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Adress System and Politeness (Sociolinguistic Presentation)
Adress System and Politeness (Sociolinguistic Presentation)
Adress System and Politeness (Sociolinguistic Presentation)
1. Adress System
Address system is usually used to show the possession of formal and informal manners
and consideration of the people. In other words, employing a
certain address term, speaker wants to express his or her feelings of respect, solidarity,
intimacy, and familiarity to the other people.
Address System In social life
According to Chaika (1982:46), addressing is different from greeting. First, addressing is
used by people when they want to show their power or solidarity to other people, while
greeting depends on the mood of the speaker. Second, people use the address terms to
strengthen intimacy and power between people. On the other hand, people greet others
only when they want to set the stage. Chaika (1982:51) adds that summon is used only
when the speaker wants to get someone’s attention and then the speaker will start the
conversation after it. For examples, “Uh” or “Excuse me”.
Robinson (in Wardhaugh, 2006:274) states in his hypothesis that some distinctions are
made to determine the way people address someone else, especially those people who
have some achievements in society. In such societies they may use basic forms of
addressing terms. However, in a society where status is ascribed like in the royal family
like in the United Kingdom, people tend to use finely graded address terms.
2. Politeness
Positive politeness strategies are intended to avoid giving offense by highlighting friendliness.
These strategies include juxtaposing criticism with compliments, establishing common ground,
and using jokes, nicknames, honorifics, tag questions, special discourse markers (please), and in-
group jargon and slang.
Negative political strategies are intended to avoid giving offense by showing deference. These
strategies include questioning, hedging, and presenting disagreements as opinions.
The best known and most widely used approach to the study of politeness is the framework
introduced by Penelope Brown and Stephen C. Levinson in Questions and Politeness (1978);
reissued with corrections as Politeness: Some Universals in Language Usage (Cambridge Univ.
Press, 1987). Brown and Levinson's theory of linguistic politeness is sometimes referred to as the
"'face-saving' theory of politeness."
The theory has several segments and corollaries, but it all revolves around the concept of "face,"
or social value, both to one's self and to others. Social interactions require all participants to
cooperate in order to maintain everyone's face - that is, to maintain everyone's simultaneous
wants of being liked and being autonomous (and being seen as such). Thus, politeness strategies
develop to negotiate these interactions and achieve the most favorable outcomes.
"'Shut up!' is rude, even ruder than 'Keep quiet!' In the polite version, 'Do you think you
would mind keeping quiet: this is, after all, a library, and other people are trying to
concentrate,' everything in italics is extra. It is there to soften the demand, giving an
impersonal reason for the request, and avoiding the brutally direct by the taking of
trouble. Conventional grammar takes little account of such strategies, even though we are
all masters of both making and understanding the signs that point to what is going on
beneath thesurface."
(Margaret Visser, The Way We Are. HarperCollins, 1994)
"Professor, I was wondering if you could tell us about the Chamber of Secrets."
(Hermione in Harry Potter and the Chamber of Secrets, 2002)
"Would you mind stepping aside? I got a purchase to make."
(Eric Cartman in "Cartmanland." South Park, 2001)
"'Sir,' the gentleman asked with a twang in his voice that was unmistakably Southern,
'would it bother you terribly if I joined you?'"
(Harold Coyle, Look Away. Simon & Schuster, 1995)
"'Laurence,' said Caroline, 'I don't think I'm going to be much help to you at
Ladylees. I've had enough holiday-making. I'll stay for a couple of days but I want to get
back to London and do some work, actually. Sorry to change my mind but--'
"'Go to hell,' Laurence said. 'Kindly go to hell.'"
(Muriel Spark, The Comforters. Macmillan, 1957)