Download as pdf or txt
Download as pdf or txt
You are on page 1of 2

History

Roots in Antiquity

Artists have been painting the landscape since ancient times. The Greeks and Romans created wall
paintings of landscapes and Gardenscapes. After the fall of the Roman Empire, the tradition of
representing pure landscapes was denied, and the landscape was seen only as a stage for religious
scenes and figures. This tradition continued until the 16th century, when artists began to view the
landscape as a theme in their own right. The artistic change seems to have corresponded to a growing
interest in the natural world caused by the Renaissance.

The landscape rebellion in the Netherlands

The term landscape is actually derived from the Dutch word Landschap, which originally means region,
area of the earth, but acquired the artistic connotation, a painting that represents a landscape on earth
in the early 1500s. The development of the term in The Netherlands at that time was logical, since
Holland is one of the first places that the landscape had become a popular subject for painting. At this
time, the nascent Protestant middle class sought the secular art of their homes, creating the need for
new themes to meet their tastes, landscapes helped fill this need. Outside the Netherlands, the genre or
theme, landscape painting had not yet gained acceptance from the powerful art academies of Italy and
France. The history painting, had a hierarchical place, included classical, religious, mythology and
allegorical themes, above all other subjects.

Birth of the classic landscape

In the 17th century, the classical landscape was born. These landscapes were influenced by classical
antiquity and the desire to illustrate an ideal landscape remembering Arcadia, a legendary place in
Ancient Greece known for its pastoral beauty. The classic landscape was perfected by the Frenchman
Nicolas Poussin and Claudio de Lorena. Both artists spent most of their career in Rome, drawing
inspiration from the Roman countryside. Italy, right now.

During the 18th century, Italy remains a popular source of inspiration for landscape artists, as the
popularity of the Grand Tour increased and peaked in the second half of the century. France and
England became the new centers of landscape art.

Acceptance in the Academy


In the 18th century, Pierre-Henri de Valenciennes changed the direction of landscape painting in France.
Like Poussin, he saw landscape painting as worthy of the condition of history painting and worked to
convince the Academy and its contemporaries. In 1800 he published a pioneering book on landscape
painting, elements Practice the perspective of. The book emphasized the aesthetic ideal of the historical
landscape, which should be based on the study of real nature. The success of the Academy book pushed
to create a prize for the historical landscape in 1817.

You might also like