Musicología Catálogo Disertaciones

DOCTORAL DISSERTATIONS IN MUSICOLOGY-
ONLINE
School of Music
Indiana University
Bloomington, IN 47405
GENERAL/MISCELLANEOUS
from Doctoral Dissertations in Musicology, 2d International Edition (1984) and
Doctoral Dissertations in Musicology, 2d Cumulative Edition (1996)

with updates and corrections
(An asterisk following the DDM code indicates a dissertation in progress)
Historical Musicology
Art and Music
Steiert, Thomas.
Musik und Malerei.
Ph.D., Musicology, Hamburg, 1991.
DDM Code: 01arSteT; DA no.: RILM no.: UM no.:
Bands and Band Music
Carpenter, Kenneth William A.
A History of the United States Marine Band.
Ph.D., Music, University of Iowa, 1970. vii, 263 p. illus., append., bibliog.
DDM Code: 01baCarK; DA no.: 31/09:4831; RILM no.:
71:173dd; UM no.: 71-5721
Van Ess, Donald H.
The Stylistic Evolution of the English Brass Ensemble.
Ph.D., Music, Boston University, 1963. 2 vols., 517 p. illus., tbls., facs.
DDM Code: 01baEssD; DA no.: 24/05:2074-5; RILM no.: UM
no.: 63-6645
Hofer, Achim.
Studien zur Geschichte des Militärmarsches.
Ph.D., Musicology, Mainz, 1987. 2 vols., xviii, 915 p. illus., tbls., facs.,
mus. exs., transcr., works lst., thematic cat., ind.
DDM Code: 01baHofA; DA no.: RILM no.: 88:1410bm; UM
no.:
Publication: Mainzer Studien zur Musikwissenschaft, vol. 24.
Tutzing: Schneider, 1988.
Höfele, Bernhard.
Materialien und Beiträge zur Geschichte der Harmoniemusik.
Ph.D., Musicology, Bonn, 1981.
DDM Code: 01baHofB; DA no.: RILM no.: UM no.:
Mamminga, Michael Arthur.
British Brass Bands.
Ph.D., Music Education, Florida State University, 1973. 117 p.
DDM Code: 01baMamM; DA no.: 34/04:1953; RILM no.:
76:15011dd; UM no.: 73-25,122
McCormick, David S.
A History of the U.S. Army Band to 1946.
Ph.D., Music Education, Northwestern University, 1970. 2 vols., 997 p.
illus., bibliog.
DDM Code: 01baMccD; DA no.: RILM no.: UM no.:
Scott, J.
The History of the Brass Band and Its Literature in South Yorkshire.
Ph.D., Musicology, Sheffield, 1970. 544 p.
DDM Code: 01baScoJ; DA no.: RILM no.: UM no.:
Wassberg, Mac.
Bidrag till den svenska militärmusikens historia [A Contribution to
the History of Swedish Military Music].
Ph.D., Musicology, Uppsala.
DDM Code: 01baWasM*; DA no.: RILM no.: UM no.:
Biographical
Kerner, Dieter.
Krankheiten grosser Musiker.
Ph.D., Musicology, Stuttgart, 1969. 176 p. illus., facs., mus. exs., bibliog.
DDM Code: 01boKerD; DA no.: RILM no.: 69:5035dd; UM
no.:
Brass Instruments and Music
Green, Michael R.
A Comparison of the Bass Trombone and Tuba as the Lower Voice in
the Brass Quintet.
D.M.A., Performance, University of Iowa.
DDM Code: 01brGreM*; DA no.: RILM no.: UM no.:
Herbert, Trevor.
The Trombone in Britain before 1800.
Ph.D., Musicology, Open University, 1985.
DDM Code: 01brHerT; DA no.: RILM no.: UM no.:
Husted, Benjamin.
The Brass Ensemble: Its History and Music.
Ph.D., Theory, University of Rochester, 1955. 2 vols., ix, 445 p.
DDM Code: 01brHusB; DA no.: RILM no.: UM no.: UR 3362
Lee, Young-Jo.
The Horn and Opera.
D.M.A., Performance, American Conservatory of Music, 1989. 88 p.
illus., mus. exs., bibliog.
Research director: Enrique Alberto Arias
DDM Code: 01brLeeY; DA no.: RILM no.: UM no.:
Tracy, Bruce Alan.
The Contrabass Trombone: Its Development and Use.
D.M.A., Performance, University of Illinois.
Research director: Tom R. Ward
DDM Code: 01brTraB*; DA no.: RILM no.: UM no.:
Zorn, Hans.
Die Trompete in der deutschen Orchestermusik von ca. 1750 bis ins
20. Jahrhundert.
Ph.D., Musicology, Innsbruck, 1973.
DDM Code: 01brZorH; DA no.: RILM no.: 76:1561dd; UM
no.:
Chamber Music
Küppers, Dieter.
Phänomenologie, Didaktik und Rezeption des Duos für
Streichinstrumente.
Ph.D., Musicology, Frankfurt am Main.
DDM Code: 01chKupD*; DA no.: RILM no.: UM no.:
Pandrick, Klaus.
Studien zur Geschichte des Klarinettenquintetts.
Ph.D., Musicology, Freie Universität, Berlin.
DDM Code: 01chPanK*; DA no.: RILM no.: UM no.:
Phelps, Roger Paul.
The History and Practice of Chamber Music in the United States from
Earliest Times up to 1875.
Ph.D., Music Education, University of Iowa, 1951. 2 vols., xx, 547 p.
append.
DDM Code: 01chPheR; DA no.: RILM no.: UM no.: UR 5259
Wahl, Antonia-Sophia.
Studien zur Kammermusik mit Querflöte unter besonderer
Berücksichtigung der Besetzung Querflöte, Violine, Baß.
Ph.D., Musicology, Bonn.
Research director: Günther Massenkeil
DDM Code: 01chWahA*; DA no.: RILM no.: UM no.:
Choral Music
Gratzki, Bettina.
Die reine Intonation im Chorgesang.
Ph.D., Musicology, Bonn, 1993. 300 p.
Research director: Martin Vogel
DDM Code: 01ciGraB; DA no.: RILM no.: 93:9667bm; UM
no.:
Publication: Orpheus-Schriftenreihe zu Grundfragen der Musik,
no. 70. Bonn: Verlag für Systematische Musikwissenshaft, 1993.
ISBN: 3-922626-70-X.
Heisler, Maria-Elisabeth.
Studien zum ostfränkischen Chordialekt.
Ph.D., Musicology, Frankfurt, 1987.
Research director: Helmut Hucke
DDM Code: 01ciHeiM; DA no.: RILM no.: UM no.:
Wittelsberger, Elke.
Die Anfänge und die Entwicklung des Chorwesens in den Grenzen des
ehemaligen Oberwesterwaldkreises.
Ph.D., Musicology, Mainz.
Research director: Wolfgang Ruf
DDM Code: 01ciWitE*; DA no.: RILM no.: UM no.:
Collections
Klaproth, Bettina.
Die Musikaliensammlung der Familie von Voss-Buch.
Ph.D., Musicology, Göttingen.
DDM Code: 01clKlaB*; DA no.: RILM no.: UM no.:
Compositional Processes and Techniques
Schramowski, Herbert.
Der Einfluss der instrumentalen Improvisation auf den künstlerischen
Entwicklungsgang und das Schaffen des Komponisten.
Hab., Musicology, Leipzig, 1968. 355 p.
DDM Code: 01cmSchH; DA no.: RILM no.: 69:3026dd; UM
no.:
Conducting
Galkin, Elliot Washington.
The Theory and Practice of Orchestral Conducting since 1752.
Ph.D., Musicology, Cornell University, 1960. 2 vols., x, 650 p.
DDM Code: 01cnGalE; DA no.: RILM no.: UM no.:
Holsinger, Clyde William.
A History of Choral Conducting with Emphasis on the Time-Beating
Techniques Used in the Successive Historical Periods.
Ph.D., Music, Northwestern University, 1954. 357 p.
DDM Code: 01cnHolC; DA no.: 14/12:2363; RILM no.: UM
no.: 10,301
Roshong, Jan Carl.
An Exploratory Study of Nonverbal Communication Behaviors of
Instrumental Music Conductors.
Ph.D., Music Education, Ohio State University, 1978.
DDM Code: 01cnRosJ; DA no.: RILM no.: 78:6284dd; UM
no.:
Dance
Gstrein, Reiner.
Geschichte der Sarabande.
Hab., Musicology, Innsbruck.
DDM Code: 01daGstR*; DA no.: RILM no.: UM no.:
Jost, Monika.
Musik/Choreographie - Choreographie/Musik. Methodische
Überlegungen zum verknüpfenden Umgang mit diesen beiden
Kunstformen und die Entwicklung von analytischen
Kommentartechniken an ausgewählten Beispielen.
Research director: Erik Fischer
DDM Code: 01daJosM*; DA no.: RILM no.: UM no.:
Laperrière, Renée Julienne.
The Varsovienne in the Southwestern United States.
Ph.D., Fine Arts, Texas Tech University.
Research director: Paul F. Cutter
DDM Code: 01daLapR*; DA no.: RILM no.: UM no.:
Nozynska, Zofia.
Tance w Polsce na tle przeobrazen spotecznych. Okres od pradziejów
do polowy XVI wieku [Dance in Poland against the Background of
Social Change: From the Earliest Times until the Middle of the
Sixteenth Century].
Ph.D., Philosophy and History, Poznan, 1963.
DDM Code: 01daNozZ; DA no.: RILM no.: UM no.:
Pilipczuk, Alexander.
Der polnische Tanz Mazurek.
Ph.D., Musicology, Köln, 1967. 311 p. illus., mus. exs., bibliog.
DDM Code: 01daPilA; DA no.: RILM no.: 68:3854dd; UM
no.:
Data Processing
Schnell, Christoph.
Die Eingabe musikalischer Information als Teil eines
Arbeitsinstrumentes. Ein Beitrag zur Computeranwendung in der
Musikwissenschaft.
Ph.D., Musicology, Zürich, 1984.
DDM Code: 01dcSchC; DA no.: RILM no.: UM no.:
Willis, Thomas Creighton.
Music in Orchestra Hall: A Pilot Study in the Use of Computers and
Other Data-Processing Equipment for Research in the History of
Music Performance.
Ph.D., Music History and Literature, Northwestern University, 1966. 286
p.
DDM Code: 01dcWilT; DA no.: 27/07:2172-3; RILM no.: UM
no.: 66-14,093
Drama and Music
Hanlon, Esther S.
Improvisation: Theory and Application for Theatrical Music and
Silent Film.
Ph.D., Musicology, University of Cincinnati, 1975. 176 p.
DDM Code: 01drHanE; DA no.: 37/09:5626; RILM no.:
76:16243dd; UM no.: 76-05,992
Editions and Editorial Practices
Hayden, William Perry.
Principles of Bowing and Fingering for Editing Violin Music.
D.A., Performance, Ball State University, 1981. 116 p.
DDM Code: 01ebHayW; DA no.: RILM no.: 81:1525dd.; UM
no.:
Ensembles and Ensemble Music
Grieger, Monica Francis.
Die Spielmannes Züge.
Ph.D., Musicology, Münster.
DDM Code: 01enGriM*; DA no.: RILM no.: UM no.:
Isaacson, Charles Frank.
A Study of Selected Music for Trombone(s) and Voice(s).
D.M.A., Performance, University of Illinois, 1981.
DDM Code: 01enIsaC; DA no.: RILM no.: UM no.:
Luedtke, Charles Henry.
Settings of the De Tempore Hymns for Instrumental Ensembles.
D.M.A., Church Music, University of Rochester, 1988. 676 p.
Research director: Alfred Bichsel
DDM Code: 01enLueC; DA no.: 49/11:3196; RILM no.: UM
no.:
Starkey, Willard A.
The History and Practice of Ensemble Music for Lip-Reed
Instruments.
Ph.D., Music Education, University of Iowa, 1954. x, 599 p.
DDM Code: 01enStaW; DA no.: 15/1:131; RILM no.: UM
no.: 10,246
Sumrall, John Noel Jr.
The Literature for Clarinet and Voice and Its Historical Antecedents.
D.M.A., Performance, University of Illinois, 1974. 192 p.
DDM Code: 01enSumJ; DA no.: 35/12:7951; RILM no.:
76/15043dd; UM no.: 75-11,883
Folk-Traditional Music
Nehlsen, Eberhard.
Wilhelmus von Nassauen. Studien zur Rezeption eines
niederländischen Liedes im deutschsprachigen Raum vom 16. bis 20.
Jahrhundert.
Ph.D., Musicology, Oldenburg, 1993.
Research director: Wolfgang Martin Stroh
DDM Code: 01foNehE; DA no.: RILM no.: UM no.:
Publication: Münster and Hamburg: Lit-Verlag, 1993.
O'Riordan, C. L.
Aspects of the Interrelationship between Russian Folk and Composed
Music.
Ph.D., Musicology, Cambridge, 1971.
DDM Code: 01foOriC; DA no.: RILM no.: UM no.:
General-Miscellaneous
Brandstätter, Ursula.
Musik im Spiegel der Sprache.
Ph.D., Musicology, Hochschule der Künste, Berlin, 1989.
DDM Code: 01geBraU; DA no.: RILM no.: UM no.:
Herczog, Johann.
Die Entstehung der Battaglia als musikalische Gattung.
Ph.D., Musicology, München, 1983. 247 p. illus.
Research director: Theodor Göllner
DDM Code: 01geHerJ; DA no.: RILM no.: UM no.:
Hill, David Stuart.
The Persistence of Memory: Mode, Trope, and Difference in the
Passion Chorale.
Ph.D., Music, State University of New York at Stony Brook, 1994. viii,
293 p. mus. exs., bibliog.
Research director: Robert Gjerdingen
DDM Code: 01geHilD; DA no.: RILM no.: UM no.:
Leidecker, Klaus.
Zauberklänge der Phantasie: Musikalische Motive und gesungene
Verse im europäischen Märchengut.
Ph.D., Musicology, Saarbrücken, 1983. 275 p. illus., transcr.
DDM Code: 01geLeiK; DA no.: RILM no.: 84:6687dd; UM
no.:
Michels-Gerber, Ruth.
Schmied und Musik: Über die traditionelle Verknupfung von
Schmiedehandwerk und Musik in Afrika, Asien und Europa.
Ph.D., Musicology, Bonn, 1983. 201 p. illus., mus. exs.
DDM Code: 01geMicR; DA no.: RILM no.: 84:4084bm; UM
no.:
Publication: Orpheus: Schriftenreihe zu Grundfragen der Musik,
vol. 37. Bonn: Verlag für Systematische Musikwissenschaft, 1984.
Olsen, Anna Oliva.
Der Traum in der Musik.
Ph.D., Musicology, Hamburg.
Research director: Vladimir Karbusicky
DDM Code: 01geOlsH*; DA no.: RILM no.: UM no.:
Ringer, Alexander Lothar.
The Chasse: Historical and Analytical Bibliography of a Musical
Genre.
Ph.D., Musicology, Columbia University, 1955. 441 p.
DDM Code: 01geRinA; DA no.: 15/05:843; RILM no.: UM
no.: 11,467
Sharp, Andrew I.
Musical Scenes of Childhood.
Ph.D., Musicology, University of Liverpool.
DDM Code: 01geShaA*; DA no.: RILM no.: UM no.:
History of Music
Day, Thomas C.
Palestrina in History: A Preliminary Study of Palestrina's Reputation
and Influence Since His Death.
DDM Code: 01hiDayT; DA no.: 31/09:4815; RILM no.:
70:1600dd; UM no.: 71-6159
Freitag, Werner.
Der Entwicklungsbegriff in der Musikgeschichtsschreibung.
Darstellung und Abgrenzung musikhistorischer Epochen.
Ph.D., Musicology, Marburg, 1976. 320 p.
DDM Code: 01hiFreW; DA no.: RILM no.: 80:4384dd; UM
no.:
Kümmel, Werner Friedrich.
Geschichte und Musikgeschichte. Die Musik der Neuzeit in
Geschichtsschreibung und Geschichtsauffassung des deutschen
Kulturbereichs von der Aufklärung bis zu J. G. Droysen and Jacob
Burckhardt.
Ph.D., History, Marburg, 1966. 431 p. bibliog.
DDM Code: 01hiKumW; DA no.: RILM no.: 76:1934dd; UM
no.:
Yang, Cumehee.
Musical Understanding: A Model Based on Hans Georg Gadamer.
Ph.D., Musicology, New York University.
Research director: Gustave Reese
DDM Code: 01hiYanC*; DA no.: RILM no.: UM no.:
Iconography
Asher, Judith.
Iconology of the Myth "The Musical Contest between Apollon and
Marsyas" - from Classical Culture through the Baroque, from
Conflict to Synthesis?.
Ph.D., Musicology, Bar-Ilan University.
Research director: Joachim Braun
DDM Code: 01icAshJ*; DA no.: RILM no.: UM no.:
Ford, E. Terence.
The Iconography of Melancholy and Music from the Middle Ages to
the Early Baroque.
Ph.D., Musicology, City University of New York.
DDM Code: 01icForE*; DA no.: RILM no.: UM no.:
Wolter, Andrea.
Musikalische Ikonographie.
DDM Code: 01icWolA*; DA no.: RILM no.: UM no.:
Instrumental Music
Intravaia, Lawrence Joseph.
The Historical Development of the March as an Art Form.
D.M.A., Music Education, Boston University, 1962. 542 p. illus., facs.,
mus. exs., bibliog.
DDM Code: 01imIntL; DA no.: RILM no.: 69:3402dd; UM
no.:
Nelson, Robert Uriel.
The Technical Development of the Instrumental Variation from
Cabezón to Reger.
Ph.D., Music, Harvard University, 1944. 281 p.
DDM Code: 01imNelR; DA no.: RILM no.: UM no.:
Keyboard Instruments and Music
Barth, Oskar A.
Die Idee des Tanzes in der Orgelmusik.
Research director: V. Kembrich
DDM Code: 01keBarO*; DA no.: RILM no.: UM no.:
Burkett, John Morris.
Music for Two or More Players at One or More Organs.
DDM Code: 01keBurJ; DA no.: RILM no.: 75:2367dd; UM
no.:
Eichberg, Hartwig.
Einzeln stehende Suiten, Sonaten, Variationen und Capricci für
Klavier. Untersuchungen zur Überlieferung und Edition.
Ph.D., Musicology, Tübingen, 1973.
DDM Code: 01keEicH; DA no.: RILM no.: UM no.:
Publication: Kassel: Bärenreiter, 1976.
Foster, Byron Leon.
Battle Music for the Organ.
D.M.A., Performance, University of Rochester, 1981.
DDM Code: 01keFosB; DA no.: RILM no.: UM no.:
Jones, Denise Elizabeth.
Australian Piano Compositions.
Ph.D., Musicology, Queensland.
DDM Code: 01keJonD*; DA no.: RILM no.: UM no.:
Krams, Peter.
Wechselwirkungen zwischen Orgelkomposition und Pedalspieltechnik
auf den Pedalklaviaturen verschiedener Bauarten, untersucht an
exemplarischen Orgel-Kompositionen vom 16. Jahrhundert bis zur
Gegenwart.
Ph.D., Musicology, Frankfurt am Main, 1974.
DDM Code: 01keKraP; DA no.: RILM no.: UM no.:
Langley, R. P.
The Organ as a Concertante Instrument.
Ph.D., Musicology, London.
DDM Code: 01keLanR*; DA no.: RILM no.: UM no.:
Loos, Helmut.
Zur Klavierübertragung von Werken für und mit Orchester. Ein
Beitrag zur Geschichte des Klavierauszuges.
DDM Code: 01keLooH; DA no.: RILM no.: UM no.:
Mielke, Andreas.
Untersuchungen zur Alternatim-Orgelmesse.
Ph.D., Musicology, Bochum, 1993. 2 vols., xxv, 684 p.
DDM Code: 01keMieA; DA no.: RILM no.: 96:2229bm; UM
no.:
Publication: Bochumer Arbeiten zur Musikwissenschaft,
Bärenreiter Hochschulschriften, no. 2. Kassel: Bärenreiter, 1996.
ISBN: 3-7618-1207-8.
Milles, Claudia.
Geschichte der Choralfantasie.
DDM Code: 01keMilC*; DA no.: RILM no.: UM no.:
Robinson, Schuyler W.
The B-A-C-H Motive in German Keyboard Compositions from the
Time of J.S. Bach to the Present.
DDM Code: 01keRobS; DA no.: 34/02:814; RILM no.:
76:8988dd; UM no.: 73-17,388
Sadilek, Franz Peter.
Zur Tonhöhenmehrdeutigkeit im Akkordeonspiel.
Ph.D., Musicology, Wien, 1988.
DDM Code: 01keSadF; DA no.: RILM no.: UM no.:
Shadinger, Richard Cole.
The Sacred Element in Piano Literature: A Historical Background
and an Annotated Listing.
D.M.A., Musicology, Southern Baptist Theological Seminary, 1974. 216
p.
DDM Code: 01keShaR; DA no.: 35/04:2327; RILM no.:
75:440dd; UM no.: 74-22,664
Sloane, Sally Jo.
Music for Two or More Players at One or More Keyboard
Instruments (Clavichord, Harpsichord, Organ).
D.M.A., Performance, American Conservatory of Music, Chicago, 1990.
x, 95 p. works lst., discog., bibliog.
Research director: E. A. Arias
DDM Code: 01keSloS; DA no.: RILM no.: 90:555dd; UM
no.:
Sutton, Mary Ellen.
A Study of the Seventeenth-century Iberian Organ Batalla: Historical
Development, Musical Characteristics, and Performance
Considerations.
D.M.A., Performance, University of Kansas, 1975. 168 p.
DDM Code: 01keSutM; DA no.: 37/01:29-30; RILM no.:
75:823dd; UM no.: 76-16,689
Synnestvedt, Kirstin.
Selected Organ Settings of the Chorale Vater unser im Himmelreich
from 1739 to the Present.
D.M.A., Performance, University of Iowa, 1979.
DDM Code: 01keSynK; DA no.: RILM no.: UM no.:
Librettos
Bankosegger, Heidrun.
Praktiken der Übersetzung und der Textadaption im Bereich des
Musiktheaters.
Ph.D., Musicology, Salzburg.
Research director: Dahms and Pöckl
DDM Code: 01loBanH*; DA no.: RILM no.: UM no.:
Literature and Music
HaCohen, Ruth.
"The Harmonious Sisters": The Relationship between Music and
Literature as Expressed in Treatises on the Subject from the 17th to
the 20th Centuries.
Ph.D., Musicology, Hebrew University of Jerusalem.
DDM Code: 01ltHacR*; DA no.: RILM no.: UM no.:
Kelly, James William, O.S.B.
The Faust Legend in Music.
p.
DDM Code: 01ltKelJ; DA no.: 21/10:3115; RILM no.: UM
no.: LC Mic 60-6556
Liturgical Music
Adamski-Störmer, Ursula.
Studien zur Entwicklung des liturgischen Requiems im
deutschsprachigen Raum des 19. Jahrhunderts.
Ph.D., Musicology, Münster, 1991.
Research director: Maria Elisabeth Brockhoff
DDM Code: 01luAdaU; DA no.: RILM no.: UM no.:
Bailey, Terence William.
The Ceremonies and Chants of the Processions of the Western
Church: With Special Attention to the Practice of the Cathedral
Church of Salisbury.
Ph.D., Musicology, University of Washington, 1968. vi, 373 p. illus., tbls.,
mus. exs., append., bibliog.
DDM Code: 01luBaiT; DA no.: 29/07:2290; RILM no.:
76:17167dd; UM no.: 69-01,142
Blume, Jürgen.
Geschichte der mehrstimmigen Stabat-mater-Vertönung.
Ph.D., Musicology, Frankfurt am Main, 1988. 2 vols., 446 p.
DDM Code: 01luBluJ; DA no.: RILM no.: 92:14419bm; UM
no.:
Publication: Musikwissenschaftliche Schriften, no. 23. München:
Katzbichler, 1992.
Boe, John M.
The Ordinary in English: Anglican Plainsong Kyrials and Their
Sources.
vols., lxvii, 1897 p. plts., tbls., mus. exs., works lst., append., bibliog., ind.
DDM Code: 01luBoeJ; DA no.: 30/07:3037-8; RILM no.:
69:3152dd; UM no.: 70-11
Faulkner, Ann Elizabeth.
A Comparative Study of the Dynamics of Change in the Anglican
Liturgy and Its Music: 1558 to 1572 and 1971 to 1982.
Ph.D., Musicology, University of Chicago.
DDM Code: 01luFauA*; DA no.: RILM no.: UM no.:
Finster, Robert Milton.
The Gregorian Proprium missae in English: Advent to Easter.
D.M.A., Church Music, University of Rochester, 1969. 2 vols., x, 211 p.
DDM Code: 01luFinR; DA no.: RILM no.: 76:17173dd; UM
no.:
Flender, Reinhard.
Der biblische Sprechgesang und seine mündliche Überlieferung in
Synagoge und griechischer Kirche.
Ph.D., Musicology, Hamburg, 1984. 206 p. illus., mus. exs.
DDM Code: 01luFleR; DA no.: RILM no.: 88:11588bm; UM
no.:
Publication: Quellenkataloge zur Musikgeschichte, vol. 20.
Wilhelmshaven: Noetzel, Heinrichshofen-Bücher, 1988.
González-Valle, J.-V.
Die Tradition des liturgischen Passionsvortrags in Spanien.
Ph.D., Musicology, München, 1974. 269 p.
DDM Code: 01luGonJ; DA no.: 37/01:4-C; RILM no.: UM
no.: 1/30c
Hammer, Hubert-Gabriel.
Die Allelujagesänge in der Choralüberlieferung der Abtei Allenberg.
Beitrag zur Geschichte des Zisterzienserchorals.
Ph.D., Musicology, Köln, 1968. 251 p. illus., facs., mus. exs., works lst.,
thematic cat., bibliog.
DDM Code: 01luHamH; DA no.: RILM no.: 68:3136dd; UM
no.:
Hintze, Gisa.
Die Prokeimena der byzantinischen Liturgie.
DDM Code: 01luHinG; DA no.: RILM no.: UM no.:
Hoyer, Johannes.
Die mehrstimmigen Nunc dimittis Vertonungen vom 15. bis zum
frühen 17. Jahrhundert: Überlieferung, Stil und Funktion.
Ph.D., Musicology, Augsburg, 1991.
Research director: Franz Krautwurst
DDM Code: 01luHoyJ; DA no.: RILM no.: UM no.:
Kanter, Maxine Ribstein.
Traditional Melodies of the Rhymed Metrical Hymns in the Sephardic
High Holy Day Liturgy: A Comparative Study.
Ph.D., Music History, Northwestern University, 1978. 652 p.
DDM Code: 01luKanM; DA no.: 39/10:5792; RILM no.: UM
no.: 79-07,895
Kleindienst, Sigrid.
Die mehrstimmigen Vertonungen der Improperien. Ein Beitrag zur
Entwicklung der kirchlichen Gebrauchmusik.
Ph.D., Musicology, Graz, 1975. 2 vols., 367 p.
DDM Code: 01luKleS; DA no.: RILM no.: 76:17195dd; UM
no.:
Klimisch, Mary Jane.
The Music of the Lamentations: Historical and Analytical Aspects.
Ph.D., Musicology, Washington University, 1971. xi, 189 p. facs., mus.
exs., append., bibliog., ind.
DDM Code: 01luKliM; DA no.: 32/09:5268; RILM no.:
76:9353dd; UM no.: 72-09,349
Krombach, Gabriela.
Die Vertonungen liturgischer Sonntagsoffertorien am Wiener
Kaiserhof: Ein Beitrag zur Geschichte der katholischen
Kirchenmusik im 18. und 19. Jahrhundert.
Ph.D,, Musicology, Mainz, 1984. 380 p. mus. exs., thematic cat., bibliog.
Research director: Friedrich Wilhelm Riedel
DDM Code: 01luKroG; DA no.: RILM no.: UM no.:
Publication: Studien zur Landes- und Sozialgeschichte der Musik,
vol. 7. München and Salzburg: Katzbichler, 1986. ISBN: 3-8739-
7506-8.
Lütolf, Max.
Beiträge zu einer Geschichte der mehrstimmigen liturgischen Passion
in Italien (Ende 15.-20. Jh.).
Hab., Musicology, Zürich, 1975.
DDM Code: 01luLutM; DA no.: RILM no.: UM no.:
Marshall, Parry Denison.
Plainsong in English: An Historical and Analytical Survey.
S.M.D., Sacred Music, Union Theological Seminary, 1964. vi, 268 p.
DDM Code: 01luMarP; DA no.: 25/04:2553-4; RILM no.: UM
no.: 64-10,522
Marchand, Richard T.
The Evolution of the Evangelist in Passion Music, Chant through
Bach.
D.M.A., Choral Conducting, University of Kansas.
DDM Code: 01luMarR*; DA no.: RILM no.: UM no.:
Mihok Dobbeck, Shirley Mae.
Music in the Divine Liturgy of Slovak Lutheran Worship.
D.A., Musicology, Ball State University, 1982. 152 p.
Research director: George Michael
DDM Code: 01luMihS; DA no.: 43/03:582; RILM no.: UM
no.: 82-19444
Newhouse, Ruth Sragow.
The Music of the Passover Seder from Notated Sources (1644-1945).
Ph.D., Musicology, University of Maryland, 1980. 788 p.
DDM Code: 01luNewR; DA no.: 41/06:2347; RILM no.: UM
no.: 80-27,124
Randhofer, Regina.
Untersuchungen zu Psalmen in einstimmigen vokalen
Überlieferungen. Ein Vergleich jüdischer und christlicher
Traditionen.
Ph.D., Musicology, Köln, 1993.
DDM Code: 01luRanR; DA no.: RILM no.: UM no.:
Vail, James Harold.
The Choral Eucharist in the Anglican Church from the English
Reformation to the Oxford Movement.
D.M.A., Choral Conducting, University of Southern California, 1961. 320
p.
DDM Code: 01luVaiJ; DA no.: 21/02:3482-3; RILM no.: UM
no.: 61-405
Wieck, Mary Theoda, S.S.N.D.
A Theoretical Basis for Accompanying Gregorian Chant According to
Medieval Principles.
Ph.D., Musicology, Washington University, 1963. iv, 321 p.
DDM Code: 01luWieM; DA no.: 26/06:3399; RILM no.: UM
no.: 64-2336
Manuscript Studies
Smoje, Dujka.
Les manuscrits musicaux notés conservés à Poitiers.
Ph.D., Paleography, Poitiers, 1967. 250 p. facs., mus. exs., bibliog., ind.
DDM Code: 01mcSmoD; DA no.: RILM no.: 71:4411dd; UM
no.:
Musical and Cultural Life
Berdes, Jane Louise Baldauf.
Musical Life at the Four Ospedali grandi of Venice, 1525-1855.
Ph.D., Musicology, Oxford University, 1989. xxiv, 415 p. illus., transcr.,
bibliog.
Research director: Michael Talbot
DDM Code: 01mvBerJ; DA no.: RILM no.: 91:01378dd; UM
no.:
Bly, Leon Joseph.
The March in American Society.
Ph.D., Music Education, University of Miami, 1978.
DDM Code: 01mvBlyL; DA no.: 38/12:7010; RILM no.:
76:1237dd; UM no.: 78-08,235
Boehm, Walter Otto.
Zur Geschichte des Kurorchesters in Deutschland.
Ph.D., Musicology, Würzburg.
DDM Code: 01mvBoeW*; DA no.: RILM no.: UM no.:
Brandhorst, Jürgen.
Musikgeschichte der Stadt Minden.
DDM Code: 01mvBraJ; DA no.: RILM no.: UM no.:
Brooks, Tilford Uthratese.
A Historical Study of the Negro Composer and His Role in American
Society: A Source Book for Teachers.
Ed.D., Music Education, Washington University, 1972. 802 p. mus. exs.
DDM Code: 01mvBroT; DA no.: RILM no.: 74:3468dd; UM
no.:
Busse, Borghard.
Beiträge zur Musikgeschichte der Stadt Wismar von der
Stadtgründung bis 1700.
Ph.D., Musicology, Humboldt Universität, Berlin, 1970. 303 p.
DDM Code: 01mvBusB; DA no.: RILM no.: 71:172dd; UM
no.:
Cole, Ronald F.
Music in Portland, Maine, from Colonial Times through the
Nineteenth Century.
Ph.D., Musicology, Indiana University, 1975. 396 p.
DDM Code: 01mvColR; DA no.: 36/08:4836; RILM no.:
75:403dd; UM no.: 76-2796
Cook, Harold.
Shaker Music: A Manifestation of American Folk Culture.
Ph.D., Music, Case Western Reserve University, 1947. 301 p.
DDM Code: 01mvCooH; DA no.: RILM no.: UM no.:
Ebert-Obermeier, Traude.
Das Verhältnis der deutschen Arbeiterklasse zur Instrumentalmusik,
dargestellt bis zum Jahre 1933.
DDM Code: 01mvEbeT; DA no.: RILM no.: 72:4149dd; UM
no.:
Föcking, Peter.
Musikgeschichte Münsters.
Ph.D., Musicology, München.
DDM Code: 01mvFocP*; DA no.: RILM no.: UM no.:
Geisselbrecht, Susanne.
Polyästhetische Aspekte zum Problemkreis Frau und Musik.
Ph.D., Musicology, Mozarteum, Salzburg, 1990.
Research director: Wolfgang Roscher
DDM Code: 01mvGeiS; DA no.: RILM no.: UM no.:
Gerson, Robert Aaron.
Music in Philadelphia.
Ph.D., Music, University of Pennsylvania, 1939. 422 p.
DDM Code: 01mvGerR; DA no.: RILM no.: UM no.:
Greve, Werner.
Braunschweiger Stadtmusikanten: Geschichte eines Berufsstandes
1227-1828.
DDM Code: 01mvGreW; DA no.: RILM no.: UM no.:
Guilbault, Jocelyne Marguerite.
Musical Events in the Lives of the People of a Caribbean Island, St.
Lucia.
Ph.D., Musicology, University of Michigan, 1984. 404 p.
Research director: Judith Becker
DDM Code: 01mvGuiJ; DA no.: 45/07:1909; RILM no.: UM
no.: 84-22240
Heidsiek, Dietrich.
Die Geschichte der Entwicklung des Musiklebens im Kreis Lübbecke.
Ph.D., Musicology, Köln, 1968. 134 p.
DDM Code: 01mvHeiD; DA no.: RILM no.: 69:1318dd; UM
no.:
Heister, Hanns Werner.
Untersuchungen zu Publikum, Rezeptionsweise und ästhetisch-
musikalischen Gegenstand des Konzerts. Ein Beitrag zur Theorie des
Konzertwesens.
Ph.D., Musicology, Technische Universität, Berlin, 1977.
DDM Code: 01mvHeiH; DA no.: RILM no.: UM no.:
Hines, James Robert.
Musical Activity in Norfolk, Virginia, 1680-1973.
Ph.D., Musicology, University of North Carolina, 1974. xvi, 773 p. tbls.,
mus. exs., append., bibliog., ind.
DDM Code: 01mvHinJ; DA no.: 35/06:3793; RILM no.:
74:1776dd; UM no.: 74-26,885
Hüttel, Walter.
Musik und Musikleben in Glauchau.
Ph.D., Musicology, Leipzig.
DDM Code: 01mvHutW*; DA no.: RILM no.: UM no.:
Jennings, Robert Lee.
A Study of the Historical Development of Choral Ensembles in
Selected Lutheran Liberal Arts Colleges in the United States.
Ph.D., Music, Michigan State University, 1969. 470 p.
DDM Code: 01mvJenR; DA no.: 30/11:5016; RILM no.:
76:16072dd; UM no.: 70-09,567
Kaufman, Charles Howard.
Music in New Jersey, 1655-1860: A Study of Musical Activity and
Musicians in New Jersey from Its First Settlement to the Civil War.
Ph.D., Musicology, New York University, 1974. 3 vols., xxx, 658 p. plts.,
tbls., facs., mus. exs., works lst., append., bibliog., ind.
DDM Code: 01mvKauC; DA no.: 35/07:4588; RILM no.:
76:13725dd; UM no.: 74-29,999
Leung, Elaine Shu-Kuan.
Women, Music, and the Salon Tradition: Its Cultural and Historical
Significance in Parisian Musical Society.
D.M.A., Piano Performance, University of Cincinnati.
Research director: Donald H. Foster
DDM Code: 01mvLeuE*; DA no.: RILM no.: UM no.:
Loft, Abram.
Musicians' Guild and Union: A Consideration of the Evolution of
Protective Organization among Musicians.
DDM Code: 01mvLofA; DA no.: 10/04:321; RILM no.: UM
no.: 1870
McCorkle, Donald M.
Moravian Music in Salem: A German-American Heritage.
DDM Code: 01mvMccD; DA no.: 20/02:688; RILM no.: UM
no.: LC Mic 59-333
McGairl, Pamela.
Music at Vauxhall.
Ph.D., Musicology, King's College, University of London.
DDM Code: 01mvMcgP*; DA no.: RILM no.: UM no.:
Moser, Dietz-Rüdiger.
Musikgeschichte der Stadt Quedlinburg von Reformation bis zur
Auflösung des Stiftes (1539-1802). Beiträge zu einer Musikgeschichte
des Harzraumes.
Ph.D., Musicology, Göttingen, 1967. 631 p. mus. exs., works lst., ind.
DDM Code: 01mvMosD; DA no.: RILM no.: 68:1593dd; UM
no.:
Ochs, Günther.
Studien zur Entwicklung des öffentlichen Musiklebens in Mülheim an
der Ruhr.
Ph.D., Music History, Köln, 1967. 342 p. bibliog.
DDM Code: 01mvOchG; DA no.: RILM no.: 70:627dd; UM
no.:
Radzibor, Hildegard.
Untersuchungen zur Musikgeschichte der Stadt Düren.
Ph.D., Musicology, Köln, 1969. 257 p. works lst., ind.
DDM Code: 01mvRadH; DA no.: RILM no.: 69:426dd; UM
no.:
Runner, David Clark.
Music in the Moravian Community of Lititz.
D.M.A., Church Music, University of Rochester, 1976. vi, 90 p. illus.,
works lst., append., bibliog.
DDM Code: 01mvRunD; DA no.: 37/10:6134; RILM no.:
76:282dd; UM no.: 77-08,312
Sahagian, Robert K.
Music in Worcester, Massachusetts from Colonial Times through the
Nineteenth Century.
Ph.D., Musicology, Michigan State University, 1988. xii, 193 p. mus. exs.,
transcr., append., bibliog.
Research director: Rosalie Schellhous
DDM Code: 01mvSahR; DA no.: 49/10:2860; RILM no.: UM
no.: 88-24,892
Schweisthal, Christofer.
Die Eichstätter Hofkapelle. Untersuchungen zu Bestand,
Musikrepertoire und Musikpflege eines süddeutschen Fürstenhofes
bis 1803.
Ph.D., Musicology, Eichstätt.
Research director: Hubert Unverricht
DDM Code: 01mvSchC*; DA no.: RILM no.: UM no.:
Stevens, Gerd Heinz.
Das Wunderkind in der Musikgeschichte.
Research director:
DDM Code: 01mvSteG*; DA no.: RILM no.: UM no.:
Tank, Ulrich.
Studien zur Esterhazyschen Hofkapelle von etwa 1620 bis 1790.
Ph.D., Musicology, Köln, 1979. 523 p. mus. exs., bibliog.
DDM Code: 01mvTanU; DA no.: RILM no.: 81:484bm; UM
no.:
Publication: Kölner Beiträge zur Musikforschung, vol. 101.
Regensburg: Bosse, 1981.
Voigt, Hans-Hermann.
Beiträge zur Geschichte der Musik der Stadt Stendal.
Ph.D., Musicology, Halle, 1969. 418 p.
DDM Code: 01mvVoiH; DA no.: RILM no.: 69:444dd; UM
no.:
Weidinger, Friedrich.
Zur Musikgeschichte der Stadt Passau.
Ph.D., Musicology, Regensburg.
Research director:
DDM Code: 01mvWeiF*; DA no.: RILM no.: UM no.:
Musicology, History of
Burow, Heinz-Wilfried.
Beiträge zur Theorie und Methode der Musikwissenschaft.
Historisch-kritische Untersuchungen auf der Grundlage
wissenschaftstheoretischer Ergebnisse.
DDM Code: 01mwBurH; DA no.: RILM no.: UM no.:
Engel, Gerhard.
Zur Logik der Musik-soziologie. Ein Beitrag zur Philosophie der
Musikwissenschaft.
Ph.D., Musicology, Mannheim, 1988.
DDM Code: 01mwEngG; DA no.: RILM no.: UM no.:
Publication: Tübingen: Mohr, 1990.
Matejka, Wilhelm.
Philosophische Voraussetzungen einer Wissenschaftstheorie der
Musikwissenschaft. Das Scheitern der Musikwissenschaft an ihren
abstrakten Methoden.
DDM Code: 01mwMatW; DA no.: RILM no.: UM no.:
Rudén, Jan Olaf.
Vattenmärken och Musikforskning. Presentation och Tillämpning av
en Dateringsmetod på Musikalier i Handskrift i Uppsala
Universitetsbiblioteks Dübensamling [Watermarks and Musicology:
The Presentation and Application of a Method of Dating to Music
Mss. in the Düben Collection of the Uppsala University Library].
Ph.D., Musicology, Uppsala, 1968. 2 vols., xiv, 382 p.
DDM Code: 01mwRudJ; DA no.: RILM no.: 68:1888dd; UM
no.:
Schertzer, Jodocus.
Studien zur theoretischen Grundlegung eines effizienten
Verzeichnungssystems musikwissenschaftlicher Denkprozesse als
immanente Wertungsparaphrase.
DDM Code: 01mwSchJ; DA no.: RILM no.: UM no.:
Spitzer, John.
Authorship and Attribution in Western Art Music.
Ph.D., Musicology, Cornell University, 1983. 2 vols., xi, 664 p. illus.,
tbls., append., bibliog.
Research director: William Austin
DDM Code: 01mwSpiJ; DA no.: 43/12:3751; RILM no.: UM
no.: 83-09,538
Weber, Michael.
Eine andere Musikwissenschaft? Vorstudien zu Theorie und
Methodologie.
DDM Code: 01mwWebM; DA no.: RILM no.: UM no.:
Mythology and Legend
Hilsberg, Andreas.
Die Rezeption der Faustgestalt in der Musik.
DDM Code: 01myHilA*; DA no.: RILM no.: UM no.:
Mayr, Elisabeth.
Melusine. Dichtung und Musik (Vertonungen).
Research director: W. Weiss
DDM Code: 01myMayE*; DA no.: RILM no.: UM no.:
Schmidt, Karsten.
Das Echo. Mythen und Musik.
DDM Code: 01mySchK*; DA no.: RILM no.: UM no.:
National Studies
Baliñas, Maria del Carmen.
El Cuplé en España.
Ph.D., Musicology, Santiago de Compostela.
Research director: José Lopez-Calo
DDM Code: 01naBalM*; DA no.: RILM no.: UM no.:
Chalmers, K.
The Ethnicity of Scottish Musical Composition.
Ph.D., Musicology, Queen's University, Belfast, 1981.
DDM Code: 01naChaK; DA no.: RILM no.: UM no.:
Espina, A. Beaumoni.
Music in the Philippines, and the Development of Sacred Music
There.
S.M.D., Sacred Music, Union Theological Seminary, 1962. xxiii, 314 p.
DDM Code: 01naEspA; DA no.: RILM no.: UM no.:
Hammarlund, Anders.
Yeni Sesler - Nya stämmor: En väg till musiken i det turkiska [Yeni
Sesler -- New Voices: The Music of a Turkish Migrant in Stockholm].
Ph.D., Musicology, University of Stockholm, 1993. 270 p.
Research director: Erik Kjellberg
DDM Code: 01naHamA; DA no.: RILM no.: 94:8708bm; UM
no.:
Publication: Studies in Musicology, no. 1. Stockholm: Stockholm
U., 1993. ISBN 91-7153-093-2.
Hirschmann, Wolfgang.
Abhängigkeit nationaler Klangstile von phonetischen Einflüssen.
Ph.D., Musicology, Köln.
DDM Code: 01naHirW*; DA no.: RILM no.: UM no.:
Howell, Gordon P.
The Development of Music in Canada.
Ph.D., Theory, University of Rochester, 1959. 544 p.
DDM Code: 01naHowG; DA no.: RILM no.: UM no.: UR 3313
Manalapanacharoen, Suphot.
Die Geschichte deutsch-thailändischer musikalischer Begegnung. Eine
exemplarische Fallstudie der kulturellen Problematik europäisch-
asiatischer Musikkontakte.
Ph.D., Musicology, Freiburg.
Research director: Christoph von Blumröder
DDM Code: 01naManS*; DA no.: RILM no.: UM no.:
Miller, Geoffrey W.
Music of the Hudson Valley: From First Settlement to the Eve of the
Civil War.
DDM Code: 01naMilG*; DA no.: RILM no.: UM no.:
Rijavec, Andrej.
Slovenska glasbena dela [Slovene Musical Works].
Ph.D., Musicology, Ljubljana, 1979. 350 p. illus.
DDM Code: 01naRijA; DA no.: RILM no.: UM no.:
Publication: Ljubljana: Drzavna Zalozba Slovenlie, 1979.
Sapundzijev, Mary.
"The Art of Politics, the Politics of Art"--The Creation of Art Music
in Macedonia.
Ph.D., Music, Monash University.
DDM Code: 01naSapM*; DA no.: RILM no.: UM no.:
Opera
Essinger, Wilhelm.
Die Hosenrolle auf der Opernbühne.
Ph.D., Musicology, Heidelberg.
DDM Code: 01opEssW*; DA no.: RILM no.: UM no.:
Glowacki, John.
The History of Polish Opera.
Ph.D., Musicology, Boston University, 1952. 220 p.
DDM Code: 01opGloJ; DA no.: RILM no.: UM no.:
Hold, Trevor J.
The Second Death: The Making of An Opera.
Ph.D., Musicology, University of Leicester, 1988.
DDM Code: 01opHolT; DA no.: RILM no.: UM no.:
Minniear, John Mohr.
Marionette Opera: Its History and Literature.
Ph.D., Musicology, North Texas State University, 1971. xii, 522 p. illus.,
append., bibliog.
DDM Code: 01opMinJ; DA no.: 32/07:4048; RILM no.:
76:16264dd; UM no.: 72-04,094
Schaal, Hans-Werner.
Zur Entwicklung der motivischen Verknüpfungstechnik in der Oper.
Ph.D., Musicology, Marburg.
DDM Code: 01opSchH*; DA no.: RILM no.: UM no.:
Simpson, Alexander Thomas Jr.
Opera on Film: A Study of the History and the Aesthetic Principles
and Conflicts of a Hybrid Genre.
Ph.D., Musicology, University of Kentucky / University of Louisville,
1990.
Research director: Robert Lamar Weaver
DDM Code: 01opSimA; DA no.: 51/07:2194; RILM no.: UM
no.: 90-34195
Orchestral Music
Livingston, Herbert.
The Italian Overture from A. Scarlatti to Mozart.
Ph.D., Music, University of North Carolina, 1952. vii, 541 p.
DDM Code: 01oqLivH; DA no.: RILM no.: UM no.: UR 4841
Yaffe, Carl William.
A History of the Opera Orchestra: Its Technical and Functional
Development.
Ph.D., Music Education, New York University.
DDM Code: 01oqYafC*; DA no.: RILM no.: UM no.:
Organizations
Chaniecki, Zbigniew.
Organizacje zawodowe muzykow na ziemiach poskich do konca
XVIII wieku [Professional Organizations of Musicians in Poland till
the End of the Eighteenth Century].
Ph.D., History, Warsaw, 1973.
DDM Code: 01osChaZ; DA no.: RILM no.: UM no.:
Cotte, Roger.
La musique maçonnique et ses musiciens.
Doct., Musicology, Paris, 1975. 2 vols., v, 290 p. illus., plts., tbls., facs.,
mus. exs., append., discog., bibliog., ind.
DDM Code: 01osCotR; DA no.: RILM no.: UM no.:
Percussion Instruments and Music
Buchta, Harald.
Pauken und Paukenspiel im Europa des 17.-19. Jahrhunderts.
Research director: Walter M. Finsch
DDM Code: 01peBucH*; DA no.: RILM no.: UM no.:
Performance Practice
Brown, P. J. L.
Preferential Tempi in Musical Performance.
Ph.D., Musicology, Leicester, 1977.
DDM Code: 01pfBroP; DA no.: RILM no.: UM no.:
Clarke, E. F.
Structure and Expression in the Rhythm of Piano Performance.
Ph.D., Musicology, University of Exeter, 1984.
DDM Code: 01pfClaE; DA no.: RILM no.: UM no.:
Edlund, Bengt.
Studier i rytm i musikutförande [Studies of Rhythm in Musical
Performances].
DDM Code: 01pfEdlB*; DA no.: RILM no.: UM no.:
Ferencz, George Joseph.
Rhythmic Proportion and Tempo: An Inquiry into Temporal
Displacement in Artistic Performance and Its Relationship to Tempo.
Ph.D., Theory, Kent State University.
DDM Code: 01pfFerG*; DA no.: RILM no.: UM no.:
Howerton, George Russell.
A Comparative Study of Performance Style in Choral Literature from
the Renaissance to the Modern Period.
Ph.D., Music, Northwestern University, 1950. x, 194 p.
DDM Code: 01pfHowG; DA no.: RILM no.: UM no.:
Jacoby, Robert J.
The Role of Technique in Violin Playing.
Ph.D., Musicology, University of Wales at Aberystwyth, 1980.
DDM Code: 01pfJacR; DA no.: RILM no.: UM no.:
Jörke, Wolfram.
Studien zur Orgel-Improvisation seit der Mitte des 18. Jahrhunderts.
Research director: Winfried Schlepphorst
DDM Code: 01pfJorW*; DA no.: RILM no.: UM no.:
Koch, Stefan.
Musikalische Interpretation: Begriffsgeschichte und Problematik.
Ph.D., Musicology, Freiburg im Breisgau.
DDM Code: 01pfKocS*; DA no.: RILM no.: UM no.:
Peterson, Alice Neff.
A Guide to the Development and Direction of an Early Music
Performance Program.
D.A., Musicology, Ball State University, 1980. xix, 516 p. append.,
bibliog.
DDM Code: 01pfPetA; DA no.: RILM no.: UM no.:
Schmid, Eva.
Artikulationsanweisungen in kontinentalen Bläserschulen von 1535
bis 1830.
DDM Code: 01pfSchE; DA no.: RILM no.: UM no.:
Wierszylowski, Jan.
Znaczenie pamieci w odtwórczosci muzycznej [The Importance of
Memory in Musical Performance].
DDM Code: 01pfWieJ; DA no.: RILM no.: UM no.:
Popular-Entertainment Music
Guth, Joachim.
Musik und Circus.
Ph.D., Musicology, Frankfurt.
Research director: Winfried Kirsch
DDM Code: 01ppGutJ*; DA no.: RILM no.: UM no.:
Sondershausen, Fritz Bachmann.
Methoden der Melodie-Analyse und soziologische Untersuchungen bei
der Rezeption von Tanz- und Unterhaltungsmusik.
Ph.D., Musicology, Halle.
DDM Code: 01ppSonF*; DA no.: RILM no.: UM no.:
Religion and Music
Osborn, G. E.
The Psychology of Christian Public Worship: A Study in the More
Practical Aspects of Some of the Typical Liturgies and Worships of
Western Christianity.
Ph.D., Musicology, Edinburgh, 1935.
DDM Code: 01reOsbG; DA no.: RILM no.: UM no.:
Sacred Music
Backus, Carolyn Alice.
David, King of Israel--A Study of Music Composed for His Great
Lamentations.
DDM Code: 01saBacC; DA no.: 34/12:7804; RILM no.:
75:392dd; UM no.: 74-12,289
Barrett, Aubrey Wayne, Jr.
A Study of the Choral Music Tradition in Hungarian Baptist
Churches: Its History, Leadership, Literature, Personnel, and
Practice, Including an Anthology of Representative Choral Works.
D.M.A., Choral Conducting, University of Iowa, 1992. ix, 162 p. illus.,
tbls., facs., mus. exs., works lst., append., discog., bibliog.
Research director: Richard J. Bloesch
DDM Code: 01saBarA; DA no.: RILM no.: 92:14520dd; UM
no.:
Crosby, G. Brian.
Members of the Choral Foundation of Durham Cathedral.
Ph.D., Musicology, University of Durham.
DDM Code: 01saCroG*; DA no.: RILM no.: UM no.:
Girard, Sharon Elizabeth.
Requiem Music in Venezuela.
Ph.D., Musicology, University of California at Los Angeles, 1975. 1142 p.
DDM Code: 01saGirS; DA no.: 36/05:2478; RILM no.: UM
no.: 75-25,203
Grindle, W. H.
Irish Cathedral Music.
Ph.D., Musicology, Trinity College, Dublin, 1985.
DDM Code: 01saGriW; DA no.: RILM no.: UM no.:
Guthrie, Joseph R.
Pentecostal Hymnody: Historical, Theological, and Musical
Influences.
D.M.A., Church Music, Southwestern Baptist Theological Seminary,
1992. xvi, 169 p. tbls., mus. exs., append., bibliog.
Research director: David Wayne Music
DDM Code: 01saGutJ; DA no.: RILM no.: 92:14532dd; UM
no.:
Haban, M. Teresine.
The Hymnody of the Roman Catholic Church: Historical Survey with
an Analysis of Musical Styles.
DDM Code: 01saHabM; DA no.: RILM no.: UM no.: UR 6657
Hall, William Dawson.
The Requiem Mass: A Study of Performance Practices from the
Baroque Era to the Present Day As Related to Four Requiem Settings
by Gilles, Mozart, Verdi, and Britten.
D.M.A., Performance, University of Southern California, 1970. 315 p.
DDM Code: 01saHalW; DA no.: 31/11:6098; RILM no.:
76:15169dd; UM no.: 71-07,711
Heaton, Charles Huddleston.
The Disciples of Christ and Sacred Music.
S.M.D., Sacred Music, Union Theological Seminary, 1956. vi, 212 p.
DDM Code: 01saHeaC; DA no.: RILM no.: UM no.:
Hirt, Charles Carleton.
Graeco-Slavonic Chant Traditions Evident in the Part-Writing of the
Russian Orthodox Church.
Ph.D., Music, University of Southern California, 1946. ix, 461 p.
DDM Code: 01saHirC; DA no.: RILM no.: UM no.:
Hjortsvang, Carl T.
Scandinavian Contributions to American Sacred Music.
S.M.D., Sacred Music, Union Theological Seminary, 1951. 255 p.
DDM Code: 01saHjoC; DA no.: RILM no.: UM no.:
Hubmann, Klaus.
Materialien zur Geschichte der Musikpflege im Zisterzienserstift Rein
und in seinen Pfarren.
Ph.D., Musicology, Graz, 1991.
DDM Code: 01saHubK; DA no.: RILM no.: UM no.:
Koskoff, Ellen.
The Effect of Mysticism on the Nigunim of the Lubavitcher Hasidim.
Ph.D., Musicology, University of Pittsburgh, 1976. 232 p.
DDM Code: 01saKasE; DA no.: 37/08:4686; RILM no.:
76:17135dd; UM no.: 77-03,017
Langrock, Klaus.
'Die Sieben Worte Jesu am Kreuz'--Geschichte der Vertonungen.
Ph.D., Musicology, Bochum.
DDM Code: 01saLanK*; DA no.: RILM no.: UM no.:
Laubach, Hans-Jürgen.
Das deutsch protestantische Tauflied von der Reformation zur
Gegenwart.
Ph.D., Theology, Hamburg, 1969. vii, 317 p.
DDM Code: 01saLauH; DA no.: RILM no.: 76:2038dd; UM
no.:
Marx, Wolfgang.
Die Entwicklung der abendländischen Todesvorstellung am Beispiel
des Requiem.
Research director: Hans Joachim Marx
DDM Code: 01saMarW*; DA no.: RILM no.: UM no.:
Moore, Sandra Cecilia.
Melismatic Religious Singing: A Comparative Study of Some
Northern and Central European Oral Traditions.
Ph.D., Musicology, University of Illinois.
Research director: Nicholas Temperley
DDM Code: 01saMooS*; DA no.: RILM no.: UM no.:
Olson, Lee O. G.
A History of Swedish Church Music.
DDM Code: 01saOlsL; DA no.: RILM no.: UM no.:
Römer, Markus.
Die Schriftlichen und mündlichen Traditionen geistlicher Gesänge auf
Korsika.
Ph.D., Musicology, Zürich, 1981.
DDM Code: 01saRomM; DA no.: RILM no.: UM no.:
Publication: Wiesbaden: Franz Steiner, 1981.
Saltzman, Herbert Royce.
A Historical Survey of the Function of Music among the Brethren of
Christ.
D.M.A., Sacred Music, University of Southern California, 1964. 346 p.
DDM Code: 01saSalH; DA no.: 25/03:1957; RILM no.: UM
no.: 64-9624
Schreurs, Eugeen.
Het muziekleven in de Onze-Lieve-Vrouwekerk van Tongeren (c1400-
1797). Een archivalisch georienteerd onderzoek naar het muziekleven
van een middelgrote kapittelkerk in het prinsbisdom Luik [Musical
life at the Collegiate Church of Tongeren (c1400-1797)].
Ph.D., Musicology, Catholic University of Leuven, 1991.
DDM Code: 01saSchE; DA no.: RILM no.: UM no.:
Seachrist, Denise Ann.
Snow Hill and the German Seventh-Day Baptists: Heirs to the
Musical Traditions of Conrad Beissel's Ephrata Cloister.
Ph.D., Musicology and Ethnomusicology, Kent State University, 1993.
Research director: R. Shindle and T. Miller
DDM Code: 01saSeaD; DA no.: RILM no.: UM no.:
Sims, John Norman.
The Hymnody of the Camp-Meeting Tradition.
DDM Code: 01saSimJ; DA no.: RILM no.: UM no.:
Smith, Charles Howard.
The Hymnody of the Free Churches of Scandinavia: Its Background
and Development.
Ph.D., Musicology, University of Minnesota, 1968. viii, 352 p. plts., mus.
exs., append., bibliog.
DDM Code: 01saSmiC; DA no.: 30/01:360; RILM no.:
76:17244dd; UM no.: 69-11,456
Smith, William Liddell.
The Musical Repertory of English Services of the Dead.
Ph.D., Musicology, University of Minnesota, 1985.
Research director: Johannes Riedel
DDM Code: 01saSmiW; DA no.: RILM no.: UM no.:
Topic, Slavo.
Kirchenlieder der bosnischen Katholiken.
DDM Code: 01saTopS; DA no.: RILM no.: UM no.:
Publication: Regensburg: Bosse, 1986.
Volland, Linda L.
Three Centuries of (United) Methodist Hymnody: An Historical
Overview of the Development of the Methodist Hymnal with Special
Attention to the Hymnody in the 1779, 1878, and 1989 Hymnals.
D.M.A., Music, University of Nebraska.
DDM Code: 01saVolL*; DA no.: RILM no.: UM no.:
Weller, Alfons.
Studien zur Geschichte der Kirchenmusik an St. Quirin in Neuss.
DDM Code: 01saWelA*; DA no.: RILM no.: UM no.:
Willander, Alfred.
Das Kirchenmusikarchiv der Stadtpfarrkirche St. Stephen zu Baden
mit Beiträgen zu Musikgeschichte der Stadt Baden.
DDM Code: 01saWilA; DA no.: RILM no.: UM no.:
Wölfel, Dieter.
Nürnberger Gesangbuchgeschichte (1524-1791).
Ph.D., Theology, Erlangen, 1971. 307 p.
DDM Code: 01saWolD; DA no.: RILM no.: 73:4589dd; UM
no.:
Secular Music
Edgar, Tracey.
The History and Influence of the Catch.
DDM Code: 01seEdgT*; DA no.: RILM no.: UM no.:
String Instruments and Music
Bacon, Analee Camp.
The Evolution of the Violoncello as a Solo Instrument.
Ph.D., Humanities, Syracuse University, 1962. 192 p.
DDM Code: 01snBacA; DA no.: 24/04:1642-3; RILM no.: UM
no.: 63-6735
Burzik, Monika.
Quellenstudien zu europäischen Zupfinstrumentenformen:
Methodenprobleme, kunsthistorische Aspekte und Fragen der
Namenszuordnung.
Ph.D., Musicology, Köln, 1994. 467 p.
DDM Code: 01snBurM; DA no.: RILM no.: 96:11280bm; UM
no.:
Publication: Kölner Beiträge zur Musikforschung, no. 187. Kassel:
Bosse, 1995. ISBN: 3-7649-2619-8.
Gates, Willis C.
The Literature for Unaccompanied Solo Violin.
Ph.D., Music, University of North Carolina, 1950. v, 347 p.
DDM Code: 01snGatW; DA no.: RILM no.: UM no.:
Kinney, Gordon James.
The Musical Literature for Unaccompanied Violoncello.
Ph.D., Theory, Florida State University, 1962. 3 vols., 698 p.
DDM Code: 01snKinG; DA no.: 23/05:1732-3; RILM no.: UM
no.: 62-4617
Lynch, A. Rebecca.
Elements of Hardanger Fiddle Music in Norwegian Art Music for
Violin.
DDM Code: 01snLynA*; DA no.: RILM no.: UM no.:
Matte, Gerard.
The History of Violin Bowing and Its Impact upon Performance:
With Videotape Illustrations of Bowing Technique in Selected
Musical Examples.
Ph.D., Music Education, New York University, 1973. 282 p.
DDM Code: 01snMatG; DA no.: 34/07:4316; RILM no.:
76:14874dd; UM no.: 73-30,095
Rosenblum, Myron.
Contributions to the History and Literature of the Viola d'amore: An
Expansion of Werner Eginhard Köhler's Beiträge zur Geschichte und
Literatur der Viola d'amore.
Ph.D., Performance, New York University, 1976. 339 p.
DDM Code: 01snRosM; DA no.: 37/02:683; RILM no.:
76:3891dd; UM no.: 76-19,044
Sparks, Paul.
Music, Repertoire and Performance Practice of the Neapolitan
Mandolin.
Ph.D., Musicology, City University, London.
DDM Code: 01snSpaP*; DA no.: RILM no.: UM no.:
Structure and Form
Hofbauer, Gerhard.
Zum Problem von Kontinuität und Diskontinuität in der
musikalischen Bildung.
Ph.D., Musicology, Mozarteum, Salzburg, 1990.
DDM Code: 01srHofG; DA no.: RILM no.: UM no.:
Style
Davies, S. J.
Musical Expression of Emotion.
Ph.D., Musicology, Birbeck, London, 1978.
DDM Code: 01stDayS; DA no.: RILM no.: UM no.:
Deichmann, Thomas.
Das Etikett "Kitsch" in der Kunstmusik.
Ph.D., Musicology, Frankfurt.
Research director: Albrecht Riethmüller
DDM Code: 01stDeiT*; DA no.: RILM no.: UM no.:
Fister, Birgit.
Der Typus Nationalhymne in der artifiziellen Musik.
Research director: Peter Petersen
DDM Code: 01stFisB*; DA no.: RILM no.: UM no.:
Lowry, Linda Ridge.
Humor in Instrumental Music: A Discussion of Musical Affect,
Psychological Concepts of Humor, and Identification of Musical
Humor.
Ph.D., Music, Ohio State University, 1974. 192 p.
DDM Code: 01stLowL; DA no.: 35/05:3040; RILM no.:
76:7648dd; UM no.: 74-24,362
Schroder, Charles Frederick.
Final Periods of Mozart, Beethoven, and Bartók.
Ph.D., Musicology, University of Iowa, 1965. x, 520 p.
DDM Code: 01stSchC; DA no.: 26/06:3397; RILM no.: UM
no.: 65-11,656
Schmidt, Marlene.
Zur Theorie des musikalischen Charakters.
Ph.D., Musicology, Heidelberg, 1979.
DDM Code: 01stSchM; DA no.: RILM no.: UM no.:
Smith, Wilford Davis.
Stylistic Treatment of Gregorian Melody in Selected Works of
Seventeen Composers.
Ph.D., Musicology, George Peabody College, 1955. 2 vols., vi, 594 p.
DDM Code: 01stSmiW; DA no.: RILM no.: UM no.:
Stille, Michael.
Möglichkeiten des Komischen in der Musik.
Research director: Siegfried Kross
DDM Code: 01stStiM; DA no.: RILM no.: UM no.:
Publication: Frankfurt: P. Lang, 1990.
Treu, Wolfgang.
Maniera und Manierismus im Musikschrifttum.
Ph.D., Musicology, Freiburg im Breisgau, 1987. 173 p. illus.
Research director: Hans-Heinrich Eggebrecht
DDM Code: 01stTreW; DA no.: RILM no.: UM no.:
Weintraub, David.
Humor in Song.
Ed.D., Theory, Columbia University, 1974. 358 p.
DDM Code: 01stWeiD; DA no.: 35/10:6756; RILM no.:
76/14559dd; UM no.: 75-07,858
Terminology
Köppl, Christian.
Ursprung und Wandel des "Andante" als musikalischer Terminus.
Research director: Siegfried Kross
DDM Code: 01tgKopC*; DA no.: RILM no.: UM no.:
Reckow, Fritz.
'Sprachähnlichkeit' der Musik als terminologisches Problem. Zur
Geschichte des Topos Tonsprache.
Hab., Musicology, Freiburg im Breisgau, 1977.
DDM Code: 01tgRecF; DA no.: RILM no.: UM no.:
Theater Music
Meyer, Oliver.
Der Kanon auf der Musikbühne. Untersuchungen zu Struktur und
Funktion.
Ph.D., Musicology, Kiel.
Research director: Heinrich W. Schwab
DDM Code: 01tnMeyO*; DA no.: RILM no.: UM no.:
Translation
Cohn, Richard G. Jr.
'The Music of the Text': Challenges in Operatic Translation.
DDM Code: 01tqCohR*; DA no.: RILM no.: UM no.:
Robison, Clayne.
The Departure: A Theatre-Oriented Theory of Opera Translation
Including an English Version of Die Abreise by Eugen d'Albert.
D.M.A., Performance, University of Washington, 1974. 294 p.
DDM Code: 01tqRobC; DA no.: 34/08:5235; RILM no.:
76:1627dd; UM no.: 74-02,276
Zurbrigg, Lloyd Alvin.
A Theory of Translation for Musical Texts from German into English
with Appended Translations.
Ph.D., Music Education, Indiana University, 1963. 196 p. append.
DDM Code: 01tqZurL; DA no.: 25/01:529; RILM no.: UM
no.: 64-5514
Tutors
Schmitt, Thomas.
Untersuchungen zu ausgewählten spanischen Gitarrenlehrwerken vor
1800.
Ph.D., Musicology, Mainz, 1990.
Research director: Christoph-Hellmut Mahling
DDM Code: 01tuSchT; DA no.: RILM no.: UM no.:
Vocal Music
Gray, Leon Wilbur.
The American Art-Song: An Inquiry into Its Development from the
Colonial Period to the Present.
Ed.D., Theory, Columbia University, 1967. 643 p.
DDM Code: 01voGraL; DA no.: 31/02:785; RILM no.:
76:8943dd; UM no.: 70-12,516
Jüntgen, Anita.
" . . . weder Lied noch Arie, noch dramatische Scene, haben sie von
alledem etwas": Zur Gattungsproblematik von "Lied"-
Kompositionen.
Research director: Erik Fischer
DDM Code: 01voJunA*; DA no.: RILM no.: UM no.:
Larson, Carl Robert.
A History of Swedish Solo Song.
Ph.D., Music, University of Iowa, 1968. iv, 408 p. mus. exs., works lst.,
append., bibliog.
DDM Code: 01voLarC; DA no.: 29/02:627; RILM no.:
69:3407dd; UM no.: 68-10,699
Zastrow, Joyce Ruth.
A Study of Musical Settings of the Three Soliloquies of Gretchen from
Goethe's Faust.
DDM Code: 01voZasJ; DA no.: 34/09:6032; RILM no.: UM
no.: 74-5743
Voice
Fischer-Klotz, Helga.
Zu einigen gesangswissenschaftlichen Grundsätzen und methodisch-
pädagogischen Empfehlungen für die Gesangsausbildung. Ein Beitrag
zur Klärung gesangsterminologischer Probleme.
Ph.D., Musicology, Halle-Saale, 1978.
DDM Code: 01vqFisH; DA no.: RILM no.: UM no.:
Infanger, Peter D.
Vocal Pedagogy and the Boys Choir: A Study of Teaching Techniques
Employed at St. Alban's, Washington, D.C. (U.S.A.); King's College,
Cambridge (England); and St. Stephen's, Vienna (Austria).
D.M.A., Performance, University of Southern Mississippi.
Research director: D. C. Washington
DDM Code: 01vqInfP*; DA no.: RILM no.: UM no.:
Somville, Marilyn Feller.
Vowels and Consonants as Factors in Early Singing Styles.
Ph.D., Musicology, Stanford University, 1968.
DDM Code: 01vqSomM; DA no.: 29/05:1559; RILM no.:
76:14550dd; UM no.: 68-15,099
Wind Instruments and Music
Heckle, Josef.
Blasmusik als Kunstgattung.
Ph.D., Musicology, Freiburg im Breisgau.
Research director: Hans Heinrich Eggebrecht
DDM Code: 01wiHecJ*; DA no.: RILM no.: UM no.:
Ruhr, Peter.
Die Blasmusik im südbadischen Raum.
Ph.D., Musicology, Freiburg im Breisgau, 1980.
DDM Code: 01wiRuhP; DA no.: RILM no.: UM no.:
Woodwind Instruments and Music
Smith, Charles Warren.
The History and Literature of the Alto Flute, with a Method for the
Construction of Cadenzas for Eighteenth-Century Solo Flute
Concertos.
D.M.A., Performance, George Peabody College, 1974. 157 p.
DDM Code: 01wnSmiC; DA no.: 35/12:7951; RILM no.:
76:15038dd; UM no.: 75-12,432
Writings on Music
Löll, Wolfgang.
Musikalische Analyse und Musikgeschichtsschreibung. Am Beispiel
der Klaviersonaten von Field, Clementi, Dussek und Beethoven.
DDM Code: 01wrLolW*; DA no.: RILM no.: UM no.:
Pizà, Antoni.
The Tradition of Autobiography by Western Art-Music Composers.
Ph.D., Musicology, City University of New York.
Research director: Miller
DDM Code: 01wrPizA*; DA no.: RILM no.: UM no.:
Ethnomusicology
Aesthetics
Thrasher, Alan.
Foundations of Chinese Music: A Study of Ethics and Aesthetics.
Ph.D., Ethnomusicology, Wesleyan University, 1980. 256 p. illus., tbls.,
facs., mus. exs.
DDM Code: 02aeThrA; DA no.: 41/05:1832; RILM no.:
80:4035dd; UM no.: 80-24030
Ceremony and Music
Brown, Ernest Douglas.
Drums of Life: Royal Music and Social Life in Western Zambia.
Ph.D., Ethnomusicology, University of Washington, 1984. 2 vols., xix,
800 p. illus., plts., tbls., mus. exs., append., bibliog.
DDM Code: 02ceBroE; DA no.: 45/02:337; RILM no.: UM
no.: 84-12,373
Lee, Schu-Chi.
Die Musik in Daoistischen Zeremonien auf Taiwan.
Ph.D., Musicology, Freie Universität, Berlin, 1991.
DDM Code: 02ceLeeS; DA no.: RILM no.: UM no.:
Publication: Frankfurt: Lang, 1992.
Podstavsky, Sviatoslav.
Roko in Argungu: A Hausa Craft in a Northern Nigerian Community.
Ph.D., Ethnomusicology, Columbia University.

DDM Code: 02cePodS*; DA no.: RILM no.: UM no.:
Dance
Ashton, Dudley.
An Ethnologic Approach to Regional Dance.
Ph.D., University of Iowa, .797 p.
Research director: 1951
DDM Code: 02daAshD; DA no.: RILM no.: UM no.:
Publication: Ethno 6 (1962): 193.
Dobos, Jack Percival Baker.
Music and Dance in the Multi-Racial Society of West Malaysia.
Ph.D., Music, London, 1972. 559 p. illus., mus. exs., discog., bibliog.
DDM Code: 02daDobJ; DA no.: RILM no.: 72/899dd; UM
no.:
Fogelquist, Mark Steven.
Sones de Jalisco.
Ph.D., Ethnomusicology, University of California at Los Angeles.
DDM Code: 02daFogM*; DA no.: RILM no.: UM no.:
Higgins, Jon Borthwick.
The Music of Bharata Natyam.
Ph.D., Ethnomusicology, Wesleyan University, 1973. 2 vols., 553 p.
DDM Code: 02daHigJ; DA no.: 34/05:2681; RILM no.:
76:12516dd; UM no.: 73-27,623
Illing, Kai-Torsten.
Das jogèd bungbung. Eine musikalisch-historische Studie über
Unterhaltungsmusik und -tanz auf Bali.
DDM Code: 02daIllK; DA no.: RILM no.: UM no.:
Jandl, Gerta.
Der Tanz im steirischen Brauchtum.
Ph.D., Musicology, Graz, 1968. 257 p. illus., bibliog.
DDM Code: 02daJanG; DA no.: RILM no.: UM no.:
Kaeppler, Adrienne L.
The Structure of Tongan Dance.
Ph.D., Anthropology, University of Hawaii, 1967. xviii, 324 p. illus., plts.
DDM Code: 02daKaeA; DA no.: 28/05:1772; RILM no.:
76:14079dd; UM no.: 67-13,701
Kaloyanides, Michael George.
The Music of Cretan Dances: A Study of Musical Structures of
Cretan Dance Forms as Performed in the Irakleion Province of Crete.
Ph.D., Ethnomusicology, Wesleyan University, 1975. 247 p.

DDM Code: 02daKalM; DA no.: 36/04:1891; RILM no.: UM
no.: 75-22,999
Kvam, Janet Ann.
Norwegian-American Dance Music in Minnesota and Its Roots in
Norway.
D.M.A., Musicology, University of Missouri, 1986.
Research director: Paul J. Revitt
DDM Code: 02daKvaJ; DA no.: RILM no.: UM no.:
Lekis, Lisa.
The Origin and Development of Ethnic Caribbean Dance and Music.
Ph.D., Music, University of Florida, 1956. 294 p.
DDM Code: 02daLekL; DA no.: 16/06:1126-7; RILM no.: UM
no.: 56-16,360
Lühning, Angela.
Die Musik im Candomblé nagô-ketu: Studien zur afrobrasilianischen
Musik in Salvador, Bahia.
Ph.D., Musicology, Freie Universität, Berlin, 1989. 2 vols., xxiii, 392 p.
mus. exs., transcr., bibliog.
Research director: Josef Kuckertz
DDM Code: 02daLuhA; DA no.: RILM no.: 90:6664bm; UM
no.:
Publication: Beiträge zur Ethnomusikologie, no. 24. Hamburg:
Wagner, 1990. ISBN: 3-88979-044-5.
Meyer, Andreas.
Der traditionelle Calypso auf Trinidad.
DDM Code: 02daMeyA; DA no.: RILM no.: UM no.:
Publication: Hamburg: Wagner, 1991.
Moulin, Jane Freeman.
He Ko'ina: Music, Dance and Poetry in the Marquesas Islands.
Ph.D., Music, University of California at Santa Barbara, 1991.
Research director: Lester P. Monts
DDM Code: 02daMouJ; DA no.: RILM no.: UM no.:
Schmidt, Hans.
Die Sardana: Tanz der Katalanen.
Ph.D., Musicology, Hamburg, 1985. lxxxiv, 334 p.
DDM Code: 02daSchH; DA no.: RILM no.: 85:06589dd; UM
no.:
Tuburu, Azuka.
Kinetik und soziale Funktion des Tanzes bei den Igbo (Nigeria) mit
besonderer Berücksichtigung traditioneller afrikanischer
Instrumentalspiel- und Bewegungsdidaktiken sowie ausgewählte
Transkriptionen in Labanotation.
Ph.D., Musicology, Salzburg, 1988.
DDM Code: 02daTubA; DA no.: RILM no.: UM no.:
Wrazen, Louise Josepha.
The Goralski of the Polish Highlanders: Old World Musical Tradition
from a New World Perspective.
Ph.D., Musicology, University of Toronto, 1988. v, 303 p. mus. exs.,
append., bibliog.
Research director: C. Moriz
DDM Code: 02daWraL; DA no.: RILM no.: UM no.:
Drama and Music
Matsuyama, Yoshio.
Studien zur Nô-Musik. Eine Untersuchung des Stückes Hagoromo.
Ph.D., Musicology, Freie Universität, Berlin, 1980. xviii, 407 p.
DDM Code: 02drMatY; DA no.: RILM no.: 80:5232dd; UM
no.:
Publication: Beiträge zur Ethnomusikologie, vol. 8. Hamburg:
Wagner, 1980.
Reese, H. D.
Die musikalischen Gestaltungselemente des Gidayubushi (Japan).
DDM Code: 02drReeH*; DA no.: RILM no.: UM no.:
Schumacher, Rüdiger.
Die Suluk-Gesänge der Dalang im Schattenspiel Zentraljavas.
Ph.D., Musicology, Köln, 1979. 2 vols., 411 p. tbls., mus. exs., transcr.,
bibliog.
DDM Code: 02drSchR; DA no.: RILM no.: 80:3378dd; UM
no.:
Publication: München and Salzburg: Katzbichler, 1980.
Smith, Rosalynd.
Gin-Ei: Japanese Poetry Recitation.
Ph.D., Musicology, Monash University.
DDM Code: 02drSmiR*; DA no.: RILM no.: UM no.:
Ensembles and Ensemble Music
Coelho, Carlos E.
The Dobrado--A Musical Genre of Brazilian Bands.
D.M.A., Music, City University of New York.
Research director: Dee Ohl
DDM Code: 02enCoeC*; DA no.: RILM no.: UM no.:
Harrell, Max Leigh.
The Music of the Gamelan Degung of West Java.
DDM Code: 02enHarM; DA no.: 35/05:3036; RILM no.:
76:12500dd; UM no.: 74-25,701
Jansen, Arlin Dietrich.
Gonrang Music: Its Structure and Functions in Simalungun Batak
Society in Sumatra.
Ph.D., Ethnomusicology, University of Washington, 1980. xii, 388 p.
bibliog.
DDM Code: 02enJanA; DA no.: 41/07:2822; RILM no.:
80:5222dd; UM no.: 80-29766
Jones, Lura JaFran.
The 'Isawiya' of Tunisia and Their Music.
Ph.D., Ethnomusicology, University of Washington, 1977. 314 p.
DDM Code: 02enJonL; DA no.: 38/03:1098-9; RILM no.: UM
no.: 77-18,367
Läpple, Christoph.
Kete, ein königlisches Trommelorchester aus Ashanti (Ghana).
DDM Code: 02enLapC; DA no.: RILM no.: UM no.:
Livingston, Tamara Elena.
Por Que Choros?: A Socio-musicological Study of the Brazilian
Choro.
Ph.D., Musicology, University of Illinois.
DDM Code: 02enLivT*; DA no.: RILM no.: UM no.:
Noll, William Henry.
Peasant Music Ensembles in Poland: A Culture History.
Ph.D., Ethnomusicology, University of Washington, 1986. 2 vols., xvi,
960 p. illus., mus. exs., append., bibliog.
Research director: Hiromi Lorraine Sakat
DDM Code: 02enNolW; DA no.: 47/11; RILM no.:
86:04017dd; UM no.: 86-13,198
Ornstein, Ruby Sue.
Gamelan Gong Kebjar: The Development of a Balinese Musical
Tradition.
Ph.D., Musicology, University of California at Los Angeles, 1971. 2 vols.,
DDM Code: 02enOrnR; DA no.: 32/07:4049; RILM no.:
76:12760dd; UM no.: 72-02,950
Robinson, Gertrude Rivers.
The Ceremonial Repertoire of the Balinese Gamelan Angklung. A
Study in Regional Variation and Compositional Transference.
DDM Code: 02enRobG*; DA no.: RILM no.: UM no.:
Scott-Maxwell, Aline.
Yogyakarta-Gamelan--The Dynamics of the Music Tradition.
Ph.D., Music, Monash University, 1993.
DDM Code: 02enScoA; DA no.: RILM no.: UM no.:
Sutton, R. Anderson.
Variation in Javanese Gamelan Music: Dynamics of a Steady State.
Ph.D., Musicology, University of Michigan, 1982. xv, 369 p. illus., tbls.,
mus. exs., works lst., append., discog., bibliog.
DDM Code: 02enSutR; DA no.: RILM no.: UM no.: 83-
04,610
Yeh, Nora.
Nanguan Music in Taiwan: A Little Known Classical Tradition.
Ph.D., Ethnomusicology, University of California at Los Angeles, 1984.
481 p.
Research director: Marie Louise Göllner
DDM Code: 02enYehN; DA no.: 46/08:2128; RILM no.: UM
no.: 85-22360
Ethnomusicology
Eldridge, John William.
A Preface to the Study of Anglo-American Ballad Variation.
Ph.D., Music, University of Oregon, 1978. 242 p.
DDM Code: 02etEldJ; DA no.: RILM no.: 78:5700dd.; UM
no.:
Födermayr, Franz.
Zur gesangischen Stimmgebung in der aussereuropäischen Musik.
Ein Beitrag zur Methodik der vergleichenden Mussikwissenschaft.
Hab., Ethnomusicology, Wien, 1972. 2 vols., 322 p. illus., mus. exs., ind.
DDM Code: 02etFodF; DA no.: RILM no.: 73:982dd; UM
no.:
Kluge, Reiner.
Faktorenanalytische Typenbestimmung an Volksmelodien. Versuch
einer typologischen Ordnung altmärkischer Melodien--Sammlung
Parisius, Stockmann u.a.--mit Hilfe eines Rechenautomaten ZRA 1.
Ph.D., Musicology, Humboldt Universität, Berlin, 1969. 2 vols., 175 p.
DDM Code: 02etKluR; DA no.: RILM no.: 76:13277dd; UM
no.:
Schneider, Albrecht.
Musikwissenschaft und Kulturkreislehre. Zur Methodik und
Geschichte der vergleichenden Musikwissenschaft.
DDM Code: 02etSchA; DA no.: RILM no.: UM no.:
Publication: Orpheus: Schriftenreihe zu Grundfragen der Musik,
18. Bonn-Bad Godesberg, 1976.
Seidel, Heinz-Peter.
Die 'Kulturkreislehre' in tier vergleichenden Musikwissenschaft.
DDM Code: 02etSeiH*; DA no.: RILM no.: UM no.:
Shapiro, Anne Rondeau.
The Tune-Family Concept in British-American Folk-Song
Scholarship.
Ph.D., Music, Harvard University, 1975. 2 vols., 394 p.
DDM Code: 02etShaA; DA no.: RILM no.: 76: 11931dd; UM
no.:
Alexiou, Margaret B.
The Ritual Lament in Greek Tradition.
DDM Code: 02foAleM; DA no.: RILM no.: UM no.:
Allgayer-Kaufmann, Regine.
'O Aboio': Der Gesang der Vaqueros im Nordosten Brasiliens.
Ph.D., Musicology, Freie Universität, Berlin, 1986. 2 vols., 255 p. illus.,
tbls., mus. exs.
DDM Code: 02foAllR; DA no.: RILM no.: 88:6545bm; UM
no.:
Wagner, 1987.
Anabell, A. R.
New Zealand's Cultural and Economic Development Reflected in
Song; Aspects of the New Zealand Folk Song Ethos.
Ph.D., Music, Auckland, 1976.
DDM Code: 02foAnaA; DA no.: RILM no.: 76:1975dd; UM
no.:
Aretz, Isabel.
Música traditional Argentine: La Rioja.
Ph.D., Musicology, Catholic University of Argentina, 1967. 600 p. mus.
exs.
DDM Code: 02foAreI; DA no.: RILM no.: UM no.:
Armour, Eugene.
The Melodic and Rhythmic Characteristics of the Music of the
Traditional Ballad Variants Found in the Southern Appalachians.
Ph.D., Music Education, New York University, 1961. 177 p.
DDM Code: 02foArmE; DA no.: 22/12:4368; RILM no.: UM
no.: 62-1409
Basile, Christopher.
Music of Rote--Indonesia.
DDM Code: 02foBasC*; DA no.: RILM no.: UM no.:
Baumann, Max Peter.
Musikfolklore und Musikfolklorismus. Eine ethnomusikologische
Untersuchung zum Funktionswandel des Jodels, mit einer
Zusammenstellung der gedruckten Quellen und einer Bibliographie
zur Musikalischen Volkskunde der Schweiz.
Ph.D., Musicology, Bern, 1974.
DDM Code: 02foBauM; DA no.: RILM no.: 76:13074dd; UM
no.:
Beck, Horace Palmer Jr.
Down-East Ballads and Songs.
Ph.D., Language and Literature, University of Pennsylvania, 1952. 433 p.
mus. exs., bibliog.
DDM Code: 02foBecH; DA no.: 12:293; RILM no.: UM no.:
Benmoussa, Abdelhamid.
L'aspect musical du chant bédouin Aiyai de l'Atlas Saharien Algérien.
Ph.D., Musicology, Humboldt Universität, Berlin, 1990.

DDM Code: 02foBenA; DA no.: RILM no.: UM no.:
Benary, Barbara Lynn.
Within the Karnatic Tradition.
DDM Code: 02foBenB; DA no.: 34/05:2674; RILM no.:
76:12345dd; UM no.: 73-27,621
Bevil, Jack Marshall.
Centonization and Concordance in the American Southern Uplands
Folksong Melody: A Study of the Musical Generative and
Transmittive Processes of an Oral Tradition.
Ph.D., Musicology, University of North Texas, 1984. 449 p. tbls., mus.
DDM Code: 02foBevJ; DA no.: 45/07:1905; RILM no.: UM
no.: 84-23854
Bluestein, Eugene.
The Background and Sources of an American Folksong Tradition.
Ph.D., American Studies, University of Minnesota, 1960. vii, 200 p.
bibliog.
DDM Code: 02foBluE; DA no.: RILM no.: UM no.:
Botkin, Benjamin Albert.
The American Play-Party Song: With a Collection of Oklahoma Texts
and Tunes.
Ph.D., Musicology, University of Nebraska, 1931. 400 p. mus. exs.,
bibliog., ind.
DDM Code: 02foBotB; DA no.: RILM no.: UM no.:
Braun, Hartmut.
Studien zum pfälzischen Volkslied.
Ph.D., Musicology, Universität des Saarlandes, 1964. 119 p. mus. exs.
DDM Code: 02foBraH; DA no.: RILM no.: UM no.:
Brambats, Karl.
Studien zur lettischen Volksmusik.
DDM Code: 02foBraK*; DA no.: RILM no.: UM no.:
Brewster, Paul G.
Ballads and Songs of Indiana.
Ph.D., Music, Indiana University, 1940. 376 p. mus. exs., bibliog., ind.
DDM Code: 02foBreP; DA no.: RILM no.: UM no.:
Brown, Ray B.
Alabama Folk Songs.
Ph.D., English, University of California at Los Angeles, 1956. 625 p. mus.
exs., bibliog.
DDM Code: 02foBroR; DA no.: RILM no.: UM no.:
Carpenter, James Madison.
Forecastle Songs and Chanties.
Ph.D., Music, Harvard, 1929. 564 p. bibliog.
DDM Code: 02foCarJ; DA no.: RILM no.: UM no.:
Carriuolo, Rail Eugene.
Materials for the Study of Italian Folk Music.
DDM Code: 02foCarR; DA no.: 35/05:3035; RILM no.:
76:13102dd; UM no.: 74-23,018
Chambers, C. K.
Non-lexical Vocables in Scottish Traditional Music.
Ph.D., Musicology, University of Edinburgh, 1980.
DDM Code: 02foChaC; DA no.: RILM no.: UM no.:
Chapman, Jean.
Analysis of Doina in Romanian Folk Music.
DDM Code: 02foChaJ*; DA no.: RILM no.: UM no.:
Chianis, Sam.
The Vocal and Instrumental Tsamiko of Roumeli and the
Peloponnesus.
DDM Code: 02foChiS; DA no.: 28/05:1835; RILM no.:
76:13108dd; UM no.: 67-14,254
Coombs, Josiah Henry.
Folk-Songs du midi des Etats-Unis.
Doct., Musicology, Paris, 1925. 230 p. bibliog.
DDM Code: 02foCooJ; DA no.: RILM no.: UM no.:
Cox, John Harrington.
The Ballads and Songs of West Virginia.
Ph.D., Music, Harvard, 1923. xxxiv, 711 p. mus. exs.
DDM Code: 02foCoxJ; DA no.: RILM no.: UM no.:
Czekanowska, Anna.
Piesn ludowa Bilgorajskiego [Folk Song of the Bilgoraj Region].
DDM Code: 02foCzeA; DA no.: RILM no.: UM no.:
Durán, L.
The Folk Music of Crete.
Ph.D., Music, London.
DDM Code: 02foDurL*; DA no.: RILM no.: UM no.:
Dygacz, Adolf.
Piesni górnicze. Studium i materially [Miners' Songs: A Study and
Materials].
Ph.D., Philosophy and History, Wroclaw, 1962.
DDM Code: 02foDygA; DA no.: RILM no.: UM no.:
Egger, M.
A Comparative Study of the English, Scottish, and Hungarian
Popular Ballad.
Ph.D., Musicology, London, 1928.
DDM Code: 02foEggM; DA no.: RILM no.: UM no.:
Eidbo, Olav Elling.
Songs of the Norwegian Folk in Culture and Education in the United
States.
Ph.D., Education, North Dakota, 1956. 354 p. illus., tbls., mus. exs.
DDM Code: 02foEidO; DA no.: RILM no.: UM no.:
Elder, Jacob Delworth.
Evolution of the Traditional Calypso of Trinidad and Tabago: A
Socio-Historical Analysis of Song-Change.
Ph.D., Folklore, University of Pennsylvania, 1966.
DDM Code: 02foEldJ; DA no.: RILM no.: UM no.:
Erler, Annette.
Zur Volksmusik der maltesischen Insel Gozo.
Research director: Rudolf M. Brandl
DDM Code: 02foErlA*; DA no.: RILM no.: UM no.:
Ferencak, Stefan A.
"Lepa Si, Lepa Si, Roza Maria" (Schön bist Du, schön bist Du, Rose
Maria). Ein Beispiel historischer Volksmusikforschung.
DDM Code: 02foFerS; DA no.: RILM no.: UM no.:
Fisher, Miles Mark.
The Evolution of Slave Songs of the United States.
Ph.D., Church History, University of Chicago, 1949. xv, 223 p. bibliog.
DDM Code: 02foFisM; DA no.: RILM no.: UM no.:
Flora, Reis Wenger.
A Cultural and Musical Study of the Shehnai in India.
Ph.D., Musicology, University of California at Los Angeles.
DDM Code: 02foFloR*; DA no.: RILM no.: UM no.:
Foley, Rolla.
Work Songs of the Arab.
Ph.D., Ethnomusicology, Columbia, 1956. 344 p.
DDM Code: 02foFolR; DA no.: RILM no.: UM no.:
Fukudo, Hanako.
Lullabies of the Western Hemisphere.
Ed.D., Music, University of Southern California, 1960. 495 p.
DDM Code: 02foFukH; DA no.: 21/03:496; RILM no.: UM
no.:
Gardner-Medwin, A. M. E.
A Comparative Study of the Ballads of Denmark and Scotland.
Ph.D., Musicology, University of Newcastle upon Tyne, 1976.
DDM Code: 02foGarA; DA no.: RILM no.: UM no.:
Gaur, G. D.
A Study of the Folk-Songs of the Merathi Dialect.
Ph.D., Oriental and African Studies, London, 1959.
DDM Code: 02foGauG; DA no.: RILM no.: UM no.:
Geijerstam, Claes Af.
Mexikansk populärmusik [Popular Music in Mexico].
Ph.D., Musicology, Uppsala, 1976. xiv, 187 p. plts., mus. exs., append.,
bibliog.
DDM Code: 02foGeiC; DA no.: RILM no.: UM no.:
Publication: Albuquerque: University of New Mexico Press, 1976.
Germain, Anne Mildred.
Scottish Gaelic Heroic Ballads: An Historical and Analytical Study.
Ph.D., Musicology, Boston University, 1973. xiii, 233 p. mus. exs., works
lst., append., bibliog.
DDM Code: 02foGerA; DA no.: 34/04:1951; RILM no.:
76:13190dd; UM no.: 73-23,483
Gould, Cassius Wallace.
An Analysis of the Folk Music in the Oaxaca and Chiapas Areas of
Mexico.
Ph.D., Music, Northwestern University, 1954. xii, 314 p. illus., mus. exs.,
bibliog.
DDM Code: 02foGouC; DA no.: 14/11:2085; RILM no.: UM
no.: 9237
Gower, Lemuel Herschel.
Traditional Scottish Ballads in the United States.
Ph.D., English Literature, Vanderbilt University, 1957. 228 p.
DDM Code: 02foGowL; DA no.: 17/08:1750; RILM no.: UM
no.:
Greenway, John.
American Folksongs of Social and Economic Protest.
Ph.D., English Literature, Pennsylvania, 1951. x, 348 p. mus. exs.,
bibliog., ind.
DDM Code: 02foGreJ; DA no.: RILM no.: UM no.:
Publication: Philadelphia: University of Pennsylvania Press, 1953.
Hasthorpe, E.
A Study of Pokot Songs.
Ph.D., Ethnomusicology, University of London, 1983.
DDM Code: 02foHasE; DA no.: RILM no.: UM no.:
Helffer, Mireille.
Les chants dans l'épopée tibétaine de Ge-sar, d'après le livre de la
course de cheval (rTa-rgyug); version chantée par Blo-bzan bstan-'jin.
Doct., Ethnomusicology, Paris, 1973. 3 vols., 749 p. illus., mus. exs.,

works lst., bibliog.
DDM Code: 02foHelM; DA no.: RILM no.: UM no.:
Helmer, Robert Paul.
European Pastoral Calls and Their Possible Influence on Western
Liturgical Chant.
Ph.D., Musicology, Columbia University, 1975. 2 vols., 627 p.
DDM Code: 02foHelR; DA no.: 36/05:2479; RILM no.:
76:17182dd; UM no.: 75-25,689
Hemetek, Ursula.
Hochzeitslieder aus Stinatz. Zum Liedgut einer kroatischen Gemeinde
des Burgenlandes.
DDM Code: 02foHemU; DA no.: RILM no.: UM no.:
Hoffmann, Winfried.
Das Hirtenblasen im Thüringer Wald.
Ph.D., Musicology, Leipzig, 1967. 245 p. illus., mus. exs., bibliog.
DDM Code: 02foHofW; DA no.: RILM no.: 68:2443dd; UM
no.:
Howard, William.
The Traditional Music of the Island of Sadogashima, Japan.
Ph.D., Musicology, Queensland.
DDM Code: 02foHowG*; DA no.: RILM no.: UM no.:
Isaku, Patia Myrel.
An Introduction to Japanese Folksong.
DDM Code: 02foIsaP; DA no.: 34/05:2681; RILM no.:
76:12546dd; UM no.: 73-27,264
Jarrett, Janice Carole.
The Song of Lament: An Artistic Women's Heritage (A Study of the
Modern Greek Lamenting Tradition and Its Ancient West Asian and
Mediterranean Prototypes).
DDM Code: 02foJarJ; DA no.: 38/04:1727; RILM no.: UM
no.: 77-21,720
Jersild, Margareta.
Melodier till äldre skillingtrycksuisor. Studier rörande
meloditradition och melodibyte i svensk folkig uissång [Older
Broadside Melodies: A Study of Melodic Tradition and Melodic
Interchange in Swedish Folk Music].
Fil.Lic., Musicology, Uppsala, 1968. 230 p. mus. exs., bibliog.
DDM Code: 02foJerM; DA no.: RILM no.: 68:993dd; UM
no.:
Johnson, Anna.
Den vokala fäbodsmusiken i Sverige [The Songs of the Mountain
Dairies in Sweden].
DDM Code: 02foJohA*; DA no.: RILM no.: UM no.:
Kaden, Christian.
Musikalische Syntax und sozialhistorische Praxis in der
arbeitfunktionalen Signalgebung der Vielhirten.
Ph.D., Musicology, Berlin, 1973. 2 vols., 193 p.
DDM Code: 02foKadC; DA no.: RILM no.: 73:1029dd; UM
no.:
Katz, Israel Joseph.
Judeo-Spanish Traditional Ballads from Jerusalem.
Ph.D., Ethnomusicology, University of California at Los Angeles, 1967. 2
vols., xvii, 557 p. plts., tbls., mus. exs., append., bibliog.
DDM Code: 02foKatI; DA no.: 28/12:5093; RILM no.:
67:2098dd; UM no.: 68-7469
Koorn, Dirk.
Folk Music of the Columbian Andes.
DDM Code: 02foKooD; DA no.: 38/09:5115; RILM no.: UM
no.: 78-00,939
Lacy, A. D.
The Relationship between the Early English Carol and Traditional
English Folk-Song (1898-1970).
Ph.D., Musicology, University of Wales at Bangor, 1982.
DDM Code: 02foLacA; DA no.: RILM no.: UM no.:
Larson, LeRoy Wilbur.
Scandinavian-American Folk Dance Music of the Norwegians in
Minnesota.
Ph.D., Musicology, University of Minnesota, 1975. 507 p.
DDM Code: 02foLarL; DA no.: 36/04:1892; RILM no.:
76:13747dd; UM no.: 75-21,062
Lau, Cheryl Ann.
An Inquiry into the Traditional Music of Tahiti and Its Pedagogy.
D.M.A., Music Education, University of Oregon, 1971. vi, 119 p. mus.
exs., transl., append., bibliog.
DDM Code: 02foLauC; DA no.: 32/09:5269; RILM no.:
76:14082dd; UM no.: 72-08,564
Logar, Engelbert.
Das slowenische Volkslied im Jauntal/Kärnten: Seine Sammlung,
Analyse und Klassifikation.
Ph.D., Musicology, Graz, 1989.
DDM Code: 02foLogE; DA no.: RILM no.: UM no.:
Lorat-Jacob, Bernard.
La musique de village des Ayt Mgun, Berbères sédentaires du Haut
Atlas central, Maroc.
Ph.D., Ethnomusicology, Paris, 1973. 282 p. illus., mus. exs., discog.,
bibliog., ind.
DDM Code: 02foLorB; DA no.: RILM no.: 74/868dd; UM
no.:
Luderwaldt, Andreas.
Lappische Joiken aus Norwegen, ihre Vortragsweis und die
Darstellung aussermusikalischer Vorbilder.
Ph.D., Musicology, Berlin, 1974. 344 p. mus. exs.
DDM Code: 02foLudA; DA no.: RILM no.: 76:6704dd; UM
no.:
McCoy, James A.
The Bomba and aguinaldo of Puerto Rico as They Have Evolved from
Indigenous, African, and European Cultures.
Ph.D., Music, Florida State University, 1968. 178 p. illus., mus. exs.,
bibliog.
DDM Code: 02foMccJ; DA no.: RILM no.: 68:3884dd; UM
no.:
McCulloh, Judith Marie.
In the Pines: The Melodic-Textual Identity of an American Lyric
Folksong Cluster.
Ph.D., Folklore, Indiana University, 1970. xi, 651 p. mus. exs., discog.,
bibliog.
DDM Code: 02foMccK; DA no.: RILM no.: 71:4225dd; UM
no.:
Michaelides, Nefen.
Das Grundprinzip der altarbischen Qasdah in der musikalischen
Form syrischer Volkslieder.
Ph.D., Musicology, Halle, 1972. 107 p.
DDM Code: 02foMicN; DA no.: RILM no.: 73:1007dd; UM
no.:
Michel, Ursula.
Totenklagen im Judet Braila, Rumänien.
DDM Code: 02foMicU*; DA no.: RILM no.: UM no.:
Miller, Terry E.
Kaen Playing and mawlum Singing in Northeast Thailand.
Ph.D., Musicology, Indiana University, 1977.
DDM Code: 02foMilT; DA no.: 38/04:1730; RILM no.:
76:1159dd; UM no.: 77-22,703
Nussbaumer, Thomas Gotthard.
Die Südtiroler-Volksmusiksammlung Alfred Quellmalz. Entstehung
und Analyse.
Ph.D., Musicology, Innsbruck.
Research director: Tilman Seebass
DDM Code: 02foNusT*; DA no.: RILM no.: UM no.:
Pacey, R. W.
Folk Music in Lincolnshire.
Ph.D., Musicology, Oxford University, 1978.
DDM Code: 02foPacR; DA no.: RILM no.: UM no.:
Pegg, R. J.
Some Examples of Aurally Transmitted Music from the Northern
Counties of England.
Ph.D., Musicology, Leeds.
DDM Code: 02foPegR*; DA no.: RILM no.: UM no.:
Philipp, M.
Die Musik der Jungferninseln (Karibik).
DDM Code: 02foPhiM*; DA no.: RILM no.: UM no.:
Pickering, M. J.
The Passing of a Community and Its Song: A Study Based on the
Unpublished Manuscript Collection of Songs from Adderbury, North
Oxfordshire, Made by Janet Blunt.
Ph.D., Musicology, Leeds, 1978.
DDM Code: 02foPicM; DA no.: RILM no.: UM no.:
Pinto, Tiago de Oliveira.
Capoeira, Samba, Candomblé: Afro-brasilianische Musik im
Recôncavo, Bahia.
Ph.D., Musicology, Freie Universität, Berlin, 1990. 264 p. illus., tbls.,
mus. exs.
DDM Code: 02foPinT; DA no.: RILM no.: 91:7118bm; UM
no.:
Publication: Veröffentlichungen des Museums für Völkerkunde
Berlin, no. 52. Berlin: Staatliche Museen Preussischer
Kulturbesitz, 1991. ISBN: 3-496-00497-5.
Rademacher, Johannes.
Rezentes Liedgut am untern Niederrhein. Untersuchungen zur
deutsch- niederländischen Liedgemeinschaft.
Ph.D., Musicology, Freie Universität, Berlin, 1991. 2 vols., 163 p.
DDM Code: 02foRadJ; DA no.: RILM no.: 91-6704bm; UM
no.:
Publication: Beiträge zur Ethnomusikologie, no. 28. Hamburg:
Wagner, 1991.
Rao, Kristin Olson.
The Lavani of Maharashtra, a Regional Genre of Indian Popular
Music.
395 p.
DDM Code: 02foRaoK; DA no.: 46/04:836; RILM no.: UM
no.: 85-13152
Reece, Cortez Donald.
A Study of Selected Folksongs Collected Mainly in Southern West
Virginia.
Ph.D., Musicology, University of Southern California, 1955. 2 vols.,
xxxiv, 1049 p. mus. exs.
DDM Code: 02foReeC; DA no.: RILM no.: UM no.:
Rittershaus, Winfried.
Das Volkslied in der östlichen Eifel. Überlieferung und
Singgewohnheiten dargestellt am Beispiel der Gemeinde Ettringen.
Ph.D., Musicology, Köln, 1978. viii, 295 p.
DDM Code: 02foRitW; DA no.: RILM no.: 78:5676dd; UM
no.:
Publication: Köln: Arno Volk, 1978.
Rössler, Klaus.
Das Mansfelder Bergmannslied--Versuch einer Sammlung und
Interpretation.
Ph.D., Musicology, Halle, 1967. 430 p. illus., mus. exs., bibliog.
DDM Code: 02foRosK; DA no.: RILM no.: 68:2476dd; UM
no.:
Rudina, Rima.
The Vocal Music of the Rumungro Gypsies of Northern Russia.
DDM Code: 02foRudR*; DA no.: RILM no.: UM no.:
Ryan, J. Vincent.
The Sean Nos Tradition of Galway.
DDM Code: 02foRyaJ*; DA no.: RILM no.: UM no.:
Schuursma, Ann May.
Colinde cu duba in Valea Muresului, Southwestern Transylvania
(Hundoara Province, Romania).
Ph.D., Musicology, University of California at Los Angeles, 1987. 2 vols.,
xviii, 323 p. plts., tbls., mus. exs., transcr., append., bibliog.
DDM Code: 02foSchA; DA no.: 48/10:2486; RILM no.: UM
no.: 87-25993
Schulze, B.
Das madegassische Volkslied.
DDM Code: 02foSchB*; DA no.: RILM no.: UM no.:
Schmalzer, Maria Magdalena.
Typologie des Kinderliedes.
Ph.D., Musicology, Innsbruck.
DDM Code: 02foSchM*; DA no.: RILM no.: UM no.:
Schuyler, Philip Daniel.
A Repertory of Ideas: The Music of the Rwais, Berber Professional
Musicians from Southwestern Morocco.
Ph.D., Ethnomusicology, University of Washington, 1979. xiv, 355 p.
illus., tbls., append., discog., bibliog.
DDM Code: 02foSchP; DA no.: 40/12:6065; RILM no.: UM
no.: 80-13,592
Schmitt, Stephan.
Arbeitslieder auf Mallorca: Dokumentation und Untersuchung
einiger Feldarbeits- und Hirtenlieder bevorzugt aus dem Sprengel des
Dorfes Alqueria Blanca im Suden der Baleareninsel.
Ph.D., Musicology, München, 1983. iv, 588 p. illus., facs., mus. exs.,
transcr., bibliog.
Research director: Theodor Göllner
DDM Code: 02foSchS; DA no.: RILM no.: 84:4445bm; UM
no.:
Publication: Münchener Veröffentlichungen zur Musikgeschichte.
Tutzing: Schneider, 1984. ISBN: 3-7952-0389-9.
Simon, Artur.
Studten zur ägyptischen Volksmusik.
DDM Code: 02foSimA; DA no.: RILM no.: 76:1293dd; UM
no.:
Stanley, Denise.
A Study of Urban Folksong: The Travellers of London and the Home
Counties.
DDM Code: 02foStaD*; DA no.: RILM no.: UM no.:
Starks, George Leroy Jr.
Black Music in the Sea Islands of South Carolina: Its Cultural
Context, Continuity and Change.
Ph.D., Ethnomusicology, Wesleyan University, 1973.
DDM Code: 02foStaG; DA no.: RILM no.: 75:2220dd; UM
no.:
Steszewski, Jan.
Problematyka historyczna piesni kurpiowskich [The Historical
Problems of Folk Songs of the Kurpie Region].
Ph.D., History, Institute of Arts, Warsaw, 1965.
DDM Code: 02foSteJ; DA no.: RILM no.: UM no.:
Stief, Wiegand.
Strukturelemente der hessischen Volkslieder.
Ph.D., Musicology, Freie Universität, Berlin, 1970. 129 p. mus. exs.
DDM Code: 02foStiW; DA no.: RILM no.: 73:2339dd; UM
no.:
Sullivan, K.F.
Popular Singing Traditions and Cultural Change in the Old North
Riding of Yorkshire.
Ph.D., Musicology, University of Leeds, 1978.
DDM Code: 02foSulK; DA no.: RILM no.: UM no.:
Swiere, Piotr.
Piesn ludowa na Opolszczyznie [The Folk Song of the Opole Region].
Ph.D., History, Opole, 1972.
DDM Code: 02foSwiP; DA no.: RILM no.: UM no.:
Tewari, Laxmi Ganesh.
Folk Music of India: Uttar Pradesh.
DDM Code: 02foTewL; DA no.: 35/04:2330; RILM no.:
75:2121dd; UM no.: 74-23,028
Tompkins, William David.
The Musical Traditions of the Blacks of Coastal Peru.
Ph.D., Ethnomusicology, University of California at Los Angeles.2 vols.,
594 p.
Research director: Edwin Hanley
DDM Code: 02foTomW; DA no.: 42/12:497; RILM no.: UM
no.: 82-06083
Wegner, Ulrich.
Abudiya und mawwal. Untersuchungen zur sprachlich-musikalischen
Gestaltung im südirakischen Volksgesang.
DDM Code: 02foWegU; DA no.: RILM no.: UM no.:
Weiss, Sarah.
Gender and Gender: An Analysis of Female Roles and Musical
Performance in Central Java.
Research director: Kay Kaufman Shelemay
DDM Code: 02foWeiS*; DA no.: RILM no.: UM no.:
Wenker, Jerome Richard.
A Computer-Aided Analysis of Anglo-Canadian Folksongs.
Ph.D., Folklore, Indiana University, 1978. 2 vols., 206 p.
DDM Code: 02foWenJ; DA no.: RILM no.: UM no.:
Whitney, Carol.
Flamenco, Foreigners, and Academia: A Study in Small Worlds.
DDM Code: 02foWhiC; DA no.: 35/04:2331; RILM no.:
75:2202dd; UM no.: 74-23,029
Zarmas, Pieris.
Studien zur Volksmusik Zyperns.
DDM Code: 02foZarP; DA no.: RILM no.: 76:3650dd; UM
no.:
History of Music
Strong, Willie F.
Philosophies of African-American Music History.
Research director: Robert Stevenson
DDM Code: 02hiStrW*; DA no.: RILM no.: UM no.:
Instrumental Music
Ahrens, Christian.
Instrumentale Musikstile an der osttürkischen Schwarzmeerküste.
Eine vergleichende Untersuchung der Spielpraxis von Davul-Zurna,
Kemence und Tulum.
Ph.D., Music, Freie Universität, Berlin, 1970. 202 p. illus., mus. exs.,
bibliog.
DDM Code: 02imAhrC; DA no.: RILM no.: 70:2337dd; UM
no.:
Jahn, Dieter.
Die Praxis des Instrumentalspiels des kambodschanischen Orchesters
'Voung Phleng Kar,' erläutert an zehn Stücken der Hochzeitsmusik
der Khmer.
Ph.D., Ethnomusicology, Halle, 1973. 2 vols., 323 p. mus. exs.
DDM Code: 02imJahD; DA no.: RILM no.: 74:875dd; UM
no.:
Karomatou, Fajzulla.
Uzbek Instrumental Music.
Ph.D., Musicology, Moscow Conservatory, 1971. 435 p. mus. exs.
DDM Code: 02imKarF; DA no.: RILM no.: 71:4159dd; UM
no.:
Morton, David.
The Traditional Instrumental Music of Thailand.
Ph.D., Music, University of California at Los Angeles, 1964. 449 p.
DDM Code: 02imMorD; DA no.: 25/07:4185-6; RILM no.: UM
no.: 64-12,226
Mora, Manolete.
Interpreting Utom: An Ethnographic Account of the Musical
Instrument Practice of the T'Boli of Mindanao, Philippines.
DDM Code: 02imMorM; DA no.: RILM no.: UM no.:
Pietsch, Rudolf.
Musikalische Volkskultur bei burgenländischen Auswanderern in
Pennsylvania, USA, unter besonderer Berücksichtigung der
Instrumentalmusik.
DDM Code: 02imPieR; DA no.: RILM no.: UM no.:
Plahov, Jurij.
O formoobrazovanii v instrumental'nyh p'esah Sasmakoma [On the
Structure of Instrumental Pieces in Sasmakoma].
Ph.D., Theory, Leningrad Conservatory, 1975. 207 p. bibliog.
DDM Code: 02imPlaJ; DA no.: RILM no.: 76:1313dd; UM
no.:
Reiche, Jens Peter.
Stilelemente südtürkischer Davul-Zurna-Stücke. Ein Beitrag zur
Untersuchung der mediterranen Spielpraxis von Trommel und Oboe.
Ph.D., Musicology, Freie Universität, Berlin, 1968. 140 p. mus. exs.,
thematic cat., bibliog.
DDM Code: 02imReiJ; DA no.: RILM no.: 69:2337dd; UM
no.:
Sieglin, Angelika.
Instrumentalkomposition der türkischen Kunstmusik in ihrer
Beziehung zum Makam: Pesrev und Saz semai in den Makamen Rast,
Ussak und Hicaz.
Ph.D., Musicology, Freie Universität, Berlin, 1984. 2 vols., 238 p.
DDM Code: 02imSieA; DA no.: RILM no.: 84:4270bm; UM
no.:
Wagner, 1984.
Slobin, Mark.
Instrumental Music in Northern Afganistan.
DDM Code: 02imSloM; DA no.: RILM no.: 76:12910dd; UM
no.:
Spearritt, Gordon Donald.
The Music of the Iatmul People of the Middle Sepik River (Papua
New Guinea) with Special Reference to Instrumental Music at
Kandangai and Aibom.
Ph.D., Musicology, Queensland, 1979. 2 vols., xxxii, 698 p. illus., plts.,
tbls., mus. exs., transcr., append., discog., bibliog.
DDM Code: 02imSpeG; DA no.: RILM no.: 79:3396dd; UM
no.:
Instruments
Baltrenene, Marija.
Litovskie narodnye muzykal'nye instrumenty [Lithuanian Folk
Instruments].
Ph.D., Organology, Inst. for Theatre, Music and Cinematography,
Leningrad, 1974. 269 p.
DDM Code: 02inBalM; DA no.: RILM no.: 74:3374dd; UM
no.:
Brandily, Monique.
Instruments de musique et musiciens instrumentistes chez les Teda du
Tibesti.
Ph.D., Ethnomusicology, Paris, 1973. 280 p. illus., bibliog., ind.
DDM Code: 02inBraM; DA no.: RILM no.: 73:2264dd; UM
no.:
DeVale, Sue Carole.
A Sundanese Gamelan: A Gestalt Approach to Organology.
Ph.D., Musicology, Northwestern University, 1977. xxiii, 278 p. illus.,
plts., tbls., mus. exs., transcr., append., bibliog.
DDM Code: 02inDevS; DA no.: 38/11:6387; RILM no.:
76:1131dd; UM no.: 78-05,248
Dournon-Taurelle, Geneviève.
La guimbarde hétéroglotte. Etude organologique et ethnologique.
Diplôme, Ethnomusicology, Paris, 1973. 159 p. illus., bibliog.
DDM Code: 02inDouG; DA no.: RILM no.: 75:2530dd; UM
no.:
Echezona, William W. Chukudinka.
Ibo Musical Instruments in Ibo Culture.
Ph.D., Music, Michigan State University, 1963. 200 p. plts.
DDM Code: 02inEchW; DA no.: 25/02:1246-7; RILM no.: UM
no.: 64-4950
Moore, J. Kenneth.
A Descriptive Catalog and Analysis of Sub-Saharan Musical
Instruments in the Collections of the Metropolitan Museum of Art.
Ph.D., Ethnomusicology, City University of New York.
DDM Code: 02inMooJ*; DA no.: RILM no.: UM no.:
Nyabongo, Ada N.
A Comparative Investigation of the Musical Instruments of Baganda
and Akan and Their Social Usage.
DDM Code: 02inNyaA*; DA no.: RILM no.: UM no.:
Thieme, Darius L.
A Descriptive Catalogue of Yoruba Musical Instruments.
Ph.D., Musicology, Catholic University of America, 1969. ii, 429 p. illus.,
plts., mus. exs., bibliog.
DDM Code: 02inThiD; DA no.: 30/05:2067; RILM no.:
76:8235dd; UM no.: 69-18,580
Liturgical Music
Boys, D. J.
A Critical Edition and Translation of the Samaritan Festival Liturgy
for Hag Shabuot with Special Reference to the Use of the Law.
DDM Code: 02luBoyD; DA no.: RILM no.: UM no.:
Burmeester, O. H. E.
Bohairic Pericopae of Wisdom and Sirach and Coptic Church Offices.

DDM Code: 02luBurO; DA no.: RILM no.: UM no.:
Gale, N. E.
A Critical Edition and Translation of the Karaite Liturgy for the
Sabbath and a Comparison of It with the Corresponding Rabbanite
and Samaritan Liturgies.
DDM Code: 02luGalN; DA no.: RILM no.: UM no.:
Goldblatt, Elizabeth Ann.
Vajrayana Buddhism as Viewed through a Tibetan Ritual, the
Padmasambhava Ceremony.
340 p.
Research director: Charlotte A. Heth
DDM Code: 02luGolE; DA no.: 54/04:1142; RILM no.: UM
no.:
Green, L. C.
A Critical Edition and Translation of the Samaritan Feast of Hag ha-
Succeth with Special Reference to the Historical Development
Involved.
DDM Code: 02luGreL; DA no.: RILM no.: UM no.:
Lee, Byong Won.
An Analytical Study of Sacred Buddhist Chant of Korea.
Ph.D., Ethnomusicology, University of Washington, 1974.
DDM Code: 02luLeeB; DA no.: 35/07:4590-1; RILM no.:
75:3236dd; UM no.: 74-29,445
Pacholczyk, Józef Marcin.
Regulative Principles in the Koran Chant of Shaikh 'Abdu'l-Basit
'Abdu's-Samad.
444 p. illus., mus. exs., discog., bibliog.
DDM Code: 02luPacJ; DA no.: 32/01:476-7; RILM no.:
70:1335dd; UM no.: 71-16,377
Sharvit, Uri.
The Role of Music in the Jewish Yemenite Ritual: A Study of Ethnic
Persistence.
Ph.D., Musicology, Columbia University, 1982. vi, 347 p.
DDM Code: 02luShaU; DA no.: RILM no.: UM no.:
Shelemay, Kay Kaufman.
The Liturgical Music of the Falasha of Ethiopia.
Ph.D., Ethnomusicology, University of Michigan, 1977. 226 p.
DDM Code: 02luSheK; DA no.: 38/04:1732; RILM no.: UM
no.: 77-20,539
Kirchberger, Monika.
Typen der Gebetsrufe in der Türkei.
Ph.D., Musicology, Berlin.
DDM Code: 02luTouM*; DA no.: RILM no.: UM no.:
Turetsky, M.
A Critical Investigation and Translation of the Karaite Liturgy for the
Passover Service and a Comparison of It with the Corresponding
Rabbanite and Samaritan Liturgies.
DDM Code: 02luTurM; DA no.: RILM no.: UM no.:
Wolfmayr, Robert.
Untersuchungen zur lamaistischen Kultmusik.
DDM Code: 02luWolR; DA no.: RILM no.: 76:4537dd; UM
no.:
Melody
Een, Andrea Ruth.
Comparison of Melodic Variants in the Hardingfele Repertoire of
Norway: An Analytical Study of an Aural Folk Tradition.
DDM Code: 02meEenA; DA no.: 38/10:5785; RILM no.: UM
no.: 78-03,981
Hatch, Martin Fellows.
Lagu, Laras, Layang: Rethinking Melody in Javanese Vocal Music.
Ph.D., Musicology, Cornell University, 1980. 524 p.
DDM Code: 02meHatM; DA no.: 41/04:1271; RILM no.: UM
no.: 80-20,827
Kühnelt, Wolf.
Die instrumental bedingten Melodiestrukturen improvisierter Musik.
DDM Code: 02meKuhW*; DA no.: RILM no.: UM no.:
Massoudieh, Mohammad Tagni.
Awaz-e-Sur. Zur Melodiebildung in der persischen Kunstmusik.
Ph.D., Musicology, Köln, 1968. 2 vols., 204 p. mus. exs.
DDM Code: 02meMasM; DA no.: RILM no.: 68:3807dd; UM
no.:
Okyay, Erdogan.
Melodische Gestaltelemente in den türkischen 'Kirik hava'.
Ph.D., Ethnomusicology, Freie Universität, Berlin, 1975.
DDM Code: 02meOkyE; DA no.: RILM no.: 76:1164dd; UM
no.:
Sonnenschmidt, Rosina.
Bhairavi-ragini. Studien zu einem nordindischen Melodietyp.
DDM Code: 02meSonR; DA no.: RILM no.: UM no.:
Yu, Alice.
The Melodic Concepts in Three Genres of Chinese Songs: A Study of
the Relationship between Language and Music.
Ph.D., Ethnomusicology, Columbia University, 1977. 220 p.
DDM Code: 02meYuaL; DA no.: RILM no.: UM no.:
Modality
Amzallag, Avraham Eilam.
Modal Aspects in the Singing of Supplications (Bakashot) by
Moroccan Jews.
Ph.D., Musicology, Hebrew University of Jerusalem.2 vols., 395 p.
DDM Code: 02moAmzA; DA no.: RILM no.: UM no.:
Anderson, Lois Ann M.
The Miko Modal System of Kiganda Xylophone Music.
vols., xvi, 341 p. plts., tbls., mus. exs., append., bibliog.
DDM Code: 02moAndL; DA no.: 32/01:472; RILM no.:
76:12086dd; UM no.: 69-05,361
Ariumi, K.
The Fundamental Tone System of Japanese Folksongs.
Ph.D., Musicology, Tokyo University of the Arts, 1956.
DDM Code: 02moAriK; DA no.: RILM no.: UM no.:
Farhat, Hormoz.
The Dastgah Concept in Persian Music.
DDM Code: 02moFarH; DA no.: 26/10:6087-8; RILM no.: UM
no.: 66-226
Garner, Edwin Chadwick.
Mode: Three Modes of Shingi Shingow Shomyo as Analysed by ECG.
DDM Code: 02moGarE; DA no.: 37/04:1864; RILM no.:
76:17253dd; UM no.: 76-23,701
Kim, Ye-Soon.
The Modes in Korean Music and Their Use in Kayakeum Sanjo.
DDM Code: 02moKimY*; DA no.: RILM no.: UM no.:
Kwon, O-Yeon.
Die Theorie und Praxis der Intonationen in der traditionellen
koreanischen Musik, gemessen an den Wölbbrettzithern Komun'go
und Kaya gum.
Research director: Jobst Peter Fricke
DDM Code: 02moKwoO; DA no.: RILM no.: UM no.:
Publication: Kassel: Bosse, 1992.
Mangahag, Ruby K.
The Development of Ragalaksane, with Reference to Other Modal
Systems.
Ph.D., Musicology, London, 1967. 377 p. illus., mus. exs., bibliog.
DDM Code: 02moManR; DA no.: RILM no.: 70:2346dd; UM
no.:
Ogger, Thomas.
Maqam Sekah/Sikah: Vergleich der Kunstmusik des Irak und des
Iran anhand eines Maqam-Modells.
Ph.D., Musicology, Freie Universität, Berlin, 1987. v, 178 p.
DDM Code: 02moOggT; DA no.: RILM no.: 87:5012bm; UM
no.:
Wagner, 1987.
Powers, Harold Stone.
The Background of the South Indian Raga-System.
Ph.D., Music, Princeton University, 1959. 2 vols., xviii, 306 p. transcr.,
bibliog.
DDM Code: 02moPowH; DA no.: 21/01:206; RILM no.: UM
no.: LC Mic 60-2106
Toth, Andrew Francis.
Modal Practice in Balinese Instrumental Music: A Historical
Perspective.
DDM Code: 02moTotA*; DA no.: RILM no.: UM no.:
Touma, Habib.
Der Maqam Bayati im arabischen Taqsim.
Ph.D., Ethnomusicology, Freie Universität, Berlin, 1968. 105 p. illus.,
mus. exs.
DDM Code: 02moTouH; DA no.: RILM no.: 76:6531dd; UM
no.:
Trainor, John Paul.
Modality in the 'Nhac Tài Tu' of South Vietnam.
DDM Code: 02moTraJ; DA no.: 38/03:1113; RILM no.: UM
no.: 77-18,431
Viswanathan, Tanjore.
Raga Alapana in South Indian Music.
DDM Code: 02moVisT; DA no.: 36/03:1163; RILM no.:
76:12993; UM no.: 75-19,907
Musical and Cultural Life
Engel, Hans.
Die Stellung des Musikers im arabisch-islamischen Raum.
DDM Code: 02mvEngH; DA no.: RILM no.: UM no.:
Garfias, Robert.
The Togaku Style of Japanese Court Music: An Analysis of Theory in
Practice.
DDM Code: 02mvGarR; DA no.: 26/07:3993-4; RILM no.: UM
no.: 66-215
McNeil, Adrian.
The Dynamics of Social and Musical Status in Hindustani Music:
Sarodiyas, Seniyas and the Margi-Desi Paradigm.
DDM Code: 02mvMcnA; DA no.: RILM no.: UM no.:
National Studies
Al Faruqi, Lois Ibsen.
The Nature of the Musical Art of Islamic Culture: A Theoretical and
Empirical Study of Arabian Music.
Ph.D., Humanities, Syracuse University, 1974. 483 p.
DDM Code: 02naAlfL; DA no.: 36/01:15; RILM no.:
76:12324dd; UM no.: 75-13,980
Chi, Chul Young.
The Influence of Chinese Music on Korean Music.
Ed.D., Music Education, University of Northern Colorado, 1975. 171 p.
DDM Code: 02naChiC; DA no.: 36/02:589; RILM no.:
76:12390dd; UM no.: 75-16,833
De Souza, Marian.
Music in Goa.
DDM Code: 02naDesM*; DA no.: RILM no.: UM no.:
Hamam, Abdel-Hamid.
Jordanian Music.
Ph.D., Musicology, University of Wales at Aberystwyth, 1982.
DDM Code: 02naHamA; DA no.: RILM no.: UM no.:
Kebede, Ashenafi.
The Music of Ethiopia: Its Development and Cultural Setting.
Ph.D., Musicology, Freie Universität, Berlin.298 p.
DDM Code: 02naKebA; DA no.: 32/05:2729; RILM no.:
76:12185dd; UM no.: 71-21,875
Klebe, Dorit.
Vergleichende Studien zur traditionellen Türkischen Musik Probleme
des Arrangements.
Ph.D., Musicology, Berlin.
DDM Code: 02naKleD*; DA no.: RILM no.: UM no.:
Lengwinat, Katrin.
Zu konzeptionellen Fragen der Volksmusikforschung in
Lateinamerika.
DDM Code: 02naLenK; DA no.: RILM no.: UM no.:
Malm, Krister.
Fyra musikkulturer: Tanzania, Tunisien, Sverige och Trinidad [Four
Music Cultures: Tradition and Change in Tanzania, Tunisia, Sweden,
and Trinidad].
Ph.D., Musicology, Göteborg, 1981. 223 p. illus., mus. exs., append.,
bibliog.
DDM Code: 02naMalK; DA no.: RILM no.: UM no.:
Publication: Stockholm: AWE/Gerbers, 1981. ISBN 91-20-06-
094-7.
Mamedaliev, Rael.
Problema narodnosti v muzyke [The Problem of National Roots in
Music].
Ph.D., Aesthetics, Baku, 1974. 165 p. bibliog.
DDM Code: 02naMamR; DA no.: RILM no.: 74:3429dd; UM
no.:
Siddons, James DeWitt.
On the Nature of Melody in Asia and Medieval Europe.
Ph.D., Musicology, University of North Texas, 1983. 185 p.
Research director: Michael Collins
DDM Code: 02naSidJ; DA no.: 44/11:3202; RILM no.: UM
no.: 84-04337
Sievers, Bernhard.
Musik in Sierra Leone. Tradition, Wandel und Identitätsverlust einer
Musikkultur in Westafrika.
DDM Code: 02naSieB; DA no.: RILM no.: UM no.:
Sumarsam.
Historical Contexts and Theories of Javanese Music.
Ph.D., Musicology, Cornell University, 1992. x, 471 p. facs., mus. exs.,
bibliog.
Research director: Martin G. Hebst
DDM Code: 02naSumX; DA no.: RILM no.: UM no.:
Opera
Liu, Marjory Bong-Ray (Chen).
Tradition and Change in Kunqu Opera.
287 p.
Research director: Crossley-Holland
DDM Code: 02opCheM; DA no.: 37/05:2483; RILM no.: UM
no.: 76-25219
Chung, Kyo-Chul.
Studien zu P'ansori. Ein Beitrag zu Geschichte, Wesensstruktur und
Gestaltungsprinzipien des koreanischen Epengesangs.
DDM Code: 02opChuK; DA no.: RILM no.: UM no.:
Ferber, Jens.
Die chinesische Oper.
Ph.D., Musicology, Bochum.
Research director: Christian Ahrens
DDM Code: 02opFerJ*; DA no.: RILM no.: UM no.:
Johnson, Judith.
A Critical Study of the Ting-Hsien Yang-Ko Hsüan.
Ph.D., Humanities, Florida State University, 1978.
DDM Code: 02opJohJ; DA no.: RILM no.: UM no.:
Kagan, Alan Lloyd.
Cantonese Puppet Theater: An Operatic Tradition and Its Role in the
Chinese Religious Belief System.
DDM Code: 02opKagA; DA no.: 39/07:3906; RILM no.: UM
no.: 79-00,396
Lee, Wha-Byong.
Studien zur Pansori-Musik in Korea.
DDM Code: 02opLeeW; DA no.: RILM no.: UM no.:
Liu, Marjory Bong-Ray.
Tradition and Change in Kunqü Opera.
287 p.
DDM Code: 02opLiuM; DA no.: 37/05:2483; RILM no.:
76:12685dd; UM no.: 76-25,219
Schönfelder, Gerd.
Das Yuemu cizi in seiner schlagrhythmischen und formstrukturellen
Gestaltung.
Ph.D., Musicology, Leipzig, 1969. xviii, 176 p.
DDM Code: 02opSchG; DA no.: RILM no.: 76:16268dd; UM
no.:
Yarmolinsky, Benjamin.
Essay on the Jillala Brotherhood's Music: Chamber Opera.
Ph.D., Music, City University of New York, 1991.
DDM Code: 02opYarB; DA no.: RILM no.: UM no.:
Pedagogy
Dunkel, Maria.
Bandonion und Konzertina: Ein Beitrag zur Darstellung des
Instrumententyps.
Ph.D., Musicology, Freie Universität, Berlin, 1986. 176 p. illus., tbls.,
mus. exs., bibliog.
DDM Code: 02pdDunM; DA no.: RILM no.: 87:6384bm; UM
no.:
Publication: Berliner musikwissenschaftliche Arbeiten, 30.
München, Salzburg: Katzbichler, 1987. ISBN: 3-8739-7070-8.
Berliner, Paul Franklin.
The Soul of Mbira: An Ethnography of the Mbira among the Shona
People of Rhodesia.
DDM Code: 02peBerP; DA no.: 35/05:3033; RILM no.:
76:12098dd; UM no.: 74-23,016
Branda-Lacerda, Marcos.
Kultische Trommelmusik der Yoruba in der Volksrepublik Benin:
Bata-Sango und Bata-Egungun in den Städten Pobè und Sakété.
Ph.D., Musicology, Freie Universität, Berlin, 1987. 2 vols., 328 p. illus.,
mus. exs.
DDM Code: 02peBraM; DA no.: RILM no.: 88:5681bm; UM
no.:
Wagner, 1988.
Brown, Robert E.
The Mrdanga--A Study of Drumming in South India.
Ph.D., Music, University of California at Los Angeles, 1965. 2 vols., 750
p.
DDM Code: 02peBroR; DA no.: 26/03:1684; RILM no.: UM
no.: 65-6947
Godsey, Larry Ennis.
The Use of the Xylophone in the Funeral Music of the Birifor of
Northwest Ghanah.
348 p.
DDM Code: 02peGodL; DA no.: 41/04:1271; RILM no.: UM
no.: 80-15,978
Kavyu, Paul Ndilya.
Die Trommelmusik der Akamba -- eine Untersuchung der vokalen
und instrumentalen Aspekte einer Ethnie in Kenia.
Ph.D., Musicology, Köln, 1982. 280 p. illus.
Research director: R. Günther
DDM Code: 02peKavP; DA no.: RILM no.: UM no.:
Kippen, J. R.
The Traditional Tabla Drumming of Lucknow in Its Social and
Cultural Context.
Ph.D., Ethnomusicology, Queen's University, Belfast, 1985.
DDM Code: 02peKipJ; DA no.: RILM no.: UM no.:
Olaniyan, C.
The Composition and Performance Techniques of Dùndún-sèkèrè
Music of Southwestern Nigeria.
DDM Code: 02peOlaC; DA no.: RILM no.: UM no.:
Plate, Regina.
Kulturgeschichte der Maultrommel.
DDM Code: 02pePlaR; DA no.: RILM no.: UM no.:
Raab, Claus.
Trommelmusik der Hausa in Nord-West-Nigeria.
Ph.D., Music, Freie Universität, Berlin, 1970. 249 p. mus. exs., bibliog.
DDM Code: 02peRaaC; DA no.: RILM no.: 70:3775dd; UM
no.:
Salisbury, David.
Talempong Music in West Sumatra.
DDM Code: 02peSalD*; DA no.: RILM no.: UM no.:
Seavoy, Mary H.
The Voltaic Xylophone Area of West Africa in Microcosm: The
Sisaala Tradition.
DDM Code: 02peSeaM; DA no.: RILM no.: UM no.:
Shepherd, Frances Ann.
Tabla and the Benares Gharana.
DDM Code: 02peSheF; DA no.: 37/10:6134-5; RILM no.: UM
no.: 76-23,706
Skog, Inge.
North Borneo Gongs and the Javanese Gamelan. Studies in Southeast
Asian Gong Traditions.
Ph.D., Musicology, University of Stockholm, 1993.
Research director: Holger Larsen
DDM Code: 02peSkoI; DA no.: RILM no.: UM no.:
Stewart, Rebecca Marie.
The Tablà in Perspective.
444 p.
DDM Code: 02peSteR; DA no.: 34/12:7813; RILM no.:
74:3361dd; UM no.: 74-12,474
Uzoigwe, J.
The Compositional Techniques of Ukom Music of Southeastern
Nigeria.
DDM Code: 02peUzoJ; DA no.: RILM no.: UM no.:
Wegner, Gerd-Matthias.
Die Tabla im Gharana des Ustad Munir Khan (Laliyana). Studien
zum Trommelspiel in der nordindischen Kunstmusik.
DDM Code: 02peWegG; DA no.: RILM no.: UM no.:
Philosophy and Music
Ahlstrom, David Charles.
Creative Sound as the Ground of Music.
Ph.D., Musicology, California Institute of Asian Studies, 1974. 290 p.
DDM Code: 02phAhlD; DA no.: 35/05:3032; RILM no.:
76:16423dd; UM no.: 74-24,754
Polyphony
Arom, Simha.
Esprit et techniques des polyphonies centrafricaines.
Doct., Musicology, Paris.
DDM Code: 02poAroS*; DA no.: RILM no.: UM no.:
Kauffman, Robert Allen.
Multi-Part Relationships in the Shona Music of Rhodesia.
346 p.
DDM Code: 02poKauR; DA no.: 31/07:3582; RILM no.:
76:12181dd; UM no.: 71-00,650
Messner, Gerald Florian.
Die Schwebungsdiaphonie in Bistrica. Untersuchungen der
mehrstimmigen Liedformen eines mittelwestbulgarischen Dorfes.
Ph.D., Ethnomusicology, Wien, 1976.
DDM Code: 02poMesG; DA no.: RILM no.: 76:13340dd; UM
no.:
Rice, Timothy Floyd.
Polyphony in Bulgarian Folk Music.
Ph.D., Ethnomusicology, University of Washington, 1977. viii, 254 p.
DDM Code: 02poRicT; DA no.: 38/09:5116-7; RILM no.: UM
no.: 78-00,966
Royl, Ekkehart.
Wurzeln der Mehrstimmigheit in Melanesien.
DDM Code: 02poRoyE*; DA no.: RILM no.: UM no.:
Primitive Cultures, Music of
Akpabot, Samuel Ekpe.
Functional Music of the Ibibio People of Nigeria.
Ph.D., Musicology, Michigan State University, 1975. 156 p.
DDM Code: 02prAkpS; DA no.: 36/03:1151; RILM no.:
76:12078dd; UM no.: 75-20,806
Amoaku, William Komla.
Symbolism in Traditional Institutions and Music of the Ewe of
Ghana.
Ph.D., Musicology, University of Pittsburgh, 1975. 340 p.
DDM Code: 02prAmoW; DA no.: 36/04:1884; RILM no.:
76:12084dd; UM no.: 75-22,409
Asiama, Simeon David.
Abofoo: A Study of Akan Hunter's Music.
DDM Code: 02prAsiS; DA no.: 38/04:1723; RILM no.: UM
no.: 77-21,713
Azvonye, Kingston Chukwuma.
The Narrative War Songs of the Ohafia Igbo: A Critical Analysis of
Their Characteristic Features in Relation to Their Social Function.
Ph.D., Musicology, University of London, 1980.
DDM Code: 02prAzvK; DA no.: RILM no.: UM no.:
Bareis, Urban.
Musik und Musiktradition im Leben der Kpando-Ewe/Südost-Ghana.

DDM Code: 02prBarU*; DA no.: RILM no.: UM no.:
Benedict, Laura E. W.
A Study of Bagobo Ceremonial, Magic and Myth.
Ph.D., Anthropology, Columbia University, 1914. 307 p. illus., plts.,
bibliog., ind.
DDM Code: 02prBenL; DA no.: RILM no.: UM no.:
Bigalke, Erich Heinrich.
An Ethnomusicological Study of the Ndlambe of South-Eastern
Africa.
Ph.D., Ethnomusicology, Queen's University, Belfast, 1983. 302 p.
DDM Code: 02prBigE; DA no.: 49/12:3771; RILM no.:
89:6028dd; UM no.:
Bigalde, E.
The Sociology of Xhosa Music.
Ph.D., Musicology, Belfast.
DDM Code: 02prBigE*; DA no.: RILM no.: UM no.:
Blacking, John.
Venda Children's Songs: A Study in Ethnomusicological Analysis.
Ph.D., Ethnomusicology, Johannesburg, 1965. 210 p. illus., mus. exs.,
bibliog., ind.
DDM Code: 02prBlaJ; DA no.: RILM no.: 70:913dd; UM
no.:
Brandel, Rose.
The Music of Central Africa.
Ph.D., Music, New York University, 1959. 2 vols., 370 p.
DDM Code: 02prBraR; DA no.: 27/051390-1; RILM no.: UM
no.: 66-9666
Brandl, Rudolf Maria.
Märchenlieder aus dem Ituri-Wald. Die Lieder aus den Erzählungen
der Waldneger und Pygmäen von der Kongo-Expedition...(1958/59).
DDM Code: 02prBraS; DA no.: RILM no.: UM no.:
Campbell, Carol Ann.
Nyimbo za Kiswahili: A Socio-ethnomusicological Study of a Swahili
Poetic Form.
Ph.D., Ethnomusicology, University of Washington, 1983. xi, 298 p.
illus., tbls., mus. exs., append., bibliog.
DDM Code: 02prCamC; DA no.: 43/12:3747; RILM no.: UM
no.: 83-08,601
Charry, Eric S.
Music Thought, History, and Practice Among the Mande of West
Africa.
Ph.D., Musicology, Princeton University, 1992. xiv, 360 p. illus., mus.
exs., transcr., append., discog., bibliog.
Research director: Harold S. Powers
DDM Code: 02prChaE; DA no.: RILM no.: UM no.: 93-2049
Chenoweth, Vida.
The Usarufas and Their Music.
Ph.D., Musicology, Auckland, 1974. 258 p. illus., mus. exs.
DDM Code: 02prCheV; DA no.: RILM no.: 79:3391dd; UM
no.:
Publication: SIL Museum of Anthropology Publications, vol 5.
Dallas: SIL Museum of Anthropology, 1979.
Crowe, P.
Music of Aoba, New Hebrides.
Ph.D., Musicology, Auckland.
DDM Code: 02prCroP*; DA no.: RILM no.: UM no.:
Edström, Karl-Olof.
Den samiska musikkulturen. En källkritisk översikt [The Lappish
Music Culture: A Critical Study of the Sources].
Ph.D., Musicology, Göteborg, 1977. vi, 218 p. mus. exs., transcr.,
append., bibliog.
DDM Code: 02prEdsK; DA no.: RILM no.: UM no.:
Publication: Göteborg: Bokmaskinen, 1978.
Ekwueme, Lazarus Edward Nnanyelu.
Ibo Choral Music: Its Theory and Practice.
Ph.D., Music, Yale University, 1972. 464 p.
DDM Code: 02prEkwL; DA no.: 33/05:2409; RILM no.:
76:12127dd; UM no.: 72-29,539
England, Nicholas M.
Music Among the Z u'i'wa-si of South West Africa and Botswana.
Ph.D., Music, Harvard University, 1968.
DDM Code: 02prEngN; DA no.: RILM no.: 76:12129dd; UM
no.:
Fiagbedzi, Nissio.
The Music of the Anlo-Ewe of Ghana: An Ethnomusicological
Enquiry into Its History, Cultural Matrix, and Style.
505 p.
DDM Code: 02prFiaN; DA no.: 38/02:537; RILM no.: UM
no.: 77-16,157
Gansemans, Jos.
Aspekten van de muziekkultuur der Luba-Shaba. Een bijdrage tot de
etnomusicologie in Zaïre.
Ph.D., Ethnomusicology, Catholic University of Leuven, 1975. 4 vols.,
620 p. illus., mus. exs., thematic cat., bibliog., ind.
DDM Code: 02prGanJ; DA no.: RILM no.: 76:12144dd; UM
no.:
Goldsworthy, D.
Melayu Music of North Sumatra: Continuities and Change.
Ph.D., Music, Monash, 1979. 2 vols.,
DDM Code: 02prGolD; DA no.: RILM no.: UM no.:
Gourlay, Kenneth Alexander.
Studies in Karimojong Musical Culture.
Ph.D., Social Sciences, University of East Africa, 1971. 2 vols., 835 p.
mus. exs., bibliog.
DDM Code: 02prGouK; DA no.: RILM no.: 71:1218dd; UM
no.:
Haase, Gesine.
Die Musik der Santa-Cruz-Inseln.
Ph.D., Musicology, Berlin, 1976. 301 p. mus. exs.
DDM Code: 02prHaaG; DA no.: RILM no.: UM no.:
Publication: Beiträge zur Ethnomusikologie, 6. Hamburg, 1977.
Haefer, J. Richard.
Musical Thought in Papago Culture.
Ph.D., Musicology, University of Illinois, 1981.
DDM Code: 02prHaeJ; DA no.: RILM no.: UM no.:
Heidsieck, Ralph.
Music of the Luiseno Indians of Southern California: A Study of
Music in Indian Culture with Relation to a Program in Music
Education.
DDM Code: 02prHeiR; DA no.: 26/12:7355-6; RILM no.: UM
no.: 66-4745
Hürter, Friedegard.
Heilung durch Musik in Afrika.
DDM Code: 02prHurF*; DA no.: RILM no.: UM no.:
Hurworth, Gregory.
The Music of the Yami of Botel Tobago, Taiwan.
Ph.D., Music, Monash.
DDM Code: 02prHurG*; DA no.: RILM no.: UM no.:
Johnston, Thomas Frederick.
Music of the Shangana-Tsonga.
Ph.D., Social Anthropology, Witwatersrand, 1971. xx, 350 p. plts., tbls.,
transcr., bibliog.
DDM Code: 02prJohT; DA no.: 34/08:5229-30; RILM no.:
UM no.: 74-3773
King, A. V.
Music at the Court of Katsina (Ganguna and Kakakai).
Ph.D., Musicology, London, 1969.
DDM Code: 02prKinA; DA no.: RILM no.: UM no.:
Knight, Roderic Copley.
Mandinka Jaliya: Professional Music of the Gambia.
Ph.D., Music, University of California at Los Angeles, 1973. 2 vols., xviii,
468 p. illus., plts., tbls., mus. exs., works lst., discog., bibliog.
DDM Code: 02prKniR; DA no.: 34/08:5230-1; RILM no.:
73:4047dd; UM no.: 74-1573
Leisten, Hans-Joachim.
Die Lieder der Watut. Kultgesänge aus Bentsen, Mazarena und
Madzim (Nordost-Neuguinea).
Ph.D., Musicology, Freie Universität, Berlin, 1968. 133 p.
DDM Code: 02prLeiH; DA no.: RILM no.: 72:3735dd; UM
no.:
Loh, I-to.
The Tribal Music of Taiwan: With Special Reference to the Ami and
Puyuma Styles.
558 p.
DDM Code: 02prLohI; DA no.: 43/10:3150; RILM no.: UM
no.: 83-06080
Lucas, Theodore D.
The Musical Style of the Shipibo Indians of the Upper Amazon.
D.M.A., Composition, University of Illinois, 1970. v, 414 p. illus., plts.,
tbls., discog., bibliog.
DDM Code: 02prLucT; DA no.: 31/09:4820-1; RILM no.:
70:1001dd; UM no.: 71-5168
Lu, Ping-Chuan.
Taiwan takasago zoku no ongaku [The Music of the Takasago Tribe
in Formosa].
D.M.A., Ethnomusicology, Tokyo University, 1973. 2 vols., 1043 p. illus.,
facs., mus. exs., bibliog.
DDM Code: 02prLuxP; DA no.: RILM no.: 74:877dd; UM
no.:
Maceda, José Montserrat.
The Music of the Magindanao in the Philippines.
Ph.D., Music, University of California at Los Angeles, 1963. 2 vols., 517
p.
DDM Code: 02prMacJ; DA no.: 25/09:5322-3; RILM no.: UM
no.: 64-4431
McCardell, Antony.
The Music of the Australian Western Desert Aborigines.
Ph.D., Ethnomusicology, Western Australia, 1977.
DDM Code: 02prMccA; DA no.: RILM no.: 76:2677dd; UM
no.:
McLean, M.
Maori Chant.
Ph.D., Music, Otago, 1965.
DDM Code: 02prMclM; DA no.: RILM no.: UM no.:
Menezes Bastos, Rafael José de.
A Musicológica Kamayurá: para una antropologia da comunicagáo
no alto-xingu.
M.A., Social Anthropology, Universidade de Brasilia, 1976.
DDM Code: 02prMenR; DA no.: RILM no.: UM no.:
Monts, Lester Parker.
Music in Vai Society: An Ethnomusicological Analysis of a Liberian
Ethnic Group.
DDM Code: 02prMonL; DA no.: 41/07:2823; RILM no.:
80:3334dd; UM no.: 81-02131
Moore, Lynnette.
Songs of the Pakpak of North Sumatra.
DDM Code: 02prMooL; DA no.: RILM no.: UM no.:
Morrison, Ann.
Music That Moves between Worlds: Wabanaki Music in the Cultural
History of Northeastern North America.
Ph.D., Ethnomusicology, Harvard University.
Research director: Kay Kaufman Shelemay
DDM Code: 02prMorA*; DA no.: RILM no.: UM no.:
Moyle, A.
North Australian Music. A Taxonomic Approach to the Study of
Aboriginal Song Performance.
Ph.D., Musicology, Monash, 1975.
DDM Code: 02prMoyA; DA no.: RILM no.: UM no.:
Moyle, Richard M.
Samoan Traditional Music.
Ph.D., Music, Auckland, 1971. 2 vols., xxiii, 1114 p. illus., facs., mus.
exs., bibliog., ind.
DDM Code: 02prMoyR; DA no.: RILM no.: 71:1323dd; UM
no.:
Nettl, Bruno.
American Indian Music North of Mexico: Its Styles and Areas.
Ph.D., Musicology, Indiana University, 1953. vii, 239 p. tbls., mus. exs.,
transcr., bibliog.
DDM Code: 02prNetB; DA no.: 13/05:834; RILM no.: UM
no.: 5873
O'Brien, Linda Lee.
Songs of the Face of the Earth: Ancestor Songs of the Tzutuhil-Maya
of Santiago Atitlán, Guatemala.
284 p.
DDM Code: 02prObrL; DA no.: 36/07:4098-9; RILM no.: UM
no.: 76-838
Olsen, Dale Alan.
Music and Shamanism of the Winikina-Warao Indians: Songs for
Curing and Other Theurgy.
vols., 566 p.
DDM Code: 02prOlsD; DA no.: 34/08:5234; RILM no.:
76:13990dd; UM no.: 73-28,744
Paige, Harry W.
Songs of the Teton Sioux.
Ph.D., English, State University of New York at Albany, 1967. 201 p.
illus., bibliog., ind.
DDM Code: 02prPaiH; DA no.: RILM no.: 70:995dd; UM
no.:
Parthun, Paul Robert.
Chippewa Music in Minnesota.
Ph.D., Musicology, University of Minnesota.
DDM Code: 02prParP*; DA no.: RILM no.: UM no.:
Payne, Helen Elizabeth.
The Function and Meaning of Women's Inma in Western Desert
Culture.
Ph.D., Ethnomusicology, Queensland.
DDM Code: 02prPayH*; DA no.: RILM no.: UM no.:
Pugh-Kitingan, Jacqueline.
An Ethnomusicological Study of the Huli of the Southern Highlands,
Papua New Guinea.
Ph.D., Ethnomusicology, Queensland.
DDM Code: 02prPugJ*; DA no.: RILM no.: UM no.:
Rhodes, Robert William.
Selected Hopi Secular Music: Transcription and Analysis.
Ed.D., Music Education, Arizona State University, 1973. 123 p.
DDM Code: 02prRhoR; DA no.: 33/07:3700; RILM no.:
74:954dd; UM no.: 73-394
Schmidt, Barbara.
Rituelle Frauengesänge der Tshokwe. Untersuchungen zu einem
Säkularisierungsprozess in Angola und Zaire.
DDM Code: 02prSchB; DA no.: RILM no.: UM no.:
Schechter, John Mendell.
Music in a Northern Ecuadorian Highland Locus: Diatonic Harp,
Genres, Harpists, and Their Ritual Junction in the Quechua Child's
Wake.
Ph.D., Ethnomusicology, University of Texas, 1982. 3 vols., xxii, 947 p.
DDM Code: 02prSchJ; DA no.: 43/05:1343; RILM no.:
82:5470dd; UM no.: 82-17936
Trimillos, Ricardo Diosdado.
Tradition and Repertoire in the Cultivated Music of the Tausug of
Sulu, Philippines.
646 p.
DDM Code: 02prTriR; DA no.: 32/12:7035; RILM no.:
76:12971dd; UM no.: 72-18,144
Turkson, Adolphus.
Effutu Asafo Music: A Study of a Traditional Music of Ghana with
Special Reference to the Role of Tone Language in Choral Music
Involving Structural and Harmonic Analysis.
Ph.D., Musicology, Northwestern University, 1972. xvi, 365 p. illus.,
plts., tbls., mus. exs., transcr., append., bibliog.
DDM Code: 02prTurA; DA no.: 34/02:816; RILM no.:
72:892dd; UM no.: 73-10,307
Varela-Ruiz, L.
Die Musik im Leben der Yaqui. Beitrag zum Studium der Tradition
einer mexikanischen Ethnie.
Ph.D., Musicology, Köln, 1982. 403 p. illus., mus. exs., transcr., discog.,
bibliog.
DDM Code: 02prVarL; DA no.: RILM no.: 82:3271bm; UM
no.:
Publication: Regensburg: Bosse, 1982.
Vennum, Thomas Jr.
Southwestern Ojibwa Music.
Ph.D., Music, Harvard University, 1975. 2 vols., xii, 566 p. transcr.
DDM Code: 02prVenT; DA no.: RILM no.: 76:13879dd; UM
no.:
Weich-Shahak, Susana.
Music and Mythical Strata in Several Indian Cultures of South
America: Four Indian Tribes of the Peruvian Forest--Yagua, Campa,
Mashco and Orejón.
Ph.D., Musicology, Tel-Aviv University.
DDM Code: 02prWeiS*; DA no.: RILM no.: UM no.:
Welch, David Baillie.
Aspects of Vocal Performance in Sàngó Praise-Poetry and Song.
DDM Code: 02prWelD; DA no.: 33/06:2973; RILM no.:
76:12302dd; UM no.: 72-32,610
Zemp, Hugo.
Musique et musiciens chez les Dan (Côte d'Ivoire).
Ph.D., Ethnomusicology, Paris, 1968. 446 p. illus., discog., bibliog.
DDM Code: 02prZemH; DA no.: RILM no.: 72:2209dd; UM
no.:
Rhythm
Bielawski, Ludwik.
Rytmika polskich piesni ludowych [The Rhythm of Polish Folk
Songs].
Ph.D., Musicology, Institute of Arts,Warsaw, 1965.
DDM Code: 02rhBieL; DA no.: RILM no.: UM no.:
Hartenberger, John Russell.
Mrdangam Manual: A Guidebook to South Indian Rhythm for
Western Musicians.
Ph.D., Musicology, Wesleyan University, 1974. 5 vols., 626 p.
DDM Code: 02rhHarJ; DA no.: 35/05:3037; RILM no.:
74:3315dd; UM no.: 74-23,024
Horie, M.
Rhythm in African Music.
Ph.D., Musicology, Tokyo University of the Arts, 1959.
DDM Code: 02rhHorM; DA no.: RILM no.: UM no.:
Linh, Ngô Duy.
Le rythme dans la musique vietnamienne.
Doct., Musicology, Paris, 1975.
DDM Code: 02rhLinN; DA no.: RILM no.: UM no.:
Pantaleoni, Hewitt.
The Rhythm of Atsia Dance Drumming among the Anlo (Eve) of
Anyako.
Ph.D., Ethnomusicology, Wesleyan University, 1972.
DDM Code: 02rhPanH; DA no.: 33/03:1189-90; RILM no.:
72/890; UM no.:
Tsuge, Gen'ichi.
Avaz: A Study of the Rhythmic Aspects in Classical Iranian Music.
DDM Code: 02rhTsuG; DA no.: 35/09:6187-8; RILM no.: UM
no.: 75-5470
Sacred Music
Barreto, Lourdino.
Aesthetic Indian Music as a Bridge between Christian and Indian
Religious Music.
Ph.D., Sacred Music, Pontifical Institute of Sacred Music, Rome, 1968.
275 p. mus. exs., bibliog., ind.
DDM Code: 02saBarL; DA no.: RILM no.: 68/2876; UM no.:
Publication: Ethno 14 (1970): 281, no. 48.

Boilès, Charles L. Jr.
Cognitive Process in Otomi Cult Music.
Ph.D., Music, Tulane University, 1969. iv, 176 p. illus., tbls., mus. exs.
DDM Code: 02saBoiC; DA no.: 30/10:4470-B; RILM no.:
76:13920dd; UM no.: 70-06,380
Burnim, Mellonee Victoria.
The Black Gospel Music Tradition: Symbol of Ethnicity.
Ph.D., Music, Indiana University, 1980. 327 p.
DDM Code: 02saBurM; DA no.: 41/09:3773; RILM no.:
80:3482dd; UM no.: 81-05956
Carvalho, J. de.
Ritual and Music of the "Sango" Cults of Recife, Brazil.
Ph.D., Ethnomusicology, Queen's University, Belfast, 1984.
DDM Code: 02saCarJ; DA no.: RILM no.: UM no.:
Cohen, Dalia.
Zimrat hahimnônim sel ha-'arauim ha-rtôdoksim we-bay-yevanim
haq-qatôlim be-yisra-el [The Hymn Singing of the Greek Orthodox
and Greek Catholic Arabs in Israel].
Ph.D., Musicology, Jerusalem, 1968. 268 p. illus., mus. exs., bibliog.
DDM Code: 02saCohD; DA no.: RILM no.: 68:4288dd; UM
no.:
Datey-Kumodzie, S.
Traditionelle Kultmusik der Anlo (Ghana).
DDM Code: 02saDatS*; DA no.: RILM no.: UM no.:
Dixon, Christa.
Negro Spirituals, Wesen und Wandel geistlicher Volkslieder.
Ph.D., English Philology, Bonn, 1965. 333 p. bibliog., ind.
DDM Code: 02saDixC; DA no.: RILM no.: 68:2501dd; UM
no.:
Horn, Dorothy.
A Study of the Folk Hymns of Southeastern America.
DDM Code: 02saHorD; DA no.: RILM no.: UM no.:
Laster, James H.
Christian Hymnody in Iran.
Ph.D., Musicology, George Peabody College, 1973. 575 p.
DDM Code: 02saLasJ; DA no.: 34/07:4315; RILM no.:
76:17155dd; UM no.: 73-32,639
Maultsby, Portia Katrenia.
Afro-American Religious Music: 1619-1861.
Ph.D., Ethnomusicology, University of Wisconsin, 1974. 2 vols., viii, 336
p. tbls., mus. exs., append., bibliog.
DDM Code: 02saMauP; DA no.: 35/11:7343; RILM no.: UM
no.: 75-7597
Muller, Carol.
Ama Nazaretha Women Sing to God: An Analysis of the Articulation
of a Women's Musical Language in a South African Indigenous
Church.
Research director: David Burrows
DDM Code: 02saMulC*; DA no.: RILM no.: UM no.:
Munro, J. A.
Primitive Sacred Utterance.
Ph.D., Music, King's, London, 1951.
DDM Code: 02saMunJ; DA no.: RILM no.: UM no.:
Pérez, Maria del Rosario.
The Liturgical-Religious Music of the Tzeltal of Highland Chiapas.
Ph.D., Ethnomusicology, University of Washington.
DDM Code: 02saPerM*; DA no.: RILM no.: UM no.:
Simon, Robert Leopold.
Bhakti Ritual Music in South India: A Study of the Bhajana in Its
Cultural Matrix.
Ph.D., Ethnomusicology, University of California, 1975. 413 p.
DDM Code: 02saSimR; DA no.: 36/05:2483; RILM no.:
76:12887dd; UM no.: 75-25,189
Vogels, Raimund.
Tanzlieder und liturgische Gesänge bei den Dagaaba in
Nordwestghana. Zur Verwendung einheimischer Musik im
katholischen Gottesdienst.
DDM Code: 02saVogR; DA no.: RILM no.: UM no.:
Wohlenberg, Dieter.
Kultmusik in Israel. Eine forschungsgeschichtliche Untersuchung.
Ph.D., Theology, Hamburg, 1967. xviii, 683 p. facs., mus. exs., bibliog.,
ind.
DDM Code: 02saWohD; DA no.: RILM no.: 69:466dd; UM
no.:
Scales
Barkechli, Mehdi.
La Gamme de la musique iranienne.
Th.Sc., Music, Paris, 1948.
DDM Code: 02scBarM; DA no.: RILM no.: UM no.:
Neuhoff, Hans.
Pentatonik in der nordindischen Kunstmusik.
Research director: Helga de la Motte
DDM Code: 02scNeuH*; DA no.: RILM no.: UM no.:
Ackermann, Peter.
Studien zur Kotomusik von Edo.
Ph.D., Musicology, Basel, 1986. 2 vols., 837 p. illus., tbls., facs., mus.
exs., transcr., discog., bibliog., ind.
DDM Code: 02snAckP; DA no.: RILM no.: 87:4955dd; UM
no.:
Publication: Studien zur traditionellen Musik Japans, vol. 6.
Kassel: Bärenreiter, 1986. ISBN: 3-7618-0806-2.
Adriaansz, Willem.
The Danmono and Kumiuta Traditions in Japanese Koto Music.
DDM Code: 02snAdrW; DA no.: 26/08:4708; RILM no.: UM
no.: 66-210
Burman-Hall, Linda Carol.
Southern American Folk Fiddling: Context and Style.
Ph.D., Music, Princeton University, 1974. 3 vols., 362 p.
DDM Code: 02snBurL; DA no.: 35/09:6170; RILM no.:
76:13580dd; UM no.: 75-06,634
Campbell, Richard G.
Zur Typologie der Schalenlanghalslaute.
Ph.D., Musicology, Freie Universität, Berlin, 1968. 138 p. illus., bibliog.
DDM Code: 02snCamR; DA no.: RILM no.: 68:2594dd; UM
no.:
Cogdell, Jacqueline.
The One-String Fiddle in West Africa: A Comparative Study of
Dagomba and Hausa Traditions.
DDM Code: 02snCogJ; DA no.: RILM no.: UM no.:
Cooke, Peter Rich.
The Fiddle Tradition in the Shetland Islands.
Ph.D., Music, Edinburgh.
DDM Code: 02snCooP*; DA no.: RILM no.: UM no.:
Falk, C.
The Tarawangsa Tradition in the Priangan, West Java.
Ph.D., Music, Monash, 1981.
DDM Code: 02snFalC; DA no.: RILM no.: UM no.:
Gamo, S.
A Study of the Melody of Nagaura.
Ph.D., Musicology, Tokyo, 1960.
DDM Code: 02snGamS; DA no.: RILM no.: UM no.:
Hall, Linda C.
Southern American Folk Fiddling: Context and Style.
Ph.D., Theory, Princeton University, 1976.
DDM Code: 02snHalL; DA no.: RILM no.: UM no.:
Hamrin, Kjell-Åke.
Om utförande af spelmanslåtar [The Performance of Traditional
Fiddler's Music].
Ph.D., Musicology, University of Uppsala.
DDM Code: 02snHamK*; DA no.: RILM no.: UM no.:
Lang, Gabriele.
Die Harfe in der irischen Musik.
DDM Code: 02snLanG*; DA no.: RILM no.: UM no.:
Liang, Ming-Yueh.
The Art of Yin-Jou Techniques for the Seven-Stringed Zither.
334 p.
DDM Code: 02snLiaM; DA no.: 34/11:7269; RILM no.: UM
no.: 74-11,544
Ling, Jan.
Nyckelharpan. Studier i ett folkligt musikinstrument [The Keyed
Fiddle: Studies of a Folk Instrument].
Ph.D., Musicology, Uppsala, 1967. 288 p. illus., facs., mus. exs., bibliog.
DDM Code: 02snLinJ; DA no.: RILM no.: UM no.:
Publication: Norstedts (Musikhistoriska museets skrifter, 2).
Stockholm, 1967.
Omondi, Washington Ambrose.
Thum: Traditional Lyre Music of the Luo People of Kenya.
Ph.D., Musicology, University of London.
DDM Code: 02snOmoW*; DA no.: RILM no.: UM no.:
Shankar, L.
The Art of Violin Accompaniment in South lndian Classical Music.
DDM Code: 02snShaL; DA no.: 35/04:2327-8; RILM no.:
75:2110dd; UM no.: 74-23,027
Song, Bang-Song.
Kmun'go sanjo: An Analytical Study of a Style of Korean Folk
Instrumental Music.
DDM Code: 02snSonB; DA no.: 36/05:2484; RILM no.:
76:12918dd; UM no.: 75-23,004
Spielman, Earl V.
Traditional American Fiddling: A Historical and Comparative
Analytical Style Study.
Ph.D., Musicology, University of Wisconsin, 1974.
DDM Code: 02snSpiE; DA no.: RILM no.: UM no.:
Wong, Chin-Ping.
The Aesthetics and Philosophy of Chinese P'ip'a Music.
Ph.D., Musicology, Kingston University.
DDM Code: 02snWonC*; DA no.: RILM no.: UM no.:
Yohannes, Danile.
Leier und Leiermusik im ostafrikanischen Grabenbruch (Kenia).
DDM Code: 02snYohD; DA no.: RILM no.: UM no.:
Structure and Form
Hakuta, N.
Musical Form in India.
, Music, Tokyo University Arts, 1959.
DDM Code: 02srHakN; DA no.: RILM no.: UM no.:
Hall, Leslie Rosalind.
The Turkish Fasil: Selected Repertoire.
Ph.D., Ethnomusicology, University of Toronto, 1989.
Research director: T. Rice
DDM Code: 02srHalL; DA no.: 50/09:2695; RILM no.: UM
no.:
McCormick, Scott.
Scale and Structure in Ballads Collected by Cecil Sharp in the
Southern Appalachian Mountains.
Ph.D., Musicology, Northwestern University.
DDM Code: 02srMccS*; DA no.: RILM no.: UM no.:
Schmidt, Cynthia Elizabeth.
Multi-part Vocal Music of the Kpelle of Liberia.
336 p. mus. exs., transcr., append.
DDM Code: 02srSchC; DA no.: 46/08:2126; RILM no.: UM
no.: 85-22337
Temperament
Kimberlin, Cynthia Met-Ling.
Masinqo and the Nature of Genet.
422 p.
DDM Code: 02teKimC; DA no.: 37/05:2482; RILM no.:
76:14858dd; UM no.: 76-25,209
Terminology
Nixon, A. C.
The Evolution of Mongolian Musical Terminology from the
Thirteenth to the Eighteenth Century.
Ph.D., Musicology, Cambridge University, 1989.
DDM Code: 02tgNixA; DA no.: RILM no.: 91:6349dd; UM
no.:
Treatises
Ayyangar, Ranganayaki Veeraswamy.
Gamaka and Vadanabheda: A Study of Somanatha's Ragavibodha in
Historical and Practical Context.
Ph.D., Musicology, University of Pennsylvania, 1980. xxvii, 518 p. illus.,
tbls., mus. exs., transcr., append., bibliog., ind.
DDM Code: 02trAyyR; DA no.: 41/12:4878; RILM no.:
80:3337dd; UM no.: 81-07713
Vocal Music
Capwell, Charles.
The Bauls of Bengal.
Ph.D., Music, Harvard University, 1981.
DDM Code: 02voCapC; DA no.: RILM no.: UM no.:
Chonpairot, Jarernchai.
Lam Khaun Sawan: A Regional Vocal Genre of Southern Laos.
Ph.D., Ethnomusicology, Kent State University, 1990.
Research director: Jerry Miller
DDM Code: 02voChoJ; DA no.: RILM no.: UM no.:
Dea, Alexander.
Bawa: A Javanese Solo Vocal Music.
Ph.D., Ethnomusicology, Wesleyan University, 1980. 321 p. mus. exs.,
transl., append.
DDM Code: 02voDeaA; DA no.: 41/05:1826; RILM no.:
80:3519dd; UM no.: 80-24024
Hoffman, Carole Lynne.
Vocal Music in the Wayang Kulit (Shadow Play) of Banyawangi, East
Java: Its Relationship to Regional Traditions in Bali and Banyumas,
Central Java.
Ph.D., Musicology, Cornell University.
Research director: Martin Rathburn
DDM Code: 02voHofC*; DA no.: RILM no.: UM no.:
Ifionu, Azubike Obed.
Ifo: A Study of an Igbo Vocal Genre.
DDM Code: 02voIfiA; DA no.: RILM no.: UM no.:
LaRue, Adrian Jan.
The Okinawan Classical Songs: An Analytical and Comparative
Study.
Ph.D., Music, Harvard University, 1952. 260 p. plts.
DDM Code: 02voLarA; DA no.: RILM no.: UM no.:
Moore, Lynne.
Vocal Music of North Sumatra.
DDM Code: 02voMooL*; DA no.: RILM no.: UM no.:
Sahrabov, Ramiz Farzula ogly.
Azerbajdzanskie tesnify [The Azerbaijan Tesnifs].
Ph.D., Theory, Baku, 1974. 169 p.
DDM Code: 02voSahR; DA no.: RILM no.: 75:2187dd; UM
no.:
Wade, Bonnie Claire.
Khyal: A Study in Hindustani Classical Vocal Music.
756 p.
DDM Code: 02voWadB; DA no.: 32/07:4054; RILM no.: UM
no.: 72-3195
Ryan, Robin.
Eucalypt Leaf Music in Australia: An Historical and Acoustic Study.
DDM Code: 02wiRyaR*; DA no.: RILM no.: UM no.:
Bentzon, Andreas Fridolin Weis.
The Launeddas: A Sardinian Folk Music Instrument.
Ph.D., Ethnomusicology, Copenhagen, 1969. 2 vols., 318 p. illus., mus.
exs., discog., ind.
DDM Code: 02wnBenA; DA no.: RILM no.: 70:2495dd; UM
no.:
Brade, Anna-Christine.
Die Kernspaltflöten von Haithabu und ihre musikalische verwandten
Formen in Mittel- und Nordeuropa.
Ph.D., Musicology, Göttingen, 1971. 2 vols., 381 p. illus.
DDM Code: 02wnBraA; DA no.: RILM no.: 72:3903dd; UM
no.:
Gutzwiller, Andreas B.
Shakuhachi: Aspects of History, Practice and Teaching.
DDM Code: 02wnGutA; DA no.: 35/04:2319; RILM no.:
74:3307dd; UM no.: 74-23,023
Instruments
Acoustics
Abbas, Esmat.
Klangliche Eigenschaften des Kontrabaß. Spektralanalytische und
historische Untersuchungen.
DDM Code: 03acAbbE; DA no.: RILM no.: UM no.:
Braun, Dieter.
Klangerzeugung und Klangstruktur von Zinken.
DDM Code: 03acBraD*; DA no.: RILM no.: UM no.:
Clinch, Peter.
Oral Tract Fluctuations in Clarinet and Saxophone Performance--an
Acoustical Analysis.
DDM Code: 03acCliP; DA no.: RILM no.: UM no.:
Figgs, Linda Drake.
Qualitative Differences in Trumpet Tones as Perceived by Listeners
and by Acoustical Analysis.
Ed.D., Music Education, University of Kansas, 1978. 162 p.
DDM Code: 03acFigL; DA no.: RILM no.: 78:5910dd; UM
no.:
Harajda, Helena.
Barwa glosu skrzypiec w zaleznosci od ich widm dzwieków oraz
ichprzebiegów transjentowych [The Tone of the Violin According to
Its Spectrum and Its Transient Processes].
Ph.D., Musicology, Adam Mickiewicz University, Poznan, 1964.
DDM Code: 03acHarH; DA no.: RILM no.: UM no.:
Jansson, Erik Valter.
Investigations of Acoustical Phenomena as Revealed by Properties of
Musical Instruments.
Tekn Dr., Musical Acoustics, Royal Institute of Technology, Stockholm,
1973.
DDM Code: 03acJanE; DA no.: RILM no.: UM no.:
Publication: Summary (5 pp.) with offprints of previously
published articles.
Jost, Ekkehard.
Akustische und tonpsychologische Untersuchungen an
Klarinettenklängen.
DDM Code: 03acJosE; DA no.: RILM no.: 68:1378dd; UM
no.:
Lawson, Charles Edwin.
An Investigation to Determine if the Oral Cavity Acoustically
Influences the Radiated Wave Form of the Clarinet.
D.M.A., Performance, University of Iowa, 1974. 180 p.
DDM Code: 03acLawC; DA no.: 35/12:7946; RILM no.:
76:16914dd; UM no.: 75-13,853
Lehman, Paul Robert.
The Harmonic Structure of the Tone of the Bassoon.
Ph.D., Musicology, University of Michigan, 1962. xvii, 51 p. illus., plts.,
DDM Code: 03acLehP; DA no.: 23/05:1733; RILM no.: UM
no.: 63-390
Martin, John Stuart.
The Acoustics of the Recorder.
Ph.D., Musicology/Physics, Armidale.
DDM Code: 03acMarJ*; DA no.: RILM no.: UM no.:
Miller, Jean Roger.
A Spectrum Analysis of Clarinet Tones.
Ph.D., Music, University of Wisconsin, 1956. 230 p.
DDM Code: 03acMilJ; DA no.: 16/11:2178-9; RILM no.: UM
no.: 19,120
Moore, James Loyal.
Acoustics of Bar Percussion Instruments.
Ph.D., Music, Ohio State University, 1970. 188 p.
DDM Code: 03acMooJ; DA no.: RILM no.: 76:7727dd; UM
no.:
Müller, Ulrich Robert.
Untersuchungen zu den Strukturen von Klängen der Clarin- und
Ventiltrompete.
Ph.D., Musicology, Köln, 1970. 165 p. illus.
DDM Code: 03acMulU; DA no.: RILM no.: 72:1248dd; UM
no.:
Myers, Herbert Wendell.
The Practical Acoustics of Early Woodwinds.
D.M.A., Performance, Stanford University, 1981. 140 p.
DDM Code: 03acMyeH; DA no.: 41/11:4536; RILM no.:
81:1580dd; UM no.: 81-09,026
Reuter, Christoph.
Die auditive Diskrimination von Orchesterinstrumenten:
Verschmelzung und Heraushörbarkeit von Instrumentalklangfarben
im Ensemblespiel.
Ph.D., Musicology, Köln, 1996. 339 p. illus., tbls., works lst., append.,
bibliog.
DDM Code: 03acReuC; DA no.: RILM no.: 96:16787bm; UM
no.:
Publication: Europäische Hochschulschriften, series 36,
Musikwissenschaft, vol. 162. Frankfurt am Main: Peter Lang,
1996. ISBN 3-631-30886-8.
Riley, Edwin Ernest.
The Quality Dimensions of Clarinet Tone: A Preliminary
Investigation.
D.M.A., Performance, University of Iowa, 1977.
DDM Code: 03acRilE; DA no.: RILM no.: UM no.:
Tomek-Schumann, Sabine.
Akustische Untersuchungen zur historischen Entwicklung der
Hammerflügel.
DDM Code: 03acTomS; DA no.: RILM no.: UM no.:
Watkinson, P. S.
Wall Properties of Brass Instruments.
Ph.D., Music, University of Surrey, 1980-81.
DDM Code: 03acWatP; DA no.: RILM no.: UM no.:
Westerkamp, Petra.
Die Geige gestrichen und verglichen. Ein akustisches, optisches und
statistisches Verfahren zur Überprüfung der Klangqualität von
Violinen.
DDM Code: 03acWesP; DA no.: RILM no.: UM no.:
Wyman, Frederick S.
An Acoustical Study of Alto Saxophone Mouthpiece Chamber Design.
Ph.D., Theory, University of Rochester, 1972. xii, 184 p. illus., tbls.,
append., bibliog.
DDM Code: 03acWymF; DA no.: 33/04:1775; RILM no.:
76:16942dd; UM no.: 72-24,955
Altenburg, Detlef.
Die Trompete. Bauweise, Spieltechnik und Anwendung von 1550-
1850.
DDM Code: 03brAltD; DA no.: RILM no.: 74:3725dd; UM
no.:
Bevan, Clifford James.
The Family of Valved Bugle-Horns.
Ph.D., Musicology, External Programme, University of London.
DDM Code: 03brBevC*; DA no.: RILM no.: UM no.:
Gouse, Charles Frederick.
The Cornett: Its History, Literature and Performance Praxis
Including a Practical Tutor for Developing Performance Skills.
D.M.A., Performance, Boston University, 1974. 434 p.
DDM Code: 03brGouC; DA no.: 34/12:7806; RILM no.:
75:2500dd; UM no.: 74-14,240
Hyatt, Jack Herman.
The Soprano and Piccolo Trumpets: Their History, Literature, and a
Tutor.
D.M.A., Performance, Boston University, 1974. 238 p.
DDM Code: 03brHyaJ; DA no.: 35/05:3038; RILM no.:
76:14992dd; UM no.: 74-20,473
Lane, George Bertrana.
The Trombone: Its Musical Environment from the Late Middle Ages.
D.M.A., Performance, University of Texas, 1976. 442 p.
DDM Code: 03brLanG; DA no.: 37/06:3259; RILM no.: UM
no.: 76-26,735
Malek, Vincent F.
A Study of Embouchure and Trumpet-Cornet Mouthpiece
Measurements.
DDM Code: 03brMalV; DA no.: 13/06:1217; RILM no.: UM
no.: 6219
Moore, Joseph.
Zur Semantik von Posaune und Posaunenklang in der
Musikgeschichte.
DDM Code: 03brMooJ*; DA no.: RILM no.: UM no.:
Smith, Nicholas Edward.
The Horn Mute: An Acoustical and Historical Study.
D.M.A., Performance, University of Rochester, 1980. 91 p. thematic cat.
DDM Code: 03brSmiN; DA no.: 41/04:1278; RILM no.: UM
no.: 80-19070
Whaley, David Robert.
The Microtonal Capability of the Horn.
D.M.A., Performance, University of Illinois, 1975. ix, 154 p. illus., tbls.,
append., bibliog.
DDM Code: 03brWhaD; DA no.: 36/09:5633; RILM no.: UM
no.: 76-7010
Instruments
Bartmann, Manfred.
Das Beiern der Glocken in der Grafschaft Bentheim, Denekamp (NL)
und Ostfriesland.
Ph.D., Musicology, Göttingen, 1989.
DDM Code: 03inBarM; DA no.: RILM no.: UM no.:
Dunkel-Helzel, Maria.
Bandoneon und Concertina. Ein Beitrag zur Darstellung des
Instrumenttyps.
DDM Code: 03inDunM; DA no.: RILM no.: UM no.:
Kaminski, Wlodzimierz.
Glówne problemy ksztaltowania i rozwoju instrumentarium
muzycznego w Polsce [The Main Problems of the Origin and
Evolution of Musical Instruments in Poland].
Ph.D., Philosophy and History, Adam Mickiewicz University, Poznan,
1962.
DDM Code: 03inKamW; DA no.: RILM no.: UM no.:
Karp, Cary.
Studies in the Documentation and Technology of Musical
Instruments.
DDM Code: 03inKarC*; DA no.: RILM no.: UM no.:
LaRue, H. T.
English Popular Musical Instruments from the Middle Ages until
1800.
Ph.D., Musicology, Lady Margaret Hall, Oxford, 1981.
DDM Code: 03inLarH; DA no.: RILM no.: UM no.:
Luck, Hans.
Die Entwicklung der Balginstrumente und ihre Stellung in der
Gesellschaft von den Anfängen bis zum Ende der 2. Weltkrieges.
Ph.D., Musicology, Leipzig, 1979. 421 p.
DDM Code: 03inLucH; DA no.: RILM no.: 79:1382dd; UM
no.:
Mascher, Ekkehard.
Musikinstrumente in Niedersachsen. Studien zu brauchgebundenen
Klanggeräten.
Ph.D., Musicology, Hannover, 1986.
Research director: Ellen Hickmann
DDM Code: 03inMasE; DA no.: RILM no.: UM no.:
Publication: Hildesheim, Zürich, and New York: Olms, 1986.
Matzner, Joachim.
Zur Systematik der Borduninstrumente.
Ph.D., Musicology, Freie Universität, Berlin, 1970. 123 p. bibliog.
DDM Code: 03inMatJ; DA no.: RILM no.: 70:3874dd; UM
no.:
Ramey, Michael J.
A Classification of Musical Instruments for Comparative Study.
DDM Code: 03inRamM; DA no.: 35/10:67554; RILM no.:
76:14468dd; UM no.: 75-09,429
Balz, Hans Martin.
Orgeln und Orgelbauer im Gebiet der ehemaligen hessischen Provinz
Starkenburg. Ein Beitrag zur Geschichte des Orgelbaues.
Ph.D., Musicology, Frankfurt am Main, 1969. 2 vols., 604 p. illus.,
bibliog.
DDM Code: 03keBalH; DA no.: RILM no.: 70:1044dd; UM
no.:
Benedikt, Wolfgang.
Die Orgeln der Bezirke Klagenfurt-Land und Feldkirchen (Kärnten).
Eine systematische Erhebung.
DDM Code: 03keBenW; DA no.: RILM no.: UM no.:
Berdux, Silke.
Heldenorgeln.
Ph.D., Musicology, München.
Research director: Jürgen Eppelsheim
DDM Code: 03keBerS*; DA no.: RILM no.: UM no.:
Böcher, Friederike.
Der Klavierbau in Zeitz.
Ph.D., Musicology, Bochum, 1993.
Research director: Christian Ahrens
DDM Code: 03keBocF; DA no.: RILM no.: UM no.:
Bußkamp, Robert.
Der Orgelbau im westlichen Münsterland.
DDM Code: 03keBusR*; DA no.: RILM no.: UM no.:
Caldewey, Ralf.
Die Orgel im Konzertsaal.
DDM Code: 03keCalR*; DA no.: RILM no.: UM no.:
Dahmen, Susanne.
Der Orgelbau am oberen Niederrhein.
DDM Code: 03keDahS*; DA no.: RILM no.: UM no.:
Döhring, Klaus.
Der Orgelbau im östlichen Münsterland.
DDM Code: 03keDohK*; DA no.: RILM no.: UM no.:
Feller, Georg.
Der Orgelbau im Ruhrgebiet.
DDM Code: 03keFelG*; DA no.: RILM no.: UM no.:
Gätjen, Bram.
Der Klang des Cembalos: Historische, akustische und
instrumentalkundliche Untersuchungen.
Ph.D., Musicology, Köln, 1992. 217 p. illus., bibliog.
DDM Code: 03keGatB; DA no.: RILM no.: 96:17148bm; UM
no.:
Publication: Kölner Beiträge zur Musikforschung, no. 177. Kassel:
Bosse, 1995. ISBN: 3-7649-2502-7.
Jakob, Friedrich.
Der Orgelbau im Kanton Zürich von seinen Anfängen bis zur Mitte
des 19. Jahrhunderts.
Ph.D., Musicology, Zürich, 1970. 2 vols., 770 p. illus., facs., mus. exs.,
bibliog., ind.
DDM Code: 03keJakF; DA no.: RILM no.: 70:1055dd; UM
no.:
Jülicher, Mathtide.
Deutsche Orgelin im Regierungsbezirk Düsseldorf.
DDM Code: 03keJulM*; DA no.: RILM no.: UM no.:
Kares, Martin.
Das deutsche Element im amerikanischen Orgelbau--deutsche und
deutschstämmige Orgelbauer, das Umfeld, ihre Instrumente und ihr
Einfluß in den Vereinigten Staaten von Amerika bis 1900.
Ph.D., Musicology, Marburg, 1991.
Research director: Martin Weyer
DDM Code: 03keKarM; DA no.: RILM no.: UM no.:
Martini, Ulrich.
Die Orgeldispositionssammlungen bis zur Mitte des 19. Jahrhunderts.

DDM Code: 03keMarU; DA no.: RILM no.: UM no.:
Meister, Wolfgang.
Beiträge zur Entwicklung der Orgelstimmung in Italien und
Süddeutschland vom 14. Jahrhundert bis zum Ende des 18.
Jahrhunderts.
Ph.D., Musicology, Mainz, 1991.
Research director: Friedrich Wilhelm Riedel
DDM Code: 03keMeiW; DA no.: RILM no.: UM no.:
Publication: Lauffen a. N.: Rensch, 1991.
Schumann, Otto.
Beiträge zur Geschichte des Orgelbaus im Herzogtum Schleswig vor
1800.
Ph.D., Musicology, Kiel, 1971.
DDM Code: 03keSchO; DA no.: RILM no.: 76:1496dd; UM
no.:
Schumann, Sabine.
Akustische Kategorisierung historischer Tasteninstrumente an Hand
ihrer Ausgleichsvorgange.
DDM Code: 03keSchS*; DA no.: RILM no.: UM no.:
Schlepphorst, Winfried.
Der Orgelbau im westlichen Niedersachsen: Orgeln und Orgelbauer
im ehemaligen Niederstift Münster sowie in den Grafschaften Lingen
und Bentheim.
Ph.D., Musicology, Münster, 1975. xii, 338 p. illus., ind.
DDM Code: 03keSchW; DA no.: RILM no.: 75:2413dd; UM
no.:
Publication: Kassel: Bärenreiter, 1975.
Simons, Carolyn Wood.
The History of Mechanically Bowed Keyboard Instruments.
Ph.D., Musicology, University of Iowa.
Research director: Edward L. Kottick
DDM Code: 03keSimC*; DA no.: RILM no.: UM no.:
Völkl, Helmut.
Orgel in Württemberg.
DDM Code: 03keVolH; DA no.: RILM no.: UM no.:
Wahlström, Gunnar.
Konsertorgelns historia [The History of the Concert Organ].
DDM Code: 03keWahG*; DA no.: RILM no.: UM no.:
Wesseler, Ulrich.
Materialverwendung und Verarbeitung in der Literatur zum
Orgelbau bis zur Mitte des 19. Jahrhunderts.
DDM Code: 03keWesU*; DA no.: RILM no.: UM no.:
Wickel, Hans-Hermann.
Auswärtige Orgelbauer in Westfalen.
Ph.D., Musicology, Münster, 1984. vii, 273 p.
DDM Code: 03keWicH; DA no.: RILM no.: 84:5172bm; UM
no.:
Publication: Veröffentlichungen der Orgelwissenschaftlichen
Forschungsstelle im Musikwissenschaftlichen Seminar der
Westfalischen Wilhelms-Universität, vol. 13. Kassel: Bärenreiter,
1984.
Makers
Fridrich, Zdenek.
Brnensky, varhanár Jan Vymola [The Organ Builder Jan Vymola of
Brno].
Ph.D., Musicology, Brno, 1970. 235 p. illus., bibliog.
DDM Code: 03maFriZ; DA no.: RILM no.: 70:2438dd; UM
no.:
Titcomb, Caldwell.
The Kettledrums in Western Europe: Their History Outside the
Orchestra.
Ph.D., Music, Harvard University, 1952. 2 vols., 575 p. illus., plts.
DDM Code: 03peTitC; DA no.: RILM no.: UM no.:
Adkins, Cecil D.
The Theory and Practice of the Monochord.
Ph.D., Theory, University of Iowa, 1963. xvii, 501 p. illus., plts., tbls.,
append., bibliog.
DDM Code: 03snAdkC; DA no.: 24/11:4723; RILM no.: UM
no.: 64-3344
Bröcker, Marianne.
Die Drehleier. Ihr Bau und ihre Geschichte.
Ph.D., Musicology, Bonn, 1970. 2 vols., 720 p. illus., facs., mus. exs., ind.
DDM Code: 03snBroM; DA no.: RILM no.: 73:2502dd; UM
no.:
Cohen, Irving Hersch.
The Historical Development of the Double Bass.
Ph.D., Music Education, New York University, 1967.
DDM Code: 03snCohI; DA no.: 28/11:4369; RILM no.:
76:14802dd; UM no.: 68-06,150
Kettlewell, David.
The Dulcimer.
Ph.D., Musicology, Loughborough, 1976.
DDM Code: 03snKetD; DA no.: RILM no.: 76:14855dd; UM
no.:
Küllmer, Eva.
Mitschwingende Saiten lnstrumente mit aliquotsaiten.
DDM Code: 03snKulE*; DA no.: RILM no.: UM no.:
Nickel, Heinz.
Beitrag zur Entwicklung der Gitarre in Europa.
Ph.D., Musicology, Frankfurt am Main, 1971. 2 vols., 416 p. illus., facs.,
mus. exs., works lst., bibliog.
DDM Code: 03snNicH; DA no.: RILM no.: 73:2521dd; UM
no.:
Richardson, B. E.
A Physical Investigation into Some Factors Affecting the Musical
Performance of the Guitar.
Ph.D., Musicology, University of Wales at Cardiff, 1982.
DDM Code: 03snRicB; DA no.: RILM no.: UM no.:
Smith, Bruce Mitchell.
Two Hundred Forty-One European Chordophones in the Stearns
Collection of Musical Instruments.
Ph.D., Musicology, University of Michigan, 1977. 3 vols., 813 p.
DDM Code: 03snSmiB; DA no.: 38/03:1107; RILM no.: UM
no.: 77-18,119
Smith, L. A.
The Appalachian Dulcimer to 1940: A Census and Typology of Pre-
revival Eighteenth- and Early Twentieth-Century Fretted Zithers in
the Upland South of the United States, with an Analysis of Their
Musical Intervals.
DDM Code: 03snSmiL; DA no.: RILM no.: UM no.:
Woodhouse, J.
On the Acoustics and Mechanics of Stringed Musical Instruments.
DDM Code: 03snWooJ; DA no.: RILM no.: UM no.:
Taxonomy
Maucksch, Hans-Jörg.
Die Klassifikation der Musikinstrumente in der Theorie seit Virdung
mit Folgerungen für die museale Praxis der Gegenwart.
DDM Code: 03taMauH*; DA no.: RILM no.: UM no.:
Temperament
Meffen, J.
The Temperament of Keyboard Instruments in England from the
Virginalists to the Middle of the Nineteenth Century.
Ph.D., Musicology, Leeds, 1977.
DDM Code: 03teMefJ; DA no.: RILM no.: UM no.:
Ratte, Franz-Joseph.
Die Temperatur der Clavierinstrumente. Quellenstudium zu den
theoretischen Grundlagen und praktischen Anwendungen von der
Antike bis ins 17. Jahrhundert.
DDM Code: 03teRatF; DA no.: RILM no.: UM no.:
Overton, Friend Robert.
Der Zink. Ikonographische Studien zu seiner Geschichte, Bauweise
und Spieltechnik an Instrumenten in europäischen Museen.
DDM Code: 03wiOveF; DA no.: RILM no.: UM no.:
Stauffer, Donald W.
Intonation Deficiencies of Wind Instruments.
Ph.D., Musicology, Catholic University of America, 1954. xiv, 191 p.
DDM Code: 03wiStaD; DA no.: RILM no.: UM no.:
Birsak, Kurt.
Die Holzblasinstrumente im Museum Carolino Augusteum Salzburg.
Katalog und entwicklungsgeschichtliche Untersuchungen.
Ph.D., Musicology, Salzburg, 1973.
DDM Code: 03wnBirK; DA no.: RILM no.: 76:2100dd; UM
no.:
Burton, James Lee.
Bassoon Bore Dimensions.
D.M.A., Performance, University of Rochester, 1975. xii, 254 p. illus.,
append., bibliog.
DDM Code: 03wnBurJ; DA no.: RILM no.: 75:2494dd; UM
no.:
Coleman, Jenny J. A.
The Scottish Highland Bagpipe in New Zealand: Its Propagation,
Dissemination and Impact on Canterbury, Otago and Southland.
Ph.D., Musicology, University of Otago.
DDM Code: 03wnColJ*; DA no.: RILM no.: UM no.:
Jaksch, Mary.
Die Physiologie des Ansatzes bei Flötisten. Ein historisch-
systematischer Beitrag zur Praxis des Flötenspiels.
DDM Code: 03wnJakM*; DA no.: RILM no.: UM no.:
Nickel, Ekkehart.
Der Holzblasinstrumentenbau in der Freien Reichsstadt Nürnberg.
Ph.D., Musicology, Erlangen, 1969.
DDM Code: 03wnNicE; DA no.: RILM no.: UM no.:
Russell, Myron Edward.
The Oboe: A Comparison Study of Specifications with Musical
Effectiveness.
DDM Code: 03wnRusM; DA no.: 13/05:835; RILM no.: UM
no.: 5723
Schmidt, Lloyd John.
A Practical and Historical Source-Book for the Recorder.
Ph.D., Music Education, Northwestern University, 1959. 641 p.
DDM Code: 03wnSchL; DA no.: 20/06:2325; RILM no.: UM
no.: LC Mic 59-4837
Shultis, Kristine Eils.
An American History of the Oboe.
D.M.A., Performance Pedagogy, University of Iowa.
DDM Code: 03wnShuK*; DA no.: RILM no.: UM no.:
Tancibudek, J.
Methods of Oboe Playing: A Historical, Critical and Practical
Consideration.
Ph.D., Music, Adelaide.
DDM Code: 03wnTanJ*; DA no.: RILM no.: UM no.:
Music Education
Music Education
Ash, Mary.
Integration in the Teaching of the Arts: a Study of the Role of
Metaphor across Four Forms--Music, Dance, Poetry and Visual Art.
Ph.D., Education, University of London, 1986.
DDM Code: 04edAshM; DA no.: RILM no.: UM no.:
Axelsen, Doris LaNita.
Incidental Learning in Music: Music in Adolescence.
Ph.D., Theory, Göteborg.
DDM Code: 04edAxeD*; DA no.: RILM no.: UM no.:
Bäßler, Hans.
Aspekte der Zeiterfahrung als Aufgabe einer lebensweltorientierten
Musikpädagogik.
Ph.D., Music Education, Hannover, 1994.
Research director: Richard Jakoby
DDM Code: 04edBasH; DA no.: RILM no.: UM no.:
Publication: Mainz: Schott, 1996.
Finkel, Claus.
Musikerziehung und Musikpflege an den gelehrten Schulen in Speyer
vom Mittelalter bis zum Ende der freien Reichsstadt. Quellenstudium
zur pfälzischen Schulmusik bis 1800.
Ph.D., Musicology, Mainz, 1973. 306 p.
DDM Code: 04edFinC; DA no.: RILM no.: 76:8931dd; UM
no.:
Publication: Mainzer Studien zur Musikwissenschaft, 5.
Firnkees, Niko.
Musikpädagogische Aspekte der Ossian-Rezeption.
DDM Code: 04edFirN*; DA no.: RILM no.: UM no.:
Groth, Rosemarie.
Zur Methodik der Auswahl musikalisch geeigneter Kinder im Alter
von fünf bis zehn Jahren für eine Ausbildung an Musikschulen.
DDM Code: 04edGroR; DA no.: RILM no.: UM no.:
Hemming, Dorothea.
Die Musikschule. Zur Geschichte ihrer Entwicklung.
Ph.D., Music, Pädagogische Hochschule, Münster, 1975.
DDM Code: 04edHemD; DA no.: RILM no.: UM no.:
Hingst, Alfred.
Musiklehre und Musikleben an der Universität Rostock von ihrer
Gründung 1419 bis zum Ende des 18. Jahrhunderts.
Ph.D., Musicology, Rostock, 1970. 299 p.
DDM Code: 04edHinA; DA no.: RILM no.: 70:1525dd; UM
no.:
Kayser-Kadereit, Claudia.
Das Laienorchester als spezifisches Arbeitsfeld musikalischer
Erwachsenenbildung.
Ph.D., Musicology, Osnabrück.
Research director: Sabine Giesbrecht
DDM Code: 04edKayC*; DA no.: RILM no.: UM no.:
Kendall, Sue.
The Nature of the Functions of Music Education.
Ph.D., Music Education, University of York.
DDM Code: 04edKenS*; DA no.: RILM no.: UM no.:
Klavinius, Silvana.
Zum Wandel von Deutungen der Music in musikdidaktischen
Lietfäden.
DDM Code: 04edKlaS*; DA no.: RILM no.: UM no.:
Lindenbaum, Walter.
Machen Sie mal!--Ein Beitrag zur Musicalarbeit in der Schule.
Ph.D., Musicology, Hochschule, Münster.
Research director: Ekkehard Kreft
DDM Code: 04edLinW*; DA no.: RILM no.: UM no.:
Nykrin, Rudolf.
Grundlagen schülernaher Curriculumentwicklung im Bereich
musikalischer Erziehung.
Ph.D., Music, Pädagogische Hochschule, Münster, 1975.
DDM Code: 04edNykR; DA no.: RILM no.: UM no.:
Pérez Gil, Manuel.
Instrucción musical asistida por ordenador: Desarrollo y Evaluación
de un programa de apoyo curricular asistido por ordenador para la
enseñanza de la Música en la educación obligatoria.
Ph.D., Music, University of Valladolid, 1992.
Research director: Antonia Virigili Blanquet
DDM Code: 04edPerM; DA no.: RILM no.: UM no.:
Scarth, R. N.
Aesthetic Perception and Education, with Special Reference to Music
and Engineering.
Ph.D., Education, University of London, 1981.
DDM Code: 04edScaR; DA no.: RILM no.: UM no.:
Schmittz, Herry.
Das Musikschulwesen im Saarland. Seine Geschichte und seine
Bedeutung.
Ph.D., Musicology, Universität des Saarlandes.
DDM Code: 04edSchH*; DA no.: RILM no.: UM no.:
Senator, R. P.
The Growth of Musical Structure: A Study of the Universal Musical
Operations, in Origin, in Function, and as the Foundation of
Comprehensive Musical Theory, Using a System of Coloured Visual
Symbols.
Ph.D., Inst. of Theory, London, 1976.
DDM Code: 04edSenR; DA no.: RILM no.: UM no.:
Soellner, Glenn Earl.
Formalism as an Aesthetic Theory for Music Education.
Ph.D., Music Education, Boston University, 1971. 176 p.
DDM Code: 04edSoeG; DA no.: 32/04:2123; RILM no.:
76:15779dd; UM no.: 71-26,485
Tillman, June.
Children's Development in Musical Composition.
Ph.D., Music Education, University of London.
DDM Code: 04edTilJ*; DA no.: RILM no.: UM no.:
Walker, Millard Charlton.
Three Centuries of Music at Harvard, 1636-1936.
Ph.D., Music Education, Florida State University.
DDM Code: 04edWalM*; DA no.: RILM no.: UM no.:
Wichert, Rolf.
Studien über Anleitungen zum bewußten Hören von Musik.
DDM Code: 04edWicR; DA no.: RILM no.: UM no.:
Zernikow, Othmar.
Die Rolle der Lehrerpersönlichkeit im Musikunterricht.
Research director: Hans-Christian Schmidt
DDM Code: 04edZerO*; DA no.: RILM no.: UM no.:
Honert, Peter van den.
A Pedagogical Study of New England Folk Music.
D.M.A., Choral Conducting, University of Missouri, 1985. 207 p.
Research director: Marian Petersen
DDM Code: 04foHonP; DA no.: 46/05:1126; RILM no.: UM
no.: 85-14623
Pedagogy
Adler, Günter.
Wege Erwachsener zum Instrumentalspiel. Eine Untersuchung zur
musikalischen Sozialisation und Motivation.
Ph.D., Music Education, Hannover, 1994.
Research director: Karl Jürgen Kemmelmeyer
DDM Code: 04pdAdlG; DA no.: RILM no.: UM no.:
Fulin, Angélique.
Le problème des intervalles musicaux dans l'émission vocale des
enfants.
Doct., Musicology, Paris.
DDM Code: 04pdFulA*; DA no.: RILM no.: UM no.:
Hirschfeld, Annette.
Untersuchungen zur Gruppenarbeit im Musikunterricht.
Ph.D., Music Education, Halle, 1991.
DDM Code: 04pdHirA; DA no.: RILM no.: UM no.:
Hörmann, Karl.
Studie zur Motivation im Musikunterricht.
Ph.D., Music Education, Pädagogische Hochschule, Münster, 1975.
DDM Code: 04pdHorK; DA no.: RILM no.: UM no.:
Kendall, Iain P.
A Study of the Learning Processes of Young Children in Music by
Means of the Development of a Structured Programme to Teach Basic
Music Literacy.
Ph.D., Musicology, Reading University, 1979.
DDM Code: 04pdKenI; DA no.: RILM no.: UM no.:
Laor, Lia.
Piano Pedagogy: History and Methodology.
Ph.D., Musicology, Tel Aviv University, 1989. 263 p.
DDM Code: 04pdLaoL; DA no.: RILM no.: UM no.:
Lewis, Barbara Emma.
The Effect of Movement-Based Instruction on the Aural Perception
Skills of First- and Third-Graders.
Ph.D., Music Education, Indiana University, 1986. 267 p. tbls., append.,
bibliog.
DDM Code: 04pdLewB; DA no.: RILM no.: UM no.:
Swilley, Wanda Sue.
Flute Embouchure Pedagogy in the United States from ca. 1925-1977
as Described in Selected Writings.
D.M.A., Performance, University of Iowa, 1978. vi, 165 p.
DDM Code: 04pdSwiW; DA no.: RILM no.: UM no.:
Wiedemann, Herbert.
Beiträge zu einer Klavierdidaktik für Erwachsene.
Ph.D., Music Education, Oldenburg, 1983. 137 p.
Research director: Ursula Günther
DDM Code: 04pdWieH; DA no.: RILM no.: 86:4752bm; UM
no.:
Publication: Perspektiven zur Musikpädagogik und
Musikwissenschaft, vol. 9. Regensburg: Bosse, 1985.
Reference and Research Materials
Miller, Robert Melvin.

The Concerto and Related Works for Low Brass: A Catalog of
Compositions from ca. 1700 to the Present.
Ph.D., Performance, Washington University, 1974. lxxi, 227 p. mus. exs.,
works lst., bibliog., ind.
DDM Code: 05brMilR; DA no.: 35/09:6185; RILM no.:
76:8361dd; UM no.: 75-06,612
Swain, John Joseph.
A Catalog of the E-flat Tubas in the Arne B. Larson Collection.
Ph.D., Performance, Michigan State University, 1985.
Research director: E. L. Kirk
DDM Code: 05brSwaJ; DA no.: RILM no.: UM no.:
Tritle, Thomas James.
A Selectively Annotated Bibliography of Published and Unpublished
Music, Original, Transcribed, or Arranged, for Five or More Horns.
D.M.A., Performance, University of Iowa, 1986. vi, 210 p. illus., works
lst., append., bibliog.
DDM Code: 05brTriT; DA no.: RILM no.: UM no.:
West, Ann Marie.
Works for Solo Trumpet by Women Composers: An Annotated
Bibliography.
D.M.A., Performance, University of Iowa.
DDM Code: 05brWesA*; DA no.: RILM no.: UM no.:
Chamber Music
Harriss, Elaine Atkins.
Chamber Music for the Trio of Flute, Clarinet, and Piano: A
Bibliographical and Analytical Study.
Ph.D., Music Education, University of Michigan, 1981. 160 p.
DDM Code: 05chHarE; DA no.: 42/06:2353; RILM no.: UM
no.: 81-25,122
Rathke, Donna Rager.
Chamber Music for Piano-Wind Quintet (Piano, Oboe,
Clarinet,Horn, Bassoon): A Survey and Selected Analyses.
D.M.A., Performance, University of Kentucky.
Research director: Rey M. Longyear
DDM Code: 05chRatD*; DA no.: RILM no.: UM no.:
Rutan, Harold Duane.
An Annotated Bibliography of Written Material Pertinent to the
Performance of Brass and Percussion Chamber Music.
Ed.D., Music Education, University of Illinois, 1960. 373 p.
DDM Code: 05chRutH; DA no.: 21/11:3481-82; RILM no.:
UM no.: LC Mic 61-196
Waln, Ronald Lee.
Chamber Music for Solo Voice, Flute, and Keyboard or Continuo,
Including an Annotated Bibliography of Selected Literature.
Ph.D., Performance, University of Iowa, 1971. viii, 141 p. append., ind.
DDM Code: 05chWalR; DA no.: 32/06:3359; RILM no.:
71:1889dd; UM no.: 71-22,105
Discography
Zielinska, Bozena.
Plytokeki w bibliotekach polskich--ich rola i zasady organizacji [The
Record Collections in Polish Libraries: Their Role and Principles of
Organization].
Ph.D., Musicology, Kraków, 1971.
DDM Code: 05doZieB; DA no.: RILM no.: UM no.:
George, Watson.
A Guide to Negro Music: An Annotated Bibliography of Negro Folk
Music, and Art Music by Negro Composers or Based on Negro
Themaric Material.
Ed.D., Music, New York University, 1953. 302 p.
DDM Code: 05foGeoZ; DA no.: 14/05:841; RILM no.: UM
no.:
Haywood, Charles.
Bibliography of North American Folklore and Folksong.
Ph.D., Musicology, Columbia University, 1951. 1292 p. ind.
DDM Code: 05foHayC; DA no.: RILM no.: UM no.:
Publication: Ethno 6 (1962): 192; New York:Dover, 1961
(corrected and enlarged).
Maxwell, Grant Lyle.
Music for Three or More Pianists: An Historical Survey and
Catalogue.
D.M., Performance, University of Alberta, 1992. xi, 355 p. illus., mus.
exs., append., discog., bibliog.
Research director: W. Berg
DDM Code: 05keMaxG; DA no.: RILM no.: UM no.:
Libraries and Librarianship
Jaenecke, Joachim.
Repertoireuntersuchungen an der Musiksammlung von Burg Echzell
(Hessen).
DDM Code: 05liJaeJ; DA no.: RILM no.: 74:1439dd; UM
no.:
National Studies
Ross, Betsy Marlene.
Writings on the Music of Scotland: An Annotated Bibliography.
Ph.D., Musicology, Claremont Graduate School, 1992.
DDM Code: 05naRosB; DA no.: RILM no.: UM no.:
Sacred Music
Davidson, James Robert.
A Dictionary of Protestant Church Music.
D.M.A., Sacred Music, Southern Baptist Theological Seminary, 1970.
xxii, 530 p.
DDM Code: 05saDavJ; DA no.: RILM no.: 75:51dd; UM no.:
Sharp, Avery Thomas.
A Descriptive Catalog of Selected, Published Eighteenth- through
Twentieth-Century Stabat Mater Settings for Mixed Voices with a
Discussion of the History of the Text.
Ph.D., Musicology, University of Iowa, 1978.
DDM Code: 05saShaA; DA no.: RILM no.: UM no.:
Stulken-Ekwo, Marilyn Kay.
A Handbook to the Service Book and Hymnal of the Lutheran Church.
D.M.A., Church Music, University of Rochester, 1975. xviii, 728 p. mus.

DDM Code: 05saStuM; DA no.: RILM no.: UM no.:
Translation
Grigg, Carolyn Lucille Doub.
The Music Translation Dictionary.
Ph.D., Musicology, University of Miami, 1977. 674 p.
DDM Code: 05tqGriC; DA no.: 38/04:1726; RILM no.: UM
no.: 77-21,894
Vocal Music
Buckley, Wendell Dean.
The Solo Song Cycle: An Annotated Bibliography of Selected
Published Editions with an Historical Survey.
Ph.D., Performance, University of Iowa, 1965. 239 p.
DDM Code: 05voBucW; DA no.: 26/02:1079-80; RILM no.:
UM no.: 65-6676
Lewis, Mary E.
A Bibliography of Ballads from Selected Collections of Scottish
Ballads and Songs.
Ph.D., Musicology, University of Pennsylvania, 1968. 596 p.
DDM Code: 05voLewM; DA no.: RILM no.: 69:3250dd; UM
no.:
Voice
Warren, Michael Kent.
Theories on Vocal Registers: Past and Present Trends of Thought on
Registers, with Annotated Bibliography and Reviews of Selected
Authors.
D.M.A., Performance, University of Maryland, 1977.
DDM Code: 05vqWarM; DA no.: RILM no.: UM no.:
Gora, William Alan.
An Annotated Bibliography of Selected Books, Periodical Literature,
Bibliographies, and Dissertations Relative to the History, Repertoire,
Acoustics, and Pedagogy of the Saxophone.
D.M.A., Performance, University of Miami, 1975. 80 p.
DDM Code: 05wnGorW; DA no.: 36/09:5625; RILM no.:
76:8414dd; UM no.: 76-04,709
Hopkins, Harlow.
The Clarinet in Latin-American Chamber Music: An Annotated
Bibliography.
D.M.A., Performance, Indiana University, 1974. 189 p. mus. exs., works
lst., bibliog.
DDM Code: 05wnHopH; DA no.: RILM no.: 74:1534dd; UM
no.:
Hunt, Albert.
Solo and Chamber Music of the Bass Clarinet: An Annotated
Bibliography.
D.M.A., Performance, Juilliard School.
DDM Code: 05wnHunA*; DA no.: RILM no.: UM no.:
Merriman, Lyle Clinton.
Solos for Unaccompanied Woodwind Instruments: A Checklist of
Published Works and Study of Representative Examples.
Ph.D., Music, University of lowa, 1963. xiv, 167 p.
DDM Code: 05wnMerL; DA no.: 24/11:4729; RILM no.: UM
no.: 64-3398
Messenger, Joseph Charles.
An Annotated Bibliography of Selected Books and Periodical
Material about the History, Repertoire, and Acoustics of the Clarinet.
D.M.A., Performance, University of Iowa, 1971. iii, 101 p. append.,
bibliog.
DDM Code: 05wnMesJ; DA no.: 32/06:3353; RILM no.:
76:8437dd; UM no.: 71-30,467
Philosophy and Aesthetics
Aesthetics
Barra, Donald Paul.

Listening and the Aesthetic Experience.
Ed.D., Theory, Columbia University, Teacher's College, 1975. 159 p.
DDM Code: 06aeBarD; DA no.: 37/03:1284; RILM no.:
76:16434dd; UM no.: 76-20,865
Burgett, Paul Joseph.
Aesthetics of the Music of Afro-Americans: A Critical Analysis of the
Writings of Selected Black Scholars with Implications for Black
Studies in Music and for Music Education.
Ph.D., Music Education, University of Rochester, 1976. x, 320 p. append.,
discog., bibliog.
DDM Code: 06aeBurP; DA no.: 37/04:1861; RILM no.:
76:15667dd; UM no.: 76-21,654
Cigman, Ruth.
The Nature of Musical Expression.
DDM Code: 06aeCigR; DA no.: RILM no.: UM no.:
Cowan, Denis.
Morphology and Value in Music.
Ph.D., Music, University of Chicago, 1960. 185 p.
DDM Code: 06aeCowD; DA no.: RILM no.: UM no.:
Duchesneau, Louise.
Inspiration als Begriff des Musikschaffens.
DDM Code: 06aeDucL*; DA no.: RILM no.: UM no.:
Foster, Jean Reese.
The Aesthetic Concept of Economy.
Ph.D., Musicology, Florida State University, 1972.
DDM Code: 06aeFosJ; DA no.: 33/07:3582; RILM no.:
76:16489dd; UM no.: 72-31,396
Franke, Gisela.
Die Entwicklung des Bedeutungsbegriffs in theoretischen Ansätzen
über Musik.
DDM Code: 06aeFraG*; DA no.: RILM no.: UM no.:
Irvine, Demar Buel.
The Expression of Ideas and Emotions in Music; A Contribution to
the Practical Esthetics of Musical Composition.
DDM Code: 06aeIrvD; DA no.: RILM no.: UM no.:
Kaipainen, Mauri Ylermi.
Dynamics of Musical Knowledge Ecology. Knowing-What and
Knowing-How in the World of Sounds.
Ph.D., Musicology, University of Helsinki, 1994. iii, 192 p. illus., tbls.,
append., bibliog.
Research director: Eero Tarasti and Gote Nyman
DDM Code: 06aeKaiM; DA no.: RILM no.: 94:15665bm; UM
no.:
Publication: Acta musicologica fennica, no. 19. Helsinki: Suomen
Musiikkitieteellinen Seura, 1994. ISBN: 951-95336-7-2.
Kleinen, Günter.
Experimentelle Studien zum musikalischen Ausdruck.
Ph.D., Musicology, Hamburg, 1968. 132 p.
DDM Code: 06aeKleG; DA no.: RILM no.: 69:2940dd; UM
no.:
Kreuter, Gerhard E.
Die Musik im System der künste in der Theorie des 18. und 19.
Jahrhunderts.
DDM Code: 06aeKreG*; DA no.: RILM no.: UM no.:
Lippold, Eberhard.
Untersuchungen zur Frage der ästhetischen Inhalt-Form-Relationen
in der Musik unter besonderer Berücksichtigung methodologischer
Aspekte der Leninschen Widerspiegelungstheorie.
Ph.D., Aesthetics, Leipzig, 1967. 263 p.
DDM Code: 06aeLipE; DA no.: RILM no.: UM no.:
Mauk, Frederick Henry, Jr.
Aspiring to the Condition of Language: An Examination of Aesthetic
Considerations in the Application of Structural (Semiological)
Principles to Musical Problems.
Ph.D., Music, Harvard University, 1982. viii, 480 p. illus., tbls., mus. exs.,
bibliog.
DDM Code: 06aeMauF; DA no.: 43/06:1741; RILM no.: UM
no.: 82-22,573
Michell, Joyce.
Symbolism in Music and Poetry.
Ph.D., Musicology, University of Pennsylvania, 1944. 54 p.
DDM Code: 06aeMicJ; DA no.: RILM no.: UM no.:
Pallett, Earl Marshall.
Music Communication Research: The Connotative Dimensions of
Music Meaning.
Ph.D., Music, Michigan State University, 1967. 151 p.
DDM Code: 06aePalE; DA no.: RILM no.: 68:2804dd; UM
no.:
Reid, Merry Lou.
Values Imposed upon Music.
Ph.D., Music, Florida State University.
DDM Code: 06aeReiM*; DA no.: RILM no.: UM no.:
Riethmüller, Albrecht.
Die Musik als Abbild der Realität. Zur dialektischen
Widerspiegelungstheorie in der Ästhetik.
DDM Code: 06aeRieA; DA no.: RILM no.: 76:7587dd; UM
no.:
Runge, Christoph.
Die Ästhetik des Musikalisch-Erhabenen. Begriffsgeschichte und
Werkinterpretation.
Ph.D., Music Aesthetics, Marburg.
Research director: Wilhelm Seidel
DDM Code: 06aeRunC*; DA no.: RILM no.: UM no.:
Rütter, Stefan.
Zur Phänomenologie des musikalischen Fragments.
Ph.D., Music Aesthetics, Hochschule, Köln.
Research director: Dietrich Kämper
DDM Code: 06aeRutS*; DA no.: RILM no.: UM no.:
Schirpenbach, Bernd.
Musikbegriff und Musikanschauung. Zu hermeneutischen und
formalen Implikationen autonomieästhetischer Entwürfe von Musik.
Ph.D., Music Aesthetics, Bochum.
Research director: Fischer
DDM Code: 06aeSchB*; DA no.: RILM no.: UM no.:
Sorenson, Jack Eugene.
Modalities of Musical Attention and Perception: A Phenomenological
View of Aesthetics and Style.
Ph.D., Musicology, University of Washington, 1974. xvi, 223 p. illus.,
plts., mus. exs., bibliog.
DDM Code: 06aeSorJ; DA no.: 35/08:5454; RILM no.:
76:16586dd; UM no.: 75-04,050
Criticism
Lesle, Lutz.
Der Musikkritiker: Gutachter oder Animateur? Aspekte einer
publikumspädagogischen Handlungstheorie der Musikpublizistik.
DDM Code: 06crLesL; DA no.: RILM no.: UM no.:
Philosophy and Music
Brusatti, Otto.
Nationalismus und Ideologie in der Musik.
DDM Code: 06phBruO; DA no.: RILM no.: UM no.:
Foster, Effamae Morrison.
A Phenomenological Study of the Foundations of Music.
Ph.D., Humanities, Florida State University, 1972. 267 p.
DDM Code: 06phFosE; DA no.: 36/04:1889-90; RILM no.:
UM no.: 75-23,425
Haar, James E.
Musica mundana: Variations on a Pythagorean Theme.
Ph.D., Music, Harvard University, 1961. vi, 558 p.
DDM Code: 06phHaaJ; DA no.: RILM no.: UM no.:
Jernhake, Göran.
Fenomenologi ach musikuppleuelse [Phenomenology and Musical
Experience].
DDM Code: 06phJerG*; DA no.: RILM no.: UM no.:
Johansson, Calvin Matthew.
Some Theological Considerations Foundational to a Philosophy of
Church Music.
D.M.A., Church Music, Southwestern Baptist Theological Seminary,
1974. iii, 393 p. bibliog.
DDM Code: 06phJohC; DA no.: RILM no.: 74:4243dd; UM
no.:
Kimmey, John A.
A Critique of Musicology.
Ph.D., Philosophy, Florida State University, 1984. 303 p.
Research director: Eugene F. Karlin
DDM Code: 06phKimJ; DA no.: 45/09:2898; RILM no.: UM
no.: 84-27311
Kurzschenkel, Winfred.
Die theologische Bestimmung der Musik. Neuere Beiträge zur
Deutung und Wertung des Musizierens im Christlichen Leben.
Ph.D., Theology, Rome, 1968. xxiii, 686 p. bibliog., ind.
DDM Code: 06phKurW; DA no.: RILM no.: 73:1415dd; UM
no.:
Opper, Jacob.
The Cosmological Basis of Western Culture, 1600-1900: Concomitants
of the Natural Sciences in the Musical, Literary, and Graphic Arts.
Ph.D., Humanities, Florida State University, 1970. xiv, 320 p. mus. exs.,
bibliog.
DDM Code: 06phOppJ; DA no.: RILM no.: 70:1265dd; UM
no.:
Pautz, Zane Ernest W.
An Historical and Analytical Study of Mysticism in Music.
Ph.D., Music, University of Wisconsin, 1957. 112 p.
DDM Code: 06phPauZ; DA no.: 17/11:2631; RILM no.: UM
no.: 24,316
Schönke, Wolfgang.
Zum Verhältnis zwischen Musik und Utopie. Ein Beitrag zur
Systematisierung.
DDM Code: 06phSchW; DA no.: RILM no.: UM no.:
Uhlemann, Silvia.
Symbol und Metapher. Beobachtungen zur Analogie humanistischen
Denkens in Philosophie und Komposition.
Ph.D., Musicology, Karlsruhe.
Research director: Siegfried Schmalzriedt
DDM Code: 06phUhlS*; DA no.: RILM no.: UM no.:
Wesley, Jane Jordan.
The Hierarchic Progression of Musical, Aesthetic, Moral and Other
Values.
Ph.D., Musicology, University of California at Berkeley, 1974. 242 p.
DDM Code: 06phWesJ; DA no.: 35/07:4605; RILM no.:
76:16615dd; UM no.: 75-01,798
Scientific (Physiology, Psychology, Acoustics)
Acoustics
Barkowsky, Johannes.
Das Fourier-Theorem in musikalischer Akustik und Tonpsychologie.
Ph.D., Musicology, Hannover, 1995.
Research director: Klaus Ernst Behne
DDM Code: 07acBarJ; DA no.: RILM no.: UM no.:
Barron, M. F. E.
The Effects of Early Reflections on Subjective Acoustical Quality in
Concert Halls.
Ph.D., Musicology, University of Southampton, 1973.
DDM Code: 07acBarM; DA no.: RILM no.: UM no.:
Bruhn, Gothard.
Die Hörbarkeit von Glockenschlagtönen in Abhängigkeit von
relativer und absoluter Lage der Teiltöne im Spektrum.
DDM Code: 07acBruG; DA no.: RILM no.: UM no.:
Burke, J. G.
A Computer Model of Auditoria.
DDM Code: 07acBurJ; DA no.: RILM no.: UM no.:
Dodd, G.
Assisted Resonance and Room Acoustics in Small Auditoria.
DDM Code: 07acDodG; DA no.: RILM no.: UM no.:
Dost, Walfried.
Schwingungsverhalten von in Stimmhaltung und Harmonizität
verbesserten Klaviersaiten.
DDM Code: 07acDosW*; DA no.: RILM no.: UM no.:
Driscoll, R. C.
A Narrow Band Spectral Test Function and Its Applications in
Acoustics.
Ph.D., Musicology, Chelsea College, University of London, 1979.
DDM Code: 07acDriR; DA no.: RILM no.: UM no.:
Edwards, R. M.
A Subjective Assessment of Concert Hall Acoustics.
Ph.D., Musicology, University of Bradford, 1975.
DDM Code: 07acEdwR; DA no.: RILM no.: UM no.:
Fleming, B.
The Loudness of Short Duration Tones.
DDM Code: 07acFleB; DA no.: RILM no.: UM no.:
Forsyth, M.
The Interrelationship of the Architect, the Musician and the Listener
in the Development of Auditoria from the Seventeenth Century to the
Present Day.
Ph.D., Musicology, University of Bristol, 1983.
DDM Code: 07acForM; DA no.: RILM no.: UM no.:
Goldhan, Wolfgang.
Untersuchungen zum Intensitätsvibrato der Sängerstimme.
Ph.D., Musicology, Berlin, 1972. 127 p.
DDM Code: 07acGolW; DA no.: RILM no.: 73:1369dd; UM
no.:
Hanzelin, Fred Lee.
The Software for Computer-Assisted Graphical Representation of
Single Instrument Melodic Lines and Harmonic Spectra Using
DARMS Encoding and Acoustical Data.
D.M.A., Composition, University of Illinois, 1978. 194 p.
DDM Code: 07acHanF; DA no.: 39/01:14; RILM no.:
78:1833dd; UM no.: 78-11246
Hermann, Eckart.
Merkmale und Kennzeichen des Instationären in musikalischen
Klängen.
DDM Code: 07acHerE*; DA no.: RILM no.: UM no.:
Hesse, Horst-Peter.
Die Wahrnehmung von Tonhöhe und Klangfarbe als Problem der
Hörtheorie.
DDM Code: 07acHesH; DA no.: RILM no.: 76:4382dd; UM
no.:
Hickman, T. J.
Transient Properties of Sound Absorbing Systems with Particular
Reference to Acoustic Resonators.
Ph.D., Music, Chelsea College, University of London.
DDM Code: 07acHicT*; DA no.: RILM no.: UM no.:
Hughes, J. W.
An Investigation of the Range of Frequencies over Which Sounds of
Different Pitch Reinforce One Another and Its Bearing on Theories of
Learning.
Ph.D., Musicology, University of Wales, 1938.
DDM Code: 07acHugJ; DA no.: RILM no.: UM no.:
Jones, P. J.
Pitch and Lateralization Experiments on Complex Tones.
DDM Code: 07acJonP; DA no.: RILM no.: UM no.:
Marks, M. A.
Analysis and Synthesis of Musical Instrument Sounds by Digital
Computer.
Ph.D., Music, University of Bradford, 1980.
DDM Code: 07acMarM; DA no.: RILM no.: UM no.:
Nagosky, John.
Timbre Thresholds of Sinusoidal Mixtures.
Ph.D., Theory, Indiana University, 1962. 85 p.
DDM Code: 07acNagJ; DA no.: 23/06:2165-6; RILM no.: UM
no.: 62-5065
Oddo, Vincent Albert.
Pure- and Complex-Tone Equal Contours for Pitch and Loudness.
Ph.D., Music, Indiana University, 1971. 206 p.
DDM Code: 07acOddV; DA no.: 32/01:1002-03; RILM no.:
UM no.: 71-21,291
Pountney, S. J.
The Control of Acoustic Feedback.
Ph.D., Musicology, University of Manchester, 1977.
DDM Code: 07acPouS; DA no.: RILM no.: UM no.:
Schulte, Gerhard.
Untersuchungen zum Phänomen des Tonhöheneindruckes bei
verschieden Vokelfarben.
Ph.D., Musicology, Köln, 1967. 124 p. ind.
DDM Code: 07acSchG; DA no.: RILM no.: 68:4230dd; UM
no.:
Schlemm, Wilhelm.
Zur Problematik der künstlerischen Gestaltung bei der
elektroakustischen Übertragung von Musik.
Ph.D., Musicology, Freie Universität, Berlin, 1970. 133 p. illus., mus.
exs., bibliog.
DDM Code: 07acSchW; DA no.: RILM no.: 70:1293dd; UM
no.:
Solowan, James Douglas.
Critical Band for Frequency: A Revision of the Limits.
Ph.D., Musicology, University of Washington, 1983. v, 80 p. illus., tbls.,
append., bibliog.
DDM Code: 07acSolJ; DA no.: 44/11:3202; RILM no.: UM
no.: 84-04,950
Sotiropoulou, A.
Subjective Judgements in Concert Halls in Relation to Current Room
Acoustic Criteria.
Ph.D., Music, University of London, 1982.
DDM Code: 07acSotA; DA no.: RILM no.: UM no.:
Tavener, Thomas Theodore.
An Acoustical Analysis of Stressed and Unstressed Consonant-Vowel
Syllables Sung and Spoken in Disyllabic Pairs by Trained Singers.
D.M.A., Performance, University of Washington, 1972.
DDM Code: 07acTavT; DA no.: 33/05:2418; RILM no.:
76:16933dd; UM no.: 72-28,673
Thies, Wolfgang.
Grundlagen einer Typologie der Klänge.
Ph.D., Musicology, Hamburg, 1982. iv, 181 p. illus., tbls., append.
DDM Code: 07acThiW; DA no.: RILM no.: UM no.:
Publication: Hamburg: Karl Dieter Wagner, 1982.
Waldigner, Maria Magdalena.
Zur Geschichte, Funktion und Semantik der musikalischen
Klangfarbe.
Research director: Gernot Gruber
DDM Code: 07acWalM*; DA no.: RILM no.: UM no.:
Weyer, Rolf-Dieter.
Untersuchungen an instationären musikalischakustischen
Schwingungsstrukturen am Beispiel der Klangeinsätze von Klavier
und Cembalo.
DDM Code: 07acWeyR; DA no.: RILM no.: UM no.:
Intonation
Shackford, Charles Reeves.
Intonation in Ensemble String Performance: An Objective Study.
DDM Code: 07itShaC; DA no.: RILM no.: UM no.:
Stiebritz, Martin.
Akustische Intonationsuntersuchungen zur Mehrstimmigkeit.
Ph.D., Musicology, Halle-Saale.
DDM Code: 07itStiM*; DA no.: RILM no.: UM no.:
Swaffield, William Robert.
The Effect of Certain Melodic Parameters upon the Ability to Make
Fine Tuning Responses in Context.
Ph.D., Musicology, University of Washington, 1972. 124 p. illus.,
bibliog., ind.
DDM Code: 07itSwaW; DA no.: RILM no.: 72:4124dd; UM
no.:
Physiology
Bench, R. J.
Changes in Aspects of Arousal with Audio Frequency Stimulation in
the Human Foetus and Neonate.
DDM Code: 07piBenR; DA no.: RILM no.: UM no.:
Bloom, P. J.
An Investigation of Human Auditory Localization and Binaural
Phenomena.
DDM Code: 07piBloP; DA no.: RILM no.: UM no.:
Brown, Andrew F. David.
A Cinefluorographic Pilot Study of the Throat While Vibrato Tones
Are Played on Flute and Oboe.
D.M.A., Performance, University of Iowa, 1973. v, 89 p. illus., append.,
bibliog.
DDM Code: 07piBroA; DA no.: 34/06:3449; RILM no.:
76:16771dd; UM no.: 73-31,002
Carr, Walter Edward, Jr.
A Videofluorographic Investigation of Tongue and Throat Positions
in Playing Flute, Oboe, Clarinet, Bassoon and Saxophone.
D.M.A., Performance, University of Southern California, 1978.
DDM Code: 07piCarW; DA no.: RILM no.: 78:6508dd; UM
no.:
Gates, Anne.
The Role of the Cerebral Hemispheres in Music Performance and
Perception.
DDM Code: 07piGatA; DA no.: RILM no.: UM no.:
Green, E. J.
Stroop Interference Effects in the Auditory Modality.
Ph.D., Musicology, Birkbeck College, University of London, 1980.
DDM Code: 07piGreE; DA no.: RILM no.: UM no.:
Rohde, Frank.
Wechselwirkungen zwischen musikalischem Rhythmus und
Pulsfrequenz, gemessen an vegetativen Reaktionen ausübender
Musiker.
DDM Code: 07piRohF*; DA no.: RILM no.: UM no.:
Psychology of Music
Albermann, Claus Dieter.
Interaktionsprozesse und die Dynamik musikalischen Verhaltens in
Gruppen.
DDM Code: 07psAlbC*; DA no.: RILM no.: UM no.:
Alston, P. M.
An Exploratory Study of Some Cognitive Aspects of Musical
Proficiency.
Ph.D., Musicology, University of Liverpool, 1979.
DDM Code: 07psAlsP; DA no.: RILM no.: UM no.:
Appel, Ruth.
A Cognitive Model in Music: The Concept of Schema and
Transformation as a Model for the Creative Process in Music.
DDM Code: 07psAppR*; DA no.: RILM no.: UM no.:
Banton, Louise.
Long Term Memory for Music.
Ph.D., Music, University of Leicester.
DDM Code: 07psBanL*; DA no.: RILM no.: UM no.:
Batel, Günther.
Komponenten musikalischen Erlebens: Eine
experimentalpsychologische Untersuchung.
Ph.D., Musicology, Göttingen, 1976. 201 p.
DDM Code: 07psBatG; DA no.: RILM no.: UM no.:
Publication: Göttinger musikwissenschaftliche Arbeiten, 7.76.
Behne, Klaus-Ernst.
Der Einfluss des Tempos auf die Beurteilung von Musik.
DDM Code: 07psBehK; DA no.: RILM no.: UM no.:
Berberich, Frank Joseph.
Effect of Music Experience on the Perception of a Short Tonal Melody
in Major and Minor Contexts.
Ph.D., Musicology, University of Washington, 1984. 90 p. illus., tbls.,
append., bibliog.
DDM Code: 07psBerF; DA no.: 45/05:1233; RILM no.: UM
no.: 84-19,115
Beyer, Esther Wondracek.
Musikalische und sprachliche Entwicklung in der frühen Kindheit.
DDM Code: 07psBeyE; DA no.: RILM no.: 94:15545bm; UM
no.:
Publication: Hamburg: Kramer, 1994.
Biock, Hans-Reinhard.
Zur lntonationsbeurteilung bei Tonfolgen in Abhängigkeit vom
musikalischen Zusammenhang.
DDM Code: 07psBioH; DA no.: RILM no.: 76:7620dd; UM
no.:
Bird, R. J.
Some Aspects of Auditory Imagery.
Ph.D., Musicology, University of Newcastle upon Tyne, 1977.
DDM Code: 07psBirR; DA no.: RILM no.: UM no.:
Blatter, Alfred Wayne.
The Effect of Timbre on Pitch-Matching Judgments.
DDM Code: 07psBlaA; DA no.: 35/10:6749; RILM no.:
76:16635dd; UM no.: 75-00,267
Brooks, A. J.
Aspects of the Perception of the Pitch of Complex Tones.
Ph.D., Music, University of Wales at Cardiff, 1980.
DDM Code: 07psBroA; DA no.: RILM no.: UM no.:
Brown, Thomas S.
An Experimental Investigation of the Relationship of Musical
Loudness to Musical Meaning and to Listener Extraversion.
Ph.D., Psychology, Northwestern University, 1968.
DDM Code: 07psBroT; DA no.: RILM no.: UM no.:
Bunt, Leslie.
Music Therapy and the Child with a Handicap: Evaluation of the
Effects of Intervention.
Ph.D., Music Therapy, City University of New York, 1985.
DDM Code: 07psBunL; DA no.: RILM no.: UM no.:
Castell, K.
Responses to Music.
Ph.D., Musicology, University of Leicester, 1984.
DDM Code: 07psCasK; DA no.: RILM no.: UM no.:
Cherlin, Norma.
The Complexity Factor in Music as a Basis for Value Judgement.
Ph.D., Music Education, University of Connecticut, 1973. 214 p.
DDM Code: 07psCheN; DA no.: 34/04:1949; RILM no.:
76:16458dd; UM no.: 73-24,395
Cohen, Olga.
Anxiety in Performance and Its Relationship to the Musical Work
and to the Education of the Performer.
DDM Code: 07psCohO*; DA no.: RILM no.: UM no.:
Costall, A. P.
Memory Processes in Absolute Judgements of Pitch and Loudness.
Ph.D., Musicology, University of Birmingham, 1974.
DDM Code: 07psCosA; DA no.: RILM no.: UM no.:
Crickmore, Leon S.
A Theory of Musical Experience, Together with An Account of an
Experiment to Measure It, Its Growth and Relationshipto
Temperament and Ability in a Group of Technical Students.
Ph.D., Musicology, University of Birmingham, 1964.
DDM Code: 07psCriL; DA no.: RILM no.: UM no.:
Cross, Ian R.
The Analysis of Musical Cognition.
DDM Code: 07psCroI*; DA no.: RILM no.: UM no.:
Danecka-Szopowa, Krystyna.
Funkcja obrazów sluchowych w niektórych procesach myslenia
muzycznego [The Function of Auditory Images in Some Processes].
Ph.D., Philosophy and History, Kraków, 1971.
DDM Code: 07psDanK; DA no.: RILM no.: UM no.:
Darwin, C. J.
Auditory Perception and Cerebral Dominance.
Ph.D., Psychology, Cambridge University, 1970.
DDM Code: 07psDarC; DA no.: RILM no.: UM no.:
Davies, Alan W.
An Analysis of the Characteristics of Musical Sounds and the Joint
Way They Are Perceived by Man.
Ph.D., Music, Jesus, Oxford.
DDM Code: 07psDavA*; DA no.: RILM no.: UM no.:
Davies, D. R.
An Experimental Study of Some Aspects of Auditory Vigilance
Performance.
Ph.D., Psychology, University of Bristol, 1963.
DDM Code: 07psDavD; DA no.: RILM no.: UM no.:
Davidson, Jane.
The Psychology of Musical Expression Conveyed through Performer
Movement.
DDM Code: 07psDavJ*; DA no.: RILM no.: UM no.:
Diefenbach, Hans.
Zur Diagnose der musikalischen Begabung. Methoden zur Erfassung
der musikalischen Begabung, experimentelle Beiträge zur Validität
von Musikalitätstests, Erstellung von Musikbegabungsdiagnosen.
Ph.D., Psychology, Würzburg, 1972. 245 p.
DDM Code: 07psDieH; DA no.: RILM no.: 73:2756dd; UM
no.:
Dorn, Gerhardt George.
Harmonic Mutation as a Function of Stimulus Intensity.
Ph.D., Theory, North Texas State University, 1955. 131 p.
DDM Code: 07psDorG; DA no.: 15/12:2540; RILM no.: UM
no.: 14,370
Dworak, Paul Edward.
The Utility and Compositional Ramifications of Grouping Theory.
Ph.D., Theory, Carnegie-Mellon University, 1976. 226 p.
DDM Code: 07psDwoP; DA no.: 37/05:2477; RILM no.: UM
no.: 76-21,290
Eberlein, Roland.
Theorien und Experimente zur Wahrnehmung musikalischer Klänge.
DDM Code: 07psEbeR; DA no.: RILM no.: UM no.:
Elam, Robert Wayne.
Mechanism of Music as an Emotional Intensification Stimulus.
Ph.D., Music, University of Cincinnati, 1971. 132 p.
DDM Code: 07psElaR; DA no.: 32/12:7029; RILM no.:
71:1706dd; UM no.: 72-16,546
Faltin, Peter.
Experimentelle Untersuchungen zur Wahrnehmung der
musikalischen Syntax.
Hab., Psychology-Musicology, Giessen.
DDM Code: 07psFalP*; DA no.: RILM no.: UM no.:
Feldmann, Carl Matthias.
Das Musikerleben aus der Sicht der kognitiven Emotionstheorie von
George Mandler.
Research director: Herbert Schneider
DDM Code: 07psFelC*; DA no.: RILM no.: UM no.:
Fenske, Peter.
Theorie, Aufbau und Entwicklung von Musikalitätstests.
DDM Code: 07psFenP*; DA no.: RILM no.: UM no.:
Fielding, Stuart.
Auditory Adaptation: Evidence of Duplexity.
Ph.D., Psychology, University of Delaware, 1968.
DDM Code: 07psFieS; DA no.: RILM no.: 69:2988dd; UM
no.:
Fung, Chi-Keung Victor.
Musicians' and Non-Musicians' Preferences for World Musics:
Relation to Musical Characteristics and Familiarity.
Ph.D., Music Education, Indiana University, 1994. xiii, 178 p. illus., tbls.,
works lst., append., discog., bibliog.
Research director: Charles Schmidt
DDM Code: 07psFunC; DA no.: RILM no.: UM no.:
Garmo, John Charles.
Effects of Tempo and Meter in Music upon Anxiety.
Ph.D., Music, University of Washington.
DDM Code: 07psGarJ*; DA no.: RILM no.: UM no.:
Gembris, Heiner.
Musikhören und Entspannung.
DDM Code: 07psGemH; DA no.: RILM no.: UM no.:
Gerster, Robert Gibson.
The Role of Entitation in Perceiving Musical Structure.
D.M.A., Performance, University of Washington, 1976. 339 p.
DDM Code: 07psGerR; DA no.: 37/05:2479; RILM no.: UM
no.: 76-25,408
Green, C. J. C.
Musical Appreciation: Some Psychological, Social and Educational
Factors.
DDM Code: 07psGreC; DA no.: RILM no.: UM no.:
Green, G. G. R.
Temporal Aspects of Audition.
Ph.D., Musicology, Oxford University, 1977.
DDM Code: 07psGreG; DA no.: RILM no.: UM no.:
Greenhough, M.
Psycho-physical Investigations Relating to Musical Pitch Perception.
DDM Code: 07psGreM; DA no.: RILM no.: UM no.:
Haack, Stefan.
Filmmusikalische Wahrnehmung in Abhängigkeit vom Tempo des
Films und der Musik.
Ph.D., Musicology, Technische Universität, Berlin.
Research director: Helga de la Motte
DDM Code: 07psHaaS*; DA no.: RILM no.: UM no.:
Hammond, N. V.
Stimulus-Response Relations and Sequential Effects in Auditory
Reaction-Time Tasks.
Ph.D., Musicology, Birkbeck College, University of London, 1977.
DDM Code: 07psHamN; DA no.: RILM no.: UM no.:
Hanzl, Susanne.
Untersuchungen zur Trainierbarkeit des Gehörs im Rahmen des
musikalischen Hörens.
Ph.D., Psychology, Wien, 1978.
DDM Code: 07psHanS; DA no.: RILM no.: 78:6478dd; UM
no.:
Heyde, Eva-Marie.
Das absolute Hören bei differierenden Stimmtönen im
Zusammenhang mit der musikalischen Praxis.
Ph.D., Musicology, Hamburg, 1986. 540 p. illus., mus. exs., works lst.,
bibliog.
Research director: Reineke
DDM Code: 07psHeyE; DA no.: RILM no.: 87:9326bm; UM
no.:
Publication: München: Profil, 1987.
Hickman, Aubrey T.
Musical Imaging and Concept Formation in School Children.
Ph.D., Musicology, University of Manchester, 1969.
DDM Code: 07psHicA; DA no.: RILM no.: UM no.:
Hodgson, J. A.
The Explanation of Music: A Study of the Adequacy of Existing
Systems of Explanation in Relating the Phenomenon of Music to Its
Status As a Human Activity.
Ph.D., Music, Western Australia.
DDM Code: 07psHodJ*; DA no.: RILM no.: UM no.:
Hoppe, Andreas.
Hören--Assoziieren--Interpretieren. Einzelstudien zur Rezeption von
Musik bei Blinden unter besonderer Berücksichtigung der speziellen
Qualitäten verbalen Ausdrucks und nonverbalen
Vermittlungsmöglichkeiten.
Ph.D., Musicology, Hildesheim.
Research director: Rudolf Weber
DDM Code: 07psHopA*; DA no.: RILM no.: UM no.:
Hopfgartner, Herbert.
Tanz und Musik als Kommunikationsproblem 16 jähriger.
DDM Code: 07psHopH*; DA no.: RILM no.: UM no.:
Horbulewicz, Jan.
Rozwoj pamieci muzycznej [The Development of Musical Memory].
Ph.D., Humanities, Teachers' College, Gdansk, 1964.
DDM Code: 07psHorJ; DA no.: RILM no.: UM no.:
Hüne, Iris.
Untersuchungen zur musikalischen Gestaltwahrnehmung.
DDM Code: 07psHunI*; DA no.: RILM no.: UM no.:
Hurte, Michael.
Geschichtspunkte auditiv-visueller Konvergenzen. Experimente,
Grenzen, Möglichkeiten.
DDM Code: 07psHurM; DA no.: RILM no.: UM no.:
Imberty, Michel.
L'acquisition des structures tonales chez l'enfant.
Ph.D., Psychology and Musicology, Université de Paris, Nanterre, 1969.
226 p. mus. exs., works lst.
DDM Code: 07psImbM; DA no.: RILM no.: 69:2997dd; UM
no.:
Jellison, Judith Anne.
The Effect of Music on Autonomic Stress Responses and Verbal
Reports.
Ph.D., Music, Florida State University, 1972. 86 p.
DDM Code: 07psJelJ; DA no.: 33/09:5226; RILM no.:
76:16801dd; UM no.: 73-04,203
Jesteadt, Walter H.
Memory for the Pitch and Loudness of Pure Tones.
Ph.D., Psychology, University of Pittsburgh, 1971. 112 p.
DDM Code: 07psJesW; DA no.: RILM no.: 73:2762dd; UM
no.:
Kauffman, William Howard.
The Influence of Selected Factors on Memory for Music.
Ph.D., Musicology, University of Washington, 1986.
DDM Code: 07psKauW; DA no.: RILM no.: UM no.:
Kemp, A. E.
The Personality Structure of Composers and Performing Musicians.
Ph.D., Musicology, University of Sussex, 1979.
DDM Code: 07psKemA; DA no.: RILM no.: UM no.:
Kepner, Craig B.
The Effect of Performance Familiarity, Listening Condition, and Type
of Performance Error on Correctness of Performance Error
Detection.
Ph.D., Music, Kent State University, 1986.
Research director: Jerry Lee Kuhn
DDM Code: 07psKepC; DA no.: RILM no.: UM no.:
Klemm, Gerhard.
Über den Zusammenhang musikalischer und sprachlicher
Hörfähigkeiten.
DDM Code: 07psKleG; DA no.: RILM no.: UM no.:
Kopiez, Reinhard.
Der Einfluß kognitiver Strukturen auf das Erlernen eines
Musikstücks auf dem Instrument.
DDM Code: 07psKopR; DA no.: RILM no.: UM no.:
Kötter, Eberhard W.
Der Einfluss übertragungstechnischer Factoren auf das Musikhören.
Eine experimentelle Untersuchung.
Ph.D., Musicology, Hamburg, 1968. 105 p. illus., bibliog., ind.
DDM Code: 07psKotE; DA no.: RILM no.: 69:3003dd; UM
no.:
Kotsch, Hilde.
Vermittlung von Musik. Erleben--Erkennen--Erinnern.
DDM Code: 07psKotH*; DA no.: RILM no.: UM no.:
Langston, P. W.
Individual Differences in Frequency Discrimination Ability.
Ph.D., Musicology, University of Surrey, 1979.
DDM Code: 07psLanP; DA no.: RILM no.: UM no.:
Leggatt, Edward William.
Music and Communication: A Study of Young Children's Original
Melodies.
DDM Code: 07psLegE; DA no.: RILM no.: UM no.:
Lehmann, Andreas C.
Habituelle und situative Rezeptionsweisen beim Musikhören: Eine
einstellungstheoretische Untersuchung.
Ph.D., Psychology, Hochschule, Hannover, 1992. 331 p.
Research director: Klaus-Ernst Behne
DDM Code: 07psLehA; DA no.: RILM no.: 94:15698bm; UM
no.:
Publication: Schriften zur Musikpsychologie und Musikästhetik.
Frankfurt am Main: Lang, 1994. ISBN: 3-631-46411-8.
Lehr, Mangham David.
A Survey of Color Theory and Musical Applications.
Ph.D., Theory, Michigan State University.
DDM Code: 07psLehM*; DA no.: RILM no.: UM no.:
Lippman, Edward Arthur.
Music and Space: A Study in the Philosophy of Music.
DDM Code: 07psLipE; DA no.: 12/05:631; RILM no.: UM
no.: 4211
Maconie, Robin John.
Organisation and Perception in Music.
Ph.D., Music, Southampton, 1974.
DDM Code: 07psMacR; DA no.: RILM no.: UM no.:
Manturzewska, Maria.
Badania nad rola psychicznych, fizyczynch i biograficznych
wyznaczników powodzenia w zawodzie pianisty [The Role of
Psychological, Physical, and Biographical Determinants of Success in
the Pianist's Profession].
Ph.D., Philosophy and History, Jagiellonian University, Kraków, 1963.
DDM Code: 07psManM; DA no.: RILM no.: UM no.:
Martini, Anna.
Die Bedeutung von EEG-Studien für die Musikpsychologie.
Ph.D., Musicology, Hochschule, Köln.
DDM Code: 07psMarA*; DA no.: RILM no.: UM no.:
Martin, P. J.
Appreciation of Music in Relation to Personality Factors.
Ph.D., Musicology, Glasgow, 1976.
DDM Code: 07psMarP; DA no.: RILM no.: UM no.:
Meissner, Roland.
Der Einfluss von Vorbildung, Vorinformation,
Persönlichkeitsmerkmalen und lntelligenz auf die Beurteilung von
Musik.
DDM Code: 07psMeiR; DA no.: RILM no.: UM no.:
Meyberg, Wolfgang.
Untersuchungen zur Musiktherapie bei Kindern. Basiskonzepte,
Fallstudien und Praxismodelle im klinischen Bereich.
Ph.D., Musicology, Oldenburg, 1993.
Research director: Wolfgang Martin Stroh
DDM Code: 07psMeyW; DA no.: RILM no.: UM no.:
Minkenberg, Hubert.
Messungen zur Kontextauffassung bei raumakutisch und
unweltbedingten Störungen.
DDM Code: 07psMinH*; DA no.: RILM no.: UM no.:
Morawska-Büngeler, Marietta.
Kategoriale Wahrnehmung bei Tonhöhen.
DDM Code: 07psMorM*; DA no.: RILM no.: UM no.:
Murray, Kathleen Rushford.
Hemispheric Asymmetry in the Discrimination and Identification of
Small Frequency Changes.
Ph.D., Music, University of Illinois, 1978. 263 p.
DDM Code: 07psMurK; DA no.: RILM no.: 78:6491dd; UM
no.:
Nitsche, Peter.
Über das Verhältnis von Schallstruktur und Wahrnehmung.
DDM Code: 07psNitP; DA no.: RILM no.: UM no.:
Oehlmann, Johannes.
Empirische Untersuchung zur Wirkung der Klänge von Gongs und
Tam-Tams: Lautstärke und Emotion.
DDM Code: 07psOehJ; DA no.: RILM no.: UM no.:
Ockleford, George A.
The Perception of Order in Music.
Ph.D., Musicology, Goldsmith's College, University of London.
DDM Code: 07psOskG*; DA no.: RILM no.: UM no.:
Pedersen, Paul Richard.
The Perception of Musical Pitch Structure.
Ph.D., Theory, University of Toronto, 1970. v, 151 p. tbls., bibliog.
DDM Code: 07psPedP; DA no.: RILM no.: UM no.:
Pember, Larry Myrrl.
Musical Style as a Set-Determinant: Its Influence on Melodic
Expectancy.
Ph.D., Musicology, University of Washington, 1973.
DDM Code: 07psPemL; DA no.: 34/08:5235; RILM no.:
76:16772dd; UM no.: 74-02,225
Poppensieker, Karin.
Die Entwicklung musikalischer Wahrnehmensfähigkeit.
DDM Code: 07psPopK; DA no.: RILM no.: UM no.:
Reinhard, Gertraud.
Leistungsmotivation und Kausalattribuierung im musikalischen
Bereich.
Ph.D., Music, Pädagogische Hochschule, Köln, 1975.
DDM Code: 07psReiG; DA no.: RILM no.: UM no.:
Ribke, Juliane.
Musikalität als Variable von Intelligenz, Denken und Erleben.
Ph.D., Musicology, Hamburg, 1978. 254 p. bibliog.
DDM Code: 07psRibJ; DA no.: RILM no.: UM no.:
Publication: Hamburg: Karl Dieter Wagner, 1979.
Rodman, Marion Eugene.
Range Distribution, Timbre and Cent Calibration as Factors in Pitch
Discrimination Capacities.
Ph.D., Musicology, Texas Tech University, 1981.
DDM Code: 07psRodM; DA no.: RILM no.: 81:1961dd; UM
no.:
Rogers, Dennis George.
The Effect of Rhythmic Rhyme and the Absence of Rhythmic Rhyme
on Beat Competency.
Ph.D., Education, University of Missouri.
DDM Code: 07psRogD*; DA no.: RILM no.: UM no.:
Rötter, Günther.
Die Beeinflussbarkeit des emotionalen Erlebens von Musik durch
analytisches Hören: Physiologische und psychologische
Beobachtungen.
Ph.D., Musicology, Technische Universität, Berlin, 1985. 142 p.
DDM Code: 07psRotG; DA no.: RILM no.: 87:9401bm; UM
no.:
Publication: Schriften zur Musikpsychologie und Musikästhetik,
vol. 1. Frankfurt: Lang, 1986.
Schwabe, Christoph.
Untersuchungen über Entwicklung und Stand der Musiktherapie.
Ph.D., Musicology, Halle, 1967. 260 p. illus., facs., mus. exs.
DDM Code: 07psSchC; DA no.: RILM no.: 76:16835dd; UM
no.:
Schellberg, Gabriele.
Erkennen von Klangfarben im Vorschulalter.
Research director: Heiner Gembris
DDM Code: 07psSchG*; DA no.: RILM no.: UM no.:
Simmet, Michael.
Studien zur Trivialität in der Musik unter besonderer
Berücksichtigung kommunicationstheoretischer Aspekte.
DDM Code: 07psSimM*; DA no.: RILM no.: UM no.:
Soderquist, David Richard.
Frequency Analysis and the Critical Band.
Ph.D., Psychology, Vanderbilt University, 1968. 113 p.
DDM Code: 07psSodD; DA no.: RILM no.: 69:5027dd; UM
no.:
Spietzer, Shmuel.
Psychological and Cultural Influences on Musical Perception:
Experiments on the Perception of Basic Musical Patterns by Various
Groups in Israel.
Ph.D., Musicology, Hebrew University, Jerusalem.
DDM Code: 07psSpiS*; DA no.: RILM no.: UM no.:
Stallings, Charles Kendall.
The Effects of Changes in Certain Musical Parameters on Time
Estimation.
Ph.D., Theory, Washington University, 1969. ii, 73 p. tbls., append.,
bibliog.
DDM Code: 07psStaC; DA no.: RILM no.: 69:3029dd; UM
no.:
Strong, Alan Dale.
The Relationship between Hemispheric Laterality and Perception of
Musical and Verbal Stimuli in Normal and Learning Disabled
Subjects.
D.M.E., Music Education, Indiana University, 1990. viii, 173 p. illus.,
DDM Code: 07psStrA; DA no.: RILM no.: UM no.:
Summers, Edith Kimber.
The Perception of Musical Categories in Infants.
Ph.D., Musicology, University of Washington.
DDM Code: 07psSumE*; DA no.: RILM no.: UM no.:
Swanwick, Keith.
Music and the Education of the Emotions: A Study of Musical
Cognition.
Ph.D., Music, University of London, 1971.
DDM Code: 07psSwaK; DA no.: RILM no.: UM no.:
Unyk, Anna Maria.
The Influence of Expectancy on Melodic Perception.
Ph.D., Musicology, University of Washington, 1985. x, 131 p. illus., mus.
exs., bibliog.
Research director: H. L. Dolcol
DDM Code: 07psUnyA; DA no.: 46/11:3190; RILM no.: UM
no.: 85-29,954
Vogel, Hans.
Musikpsychologische Untersuchungen über Reproduktion und
Rezeption tonikaler und modaler Lieder am Ende des frühen
Schulalters.
DDM Code: 07psVogH; DA no.: RILM no.: UM no.:
Wallace, Margaret Joan.
Second Hearing Recognition of Music: The Design and
Administration of a Research Instrument Which Examines One
Aspect of Music Listening.
Ph.D., Music Education, Canterbury.
DDM Code: 07psWalM*; DA no.: RILM no.: UM no.:
Wallin, Nils.
Den musikaliska hjärnan: en kritisk essä om musik och perceptioni
biologisk belysning [The Musical Brain: A Critical Essay on Music
and Perception in the Light of Biological Findings].
Ph.D., Musicology, University of Göteborg, 1982.
DDM Code: 07psWalN; DA no.: RILM no.: UM no.:
Ward, David.
Imagination in Music: Children's Constructs.
Ph.D., Music Education, University of London, 1983.
DDM Code: 07psWarD; DA no.: RILM no.: UM no.:
Ward, J. David.
Perception and Imagination in Music: A Philosophical and
Psychological Investigation.
Ph.D., Musicology, University of London.
DDM Code: 07psWarJ*; DA no.: RILM no.: UM no.:
Warnke, Krista.
Experimentelle Untersuchungen zur Tonhöhenbeurteilung.
DDM Code: 07psWarK; DA no.: RILM no.: UM no.:
Webster, Peter Richard.
A Factor of Intellect Approach to Creative Thinking in Music.
Ph.D., Music Education, University of Rochester, 1977. xvii, 331 p. illus.,
tbls., append.
DDM Code: 07psWebP; DA no.: 38/06:3136; RILM no.:
76:1918dd; UM no.: 77-26,619
Wedin, Lage.
Multivariate Studies of Musical Perception.
Ph.D., Psychology, Stockholm, 1972. 31 p. illus., tbls., bibliog.
DDM Code: 07psWedL; DA no.: RILM no.: UM no.:
Publication: Contains summaries of six previously published
portions.
Williams, David.
Short-Term Retention of Pitch Sequence: Effects of Sequence Length,
Serial Position, and Delay Time before Recall.
Ph.D., Systematic Musicology, University of Washington, 1973. 233 p.
DDM Code: 07psWilD; DA no.: RILM no.: 74:1345dd; UM
no.:
Wilson, Peter.
Empirische Untersuchung zur Wahrnehmung von
Geräuschstrukturen.
Ph.D., Musicology, Hamburg, 1984. 235 p. illus., tbls.
DDM Code: 07psWilP; DA no.: RILM no.: 84:7400bm; UM
no.:
Publication: Schriftenreihe zur Musik, vol. 23. Hamburg: Wagner,
1984. ISBN: 3-8897-9003-8.
Winold, Charles Allen.
The Effects of Changes in Harmonic Tension upon Listener Response.

DDM Code: 07psWinC; DA no.: RILM no.: UM no.:
Wolf, Rainer.
Zur objektiven Erkenntnis von Musik.
DDM Code: 07psWolR; DA no.: RILM no.: UM no.:
Zeppetzauer, Gabriele.
Zur Wahrnehmung von Melodien. Vergleichende Untersuchung zum
Informations- und Ausdrucksgehalt in Walzermelodien.
Ph.D., Natural Sciences, Salzburg, 1981. 137 p. illus., mus. exs., bibliog.
DDM Code: 07psZepG; DA no.: RILM no.: 81:1968dd; UM
no.:
Rhythm
Gabrielsson, Alf.
Studies in Rhythm.
Ph.D., Psychology, Uppsala, 1973. 1 vols., 19 p. bibliog.
DDM Code: 07rhGabA; DA no.: RILM no.: UM no.:
Publication: One summary volume, plus six reprints of studies. See
also Journal for Psychology and Svensk Tidskrift for
Musikforskning.
Sociology of Music
Jolly, Howard Delcour.
Popular Music: A Study in Collective Behaviour.
Ph.D., Musicology, Stanford University, 1967. 234 p.
DDM Code: 07skJolH; DA no.: 28/03:1134; RILM no.:
76:17007dd; UM no.: 67-11,041
Niemann, Konrad.
Experimentelle und soziologische Methoden zur Ermittlung des
Musikniveaus. Ein Beitrag zur Methodik empirischer
Musiksoziologie.
DDM Code: 07skNieK; DA no.: RILM no.: 68:2852dd; UM
no.:
Schedtler, Susanne.
Musikkulturen in Hamburg. Eine musiksoziologische und
musiktechnologische Studie.
Research director: Albrecht Schneider
DDM Code: 07skSchS*; DA no.: RILM no.: UM no.:
Knox, Charles Courtenaye III.
The Orchestral Violin Tone.
DDM Code: 07snKnoC; DA no.: 23/11:3378-9; RILM no.: UM
no.: 63-3836
Structure and Form
Lora, Doris Liechty.
The Perception of the Motive in the Bach Chorale Preludes.
Ph.D., Theory, Ohio State University, 1971. ix, 234 p. mus. exs., append.,
bibliog.
DDM Code: 07stLorD; DA no.: 32/07:4048; RILM no.:
71:3293dd; UM no.: 72-4551
Turicchi, Thomas Edwin.
A Study of the Acoustical Properties of a Renaissance, Baroque, and
Contemporary Fipple Flute (Recorder).
Ph.D., Musicology, Catholic University of America, 1966. xi, 86 p.
DDM Code: 07wnTurT; DA no.: 27/06:1858; RILM no.: UM
no.: 66-12,715
Voigt, Wolfgang.
Experimentelle Untersuchungen zur Klangfarbe des Fagottes und
vergleichbarer histor. Instrumente.
DDM Code: 07wnVoiW; DA no.: RILM no.: 76:1558dd; UM
no.:
Graphics (Printing, Publishing, Engraving)
Publishing and Printing

Hanser-Strecker, Carl Peter.
Das Plagiat in der Musik. Ein Beitrag zur Frage des
urheberrechtlichen Schutzes von Werken der Musik.
Ll.D., Jurisprudence, Frankfurt am Main, 1968. 187 p.
DDM Code: 08pvHanS; DA no.: RILM no.: 73:2811dd; UM
no.:
McFarlane, G. W. M.
Copyright: The Development and Exercise of the Performing Right.
Ph.D., Economics, University of London, 1976.
DDM Code: 08pvMcfG; DA no.: RILM no.: UM no.:
Styles, B. C.
Musical Typesetting.
DDM Code: 08pvStyB; DA no.: RILM no.: UM no.:
Theory
Analysis
Bante, Mary Martha.

An Introduction to Historical and Current Analytic Procedures and
Their Application in Assessing Layers of Meaningful Structure in
Selected Musical Works.
Ph.D., Theory, Washington University.
DDM Code: 09anBanM*; DA no.: RILM no.: UM no.:
Beeson, R. A.
The Concept of Unity in Musical Analysis.
Ph.D., Musicology, Sheffield, 1974.
DDM Code: 09anBeeR; DA no.: RILM no.: UM no.:
Benward, Bruce Charles.
A Proposal for the Analysis of Motion Factors in Music.
DDM Code: 09anBenB; DA no.: RILM no.: UM no.:
Cook, Nicholas John.
Musical Analysis and the Listener.
Ph.D., Music, Cambridge University, 1984. 216 p. mus. exs.
DDM Code: 09anCooN; DA no.: RILM no.: 89:11813bm; UM
no.:
Publication: Outstanding Dissertations in Music from British
Universities. New York: Garland, 1989. ISBN: 0-8240-0190-7.
Eckel, Gerhard.
Ein Modell der Mehrfachverdeckung für die Analyse musikalischer
Schallereignisse.
DDM Code: 09anEckG; DA no.: RILM no.: UM no.:
Flechsig, Hartmut.
Studien zur Theorie und Methode musikalischer Analyse.
Ph.D., Musicology, Heidelberg, 1974.
DDM Code: 09anFleH; DA no.: RILM no.: 76:1621dd; UM
no.:
Guck, Marion Alice.
Metaphors in Musical Discourse: The Contribution of Imagery to
Analysis.
Ph.D., Theory, University of Michigan, 1981. 314 p.
DDM Code: 09anGucM; DA no.: 42/06:2353; RILM no.: UM
no.: 81-25,119
Hennings, Erika.
Musikalische Analyseverfahren und ihre musikpädagogische
Relevanz.
Research director: Helmuth Hopf
DDM Code: 09anHenE; DA no.: RILM no.: UM no.:
Kowalski, Michael John.
Analysis as Composition.
D.M.A., Composition, University of Illinois, 1978. 93 p.
DDM Code: 09anKowM; DA no.: 40/01:20; RILM no.:
79:3649dd; UM no.: 79-15377
Lanestam, Ulf.
Musiksemiotisk verksanalys [Semiotic Musical Analysis].
DDM Code: 09anLanU*; DA no.: RILM no.: UM no.:
Levy, Burt Jerome.
Aspects of a Systems Approach to Musical Analysis.
D.M.A., Composition, University of Illinois, 1972. 2 vols.,
DDM Code: 09anLevB; DA no.: 33/10:5766; RILM no.:
76:15560dd; UM no.: 73-09,981
Pawlicki, Michael J.
The Concept of Funding in Musical Analysis.
DDM Code: 09anPawM*; DA no.: RILM no.: UM no.:
Reynolds, M. Fletcher.
Music Analysis for Expert Testimony in Copyright Infringement
Litigation.
Ph.D., Theory, University of Kansas, 1991. xviii,
Research director: St. N. Shumway
DDM Code: 09anReyM; DA no.: RILM no.: UM no.:
Rohrer, Hermann Gerhard.
Musikalische Stilanalyse auf der Grundlage eines Modelles für
Lernprozesse.
Ph.D., Musicology, Erlangen, 1970. 152 p. illus., mus. exs., bibliog.
DDM Code: 09anRohH; DA no.: RILM no.: 71:4432dd; UM
no.:
Solie, Ruth Ames.
Metaphor and Model in the Analysis of Melody.
Ph.D., Musicology, University of Chicago, 1977. iii, 479 p. mus. exs.,
bibliog.
DDM Code: 09anSolR; DA no.: RILM no.: UM no.:
Youngblood, Joseph Edward.
Music and Language: Some Related Analytical Techniques.
DDM Code: 09anYouJ; DA no.: 21/09:2743; RILM no.: UM
no.: LC Mic 60-6336
Zillhardt, Rainer.
Messverfahren in der harmonischen Analyse.
Ph.D., Musicology, Tübingen.
DDM Code: 09anZilR*; DA no.: RILM no.: UM no.:
Compositional Processes and Techniques
Cowie, E.
Related Forms: Theory and Application as an Aspect of
Compositional Techniques.
Ph.D., Musicology, Leeds.
DDM Code: 09cmCowE*; DA no.: RILM no.: UM no.:
Webb, John.
Compositional Features of Original Music for One Piano, Four
Hands.
Ph.D., Theory, University of Rochester, 1959. 2 vols., 223 p.
DDM Code: 09cmWebJ; DA no.: RILM no.: UM no.:
Counterpoint
Gould, Murray J.
Species Counterpoint and Tonal Structure.
Ph.D., Musicology, New York University, 1973. v, 181 p. illus., mus. exs.,
append., bibliog.
DDM Code: 09cpGouM; DA no.: 34/08:5227; RILM no.:
76:15412; UM no.: 74-01,984
Lüttig, Peter.
Der Palestrina-Stil als Satzideal in der Musiktheorie zwischen 1750
und 1900.
Research director: Winfried Kirsch
DDM Code: 09cpLutP; DA no.: RILM no.: UM no.:
Mann, Alfred.
The Theory of Fugue.
DDM Code: 09cpManA; DA no.: 15/08:1412; RILM no.: UM
no.: 12,452
Publication: New Brunswick, NJ: Rutgers University Press, 1958.
Data Processing
Pearce, Alastair Tom Parslow.
Computer Programs for Music Analysts.
DDM Code: 09dcPeaA*; DA no.: RILM no.: UM no.:
Dynamics
Elston, Arnold.
On Musical Dynamics.
DDM Code: 09dyElsA; DA no.: RILM no.: UM no.:
Ear Training
Mann, Chester D. Jr.
A Theory of Aural Interpretation of Tonal Combinations.
Ph.D., Musicology, University of Iowa, 1952. x, 220 p.
DDM Code: 09eaManC; DA no.: RILM no.: UM no.: UR 4391
General-Miscellaneous
Schneider, Reinhard.
Darstellung und Kritik der Semiotik der Musik.
DDM Code: 09geSchR; DA no.: RILM no.: UM no.:
Publication: München: Wilhelm Fink Verlag, 1980.
Harmony
Agmon, Eytan.
Diatonicism, Chromaticism, and Enharmonicism: A Study in
Cognition and Perception.
Ph.D., Music, City University of New York, 1986.
DDM Code: 09haAgmE; DA no.: RILM no.: UM no.:
Burke, James Robert.
A Study of Theories of Non-Chord Tones Pertaining to the Music of
the Period ca. 1650 to ca. 1875.
DDM Code: 09haBurJ; DA no.: 24/12:5347; RILM no.: UM
no.: 64-5443
Cazden, Norman.
Musical Consonance and Dissonance.
DDM Code: 09haCazN; DA no.: RILM no.: UM no.:
Evans, Edward G. Jr.
An Investigation of Harmonic Tension.
Ph.D., Music, Western Reserve University, 1951.
DDM Code: 09haEvaE; DA no.: RILM no.: UM no.:
Goodwin, Gladys Foulke.
The Harmonic Cross-Relation: Its History and Analysis.
Ph.D., Music, Western Reserve University, 1937. 127 p.
DDM Code: 09haGooG; DA no.: RILM no.: UM no.:
Gut, Serge.
La Tierce harmonique dans la musique occidentale--origines et
évolution.
Doct., Musicology, Paris, 1967. 235 p.
DDM Code: 09haGutS; DA no.: RILM no.: 75:1172dd; UM
no.:
Hannas, Ruth.
The Evolution of Harmonic Consciousness: A Study of Pre-
Eighteenth-Century Techniques.
Ph.D., Musicology, University of Rochester, 1934. 420 p.
DDM Code: 09haHanR; DA no.: RILM no.: UM no.:
Hoyt, Reed Jerabek.
The Bassline in Tonal Music: Its Relationship to Melodic and
Harmonic Structure.
Ph.D., Theory, University of Pennsylvania, 1979. viii, 472 p. mus. exs.,
append., bibliog., ind.
DDM Code: 09haHoyR; DA no.: 40/07:3616; RILM no.:
79:3667dd; UM no.: 79-28144
Jones, Vincent Lloyd.
The Relation of Harmonic Theory and Practice from Rameau to 1900.

DDM Code: 09haJonV; DA no.: RILM no.: UM no.:
Jorgenson, Dale Alfred.
A History of Theories of the Minor Triad.
DDM Code: 09haJorD; DA no.: 17/10:2281; RILM no.: UM
no.: 22,691
Komar, Arthur Joseph.
Theory of Suspensions.
Ph.D., Theory, Princeton University, 1968. 171 p. mus. exs.
DDM Code: 09haKomA; DA no.: 29/10:3633; RILM no.:
68:4049dd; UM no.: 69-5294
Kopp, David.
A Systematic Theory of Mediant Relations.
Ph.D., Theory, Brandeis University.
DDM Code: 09haKopD*; DA no.: RILM no.: UM no.:
Lamm, Robert Carson.
The Evolution of the Secondary Dominant Concept.
DDM Code: 09haLamR; DA no.: 14/11:2087; RILM no.: UM
no.: 10,150
Miller, Newton W.
Subdominant Harmony.
Ph.D., Theory, University of Iowa, 1979. 522 p.
DDM Code: 09haMilN; DA no.: 40/05:2343; RILM no.: UM
no.: 79-24,507
Mitchell, John William.
A History of Theories of Functional Harmonic Progression.
DDM Code: 09haMitJ; DA no.: 25/02:1250; RILM no.: UM
no.: 64-5473
Schaeffer, Myron S.
Harmonic Analysis and Musical Style: Harmonic Causal Factors of
Style Recognition in Music; Methods of Analysis.
Ph.D., Music, Western Reserve University, 1937. 201 p.
DDM Code: 09haSchM; DA no.: RILM no.: UM no.:
Sherburn, Merrell L.
An Investigation and Classification of Non-Functional Harmonic
Movement.
DDM Code: 09haSheM; DA no.: RILM no.: UM no.:
Skolyszewski, Franciszek.
Harmonia funkcyjna kodem konstrukcyjnym [Functional Harmony
as a Code of Construction].
Ph.D., Musicology, Krakow, 1968. 214 p. mus. exs., bibliog.
DDM Code: 09haSkoF; DA no.: RILM no.: 69:2743dd; UM
no.:
Tolden, Jouko.
Mollisoinnun ongelma ja unitaarinen intervalli - ja sointutulrinta
[The Problem of the Minor Chord and the 'Unitarian' Interpretation
of Intervals and Harmonies].
Ph.D., Musicology, Helsinki, 1969. 343 p.
DDM Code: 09haTolJ; DA no.: RILM no.: 69:3033dd; UM
no.:
Zablocka, Jadwiga.
Wartosc struktur brzmieniowych [The Value of Sound Structures].
Ph.D., Composition, State College of Music, Warsaw, 1974.
DDM Code: 09haZabJ; DA no.: RILM no.: UM no.:
Zalewski, Maciej.
Harmonia teoretyczna. Cz.1: Teoria struktur. Cz.2: Rozklad struktur
w utworach [Theoretical Harmony. Part 1: The Theory of Structures.
Part 2: The Disposition of Structures in Musical Works].
Ph.D., Composition, State College of Music, Warsaw, 1968.
DDM Code: 09haZalM; DA no.: RILM no.: UM no.:
Interval
Benjamin, William Emmanuel.
On Modular Equivalence as a Musical Concept.
Ph.D., Composition, Princeton University, 1975. 220 p.
DDM Code: 09irBenW; DA no.: 37/03:1285; RILM no.: UM
no.: 76-20,789
Melody
Edwards, Arthur C.
A Theory of Melody.
DDM Code: 09meEdwA; DA no.: RILM no.: UM no.:
Edworthy, J.
An Experimental Investigation into the Relationship between Pitch-
Interval and Contour in Melody Processing.
Ph.D., Music, University of Warwick, 1983.
DDM Code: 09meEdwJ; DA no.: RILM no.: UM no.:
Lewis, David Sheldon.
Two Parameters of Melodic Line as Sytlistic Discriminants.
Ph.D., Theory, West Virginia University, 1968. xx, 121 p. tbls., mus. exs.,
append., bibliog.
DDM Code: 09meLewD; DA no.: 29/04:1243; RILM no.:
68:4061dd; UM no.: 68-13,730
Narmour, Eugene.
The Melodic Structure of Tonal Music: A Theoretical Study.
Ph.D., Musicology, University of Chicago, 1974. 601 p.
DDM Code: 09meNarE; DA no.: RILM no.: 76:1557dd; UM
no.:
Reichow, Jan.
Die Entfaltung eines Melodiemodells im Genus Sikah.
DDM Code: 09meReiJ; DA no.: RILM no.: UM no.:
Wildgruber, Jens.
Studien zu einer Kinematik von Melodien.
Ph.D., Musicology, Bochum, 1978.
DDM Code: 09meWilJ; DA no.: RILM no.: UM no.:
Meter
Abril, Mario S.
Mixed Meter: The Changing Beat.
Ph.D., Music, Florida State University, 1971. 42 p.
DDM Code: 09miAbrM; DA no.: 32/11:6470; RILM no.:
76:15375dd; UM no.: 72-13,482
Hackman, Willis Haverstock.
A Clarification and Reconstruction of the Concept of Meter for
Music--Structural Rhythmic Analysis Following Philosophical-
Analytical Paradigms.
Ph.D., Musicology, George Peabody College, 1975. vii, 499 p. tbls., mus.
exs., bibliog.
DDM Code: 09miHacW; DA no.: 36/04:1890; RILM no.:
75:263ldd; UM no.: 75-22,270
Routley, Nicholas.
Metric Structure in Music.
DDM Code: 09miRouN; DA no.: RILM no.: 76:15376dd; UM
no.:
Modality
Zannos, Ioannis.
Ichos und Makam. Vergleichende Untersuchungen zum Tonsystem
der griechischen Kirchenmusik und der türkischen Kunstmusik.
DDM Code: 09moZanI; DA no.: RILM no.: UM no.:
Music Theory, History of
Abercrombie, J. R. Alexander G.
The Application of Mathematical Techniques to Music Theory.
DDM Code: 09muAbeJ*; DA no.: RILM no.: UM no.:
Caplin, William Earl.
Theories of Harmonic-Metric Relationships from Rameau to
Riemann.
Ph.D., Theory, University of Chicago, 1981. vii, 400 p.
DDM Code: 09muCapW; DA no.: RILM no.: 81:1646dd; UM
no.:
Coulter, Ronald Scott Jr.
A Compositional Approach to Music Theory.
Ph.D., Theory, Claremont Graduate School, 1975. 409 p.
DDM Code: 09muCouR; DA no.: 36/05:2475; RILM no.:
76:15337dd; UM no.: 75-25,807
Hirtler, Eva.
Die Musik als scientia mathematica von der Spätantike bis zum
Barock.
Ph.D., Musicology, Freiburg im Breisgau, 1994. 263 p.
Research director: Rolf Dammann
DDM Code: 09muHirE; DA no.: RILM no.: 95:2062bm; UM
no.:
Publication: Europäische Hochschulschriften, no. 36:137. Bern:
Lang, 1995. ISBN: 3-631-48175-6.
Hutchinson, Roland.
Consonance and Dissonance: A Study in the Scientific and
Philosophical Foundations of Speculative Music Theory from Zarlino
to Helmholtz.
Ph.D., Musicology, Stanford University.
DDM Code: 09muHutR*; DA no.: RILM no.: UM no.:
Jordan, William Sheldon.
Time, Space, and Music: Prolegomena to the History of Music
Theory.
Ph.D., Theory, Florida State University, 1976. 317 p.
DDM Code: 09muJorW; DA no.: 37/06:3257; RILM no.: UM
no.: 76-28,626
Lan, Guangming.
A Musical Theoretical System Based on the Interval of the Fifth.
Ph.D., Music Theory, Yale University.
Research director: Allen Forte
DDM Code: 09muLanG*; DA no.: RILM no.: UM no.:
Popovic, Igor.
Common Principles in Music-Theoretical Systems.
Ph.D., Theory, Yale University.
Research director: Allen Forte
DDM Code: 09muPopI*; DA no.: RILM no.: UM no.:
Redmann, Bernd.
Riemann-Schenker.
Research director: Gernot Gruber and Gerhard Croll
DDM Code: 09muRedB*; DA no.: RILM no.: UM no.:
Notation
Dempewolff, Jürgen.
Abstrakte Notationstheorie.
Ph.D., Musicology, Technische Universität, Berlin.
DDM Code: 09noDemJ*; DA no.: RILM no.: UM no.:
Ketteler, Rolf.
Bildcharakter der Notenschrift--Am Beispiel der "musikalischen
Bildung".
DDM Code: 09noKetR*; DA no.: RILM no.: UM no.:
Regener, Eric Hamilton.
Pitch Notation and Equal Temperament: A Formal Study.
Ph.D., Composition, Princeton University, 1972. 2 vols.,
DDM Code: 09noRegE; DA no.: RILM no.: UM no.: 72-
18,784
Reiner, Thomas.
A Semiological Model of Musical Time.
Ph.D., Musicology, University of Melbourne.
DDM Code: 09noReiT*; DA no.: RILM no.: UM no.:
Seifert, Rainer.
Bezugssysteme der Ähnlichkeit von Tonhöhen.
DDM Code: 09noSeiR; DA no.: RILM no.: UM no.:
Szijj, Maria Hoftkowycz.
On the Graphic Representation of Musical Sound.
Ed.D., Music Education, Rutgers University, 1978. 222 p.
DDM Code: 09noSziM; DA no.: RILM no.: 78:6006dd; UM
no.:
Orchestras and Orchestration
Gangware, Edgar Brand Jr.
The History and Use of Percussion Instruments in Orchestration.
Ph.D., Theory, Northwestern University, 1962. 292 p.
DDM Code: 09orGanE; DA no.: 23/12:4707; RILM no.: UM
no.: 63-3409
Mayer, Francis N.
A History of Scoring for Band.
DDM Code: 09orMayF; DA no.: 19/04:830; RILM no.: UM
no.: 22,468
Nitsche, Peter.
Instrumentation und Form.
Hab., Musicology, Technische Universität, Berlin, 1981.
DDM Code: 09orNitP; DA no.: RILM no.: UM no.:
Rhythm
Alette, Carl.
Theories of Rhythm.
Ph.D., Theory, University of Rochester, 1951. 2 vols., 323 p.
DDM Code: 09rhAleC; DA no.: RILM no.: UM no.: UR 93
Barry, Barbara Rosamond.
The Nature of Musical Time.
Ph.D., Musicology, Goldsmiths' College, University of London, 1981.
DDM Code: 09rhBarB; DA no.: RILM no.: UM no.:
Gressel, Joel William.
Rhythmic Applications of Geometric Series.
Ph.D., Composition, Princeton University, 1976. 165 p.
DDM Code: 09rhGreJ; DA no.: 37/03:1289; RILM no.:
76:15362dd; UM no.: 76-20,798
Green, Michael D.
Historical Precedents for Contemporary Theories of Musical Accent:
A Study of Rhythmic Theory from Kirnberger to the Present.
Ph.D., Theory, University of Chicago.
DDM Code: 09rhGreM*; DA no.: RILM no.: UM no.:
La Motte-Haber, Helga de.
Ein Beitrag zur Klassifikation musikalischer Rhythm. Experimental-
Psychologische Untersuchen.
Ph.D., Musicology, Hamburg, 1967. 164 p.
DDM Code: 09rhLamH; DA no.: RILM no.: 68:4059dd; UM
no.:
Langner, Jörg.
Musikalischer Rhythmus und Oszillation--eine musiktheoretische und
empirische Erkundung.
Ph.D., Musicology, Hannover.
Research director: Klaus-Ernst Behne
DDM Code: 09rhLanJ*; DA no.: RILM no.: UM no.:
Neubert, Roland.
Studien zum Rhythmusbegriff bei Gustav Becking.
Research director: Wolfgang Ruf
DDM Code: 09rhNeuR*; DA no.: RILM no.: UM no.:
Petri, Hasso.
Das innere Accelerando in der Musik.
DDM Code: 09rhPetH*; DA no.: RILM no.: UM no.:
Pierce, A. Alexandra.
The Analysis of Rhythm in Tonal Music.
Ph.D., Theory, Brandeis University, 1968. v, 167 p. mus. exs., append.,
bibliog.
DDM Code: 09rhPieA; DA no.: 29/10:3634; RILM no.:
69:4818dd; UM no.: 69-5449
Shove, Patrick Thomas.
Problems of Musical Motion: A Critical and Analytical Study.
DDM Code: 09rhShoP*; DA no.: RILM no.: UM no.:
Yeston, Maury Alan.
The Stratification of Musical Rhythm.
Ph.D., Theory, Yale University, 1974. iv, 206 p. illus., tbls., mus. exs.,
bibliog.
DDM Code: 09rhYesM; DA no.: RILM no.: 74:3897dd; UM
no.:
Zbikowski, Lawrence Michael.
Large-Scale Rhythm and Systems of Grouping.
Research director: Christopher F. Hasty
DDM Code: 09rhZbiL*; DA no.: RILM no.: UM no.:
Scales
Taddie, Daniel.
A Conceptual History of the Term Scale.
Ph.D., Musicology, University of Iowa.
DDM Code: 09scTadD*; DA no.: RILM no.: UM no.:
Sight Singing
Kleinman, Sidney.
La Solmisation mobile de Jean-Jacques Rousseau à John Curwen.
Doct., Musicology, Paris, 1971. 181 p. illus., tbls., facs., mus. exs.,
append., bibliog., ind.
DDM Code: 09siKleS; DA no.: RILM no.: 75:2618dd; UM
no.:
Structure and Form
Alden, Edgar H.
The Role of the Motive in Musical Structure.
Ph.D., Music, University of North Carolina, 1956. 201 p.
DDM Code: 09srAldE; DA no.: RILM no.: UM no.: UR 85
Berardi, John.
The Rondo: The Nature of the Return and Its Effects on the
Harmonic Structure.
Ph.D., Music, City University of New York.
DDM Code: 09srBerJ*; DA no.: RILM no.: UM no.:
Bissell, Arthur Dart.
The Role of Expectation in Music.
Ph.D., Music, Yale University, 1920. 270 p.
DDM Code: 09srBisA; DA no.: 32/10:5821; RILM no.: UM
no.: 72-10,844
Booth, P. J. H.
Timbre in Musical Structure and Meaning.
DDM Code: 09srBooP; DA no.: RILM no.: UM no.:
Braman, Wallis.
The Use of Silence in the Instrumental Works of Representative
Composers: Baroque, Classic, Romantic.
DDM Code: 09srBraW; DA no.: RILM no.: UM no.:
Carpenter, Patricia.
The Janus-Aspect of Fugue: An Essay in the Phenomenology of
Musical Form.
DDM Code: 09srCarP; DA no.: 34/07:4308; RILM no.:
76:15451dd; UM no.: 74-01,473
Caudill, David Alderton.
Sectional Proportionality as an Historical Parameter in Music.
Ph.D., Musicology, Florida State University, 1972. vii, 201 p. tbls.,
bibliog.
DDM Code: 09srCauD; DA no.: 33/05:2407; RILM no.:
76:15452dd; UM no.: 72-27,906
Child, Peter Burlingham.
The Theory and Analysis of Musical Phrase Structure.
Ph.D., Theory, Brandeis University, 1981. 99 p.
DDM Code: 09srChiP; DA no.: RILM no.: 81:1673dd; UM
no.:
Gjerdingen, Robert Owen.
A Musical Schema: Structure and Style Change, 1720-1900.
Ph.D., Theory, University of Pennsylvania, 1984. vii, 507 p. illus., mus.
exs., append., bibliog., ind.
DDM Code: 09srGjeR; DA no.: RILM no.: UM no.: 85-
05,072
Gorjuhina, Nadezda.
Muzykal'naja forma i stil' [Musical Form and Style].
Ph.D., Theory, Kiev, 1974. 192 p. bibliog.
DDM Code: 09srGorN; DA no.: RILM no.: 75:2683dd; UM
no.:
Harrison, Leigh.
Dislocation: A Fundamental Element of Musical Structure.
Ph.D., Musicology, University of Lancaster, 1988.
DDM Code: 09srHarL; DA no.: RILM no.: UM no.:
Hoffmann, Martin.
Fermate in der Musik.
Research director: Gerhard Croll and Gernot Gruber
DDM Code: 09srHofM*; DA no.: RILM no.: UM no.:
Kessler, Deborah.
Thematic Design and Structure in the Three-key Exposition.
Ph.D., Music, City University of New York.
DDM Code: 09srKesD*; DA no.: RILM no.: UM no.:
Kliewer, Vernon L.
The Concept of Organic Unity in Music Criticism and Analysis.
DDM Code: 09srKliV; DA no.: 22/09:3221; RILM no.: UM
no.: 61-6944
Lavore, Roman U.
Instrumental Recitative in Classic, Romantic, and Twentieth-Century
Music.
Ph.D., Theory, Florida State University, 1973. 102 p.
DDM Code: 09srLavR; DA no.: 34/04:1952; RILM no.:
76:15459dd; UM no.: 73-24,290
Lewy, Rudolph.
The Meaning and Evolution of the Bass Register, the Bass Part, and
the Bass Instruments.
Ph.D., Musicology, Tel-Aviv University, 1978. 175 p. illus., plts., tbls.,
facs., mus. exs., bibliog.
DDM Code: 09srLewR; DA no.: RILM no.: UM no.:
Publication: Tel-Aviv, 1977.
Mattusch, Udo.
Verarbeitung und Repräsentation musikalischer Strukturen mit
Methoden der künstlichen Intelligenz: Entwurf und Implementation
eines computergestützten Repräsentationsmodells musikalischer
Wahrnehmung.
Ph.D., Musicology, Köln, 1996. 348 p. mus. exs.
DDM Code: 09srMatU; DA no.: RILM no.: 96:16749bm; UM
no.:
Publication: Europäische Hochschulschriften, XXXVI:
Musikwissenschaft, no. 164. Frankfurt: Lang, 1996. ISBN: 3-631-
48468-2.
Meister, Wilhelm.
Die Bedeutung der Klangfarbendynamik bei der Elektroakustischen
Übertragung von Musik.
DDM Code: 09srMeiW*; DA no.: RILM no.: UM no.:
Mertens, P. H.
Die Klangfarbengesetze und ihre Bedeutung für die Musik.
DDM Code: 09srMerP; DA no.: RILM no.: 76:7725dd; UM
no.:
Morgan, Robert Porter.
The Delayed Structural Downbeat and Its Effect on the Tonal and
Rhythmic Structure of Sonata Form Recapitulation.
Ph.D., Composition, Princeton University, 1969. vi, 142 p. mus. exs.
DDM Code: 09srMorR; DA no.: RILM no.: 69:4832dd; UM
no.:
Muns, George Ehrman Jr.
Climax in Music.
Ph.D., Music, University of North Carolina, 1955. 491 p.
DDM Code: 09srMunG; DA no.: RILM no.: UM no.:
Pascoe, Clive B.
Golden Proportion in Musical Design.
D.M.E., Music Education, University of Cincinnati, 1973. 295 p.
DDM Code: 09srPasC; DA no.: 36/06:3456; RILM no.:
76:15462dd; UM no.: 73-25,516
Rogers, Michael Richard.
The Golden Section in Musical Time: Speculations on Temporal
Proportion.
Ph.D., Theory, University of Iowa, 1977. ix, 192 p. illus.
DDM Code: 09srRogM; DA no.: RILM no.: UM no.:
Rothwell, James Austin.
The Phi Factor: Mathematical Proportions in Musical Forms.
D.M.A., Performance, University of Missouri at Kansas City, 1977. 183 p.
DDM Code: 09srRotJ; DA no.: 38/06:3133; RILM no.: UM
no.: 77-27,346
Solomon, Larry Joseph.
Symmetry as a Determinant of Musical Composition.
Ph.D., Music, West Virginia University, 1973. 227 p.
DDM Code: 09srSolL; DA no.: 34/04:1956; RILM no.:
73:4339dd; UM no.: 73-23,894
Swain, Joseph Peter.
Limits of Musical Structure.
Ph.D., Musicology, Harvard University, 1983. 238 p.
Research director: Christoph Wolff
DDM Code: 09srSwaJ; DA no.: 44/06:1623; RILM no.: UM
no.: 83-22452
Style
Hatten, Robert.
The Concept of Style Systems in Music Theory: A Model for
Interpreting Style Change.
Ph.D., Theory, Indiana University.
DDM Code: 09stHatR*; DA no.: RILM no.: UM no.:
Temperament
Mandelbaum, Mayer Joel.
Multiple Division of the Octave and the Tonal Resources of 19-Tone
Temperament.
DDM Code: 09teManM; DA no.: 22/05:1657-8; RILM no.: UM
no.: 61-4461
Richardson, Louis Samuel.
The Effect of Certain Harmonic Considerations upon Tuning
Preferences for the Major Third.
DDM Code: 09teRicL; DA no.: 25/01:525; RILM no.: UM
no.: 64-5485
Terminology
Ludwig, Nicole.
Melos. Entstehung, Bedeutung und Geschichte eines
musiktheoretischen Begriffs.
DDM Code: 09tgLudN*; DA no.: RILM no.: UM no.:
Tonality
Auhagen, Wolfgang.
Studien zur Tonartencharakteristik in theoretischen Schriften und
Kompositionen vom späten 17. Jahrhundert bis zum Beginn des 20.
Jahrhunderts.
DDM Code: 09toAuhW; DA no.: RILM no.: 83:3905bm; UM
no.:
Publication: Europäische Hochschulschriften, vol. 36/6. Frankfurt:
Lang, 1983.
Dorner, Leo.
Studien zu den 'formalen' Grundlagen des tonalen Systems.
DDM Code: 09toDorL; DA no.: RILM no.: UM no.:
Frisius, Rudolf.
Untersuchungen über den Akkordbegriff.
DDM Code: 09toFriR; DA no.: RILM no.: 70:1140dd; UM
no.:
Gustin, Molly.
A Theory of Tonality.
DDM Code: 09toGusM; DA no.: RILM no.: UM no.:
Kauko, Väinö Olavi.
The Development of a Phenomenological Approach to Music as Seen
in Selected Theories of Tonal Organization.
DDM Code: 09toKauV; DA no.: RILM no.: UM no.:
Knigge, Christopf Tycho.
Die Modulationslehre in ihrer geschichtlichen Entwicklung.
DDM Code: 09toKniC*; DA no.: RILM no.: UM no.:
Neumaier, Wilfried.
Was ist ein Tonsystem?.
DDM Code: 09toNeuW; DA no.: RILM no.: UM no.:
Publication: Frankfurt: Lang, 1986.
Scherf, Peter.
Bildung und Umbildung tonaler Gestalten.
Ph.D., Musicology, Wien, 1980. 2 vols., 192 p. mus. exs.
DDM Code: 09toSchP; DA no.: RILM no.: 80:1862dd; UM
no.:
Smith, Leon R. Jr.
An Investigation of the Inherent Qualities of Musical Intervals as
Definers of Melodic Tonality.
DDM Code: 09toSmiL; DA no.: 28/06:2284-5; RILM no.: UM
no.: 67-15,163
Thomson, William Ennis.
A Clarification of the Tonality Concept.
DDM Code: 09toThoW; DA no.: 20/06:800; RILM no.: UM
no.: 4380
Wagner, Naphtali.
The Apparent Tonic in the Music of the Eighteenth and Nineteenth
Centuries.
Ph.D., Musicology, Hebrew University of Jerusalem, 1986. 2 vols., 359 p.
DDM Code: 09toWagN; DA no.: RILM no.: UM no.:
Waite, Michael.
Composition: Tonality and Line.
Ph.D., Music Theory, University of Leicester.
DDM Code: 09toWaiM*; DA no.: RILM no.: UM no.:
Wienpahl, Robert W.
The Emergence of Tonality.
DDM Code: 09toWieR; DA no.: RILM no.: UM no.: UR 7340
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DOCTORAL DISSERTATIONS IN MUSICOLOGY-

Doctoral Dissertations in Musicology, 2d Cumulative Edition (1996)

(An asterisk following the DDM code indicates a dissertation in progress)

Art and Music

Ph.D., Ethnomusicology, Columbia University.

Ph.D., Ethnomusicology, Wesleyan University, 1975. 247 p.

Ph.D., Musicology, Humboldt Universität, Berlin, 1990.

Doct., Ethnomusicology, Paris, 1973. 3 vols., 749 p. illus., mus. exs.,

Ph.D., Musicology, Cambridge, 1933.

Ph.D., Musicology, Freie Universität, Berlin.

Publication: Ethno 14 (1970): 281, no. 48.

Ph.D., Musicology, Münster, 1970.

Brass Instruments and Music

Miller, Robert Melvin.

D.M.A., Church Music, University of Rochester, 1975. xviii, 728 p. mus.

Barra, Donald Paul.

Ph.D., Theory, Indiana University, 1962. 256 p.

Publishing and Printing

Bante, Mary Martha.

Ph.D., Music, Harvard University, 1934. 2 vols., 648 p.

| General/Miscellaneous | Antiquity | Middle Ages | Renaissance | Baroque | Classical |

| GENERAL/MISCELLANEOUS | Antiquity | Middle Ages | Renaissance | Baroque |

| Return to Main Page |

Last updated on 16 December 2004

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