everything Resistant, fluid and glossy, extremely easy to apply.
that is not Perfect adherence on every type of material, canvas,
necessary out paper, plastics, textile, wood, metal, resin.
of the painting, Pleasant to use, the colours have the ideal viscosity
everything for being used pure or mixed with each other.
that is not felt” The brush spreads the colour softly
and without difficulty, it is smooth and pliable.
October 31 1905 The brushstroke is uniform and homogenous;
traces are avoided.
Polyfluid Versatile and precise, the colours can be combined

with the polycolor range in order to enhance
and define details, particular elements are highlighted
by the impressive contrast between the mat finish
of Polycolor and the gloss of Polyfluid.
Excellent results are also obtained when Polyfluid
is used with acrylic pastes and Polycolor Gesso.
Polyfluid
11 = Fluid Acrylic Colours, complete range 30 colours at a sole price
All colours
14 = 60 ml bottle
Sales unit 6 pieces
010 HHH 325 HH 537 HHH

White Hooker’s Green Carbon Black
Titanium Dioxide PW6 Chlorinated Phthalocyanina PG7 Carbon Black PBk7
Phthalocyanina Beta PB15:3
050 HH 346 HHH 003 HHH

Orange Deep Green Silver
Naphthol AS PR112 Chlorinated Phthalocyanina PG7 Titanium Dioxide+Mica PW20
Diarylide Yellow PY83 Phthalocyanina Beta PB15:3 Synthetic Iron Oxide PBk11
068 HHH 348 HH 017 HHH

Flesh Tint Viridian Platinum White
Synthetic Iron Oxide PY42+ PR101 Hansa Yellow 10G PY3 Titanium Dioxide+Mica PW20
Titanium Dioxide PW6 Phthalocyanina Beta PB15:3
112 HH 409 HHH 144 HHH

Permanent Yellow Lemon Green Blue Pale Gold
Hansa Yellow 10G PY3 Chlorinated Phthalocyanine PG7 Titanium Dioxide+Mica PW20
Phthalocyanine Beta PB15:3c Synthetic Iron Oxide
114 HH 414 HHH 148 HHH

Permanent Yellow Deep Sky Blue Rich Gold
Diarylide Yellow PY83 Titanium Dioxide PW6 Titanium Dioxide+Mica PW20
Phthalocyanine Beta PB15:3 Synthetic Iron Oxide
132 HHH 418 HHH 700

Yellow Ochre Light Cyan Colourless Medium
Synthetic Iron Oxide PY42 Phthalocyanina Beta PB15:3
157 HH 426 HHH

Raw Sienna Ultramarine
Ferrous Nitrous Beta Naphthol PG8 Phthalocyanina Alfa PB15:1
Synthetic Iron Oxide PY42+PR101 Dioxazine PV23
185 HH 443 HHH

Magenta Violet
Naphthol AS PR146 Dioxazine PV23
220 HH 472 HHH

Brilliant Red Brown
Naphthol AS PR112 Synthetic Iron Oxide PR101+PBk11
264 HH 500 HHH

Ruby Grey
Naphthol AS PR146 Carbon Black PBk7
Dioxazine PV23 Titanium Dioxide PW6
275 HHH 508 HHH

Burnt Sienna Dust
Synthetic Iron Oxide PR101+PBk11 Carbon Black PBk7
311 HH 514 HHH

Light Green Payne’s Grey
Hansa Yellow 10G PY3 Phthalocyanine Beta PB15:3
Chlorinated Phthalocyanina PG7 Carbon Black PBk7
“Desire is more Fine Acrylic Dense Colours
beautiful A new-generation colored acrylic paste with great
than elasticity, enabling you to create relief effects while
the thing retaining the chosen color and its brilliance.
desired.” The colors can be perfectly mixed using a spatula or
Gianni Maimeri, The diary brush, keeping their smoothness intact.
December 2, 1907.
In the impasto stage the colors blend, creating
secondary tones that are clean and bright, with no
need to add water.
Polycolor 3D
“A man is Fine Acrylic Reflect Colours
an artist when Eight exceptional new tints that capture the light
he succeeds in and reflect and multiply it.
externalizing The primary colors plus white, black and the three metal colors
what he has most in demand, formulated with latest-generation pigments.
inside.” Pearlescent pigments, products to accentuate color luminosity
Gianni Maimeri, The diary to the hilt. Fragments of light incorporated into paint to give
Spring 1907.
even more extraordinary shadings to artwork.
To experiment with light directly with the paintbrush.
Polycolor Reflect
Polycolor 3D
11 = Fine Acrylic Dense Colors for painting to thickness, complete range 24 colours at a sole price
All colours
20 = 140 ml jar
Sales unit 6 pieces
018 HHH 131 HHH 280 HH 378 HHH

Titanium White Yellow Ochre Vermilion (Hue) Phthalo Blue
Titanium Dioxide PW6 Synthetic Iron Oxide PY42 Naphthol AS PR112 Titanium Dioxide PW6
Phthalocyanine Alpha PB15:1
021 HHH 161 HHH 304 HH 390 HHH

Ivory White Raw Sienna Brilliant Green Light Ultramarine
Titanium Dioxide PW6 Synthetic Iron Oxide PY42 Hansa Yellow 10 G PY3 Sodium Polysulphide-Aluminosilicate PB29
Synthetic Iron Oxide PY42 Synthetic Iron Oxide PY42+PR101 Titanium Dioxide PW6
072 HHH 165 HH 321 HHH 400 HHH

Orange Yellow Bordeaux Phthalo Green Primary Blue - Cyan
Benzimidazolone PO62 Naphthol AS PR12 Chlorinated Phthalocyanine PG7 Phthalocyanine Beta PB15:3
100 HH 166 HH 356 HHH 447 HHH

Lemon Yellow Carmine Emerald Green Brilliant Violet
Hansa Yellow 10 G PY3 Organic Pigment PR 4 Phthalocyanine Alpha PB15:1 Titanium Dioxide PW6
Quinacridone PR122 Titanium Dioxide PW6 Dioxazine PV23
116 HH 256 HHH 358 HH 492 HHH

Giallo primario Primary Red - Magenta Sap Green Burnt Umber
Hansa Yellow G PY1 Quinacridone PR122 Ferrous Nitrous Beta Naphthol PG8 Synthetic Iron Oxide PR101PBk11
118 HH 278 HHH 366 HHH 530 HHH

Deep Yellow Burnt Sienna Sky Blue Black
Hansa Yellow G PY1 Synthetic Iron Oxide PR101 Titanium Dioxide PW6 Carbon Black PBk7
Organic Pigment PR 4 Phthalocyanine Beta PB15:3
Polycolor Reflect
11 = Fine Acrylic Reflect Colors, complete range 8 colours at a sole price
All colours
20 = 140 ml jar
Sales unit 6 pieces
561 HHH 563 HH 565 HHH 567 HHH

White di titanio
Bianco Yellow Sequin Gold Cyan
Titanium Dioxide
Dioxide+Mica Titanium Dioxide+Mica Titanium Dioxide+Mica Titanium Dioxide+Mica
Titanium PW6 Phthalocyanine Beta PB15:3
Hansa Yellow 10 G PY3
Hansa Yellow G PY1
562 HHH 564 HHH 566 HHH 568 HHH

AntiquediSilver Rich Gold Magenta Verde BlackReale
Bianco zinco Ocra gialla bril- Blu
Titanium Dioxide
Dioxide+Mica Titanium Dioxide+Mica Titanium Dioxide+Mica Titanium Dioxide
Dioxide+Mica
PW6
Titanium PW6
Titaniumdi Dioxide+Mica+Synthetic Iron Oxide
Synthetic Iron Oxide PY42 lante chiaroPV19
Quinacridone Carbon Blackbeta
PBK7PB15:3
Ossido zinco PW4 Titanium Dioxide PW6 Ftalocianina
Hansa Yellow 10GPY3 Chlorinated Phthalocyanine PG7
564 HH t 566 H t
“Every time Arcylic Modelling Paste
the artist works Eight pastes with extremely plastic consistency.
he must work Rich, doughy, dense and painterly.
towards a They can be spread on canvas and any other support
masterpiece.” like three-dimensional modeling materials.
Gianni Maimeri, The diary The pearly white of seashells, gold, silver and bronze
December 30, 1908.
in paste, coarse-grain quartz, stainless steel,
bitumen as black and dense as asphalt
and a super-light white paste to amplify thickness.
Use pure.
Polycolor Body
Polycolor Body
59 = Acrylic Modelling Paste, complete range 8 products at a sole price
All colours
20 = 140 ml jar
Sales unit 6 pieces
801 HHH 804 HHH 810 HHH 813 HHH

Pearl White Paste Silver Paste Bitumen Paste Quartz Paste
Titanium Dioxide+Mica Titanium Oxide+Mica Gilsonite NAT.Bk6 Silica
Carbon Black PBK7
803 HHH 806 HHH 811 HHH 816 HHH

Steel Paste Gold Paste Bronze Paste Super Light Paste
Steel Powder Titanium Dioxide+Mica+ Titanium Dioxide+Mica+Synth. Iron Oxide Hollow glass micro-spheres
Synthetic Iron Oxide Mica+Synthetic Iron Oxide
Carbon Black PBK7
Polycolor Film
6332025
SATIN PICTURE VARNISH
Colourless varnish applied
to create a highly resistant satin film.
areosol spray 400 ml
6332669
GLOSS PICTURE VARNISH
Colourless varnish applied
to create a highly resistant gloss film.
6332673
MAT PICTURE VARNISH
Colourless varnish applied to creates a
highly resistant matt film.
Polycolor Gesso
58 = acrylic gesso, complete range 5 products at a sole price
All products Reduced range marked by ▼

34 = 500 ml bottle 40 = 1000 ml bottle
694 696 698

Coarse Black Ivory
695 ▼ 697
White Ice White
“Refinement acrylic colours
in art is often Is an acrylic colour of a new generation,
a sign of a new acrylic language, strong, rapid, adaptable
weakness to the heart and spirit of those who use it.
and New generation acrylic polymer in microemulsion with
superficiality” good binding and adhesion characteristics,

uv resistance, colour retention and good,
May 17 1908. resistance to external conditions.
72 vivid bright and clean colours, good adhesion
to all supports paper, cardboard, wood, canvas, wall,
Maimeri Acrilico glass, ceramics, textiles, all kinds of metal.

Good pigment concentration can be diluted with
water in any proportion mixable with all water-based
media, very flexible also when applied in thick layers.
Easy to work the brushstroke spreads easily and
complements artistic expression even with high-
viscosity colour paste.
Satinated finish translucid, in between gloss and mat.
High density paste (buttery consistence).
ording to the chemical class of the single pigment.
Good resistance to dirt.
Maimeri Acrilico
09 = Acrylic Colours, complete range 72 colours at a sole price
All colours All colours Reduced range ▲ Reduced range ▼

16 = 75 ml tube 24 = 200 ml tube 34 = 500 ml l jar 40 =1000 ml l jar
Sales unit 3 pieces Sales unit 3 pieces Sales unit 1 piece Sales unit 1 piece
018 ★★★ ▲▼ 116 ★★ ▲▼ 248 ★★★ 323 ★★

Titanium Blanc Primaire Yellow Mars Red Yellowish Green
Titanium Dioxide PW6 Hansa Yellow 10 G PY3 Synthetic Iron Oxide PR101 Hansa Yellow 10 G PY3
Hansa Yellow G PY1 Chlorinated Phthalocyanine PG7
020 ★★★ ▲ 117 ★★ 251 ★★ ▲▼ 331 ★★★

Zinc Blanc Golden yellow Permanent Red Light Olive Green
Zinc Suphide PW7 Naphtol AS PR112 Hansa Yellow G PY1 Synthetic Iron Oxide PY42
Hansa Yellow 10 G PY1 Naphthol AS PR112 Chromium Oxide PG17
021 ★★★ ▲ 120 ★★ ▲ 253 ★★ ▲ 339 ★★ ▲▼

Ivory Blanc Yellow Greenish Permanent Red Deep Permanent Green Light
Titanium Dioxide PW6 Hansa Yellow 10 G PY3 Naphthol AS PR146 Hansa Yellow 10 G PY3
Synthetic Iron Oxide PY42 Chlorinated Phthalocyanine PG7 Dioxazine PV23 Chlorinated Phthalocyanine PG7
060 ★★★ ▲ 131 ★★★ ▲▼ 256 ★★★ ▲▼ 340 ★★ ▲

Mars Orange Yellow Ochre Primaire Red - Magenta Permanent Green Deep
Synthetic Iron Oxide PY42+PR101 Synthetic Iron Oxide PY42 Quinacridone PV 19 Hansa Yellow 10 G PY3
062 ★★ 134 ★★★ ▲ 259 ★★ ▲▼ 350 ★★★ ▲

Permanent Orange Golden Ochre Permanente Red Medium Turquoise Green
Hansa Yellow G PY1 Synthetic Iron Oxide PY42 Naphthol AS PR112 Titanium Dioxide PW6
Naphthol AS PR112 Synthetic Iron Oxide PR101 Phthalocyanine Beta PB15:3
102 ★★★ 161 ★★★ ▲▼ 266 ★★★ 356 ★★ ▲

Mars Yellow Raw Sienna Transparent Red Emerald Green
Synthetic Iron Oxide PY42+PR101+PY42 Synthetic Iron Oxide PY42 Pyrrole-pyrrole PR254 Chlorinated Phthalocyanine PG7
Synthetic Iron Oxide PR101 Hansa Yellow G PY1
105 ★★ ▲▼ 165 ★★ 274 ★★ 358 ★★ ▲▼

Naples Yellow Light Bordeaux Scarlet Sap Green
Titanium Dioxide PW6 Naphthol AS PR146 Monoazoic PR4 Ferrous Nitrous Beta Naphthol PG8
Hansa Yellow G PY1
106 ★★★ ▲ 166 ★★ ▲ 278 ★★★ ▲▼ 362 ★★★ ▲

Naples Yellow Reddish Carmine Burnt Sienna Sky Blue Light
Titanium Dioxide PW6 Naphthol AS PR146 Synthetic Iron Oxide PR101 Titanium Dioxide PW6
Synthetic Iron Oxide PR101 Phthalocyanine Beta PB15:3
107 ★★★ ▲ 191 ★★★ 280 ★★ ▲ 370 ★★★ ▲▼

Naples Yellow Deep Red Ochre Vermilion (Hue) Cobalt Blue Light (Hue)
Titanium Dioxide PW6 Synthetic Iron Oxide PR101 Naphthol AS PR112 Titanium Dioxide PW6
Synthetic Iron Oxide PY42 Naphthol AS PR146 Phthalocyanine Beta PB15:3
112 ★★ ▲ 210 ★★★ 298 ★★★ ▲ 371 ★★★ ▲

Permanent Yellow Lemon Venetian Rose Verdaccio Cobalt Blue Deep (Hue)
Hansa Yellow 10G PY3 Titanium Dioxide PW6 Synthetic Iron Oxide PY42 Titanium Dioxide PW6
Synthetic Iron Oxide PR101 Chromium Oxide PG17 Phthalocyanine Alpha PB15:1
Carbon Black PBk7 Sodium Polysulphide-Aluminosilicate PB29
113 ★★ ▲ 212 ★★★ 303 ★★ 385 ★★★

Permanent Yellow Medium Quinacridone Rose Brilliant Green Light Manganese Blue (Hue)
Diarylide Yellow PY83 Quinacridone PR122 Hansa Yellow 10 G PY3 Chlorinated Phthalocyanine PG7
Hansa Yellow G PY1 Phthalocyanine Beta PB15:3 Phthalocyanine Beta PB15:3
114 ★★ ▲▼ 214 ★★★ ▲ 321 ★★★ ▲▼ 388 ★★★ ▲

Permanent Yellow Deep Quinacridone Rose Light Phthalo Green Navy Blue
Diarylide Yellow PY83 Titanium Dioxide PW6 Chlorinated Phthalocyanine PG7 Phthalocyanine Beta PB15:3
Quinacridone PR122 Dioxazine PV23
Carbon Black PBk7
0998190 0998190
CARDBOARD BOXCARDBOARD BOX
5 x 75 ml 5 x 75 ml
(primaire - blanc - (primaire
black) - blanc - black)
0998192 0998192
CARDBOARD BOXCARDBOARD BOX
5 x 200 ml 5 x 200 ml
(primaire - blanc - (primaire
black) - blanc - black)
390HHH HHH
▲▼ ▲▼ 507 507HHH HHH
Ultramarine Ultramarine Warm Grey Warm Grey
Sodium Polysulphide-Aluminosilicate
PB29 PB29 Titanium Dioxide PW6 Titanium Dioxide PW6
Synthetic Iron Oxide PY42+PBK11
Synthetic Iron Oxide PY42+PBK11
400HHH HHH
▲▼ ▲▼ 510 510HHH HHH
Primaire Blue - CyanPrimaire Blue - Cyan Cool Grey Cool Grey
Phthalocyanine Beta PB15:3 Titanium Dioxide PW6 Titanium Dioxide PW6
PB29-Synthetic Iron Oxide
PB29-Synthetic
PBK11 Iron Oxide PBK11
402HHH HHH 514 514HHH HHH

Prussian Blue Prussian Blue Payne’s Grey Payne’s Grey
Phthalocyanine Alfa PB15:1
Phthalocyanine Alfa PB15:1 Phthalocyanine Beta PB15:3
Carbon Black PBk7 Carbon Black PBk7 Carbon Black PBK7 Carbon Black PBK7

▲▼ ▲▼ 5843693 5843693
King’s Blue Light King’s Blue Light Carbon Black Carbon Black GESSO MAIMERI ACRILICO
GESSO MAIMERI ACRILICO
Titanium Dioxide PW6 Titanium Dioxide PW6 Carbon Black PBk7 Carbon Black PBk7
Phthalocyanine Beta PB15:3 500 ml jar 500 ml jar
409HHH HHH
540 540HHH HHH
▲ ▲
Mars Black Mars Black
5840693 5840693
Green Blue Green Blue
Chlorinated Phthalocyanine
Chlorinated
PG7 Phthalocyanine PG7 Synthetic Iron Oxide PBk11
Synthetic Iron Oxide PBk11 GESSO MAIMERI ACRILICO
Phthalocyanine Beta PB15:3 1000 ml jar 1000 ml jar
Sales unit 1 piece Sales unit 1 piece
▲ ▲
Turquoise Turquoise Silver Silver 5844693 5844693
Titanium Dioxide PW6 Titanium Dioxide PW6 Titanium Dioxide+Mica Titanium Dioxide+Mica GESSO MAIMERI ACRILICO
Chlorinated Phthalocyanine
Chlorinated
PG7 Phthalocyanine PG7 Titanium Dioxide+Mica+Titanium Dioxide+Mica+ 2500 ml jar 2500 ml jar
Phthalocyanine Beta PB15:3 Synthetic Iron Oxide Synthetic Iron Oxide
Sales unit 1 piece Sales unit 1 piece
440HHH HHH
▲▼ ▲▼ 017 017HHH HHH
▲ ▲
Ultramarine Violet Ultramarine Violet Platinum Blanc Platinum Blanc
Titanium Dioxide PW6 Titanium Dioxide PW6 Titanium Dioxide+Mica Titanium Dioxide+Mica
Dioxazine PV23 Dioxazine PV23
462HHH HHH
▲ ▲ 137 137HHH HHH
▲ ▲
Permanent Violet Reddish
Permanent
LightViolet Reddish Light Light Gold Light Gold
Titanium Dioxide PW6 Titanium Dioxide PW6 Titanium Dioxide+Mica+Titanium Dioxide+Mica+
Dioxazine PV23 Dioxazine PV23 Synthetic Iron Oxide Synthetic Iron Oxide
Quinacridone PR122 Quinacridone PR122
465HHH HHH
▲ ▲ 151 151HHH HHH
▲ ▲
Permanent Violet Reddish
Permanent Violet Reddish Deep Gold Deep Gold
Dioxazine PV23 Dioxazine PV23 Titanium Dioxide+Mica+Titanium Dioxide+Mica+
Synthetic Iron Oxide Synthetic Iron Oxide

▲ ▲
Mars Brown Mars Brown Copper Copper
Synthethic Iron Oxide PR101+PBK11
Synthethic Iron Oxide PR101+PBK11 Titanium Dioxide+Mica Titanium Dioxide+Mica
492HHH HHH
▲▼ ▲▼ 475 475HHH HHH
Burnt Umber Burnt Umber Bronze Bronze
Synthetic Iron Oxide PPR101
Synthetic
PBk11Iron Oxide PPR101 PBk11 Mica+Synthethic Iron Oxide
Mica+Synthethic
PW20 Iron Oxide PW20
Titanium Dioxide+Mica+Synthethic
Titanium Dioxide+Mica+Synthethic
Iron Oxide PW20 Iron Oxide PW20
Carbon Bl.PBK7 Carbon Bl.PBK7
493HHH HHH
▲▼ ▲▼ 562 562HHH HHH
Raw Umber Raw Umber Silver antique Silver antique
Synthetic Iron Oxide PY42Synthetic Iron Oxide PY42 Titanium Dioxide+Mica PW20
Titanium Dioxide+Mica PW20
Synthetic Iron Oxide PR101 Carbon Black PBk7 Carbon Black PBk7
Carbon Black PBk7 Carbon Black PBk7
“Drawing superior watercolours
is an MaimeriBlu pans are still made by hand.
invention In order to ensure that the product is not adulterated
of the spirit, with additives or artificial processes which would
a way of alter its genuine quality, Maimeri still performs a
fixing number of stages in preparation of individual pans

by traditional manual methods. Thus the purity of
thought”
formula and composition that is the true quality of
Maimeri, May 28 1908 these watercolours is preserved.
In designing the palette of 72 colours, preference
MaimeriBlu was given to the pigments offering the greatest

transparency, without prejudice, attempting to
achieve top colour quality and lightfastness in the
simplest possible way. 52 colours are pure, consisting
of a single pigment bound with authentic top quality
gum-arabic from Sudan and distilled water.
The clear, fresh tone of watercolour painting is the
result of the exceptional clarity of the colours. Pure.
Simple. Extraordinarily transparent.
Like all MaimeriBlu colours.
MaimeriBlu
16 = Superior Watercolours, complete range 72 colours in 4 price groups
All colours All colours

04 = 15 ml tube 08 = 1,5 ml pan
Chinese White Permanent Yellow Deep Permanent Red Light Cupric Green Deep
Zinc Oxide PW4 Isoindoline PY139 Anthraquinone PR168 Chlorinated Phthalocyanine PG7
Avignon Orange Primary Yellow Permanent Red Deep Hooker’s Greenr
Quinacridone PR206 Arylide Yellow PY97 Anthraquinone PR177 Chlorinated Phthalocyanine PG7
Isoindoline PY139
Cadmium Orange Orange Lake Primary Red - Magenta Olive Green
Cadmium Sulphoselenide PO20 Anthraquinone PO43 Quinacridone PV19 Chromium Oxide PG17
Cadmium Yellow Light Golden Lake Tiziano Red Permanent Green Yellowish
Cadmium Sulphide PY35 Quinacridone PO49 Quinacridone PR209 Arylide Yellow PY97
Cadmium Yellow Lemon Yellow Ochre Venetian Red Permanent Green Light
Cadmium Sulphide PY35 Synthetic Iron Oxide PY42 Synthetic Iron Oxide PR101 Benzimidazolone PY175
Cadmium Yellow Deep Raw Sienna Sandal Red Permanent Green Deep
Cadmium Sulphide PY35 Original Natural Earth PBr7 Pyrrole-pyrrole PR254 Benzimidazolone PY175
Indian Yellow Crimson Lake Dragon’s Blood Viridian
Isoindoline PY139 Quinacridone PR206 Calcined Original Natural Earth PBr7 Hydrated Chromíum Oxideo PG18
Synthetic Iron Oxide PY42 Pyrrole-pyrrole PR254 Quinacridone PR209
Naples Yellow Light Garnet Lake Burnt Siennaa Turquoise Green
Zinc Oxide PW4 Quinacridone PV19 Calcined Original Natural Earth PBr7 Phthalocyanine PB16
Arylide Yellow PY97 Dioxazine PV23
Naples Yellow Reddish Rose Lake Green Earth Sap Green
Titanium Dioxide PW6 Quinacridone PV19 Natural Earth PG23 Isoindoline PY139
Synthetic Iron Oxide Chromium Oxide PG17 Chlorinated Phthalocyanine PG7
PY42+PR101 Anthraquinone P043
Nickel Titanate Yellow Cadmium Red Light Cobalt Green Light Blu di Berlino
Antimony-Nickel-Titanium Oxides PY53 Cadmium Sulphoselenide PR108 Cobalt-Titanium Oxides PG50 Phthalocyanine Alpha PB15:1
Permanent Orange Cadmium Red Deep Cobalt Green Deep Cerulean Blue
Benzimidazolone PO62 Cadmium Sulphoselenide PR108 Cobalt-Titanium Oxides PG50 Cobalt Aluminium-Chromium Oxides PB36
Permanent Yellow Lemon Transparent Mars Red Cupric Green Light Cobalt Blue Light
Benzimidazolone PY175 Synthetic Iron Oxide PR101 Brominated Phthalocyanine PG36 Cobalt-Aluminium Oxides PB28
Cobalt Blue Deep Green Blue Permanent Violet Reddish Burnt Umber
Cobalt-Aluminium Oxides PB28 Chlorinated Phthalocyanine PG7 Quinacridone PR122 Calcined Natural Earth PBr7
Phthalocyanine Beta PB15:3 Dioxazine PV23
Faience Blue Indigo Verzino Violet Raw Umber
Anthraquinone PB60 Ferric Ferrocyanide PB27 Quinacridone PR122 Natural Earth PBr7
Carbon Black PBk7
Blu oltremare chiaro Ultramarine Violet Transparent Mars Brown Payne’s Grey
Sodium Polysulphide-Aluminosilicate PB29 Sodium Polysulphide-Aluminosilicate PV15 Synthetic Iron Oxide PR101 Sodium Polysulphide-Aluminosilicate PB29
Bone Black PBk9
Ultramarine Deep Cobalt Violet Vandyke Brown Ivory Black
Sodium Polysulphide-Aluminosilicate PB29 Cobalt-Aluminium Oxides PB28 Calcined Original Natural Earth PBr7 Bone Black PBk9
Quinacridone PV19 Bone Black PBk9
Primary Blue - Cyan Mineral Violete Sepia Carbon Black
Phthalocyanine Beta PB15:3 Manganese Ammonium Pyrophosphate Bone Black PBk9 Carbon Black PBk7
PV16 Natural Earth PBr7
Prussian Blue Permanent Violet Blueish Brown Stil de Grain Neutral Tint
Ferric Ferrocyanide PB27 Dioxazine PV23 Synthetic Iron Oxide PR101 Sodium Polysulphide-Aluminosilicate PB29
Brominated Phthalocyanine PG36 Carbon Black PBk7
1698202
1698201
MOULDED METAL BOX
MOULDED MET
Cardboard box
Cardboard box
24 assorted 1.5 ml pans
12 assorted 1.5 ml pans
“The aim extrafine watercolours
of art is The initiate’s portal to watercolour painting.
knowledge: When we renewed our Maimeri watercolours, we
but art, decided to maintain one line offering the best quality
in order to price ratio in a range of colours all offered at one
to be art, single price. The result is Venezia: a range of 36

colours which are all maximum lightfast and can all
must be
be intermixed together. In coming up with the new
done” palette and choosing pigments, Maimeri removed
Maimeri, December 3 1908 all cadmium and cobalt based colours and reduced
Venezia chrome content to a minimum in order to eliminate

toxins and heavy metals, offering a final answer to
the problem of environmental impact, both in the
usage and in the production of this product. Research
continues all over the world, and the relationship
between paint and the environment continues to
improve, on the basis of a new awareness that
Maimeri has made more than a goal, but an ongoing
commitment. In Venezia watercolours pigment
concentrations are determined in each individual
colour in order to obtain a highly harmonious palette
of soft shades reminiscent of the colours of the city
they are named after.
Venezia
18 = Extrafine Watercolours, complete range 36 colours at a sole price
All colours All colours

04 = 15 ml tube 08 = 1,5 ml pan
013 HHH 251 HHH 400 HHH

Chinese White Permanent Red Light Primary Blue - Cyan
Zinc Oxide PW4 Anthraquinone PR168 Phthalocyanine Beta PB15:3
062 HHH 253 HHH 402 HHH

Permanent Orange Permanent Red Deep Prussian Blue
Benzimidazolone PO36 Anthraquinone PR177 Ferric Ferrocyanide PB27
068 HHH 256 HHH 416 HHH

Flesh Tint Primary Red - Magenta Cerulean
Zinc Oxide PW4 Quinacridone PV19 Zinc Oxide PW4
Synthetic Iron Oxide PY42+PR101 Phthalocyanine Alpha PB15:1
098 HHH 274 HHH 428 HHH

Indian Yellow Scarlet Sky Blue Ultramarine
Isoindoline PY139 Pyrrole-pyrrole PR254 Sodium Polysulphide-Aluminosilicate PB29
112 HHH 278 HHH 463 HHH

Permanent Yellow Lemon Burnt Sienna Permanent Violet Blueish
Benzimidazolone PY175 Calcined Original Natural Earth PBr7 Dioxazine PV23
114 HHH 296 HHH 465 HHH

Permanent Yellow Deep Green Earth Permanent Violet Reddish
Isoindoline PY139 Natural Earth PG23 Quinacridone PR122
Chromium Oxide PG17 Dioxazine PV23
116 HHH 321 HHH 484 HHH

Primary Yellow Phthalo Green Vandyke Brown
Arylide Yellow PY97 Chlorinated Phthalocyanine PG7 Calcined Original Natural Earth PBr7
Bone Black PBk9
131 HHH 323 HHH 486 HHH

Yellow Ochre Yellowish Green Sepia
Synthetic Iron Oxide PY42 Arylide Yellow PY97 Natural Earth PBr7
Brominated Phthalocyanine PG36 Bone Black PBk9
161 HHH 339 HHH 492 HHH

Raw Sienna Permanent Green Light Burnt Umber
Original Natural Earth PBr7 Benzimidazolone PY175 Calcined Natural Earth PBr7
174 HHH 340 HHH 493 HHH

Crimson Lake Permanent Green Deep Raw Umber
Pyrrole-pyrrole PR254 Benzimidazolone PY175 Natural Earth PBr7
Quinacridone PR206 Chlorinated Phthalocyanine PG7
182 HHH 358 HHH 514 HHH

Rose Lake Sap Green Payne’s Grey
Quinacridone PV19 Chlorinated Phthalocyanine PG7 Sodium Polysulphide-Aluminosilicate PB29
Synthetic Iron Oxide PY42 Bone Black PBk9
244 HHH 392 HHH 535 HHH

English Red Ultramarine Deep Ivory Black
Synthetic Iron Oxide PR101 Sodium Polysulphide-Aluminosilicate PB29 Bone Black PBk9
“There are extrafine gouache colours
no great and Smooth, mat and opaque painting.
minor artists: A new range of extrafine gouache colours makes the most
there are of the potential of gouaches to preserve the original properties and
artists, and qualities of this ancient method of applying colour.
non-artists” Completely water-soluble pastes now offer total coverage

in combination with brilliance in all shades. Gouache colours
27 febbraio 1909. are perfect for use on all bases: prepared cardboard and canvases,
porous surfaces and paper.
Their top quality binder and high pigment concentration make
Maimeri Gouache these paints perfect for air-brushing and for all types of graphics
work, after appropriate dilution. The colours in the palette have
been chosen with a new use in painting in mind: a complete set
of bright, lively colours permitting even the most demanding
painters to obtain all the shades they require. Two whites
and two blacks, ten reds, eight blues, nine greens and four metallic
colours: a glance at the colour chart will give you an idea
of the thought that went into selection of the colour palette.
All this to maintain the prestige and quality of a unique product.
Not watercolours, not acrylic colours: those who paint with Maimeri
gouache colours are well acquainted with the spirit of gouache
painting.
Maimeri Gouache
20 = Extrafine Gouache Colours, complete range 54 colours in 2 price groups
All colours Bianco

02 = 20 ml tube 06 = 60 ml tube
Titanium White Raw Sienna Cinnabar Green Deep Primary Blue - Cyan
Titanium Dioxide PW6 Synthetic Iron Oxide PY42 Hansa Yellow GPY1 Phthalocyanine Beta PB15:3
Sodium Polysulphide-Aluminosilicate PB29 Diarylide Yellow PY83 Phthalocyanine Beta PB15:3
Zinc White Bordeaux Brilliant Green Light Prussian Blue
Zinc Oxide PW4 Naphthol AS PR146 + Hansa Yellow 10GPY3 Ferric Ferrocyanide PB27
Phthalocyanine Alpha PB15:1 Chlorinated Phthalocyanine PG7
Orange Carmine Brilliant Green Deep Sky Blue
Benzimidazolone PO62 Naphthol AS PR146 Hansa Yellow 10GPY3 Phthalocyanine Beta PB15:3
Phthalocyanine Alpha PB15:1 Phthalocyanine Beta PB15:3
052 HH gr. 1 184 HHH gr. 1 331 HHH gr. 1 415 HHH gr. 1
Brilliant Orange Solferino Lake Olive Green Cerulean (Hue)
Diarylide Yellow PY83 Dioxazine PV23 Chromium Oxide PG17 Phthalocyanine Alpha PB15:1
Naphthol AS PR112 Quinacridone PR122 Synthetic Iron Oxide PY42
068 HH gr. 1 191 HHH gr. 1 342 HH gr. 1 438 HHH gr. 1
Flesh Tint Red Ochre Pine Green Lilac
Titanium Dioxide PW6 Synthetic Iron Oxide PR101 Phthalocyanine Alpha PB15:1 Sodium Polysulphide-Aluminosilicate PV15
Diarylide Yellow PY83 Hansa Yellow GPY1 Titanium Dioxide PW6
Anthraquinone PO43 Sodium Polysulphide-Aluminosilicate PB29
086 HH gr. 1 223 HH gr. 1 347 HHH gr. 1 445 HHH gr. 1
Light Yellow Cadmium Red (Hue) Viridian (Hue) Blueish Violet
Hansa Yellow 10GPY3 Naphthol AS PR122 Chlorinated Phthalocyanine PG7 Sodium Polysulphide-Aluminosilicate PB29
Hansa Yellow GPY1 Naphthol AS PR146 Dioxazine PV23
100 HH gr. 1 256 HHH gr. 1 356 HH gr. 1 468 HHH gr. 1
Lemon Yellow Primary Red - Magenta Emerald Green Violet Reddish
Hansa Yellow 10GPY3 Quinacridone PR122 Chlorinated Phthalocyanine PG7 Dioxazine PV23
Hansa Yellow 10GPY3 Quinacridone PR122
104 HH gr. 1 274 HH gr. 1 358 HH gr. 1 484 HHH gr. 1

Naples Yellowi Scarlet Sap Green Vandyke Brown
Titanium Dioxide PW6 Naphthol AS PR112 Ferrous Nitrous Beta Naphthol PG8 Synthetic Iron Oxide PR101PBK11
Hansa Yellow 10GPY3 Synthetic Iron Oxide PY42
Synthetic Iron Oxide PY42 Carbon Black PBK7
116 HH gr. 1 278 HHH gr. 1 375 HHH gr. 1 486 HHH gr. 1
Primary Yellow Burnt Sienna Cobalt Blue (Hue) Sepia
Hansa Yellow GPY1 Synthetic Iron Oxide PR101PBk11 Sodium Polysulphide-Aluminosilicate PB29 Synthetic Iron Oxide PY42+PR101
Hansa Yellow 10GPY3 Synthetic Iron Oxide PR101 Phthalocyanine Beta PB15:3 Carbon Black PBK7
118 HH gr. 1 284 HH gr. 1 391 HHH gr. 1 492 HHH gr. 1
Deep Yellow Vermilion Light (Hue) Ultramarine Light Burnt Umber
Diarylide Yellow PY83 Hansa Yellow GPY1 Sodium Polysulphide-Aluminosilicate PB29 Synthetic Iron Oxide PR101PBk11
Benzimidazolone PO62 Naphthol AS PR112 Carbon Black PBK7
Yellow Ochre Vermilion Deep (Hue) Ultramarine Deep Raw Umber
Synthetic Iron Oxide PY42 Naphthol AS PR112 Sodium Polysulphide-Aluminosilicate PB29 Synthetic Iron Oxide PY42
Hansa Yellow G PY1 Synthetic Iron Oxide PR101PBk11
Carbon Black PBK7
Deep Ochre Cinnabar Green Light Paris Blue Payne’s Grey
Synthetic Iron Oxide PY42 Hansa Yellow GPY1 Sodium Polysulphide-Aluminosilicate PB29 Sodium Polysulphide-Aluminosilicate PB29
Synthetic Iron Oxide PR101PBk11 Chlorinated Phthalocyanine PG7 Ferric Ferrocyanide PB27 Carbon Black PBK7
Black Lake Silver Deep Gold
Bone Black PBk9 Titanium Dioxide+Mica+Graphite Titanium Dioxide+Mica+Synthetic Iron Oxide
Aniline Black PBk1

Black Light Gold Copper
Bone Black PBk9 Titanium Dioxide+Mica+Synthetic Iron Oxide Mica+Synthetic Iron Oxide
Aniline Black PBk1
2098058
INTRO SET
CARDBOARD BOX
1 Pencil and Charcoal Fixative
75 ml bottle
1 White bristle brush
2098335 2098330
PLASTIC BOX CARDBOARD BOX
Plastic dividers 6 assorted 20 ml tube
12 assorted 20 ml tube (primary – 2 white – black)
“The sketch Metallic powder colours
is a study, A discrete, toned-down glimmer of gold is often
an attempt” what gives an ornament its secret fascination. Water-
Gianni Maimeri, The diary soluble metallic powder colours, used individually
June 1910.
or mixed with gouaches or watercolours to obtain
an infinite variety of hues, are also recommended
for small-scale restoration work and for touching up
frames and gilding. Metallic powder is kept dry and
diluted only at the time of use to prevent oxidation
and preserve its full brightness and splendour.
Gold Powder Simply dip a damp brush into the powder jar to
obtain a colour which is easily applied to the surface
to produce a perfectly smooth, covering coat.
All colours
14 = 60 ml bottle 23 = Metallic powder colours, complete
Sales unit 6 pieces range 6 colours at a sole price
003 H 148 H
Silver Rich Gold
Aluminium powder pMeTAL1 Bronze powder pMeTAL2
140 H 152 H
Ducat Gold Sequin Gold
Bronze powder pMeTAL2 Bronze powder pMeTAL2
144 H 200 H
Pale Gold Copper
Bronze powder pMeTAL2 Bronze powder pMeTAL2
“ When you fine gouache colours
draw houses, Very few people know how much Maimeri owes
remember students the world over.
that people Comparing notes with the young, with people who are
live in them” just learning about art, is a demanding and difficult
Gianni Maimeri, The diary task, but the payback in terms of imagination and
January 21 1912.
innovation has well exceeded our expectations.
A range of gouache colours dedicated to them must
meet a number of basic requirements. Tempera
fine gouache colours are just the thing: simple,
Tempera Fine convenient, versatile; not too many colours, but

well positioned over the colour spectrum to permit
easy creation of all combinations. The paints can
be diluted to any degree, used pure or thinned like
watercolours. They are fully compatible and can be
freely intermixed with one another and with other
waterbased colours. They are sold in small packages
with an excellent price to quality ratio, without any
misleading manufacturer claims of “hype”.
Very few people know how happy we are at Maimeri to
see our colours in the hands of children and students.
Tempera Fine
25 = Fine Gouache Colours, complete range 27 colours at a sole price
All colours Bianco

02 = 20 ml tube 06 = 60 ml tube
010 HHH 304 HH 003 HHH

White Brilliant Green Light Silver
Titanium Dioxide PW6 Hansa Yellow 10GPY3 Titanium Dioxide+Mica
Sodium Polysulphide-Aluminosilicate PB29 Hansa Yellow GPY1 Titanium Dioxide+Mica+Synthetic Iron
Chlorinated Phthalocyanine PG7 Oxide
072 HH 305 HH 137 HHH

Orange Yellow Brilliant Green Deep Light Goldo
Diarylide Yellow PY83 Hansa Yellow 10GPY3 Titanium Dioxide+Mica+Synthetic Iron
Naphthol AS PR112 Phthalocyanine Beta PB15:3 Oxide
100 HH 347 HHH 151 HHH

Giallo limone Viridian (Hue) Deep Gold
Hansa Yellow 10GPY3 Chlorinated Phthalocyanine PG7 Titanium Dioxide+Mica+Synthetic Iron
Oxide
116 HH 356 HH
Primary Yellow Emerald Green
Hansa Yellow GPY1 Titanium Dioxide PW6
Hansa Yellow 10GPY3 Chlorinated Phthalocyanine PG7
Hansa Yellow 10GPY3
118 HH 358 HH
Deep Yellow Sap Green
Diarylide Yellow PY83 Ferrous Nitrous Beta Naphthol PG8
131 HHH 375 HHH

Yellow Ochre Cobalt Blue (Hue)
Synthetic Iron Oxide PY42 Phthalocyanine Alpha PB15:1
161 HH 390 HHH

Raw Sienna Ultramarine
Synthetic Iron Oxide PY42 Sodium Polysulphide-Aluminosilicate PB29
Ferrous Nitrous Beta Naphthol PG8
166 HH 400 HHH

Carmine Primary Blue - Cyan
Naphthol AS PR146 Phthalocyanine Beta PB15:3
Naphthol AS PR9
256 HH 402 HH
Primary Red - Magenta Prussian Blue
Naphthol AS PR146 Phthalocyanine Beta PB15:3
Dioxazine PV23
Carbon Black PBK7
274 HH 443 HHH

Scarlet Violet
Naphthol AS PR112 Dioxazine PV23
278 HHH 492 HHH

Burnt Sienna Burnt Umber
Synthetic Iron Oxide PR101 Synthetic Iron Oxide PR101PBk11
Synthetic Iron Oxide PR101PBk11 Synthetic Iron Oxide PY42
Carbon Black PBK7
284 HH 530 HHH

Vermilion Light (Hue) Black
Naphthol AS PR112 Carbon Black PBK7
Hansa Yellow GPY1
“Drawing is varnish colours
the product Pure, authentic, lightfast pigments mixed with
of thought, mastic resin and refined hydrocarbon solvents are
of poetry, the ingredients that go into this line of colours that
of the spirit” has proven popular with restoration and conservation
Gianni Maimeri, The diary workers the world over. Restoration is a severe test,
December 16 1912
pitting half a century of Maimeri quality against the
great masterworks of western art. This line makes use
of a number of earths, which Maimeri still obtains
from the best sources: authentic Sienna Earth,
Restauro often replaced by imitations using artificial oxides

in today’s colours, various shades of Green Earths,
authentic Umber Earths and Cassel Earths. Ocres,
natural iron oxides, are still obtained by grinding the
mineral; Maimeri does not use artificial precipitates
prepared by industrial processes. Only the Lakes have
been replaced by new products of organic synthesis,
which maintain the same tone as the traditional
pigment but with better lightfastness. Naples Yellow
is lead antimoniate, as required by medieval recipes,
and of course the mastic resin used is from the Island
of Chios, whose name has always been linked with the
best-known varnish resin.
Restauro
33 = Varnish Colours, complete range 33 colours in 4 price groups
All colours
02 = 20 ml tube
Sales unit 6 pieces
018 HHH gr. 1 178 HH gr. 2 390 HHH gr. 2

Titanium White Permanent Madder Deep Ultramarine
Titanium Dioxide PW6 Anthraquinone PR83 Sodium Polysulphide-Aluminosilicate PB29
Zinc White PW4 Sodium Polysulphide-Aluminosilicate PV15

White di zinco Cadmium Red Orange Cerulean
Zinc White PW4 Cadmium Sulphoselenide PR108 Cobalt Aluminium-Chromium Oxides PB36
081 HHH gr. 3 228 HHH gr. 4 474 HH gr. 2

Cadmium Yellow Light Cadmium Red Medium Brown Madder (Alizarin)
Cadmium Sulphide PY35 Cadmium Sulphoselenide PR108 Hydrated Chromíum Oxide PG18
Diarylide Yellow PY83
Anthraquinone PR83

Cadmium Yellow Lemon Indian Red Transparent Brown
Cadmium Sulphide PY35 Synthetic Iron Oxide PR101 Natural Earth PG23
Original Natural Earth PBr7
Original Calcined Natural Earth PBr7

Cadmium Yellow Medium Pozzuoli Earth Vandyke Brown
Cadmium Sulphide PY35 Synthetic Iron Oxide PR101 Original Calcined Natural Earth PBr7
Cadmium Sulphide PY35 Natural Earth PBr7 Bone Black PBk9

Cadmium Yellow Deep Burnt Sienna Cassel Earth
Cadmium Sulphide PY35 Calcined Original Natural Earth PBr7 Natural Earth PBr7
104 HHH gr. 2 290 HH gr. 2 492 HHH gr. 1

Naples Yellow Green Lake Burnt Umber
Zinc White PW4 Chlorinated Phthalocyanine PG7 Calcined Natural Earth PBr7
Arylide Yellow PY97 Benzidine Yellow PY17
Synthetic Iron Oxide PY42 Diarylide Yellow PY83

Yellow Ochre Green Earth Raw Umber
Natural Iron Oxide PY43 Natural Earth PG23 Natural Earth PBr7

Yellow Ochre Pale Antique Green Earth Ivory Black
Natural Iron Oxide PY43 Natural Earth PG23 Bone Black PBk9
Zinc White PW4 Original Natural Earth PBr7
134 HHH gr. 1 336 HHH gr. 2

Golden Ochre Chrome Oxide Green
Natural Iron Oxide PY43 Chromium Oxide PG17
161 HHH gr. 1 348 HHH gr. 2

Raw Sienna Viridian
Original Natural Earth PBr7 Hydrated Chromíum Oxide PG18
167 HH gr. 2 372 HHH gr. 4

Permanent Carmine Cobalt Blue
Anthraquinone PR83 Cobalt-Aluminium Oxides PB28
“ Colour ketonic resin colours
is matter, Ketonic resin colours for restoration are the outcome
sense, of a study intended to complete the range of colours
reality” for retouching which Maimeri offers for conservation
Gianni Maimeri, The diary and restoration work of all kinds the world over.
December 16 1912.
The new range of colours, produced by binding
lightfast tested pigments with ketonic resin and
selected hydrocarbon solvents only, now offers the
greatest reversibility and resistance to yellowing.
Ketonic resin colours are offered alongside the
Restauro traditional line of mastic resin based colours for

restoration in response to the most recent demands
of scientific research into the conservation of works
of art. While the proven line of mastic resin colours
is ideal for touching up works which have been
varnished or finished with traditional natural resins,
this new line is better suited for use with modern
synthetic varnishes, now used in restoration and
conservation even of older paintings, adding the
value of unbeatable lightfastness in the binder.
The two lines may be mixed together and thinned
using the same thinners.
Restauro con resina chetonica
34 = Ketonic Resin Colours, complete range 20 colours in 3 price groups
All colours
12 = 40 ml tube
Sales unit 3 pieces
Titanium White Raw Sienna Burnt Sienna Primary - Cyan
Titanium Dioxide PW6 Original Natural Earth PBr7 Calcined Original Natural Earth PBr7 Phthalocyanine Beta PB15:3
Zinc White PW4
Cadmium Orange Alizarine Carmine Chrome Oxide Green Burnt Umber
Cadmium Sulphoselenide PO20 Quinacridone PR122 Chromium Oxide PG17 Calcined Natural Earth PBr7
Quinacridone PR206
Cadmium Yellow Light Cadmium Red Medium Emerald Green (Hue) Raw Umber
Cadmium Sulphide PY35 Cadmium Sulphoselenide PR108 Chlorinated Phthalocyanine PG7 Natural Earth PBr7
Primary Yellow Indian Red Cobalt Blue Payne Grey
Arylide Yellow PY97 Synthetic Iron Oxide PR101 Cobalt-Aluminium Oxides PB28 Sodium Polysulphide-Aluminosilicate PB29
Bone Black PBk9
Yellow Ochre Primary Red - Magenta Ultramarine Ivory Black
Natural Iron Oxide PY43 Quinacridone PV19 Sodium Polysulphide-Aluminosilicate PB29 Bone Black PBk9
3399495
MAHOGANY CHEST
30 x 40 cm interior
Wooden dividers
Palette
32 Assorted 20 ml tubes
34 Assorted MaimeriBlu
Superior Watercolours 1.5 ml pans
1 Fixative Varnish 250 ml bottle
1 Mastic Varnish 250 ml bottle
1 Turpentine Essence 250 ml bottle
1 Petroleum Essence 250 ml bottle
4 Ceramic bowls
1 Ceramic palette
1 Brush washer
12 Kolinsky sable brushes
3 Painting knives
3 Palette knives
“ The great pure artists’ pigments
question in When we demand something more, something
painting is different from a painting technique, we have to go
how to back to the pigments. As always, pure finely-ground
combine pigment is the starting point for every special paste,
drawing with for every new undertaking and for every new colour,
in art, decoration and restoration. For artists wishing
colour”
to work with such rare ancient techniques as fresco,
December 16 1912 egg tempera or encaustic painting, or give free rein
to the wildest experiments, a genuine, dependable
Pigments pigment provides a dependable point of departure.

This is why Maimeri offers not only ready-made
colours but pure pigments packaged and sold in
powder form, quality tested and guaranteed with the
Maimeri name, in recognition of the fact that painting
is a never-ending work in progress.
This range of pigments is designed to meet all artists’
needs: from the ancient harmonious palette to the
most vivacious tones of contemporary art.
All colours are sold in precious glass jars like those
once used in apothecaries or in the paint workshops
where powders like these used to be kept.
Pigmenti
35 = Pure Artist’s Pigments, complete range 60 colours in 6 price groups
Every color has different a specific weight, the weight is expressed in grams on the label in relation to the capacity of the jar.
All colours
17 = 100 ml ampoule
Sales unit 3 pieces
018 HHH lllll gr. 1 111 HH lllll gr. 1 226 HHH lllll gr. 4 348 HHH lllll gr. 5
Titanium White Permanent Yellow Light Cadmium Red Light Viridian
Titanium Dioxide PW6 Hansa Yellow G PY1 Cadmium Sulphoselenide PR108 Hydrated Chromíum Oxide PG18
020 HHH lll gr. 2 112 HH lllll gr. 1 228 HHH lllll gr. 4 368 HHH lllll gr. 5
Bianco di zinco Permanent Yellow Lemon Cadmium Red Medium Cerulean Blue
Zinc White PW4 Hansa Yellow 10 G PY3 Cadmium Sulphoselenide PR108 Cobalt Aluminium-Chromium Oxides PB36
054 HHH llll gr. 3 114 HH lllll gr. 2 230 HHH lllll gr. 4 373 HHH lllll gr. 5
Cadmium Orange Permanent Yellow Deep Cadmium Red Purple Cobalt Blue Light
Cadmium Sulphoselenide PO20 Diarylide Yellow PY83 Cadmium Sulphoselenide PR108 Cobalt-Aluminium PB28
060 HHH lllll gr. 1 130 HHH lllll gr. 1 232 HHH lllll gr. 4 374 HHH lllll gr. 5
Mars Orange Italian Ochre Cadmium Red Deep Cobalt Blue Deep
Synthetic Iron Oxide PR101 Natural Iron Oxide PY43 Cadmium Sulphoselenide PR108 Cobalt-Aluminium PB28
Permanent Orange Yellow Ochre English Red Phthalo Blue
Anthraquinone PO43 Natural Iron Oxide PY43 Synthetic Iron Oxide PR101 Phthalocyanine Alpha PB15:1
081 HHH llll gr. 3 132 HHH lllll gr. 1 248 HHH lllll gr. 2 391 HHH lllll gr. 1
Cadmium Yellow Light Yellow Ochre Light Mars Red Ultramarine Light
Cadmium Sulphide PY35 Natural Iron Oxide PY43 Synthetic Iron Oxide PR101 Sodium Polysulphide-Aluminosilicate PB29
082 HHH llll gr. 3 134 HHH lllll gr. 1 252 HH lllll gr. 3 392 HHH lllll gr. 1
Cadmium Yellow Lemon Golden Ochre Permanent Red Ultramarine Deep
Cadmium Sulphide PY35 Natural Iron Oxide PY43 Naphthol AS PR9 Sodium Polysulphide-Aluminosilicate PB29
083 HHH llll gr. 3 162 HHH lllll gr. 1 278 HHH lllll gr. 1 402 HHH l gr. 1
Cadmium Yellow Medium Raw Sienna Light Burnt Sienna Prussian Blue
Cadmium Sulphide PY35 Original Natural Earth PBr7 Calcined Original Natural Earth PBr7 Ferric Ferrocyanide PB27
084 HHH llll gr. 3 167 HH l gr. 3 296 HHH lllll gr. 1 428 HHH lllll gr. 1
Cadmium Yellow Deep Permanent Carmine Green Earth Sky Blue Ultramarine
Cadmium Sulphide PY35 Anthraquinone PR83 Natural Earth PG23 Sodium Polysulphide-Aluminosilicate PB29
Mars Yellow Magenta Quinacridone Phthalo Green Phthalocyanine Turquoise
Synthetic Iron Oxide PY42 Quinacridone PR122 Chlorinated Phthalocyanine PG7 Phthalocyanine Beta PB15:3
104 HHH lllll gr. 4 193 HHH lll gr. 3 335 HHH lllll gr. 5 440 HHH lllll gr. 2
Naples Yellow Ultramarine Rose Light Green Oxide Ultramarine Violet
Antimony-Nickel-Titanium Oxides PY53 Sodium Polysulphide-Aluminosilicate PV15 Cobalt-Titanium Oxides PG50 Sodium Polysulphide-Aluminosilicate PV15
109 HHH lllll gr. 3 212 HHH lllll gr. 4 336 HHH lllll gr. 3 451 HHH l gr. 6
Nickel Titanate Yellowo Quinacridone Rose Chrome Oxide Green Cobalt Violet Pale
Antimony-Nickel-Titanium Oxides PY53 Quinacridone PV19 Chromium Oxide PG17 Cobalt Ammonium Phosphate PV14
452 HHH lllll gr. 6 Lime resistance
Cobalt Violet Deep lllll Hight
Cobalt Phosphate PV14
lllll Hight -Medium
lllll Medium
459 HHH lllll gr. 2 lllll Medium - Low
Mars Violet lllll Scarce
460 HHH l gr. 3

Mineral Violet
Manganese Ammonium Pyrophosphate
PV16
464 HHH lllll gr. 4

Permanent Violet
Dioxazine PV23
476 HHH lllll gr. 2

Mars Brown
Synthetic Iron Oxide PR101PBk11
485 HHH lllll gr. 1

Caput Mortuum
490 HHH lllll gr. 1

Cassel Earth
Natural Earth PBr7
492 HHH lllll gr. 1

Burnt Umber
Calcined Natural Earth PBr7
493 HHH lllll gr. 1

Raw Umber
Natural Earth PBr7
535 HHH lllll gr. 1

Ivory Black
Bone Black PBk9
537 HHH lllll gr. 1

Carbon Black
Carbon Black PBk7
540 HHH lllll gr. 2

Mars Black
“ Painting charcoals and gum eraser
must taint Charcoals, the ideal instrument for tracing compact,
the painter’s smooth black lines, are now produced from particular
entire life. kinds of wood burned in a vacuum to ensure that they
Gianni Maimeri, The diary are completely charred.
January 23 1917.
Traditionally charcoals were manufactured exclusively
from the wood of the spindle-tree, but now willow
wood is preferred, as it offers the same quality and is
more widely available.
Lines drawn with charcoal are strong and full of
Charcoals character, and enclose the full content of many works.

Gianni Maimeri himself demonstrated the power and
emotional content of the line obtainable with the
product in his collection I Musicisti. (The Musicians)
6255000 6263100
GUM ERASERS SCENOGRAPHY CHARCOALS
pack 20 each, variable diameters
size 25 gr. lenght 13 cm approximately
WILLOW CHARCOALS N°1 WILLOW CHARCOALS N°2

diameters 5 mm diameters 10 mm
lenght 14 cm lenght 14 cm
6261005 contains 5 each 6262005 contains 5 each

Auxiliary products for oil painting
code description composition features and use notes sizes
600 ODOURLESS THINNER Refined petroleum Almost completely odourless and colourless fluid. 75 ml = 16
For oil painting distillate, aromatic-free It has a moderate solvent power. 250 ml = 26
Flammable Suitable for indoor use or for people 500 ml = 34
XN
Harmful sensitive to the odour of normal solvents. 1000 ml = 40
604 PETROLEUM ESSENCE Refined petroleum distillate Light thinner, fast evaporation. 75 ml = 16
For oil painting Good solvent power. 250 ml = 26
F
Highly flammable Ideal for cleaning brushes. 500 ml = 34
XN
Harmful 1000 ml = 40
Dangerous for the environment
606 ESSENZA DI TREMENTINA RETTIFICATA Essential oil extracted Vegetable solvent of antique origins. Medium-slow evaporation. 75 ml = 16
For oil painting from conifer buds Sensitive to light and air, when mixed with colours it tends 250 ml = 26
Flammable to give a mat effect. 500 ml = 34
XN
Harmful Suitable also for cleaning brushes. 1000 ml = 40
616 OIL PAINTING PRIMER Thixotropic alkyd resin Oil based primer, with little absorbency. 500 ml = 34
For oil painting White spirit It does not need thinning. More coats are to be applied
Flammable Excipients 24 hours apart, for a smoother surface. Ideal base for oil colours, but suitable
Titanium dioxide for other mediums as well.
626 DRYING MEDIUM Linseed oil Medium to reduce the drying time of oil colours, decreasing their 75 ml = 16
For oil painting Petroleum essence consistency. 250 ml = 26
Flammable White spirit Use sparingly, checking the drying time reduction. 500 ml = 34
XN
Harmful Drying agents 1000 ml = 40
628 DRYING GEL MEDIUM Thixotropic alkyd resin Gel to reduce the drying time of oil colours, leaving their viscosity 75 ml = 16
For oil painting White spirit unchanged. 250 ml = 26
Flammable Drying agents Use sparingly, checking the drying time reduction. 500 ml = 34
Dangerous for the environment Shake the bottle well before using. 1000 ml = 40
632 IMPASTO MEDIUM Safflower oil Pigment-free oil colour: its consistency and body make it suitable for painting 60 ml = 06
For oil painting Drying agents heavy coats. Mixed with colours very rich in pigments, it reduces costs
Fillers without altering their consistency. It dries quickly and does not yellow.
645 OILYN Tixotropic Acrylic resin (15%). This is a semi-shiny amber-colored medium that improves fluidity and 75 ml = 16
For oil painting White spirit transparency and softens brushstrokes. It is easy to mix, using brush or 250 ml = 26
F
Highly flammable Thickeners palette-knife and can be used instead of oil. When coating or overlapping 500 ml = 34
Dangerous for the environment colors nothing else is needed to increase the flexibility of subsequent layers: 1000 ml = 40
just increase the amount of Oilyn, gradually adding it as work proceeds.
646 OILY THINNER White spirit Medium to reduce the oil colours consistency, without loosing their 75 ml = 16
For oil painting Linseed oil richness, as solvents do. 250 ml = 26
Flammable It tends to yellow. 500 ml = 34
XN
648 SAFFLOWER OIL Safflower seed extract (saffranon) Drying oil recently introduced, with similar features 75 ml = 16
For oil painting to poppy seed oil. It does not yellow and dries quickly. 250 ml = 26
It helps to soften and make more fluid oil colours. 500 ml = 34
Particularly suitable for white and light colours.
650 LINSEED OIL Refined linen seed extract Drying oil, it has the tendency to yellow. 75 ml = 16
For oil painting Good drying quality. Used as medium, increases the brightness and 250 ml = 26
glossiness of the colour, spreads the brush stroke, so reducing its marks. 500 ml = 34
1000 ml = 40
5000 ml = 48
Auxiliary products for oil painting
652 STAND LINSEED OIL Refined linseed oil, High viscosity oil, with tendency to yellow. It imparts a very glossy 75 ml = 16
For oil painting polymerised through heating texture and spreads the brush stroke. It is advisable to wait about 1 250 ml = 26
month before varnishing the painting with a finish product.
654 WALNUT OIL Refined walnut kernel extract. Similar properties to linseed oil, but it does not yellow. 75 ml = 16
For oil painting Good drying power, increases the brightness of colours. 250 ml = 26
500 ml = 34
656 POPPY OIL Refined poppy seed extract Valuable oil of extreme purity and lightfastness. 75 ml = 16
For oil painting It does not yellow and dries slowly. Similar to safflower oil, it is particularly 250 ml = 26
suited for white and very light colours. 500 ml = 34
660 WHITE SPIRIT Refined petroleum distillate Thinner with good solvent power for oil colours and varnishes. 75 ml = 16
For oil painting Aromatic content lower than 20% Very slow evaporation. Suitable also for cleaning brushes and palettes. 250 ml = 26
Flammable
XN
Harmful
664 DAMMAR VARNISH Dammar resin (40%) Traditional final natural varnish. 75 ml = 16
For oil painting Turpentine essence It tends to yellow. Its normal amber colour and any sediment do not 250 ml = 26
Flammable Alcohols compromise the final result. 500 ml = 34
XN
Harmful It imparts greater brightness and shine to colours. 1000 ml = 40
Dangerous for the environment 5000 ml = 48
666 PAINTING VARNISH Ketonic and acrylic resin (25%) Fatty varnish that, mixed with oil colours, prevents uneven drying, and 75 ml = 16
For oil painting White spirit produces bright tones. Increases the adhesion to the surface and the
Flammable Poppy seed oil flexibility of colours. Use sparingly.
XN
Harmful
670 GLOSS PICTURE VARNISH Ketonic and acrylic resin (45%) Glossy, non yellowing varnish.Wait till the painting is fully dry before 75 ml = 16
For oil painting White spirit varnishing. 250 ml = 26
F
Highly flammable UV filter Particularly protective thanks to its UV filter. Reversible product. 500 ml = 34
XN
674 MAT PICTURE VARNISH Acrylic resin (30%) Iridescent solution that produces a mat, very resistant film. Shake well before 75 ml = 16
For oil painting White spirit using.Do not apply on very absorbent surfaces, if not previously treated with 250 ml = 26
Flammable Silica insulating varnish. 500 ml = 34
XN
Harmful It can be mixed with Gloss picture varmish to obtain different degrees of glossy
Dangerous for the environment or mat effects. Reversible product.
682 MASTIC VARNISH Natural mastic resin from Chios (31%) Very valuable natural varnish of antique tradition. It is very flexible and 75 ml = 16
For oil painting Turpentine essence elastic, giving to the painting a particular brightness. 250 ml = 26
Flammable It tends to yellow in time. Reversible product. 500 ml = 34
XN
Harmful
684 PICTURE VARNISH Acrylic and ketonic resin (35%) Final varnish combining the flexibility and hardness qualities of its 75 ml = 16
For oil painting White spirit components. 250 ml = 26
Flammable It can also be used for other mediums.
XN
Harmful
686 RETOUCHING VARNISH Ketonic resin (25%) Light final varnish. Suitable to remove mat areas formed on unfinished areas, 75 ml = 16
For oil painting White spirit while painting.Medium drying time. 250 ml = 26
F
Highly flammable Petroleum essence It is also used as final varnish, when little gloss is required. 500 ml = 34
XN
Harmful
Auxiliary products for water-based painting
608 OX GALL Clarified and refined ox gall Unpleasantly scented fluid with tensioactive properties that improve the 75 ml = 16
For watercolour adhesion on paper and power of watercolours and gouaches. It prevents 250 ml = 26
and gouache colour changes and blotches.
614 GESSO Acrylic resin in water emulsion Ideal primer for acrylic colours. It can also be used for any other type of paint. 500 ml = 34
Acrylic colours primer Titanium dioxide It dries in about 30 minutes. It is, however, better to wait 24 hr before 5000 ml = 48
Fillers painting over.
Stabilisers Basically, it insulates the painting from the surface, so ensuring its better
adhesion and durability.
Adheres to all surfaces.
615 BLACK GESSO Acrylic resin in water emulsion Ideal primer for acrylics, it provides the same coverage as White gesso. 500 ml = 34
Acrylic colours primer Carbon black It dries in 30 minutes. It can be used with any other type of paint. 5000 ml = 48
Fillers Adheres to all surfaces.
Stabilisers
617 FINE GESSO Acrylic resin in a water emulsion Ideal primer for acrylic based colours.Adheres to all surfaces.Mat finish 500 ml = 34
Acrylic primer Titanium dioxide improves colour adhesion. 1000 ml = 40
Fillers Dries in 30 minutes.May be used with all types of painting techniques.
Stabilisers
620 WATERCOLOUR MEDIUM Gum arabic Opalescent solution that increases watercolour transparency and colour 75 ml = 16
For watercolour painting Glycerine brightness. It improves the adhesion to the surface and spreads the brush
Water stroke.
622 GLOSS MEDIUM Acrylic resin in water emulsion Milky fluid that increases the brightness of acrylic colours, improving 75 ml = 16
For acrylic painting Stabilisers their film resistance. It may also be used as finish, applying it only when 250 ml = 26
the paining is absolutely dry.
627 MAT GEL MEDIUM Acrylic resin in water emulsion Colourless acrylic base, added to the colour increases its colouring 250 ml = 26
For acrylic painting Silica power and brightness, letting unchanged its viscosity.
Thickeners and stabilisers Useful in thick painting techniques.
Once dry, it is irreversible.
629 DENSE GEL MEDIUM (GLOSS) Acrylic resin in water emulsion Colourless acrylic medium, useful for thick painting techniques. 250 ml = 26
For acrylic painting Thickeners and stabilisers It increases slightly the brightness of the colour and the drying time,
leaving their viscosity unchanged.
Particularly recommended for diluting colours for glazing.
630 GEL MEDIUM (GLOSS) Acrylic resin in water emulsion Colore acrilico non pigmentato. Conveniente per tecniche a spessore. 250 ml = 26
For acrylic painting Thickeners and stabilisers Aumenta moderatamente la brillantezza dei colori mantenendone inalterata la
viscosità e prolungando leggermente i tempi di essiccazione. Particolarmente indicato
per la diluizione dei colori nella tecnica delle velature.
631 DENSE GEL MEDIUM (MAT) Acrylic resin in water emulsion Colourless acrylic glazing with high viscosity. 250 ml = 26
For acrylic painting Silica Added to colours it improves their viscosity and gives a smooth, velvety
Thickeners and stabilisers texture. Useful for thick painting. It makes possible to obtain strong
glossy/mat contrasts.
636 MAT MEDIUM Acrylic resin in water emulsion Milky fluid that reduces the shine of acrylic colours. 75 ml = 16
For acrylic painting Silica It can be used also as mat finish. 250 ml = 26
Mixed with Gloss medium makes possible to produce numberless degrees
of shiny or mat effects. Shake well before using.
Other auxiliary products
602 LAVENDER ESSENCE Rectified lavender essence Pleasantly scented thinner. It dries less fast than Turpentine essence. It 75 ml = 16
For oil and ceramic painting is also used as medium in oil painting.
XN
610 PENCIL AND CHARCOAL FIXATIVE Chios mastic resin and ketonic (10%) Clear fluid to protect drawings and increasing the medium adhesion 75 ml = 16
F
Highly flammable Plasticiser to the surface. Spray with quick movements.
Alcohols Keep the container well closed.
Ethyl acetate
612 PASTEL FIXATIVE Chios mastic resin and ketonic (11%) Fixative from a conventional formula, with very valuable resin. 75 ml = 16
F
Highly flammable Alcohols Spray application. Keep the container well closed.
618 ARTISTS’ MASKING LATEX Natural rubber latex Milky fluid to apply with brush to mask out surfaces not to be painted. 75 ml = 16
Ammonia Drying the latex makes a flexible and water resistant film, easy to remove.
Water Clean the brush immediately after use.
624 BRONZING MEDIUM Ketonic resin (45%) Clear solution, completely neutral, it is the perfect mastic for bronze, 75 ml = 16
Flammable White spirit aluminium powder or any other pigment.
XN
Harmful
644 OPERATION FOR GOLD LEAF Linseed stand oil Cement. Apply the gold leaf 12 hour after coating with the product. 75 ml = 16
Flammable Wood stand oil Once dry, rub forcefully the gold leaf with a wool rug. 250 ml = 26
XN
Harmful White spirit 500 ml = 34
Dangerous for the environment Drying agents
662 VENETIAN TURPENTINE Venetian turpentine (91%) Golden solution, called also “Fatty essence”, it is used as medium for Terzo 75 ml = 16
For oil and ceramic painting White spirit Fuoco ceramic pigments. 250 ml = 26
Flammable It is used as medium in oil painting, to increase the shine and flexibility of
the colour surface.
667 ACRYLIC PICTURE VARNISH Acrylic resin (30%) Finishing varnish based on non yellowing solvent, easy to apply. 75 ml = 16
For oil and acrylic painting White spirit The UV filter makes this finish very suitable for outdoor painting. 250 ml = 26
Flammable UV filter 500 ml = 34
XN
Harmful
668 WATER-BASED PICTURE VARNISH Acrylic resin An alternative to traditional solvent varnish. 75 ml = 16
For oil and acrylic painting in water emulsion (80%) Easy to apply, it enhances the colour brightness. 250 ml = 26
Stabilisers It does not yellow with time. 500 ml = 34
1000 ml = 40
671 MAT WATER-BASED PICTURE VARNISH Acrylic resin in water emulsion (72%) Alternative product to conventional solvent varnishes. 75 ml = 16
For oil and acrylic painting Silica Easy to apply, it imparts a mat finish. 250 ml = 26
Stabilisers It does not yellow in time. 500 ml = 34
672 WAX-PICTURE VARNISH Ketonic resin (45%) Universal finish. 75 ml = 16

Flammable Beewax Warm and shake before using.
Dangerous for the environment White spirit Its cloudy look does not affect the final appearance of the painting, which in
fact acquires a soft and silky texture.
676 FIXATIVE VARNISH Acrylic resin (18%) Clear and transparent solution, it does not yellow. It fixes and protects 75 ml = 16
Flammable White spirit the painting or any other object. Suitable for any application. 1000 ml = 40
XN
Harmful Clear and colourless, it is slightly mat if applied in a thin coat, while it
Dangerous for the environment acquires a glossy look in thicker coats.
Other auxiliary products
678 PATINA VARNISH Urethane oil Fatty amber finish, giving the painting an antique look. 75 ml = 16
Flammable and Alkyd resin (56%) It is used as undercoat for the 250 ml = 26
Dangerous for the environment White spirit Picture cracking finish. It yellows in time. 500 ml = 34
Drying agents 1000 ml = 40
680 INSULATING VARNISH Vinyl resin (12%) A clear, colourless varnish for application over mat colours prior to 250 ml = 26
F
Highly flammable Alcohols application of Final mat varnish.
Irritant Acetates Acts as insulation to prevent sedimentation of matifying components
contained in products to rise to the surface, resulting in white spots.
688 PICTURE CRACKING VARNISH Starch Amber solution, ready to use. Brush over the surface treated with the Patina 75 ml = 16
Dextrin varnish. Once the cracks are formed and blackened, apply another coat of 250 ml = 26
Water Patina varnish.Temperature and humidity of the environment affect the size 500 ml = 34
Antifermentation agents of the cracks. 1000 ml = 40
Auxiliary products for restoration

75 ml = 16
601 THINNER FOR RESTORATION Isoparaffin hydrocarbons aromatic Odourless thinner, scent-free. It is used to dilute the Final varnish for
restauration. 250 ml = 26
Flammable
XN
Harmful Particularly indicated for an even application of varnish coats.
607 BI-RECTIFIED TURPENTINE ESSENCE Essential oil extracted from Vegetable solvents of old tradition. 75 ml = 16
For oil painting conifer buds Medium-slow evaporation. Sensitive to the light and the air, mixed
Flammable with the colors it stretches to opacify.
XN
Harmful Suitable also for cleaning brushes.
75 ml = 16
661 STRONG SOLVENT FOR RESTORATION Amyl acetate Similar to aromatic solvents, this powerful solvent is definitely less
F
Highly flammable Aromatic hydrocarbons toxic.
Ethyl acetate Particularly indicated for removing natural resin varnishes.
Isopropyl alcohol
75 ml = 16
677 FINAL VARNISH FOR RESTORATION Ketonic resin (50%) Delicately applied, this varnish avoids the removal
XN
Harmful Isoparaffin hydrocarbons of Varnish colours for restoration.
Thin with the Thinner for restoration.
683 CONCENTRATED MASTIC VARNISH Natural mastic resin (40%) Highly priced natural varnish of traditional use. 75 ml = 16
Flammable Turpentine essence Very flexible.
XN
Harmful To use as addition to restoration colours.
687 RETOUCHING VARNISH FOR RESTORATION Ketonic resin (22%) Very fast drying, light varnish for retouching and restoration. 75 ml = 16
Flammable White spirit Moderately shiny, it does not yellow.
XN
Harmful
Aerosol
603 SICCATIF VARNISH Acrylic resin 3% Varnish based on desiccative additives. It reduces notably the drying time bombola
F
Extremely flammable Mixture of solvents 71% and it doesn’t modify the shades. Suitable exclusively for oil colors. 400 ml = 32
Mixture of siccatives from 0,5% to 1%
Butan, Isobutan, Propan 25%
UV filter
609 FIXATIVE Ketonic resin 6% Colourless varnish to use sparingly to fix and protect drawings, paste bombola
F
Extremely flammable Petroleum distillates 58% gouaches. Keep the can in a vertical position, spraying in quick 400 ml = 32
Irritant Castor oil 1% movements, at a distance of about 30 cm from the drawing.
LPG propellant 35%
UV filter
665 VERNICE DAMAR Dammar resin 22,4%, Tradition final natural varnish. It tends to yellow. Its normal amber bombola
F
Extremely flammable Turpentine oil 25,24%, colour and any sediment do not compromise the final result. It imparts 400 ml = 32
Harmful N-butyl alcohol 8,44%, greater brightness and shine to colours. Spray on with a rapid movement,
Dangerous for the environment Solvent naphtha (petroleum) hydro holding can upright at a distance of about 30 cm from the work.
treated heavy Note P Benzene 9,91%,
Dimethyl ether 15%, Liquefied Petroleum
Gas Note K 1,3- Butadiene 19%
669 FINAL VARNISH Ketonic resin 16% Colourless varnish producing a very resistant film. It is used to varnish bombola
F
Extremely flammable Petroleum distillates 49% thoroughly dry oil paintings, acrylics, etc. Shake before using. 400 ml = 32
Irritant LPG propellant 35% Keep the can in a vertical position, when spraying, at a distance of
UV filter about 30 cm from the painting. It dries fast.
673 FINAL MAT VARNISH Acrylic resin 10% Colourless varnish, producing a very resistant mat film. bombola
F
Extremely flammable Petroleum distillates 54% It contains an opaque texturing agent, which tends to settle at the bottom, it is 400 ml = 32
XN
Irritant Silica 1% therefore advisable to shake the can well before using. Keep the can in a
Dangerous for the environment LPG propellant 35% vertical position, when spraying, at a distance of about 30 cm from the
UV filter painting. It dries fast.
675 FIXATIVE VARNISH Acrylic resin 9% Universal, colourless protective varnish.Invisible when sprayed in a thin bombola
F
Highly flammable Petroleum distillates 41% coat.It is used to fix and protect documents, drawings,watercolours, 400 ml = 32
LPG propellant 50% prints, gouache and oil paintings.It dries fast.
UV filter Keep the can in a vertical position, when spraying, at a distance of about
30 cm from the painting.
685 RETOUCHING VARNISH Ketonic resin 10% Colourless light varnish, to be used also while painting, to eliminate opaque bombola
F
Extremely flammable Petroleum distillates 55% spots that may appear on unfinished areas. It dries fast and is moderately 400 ml = 32
LPG propellant 35% glossy. Keep the can in a vertical position, when spraying, at a distance of
UV filter about 30 cm from the painting.

Maimeri Oil Chart Catalogue

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Maimeri Oil Chart Catalogue

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made in italy

general catalogue 2007

We thank all of our employees who,

in cover, Gianni Maimeri, Self-portrait (detail), 1916, oil on canvas, cm 50x41

necessary out achievement, Maimeri Puro superior oil colours are

Maimeri Puro on concrete form as paste in a tube until three

All colours Whites

Rinascimento or polluting, should no longer be used.

022 HHH gr. 8

108 HHH gr. 9

169 HHH gr. 9

217 HHH gr. 9

281 HHH gr. 9

314 HHH gr. 10

349 HHH gr. 10

379 HHH gr. 9

401 HHH gr. 8

478 HHH gr. 8

538 HHH gr. 8

and subject” represents the best of both tradition and innovation.

Artisti pigments such as Flake White and Zinc White, Aureolin

All colours All colours Whites Whites

018 HHH gr. 1 084 HH gr. 7 124 HH gr. 5 177 HH gr. 6

278 HHH gr. 1 358 HH gr. 4 458 HHH gr. 6

286 HH gr. 4 368 HHH gr. 7 459 HHH gr. 4

287 HH gr. 4 373 HHH gr. 7 466 HHH gr. 6

288 HH gr. 4 374 HHH gr. 7 470 HH gr. 1

290 HH gr. 5 378 HHH gr. 4 474 HH gr. 6

294 HHH gr. 4 380 HHH gr. 5 476 HHH gr. 4

does: speak; Classico fine oil colours are versatile, offering an

Classico shortcuts). The colour palette includes the best

Reduced range 30 colours

370 HHH t gr. 1 410 HHH gr. 2 492 HHH t gr. 1

371 HHH gr. 2 414 HHH t gr. 2 493 HHH t gr. 1

391 HHH gr. 1 448 HHH t gr. 2 514 HHH gr. 1

Mediterraneo oil paints and paste density is thicker,

Maimeri Olio the formulation, modern, efficient, useful .

018 HHH 191 HHH 370 HHH 535 HHH

105 HHH 256 HH 400 HHH

106 HH 258 HH 402 HHH

110 HH 278 HHH 414 HHH 850

112 HH 284 HH 422 HHH

114 HH 285 HH 448 HHH 851

116 HH 286 HH 476 HHH

131 HHH 296 HHH 484 HHH 852

132 HHH 336 HHH 492 HHH

161 HHH 356 HHH 493 HHH 853

167 HH 358 HH 514 HHH

HD HD oil colours allow light to pass in a diffused fashion.

570 HHH 582 HHH 595 HHH

571 HHH 583 HH 596 HHH

572 HHH 584 HH 597 HHH

573 HH 585 HHH 557 HHH

574 HHH 586 HH 598 H

575 HH 587 HHH 599 H

synthesis, in Brera Acrylics. All Maimeri’s experience with

perhaps an colour has been combined in this extrafine range