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A) Sounds and Phonemic Script: Section 3: Language - Phonology
A) Sounds and Phonemic Script: Section 3: Language - Phonology
A) Sounds and Phonemic Script: Section 3: Language - Phonology
Which of the four items in each list is the ‘odd man out’? The 'odd man out' has a different vowel
sound to the other words in the group.
1
2
3
4
5
This task shows, as you probably already knew, that sounds in English do not always match the
spelling.
For example, great and meat both have the same letters eat but sound different: /greɪt / and
/miːt/. Conversely, meat and sweet sound the same but have different letters.
1
. space raid late weight
2
. jump fridge ajar pledge
3
. out owl drought noun
4
. singer flung wrong drinking
5
. score door sport board
consonants
How would you define a diphthong?
In Sound Foundations (Macmillan 1998), Adrian Underhill says “Diphthongs are the result of a glide
from one vowel to another within a single syllable.” (A “glide” is a smooth movement.)
Therefore, diphthongs are made up of two sounds but count as one syllable and one phoneme.
As we have seen, sounds sometimes come from a combination of letters. For example, wash has
four letters but only three sounds: /w/ + /ɒ/ + /ʃ/. Comfortable has eleven letters but only eight sounds
/'kʌmftəbl/. In other words, the number of letters is not the same as the number of phonemes.
Sometimes the number of sounds can be greater than the number of letters. For example, in the
word exit, there are 4 letters but 5 sounds /eksit/. Consider the word sing. The final sound of the
word is a combination of the letters n and g. This combination of n and g has its own phoneme (or
sound representation). The word sing is written phonetically as /si?/ and therefore has only 3
phonemes.
3. The schwa
The most common sound in English is the phoneme known as the schwa and shown with
the phonemic symbol /ә/. The sound can be represented in spelling by many different letters or
combinations of letters. The sound is very small and is never stressed.
Take the word delicate, for example. We don’t pronounce the last syllable with an /eɪ/, as in Kate.
Instead it is a much shorter, more neutral sound, /ә/.
The underlined letter combinations are all produced as a schwa sound:
mother doctor departure station revision
generous certificate
Because it is such a small sound, many students have difficulty in hearing it and in saying it (it is
similar to, but not exactly, a shorter version of the /ɜː/ in hurt). It is very important that students learn
the sound, not only if they want to have a natural-sounding accent, but also so that they can
understand native speakers better. Consider how English speakers pronounce the word can when it
is part of a sentence. When the word is part of a sentence, it tends to be pronounced rather like kn.
Say this relatively fast: I can swim. You should notice that you pronounce the word swim more than
the word can. This is because the word can is not stressed in this normal reading. If, however, you
are being told that you are not able to swim but in fact you can, you would then say something
like, But I can swim. In this case you would pronounce the word can with the full vowel sound (not
the schwa). The use of the schwa in spoken English is extremely common and is not a case of
speakers being lazy. It is in fact, a very natural feature of English pronunciation.
5. Minimal pairs
The words in the above task on reading phonemic script are all examples of minimal pairs, that
is, words in which only one phoneme is different but which have different meanings. For
example, head and had are a minimal pair because the /h/ and /d/ are the same in both, but by
changing one sound, the /e/ (head), to another, the /æ/ (had), you end up with another word
(which has a different meaning).
The different phoneme can be at the beginning of the word as in sherry/cherry, in the middle as
in pin/pen or at the end as in mouth/mouse.
Sometimes students make mistakes with pronunciation which means they say the wrong one of a
minimal pair. What do you think these students wanted to say? Identify the error and choose the
minimal pair.
3 I go to church to play.
● ə
important (adj)
● ə
the station (n [C])
ə ●
to believe (v [t/i])
Now decide whether the following compounds have a) equal stress because they function as
adjective + noun or b) stress on the first word because they function as noun + noun.
1
. answering machine
2
. CD player
3
. central heating
4
. computer game
5
. dishwasher
6
. electric razor
7
. headphones
8
. video recorder
noun person adjective noun person adjective
In the grid below the stress patterns are not opposite the right word families.
Match the word families 1 – 6 to the correct stress patterns A – F:
Word families Stress patterns
noun person adjective noun person adjective
For these reasons it is very important to write word stress on new words on the board and ensure
that learners copy the stress into their notebooks. We should also be careful to drill so that students
learn to stress which sounds right. It is difficult to make effective use of “rules” when there are so
many exceptions!
Review, Reflection and Test - Word Stress
For the TKT Test it is important that you know: stressed syllable, unstressed syllable,
weak syllable.
Reflection
1. Next time you are drilling the pronunciation of a word, help students with the word
stress by
getting them to hum the stress e.g. important = mmMMmm
getting them to punch the air on the stressed syllable, or jump up, or hit the desk
hold up your thumb and two fingers, then wiggle the second one in (finger highlighting)
write stress bubbles above or next to the word eg. important o O o
C) Sentence Stress
1. General features of sentence stress
When we look at full sentences we find that not all words are pronounced equally strongly in English.
We say different parts of a sentence with more or less stress (ie. more slowly and loudly, or more
quickly and more softly). This feature of English is called sentence stress.
What kind of words are stressed if a sentence is said in a normal reading? (A normal reading is
when the speaker is not angry or surprised or using a special emphasis.)
Below is a little girl whose name is Jennifer telling her mother what she did at school today. Which
words in her sentences do you think would be stressed? Read it aloud.
o O o
I found it
You told me
All the sentences in the group have the same number of syllables and the same stress pattern.
2. Other points about sentence stress
a) Main stress
In addition, one word in the sentence has the main stress. This is the word which the
speaker thinks is the most important to the meaning of the sentence, for example:
O
Have you got a pen?
O
I can’t understand a word he says.
In these sentences pen and word are pronounced more strongly than the other
stressed content words in the sentences. In a normal reading, the main stress is often
on the last content word in the sentence (but this can change depending on what the
speaker thinks is most important, especially if the speaker wants to emphasise
something, which we will look at in a moment).
b) Contrastive stress
However, we can choose to stress any word to make a point or to correct an error. For example:
I bought some wine means not a lot of wine.
I bought some wine means not beer.
I bought some wine not someone else.
This is sometimes called contrastive stress.
What meaning does stressing the underlined words in the following sentences give?
Match a sentence to a meaning as in the example.
He gave me a bunch of red roses. ( = not she)
D) Connected Speech
1. Sentence stress, rhythm and weak forms
As we saw in the previous section on sentence stress, not all words are pronounced equally
strongly in English and content words can be heard more clearly than grammatical words.
This sentence stress gives English a characteristic rhythm, that is, the stressed syllables form
a pattern.
Read aloud the beginning of the nursery rhyme (a short poem for children) below and tap on the
stressed syllables and you should find that you get a very regular beat.
O o O o O o O
Mary had a little lamb
o O o O o O
Its fleece was white as snow
Normal speech does not have rhythms which are as strong as this, but similar kinds of rhythms are
characteristic of English, and English-speaking children are brought up in a way that draws attention
to those rhythms.
Now look at the unstressed words in the nursery rhyme. Most of them contain the schwa:
Line 1 - a = /ә/
Line 2 - was = /wəz/ as = /әz/
(The sound /ɪ/ is also weak or unstressed so that does not need to change in Its in line 2).
These weak or unstressed forms allow native speakers to say the little words quickly enough to
maintain the rhythm. However, these weak forms are very difficult for students, especially
beginners. When they learn a word, they expect it to always sound the same. For example, when
they learn ‘and’ they expect it to always sound like /ænd/, whereas in fact it more often sounds like
/ənd/. Similarly, they expect ‘was’ to sound like /wɒz/ but it frequently sounds like /wəz/. Students
need help with these aspects of pronunciation.
2. Stressed or unstressed?
Look at the underlined words in the following story about a difficult journey. The underlined weak
forms are prepositions, articles and auxiliary verbs. Some of the auxiliary verbs are modal
auxiliaries (should, would).
"Well, first of all I decided to drive but the car refused to start so I went to get the bus but while
I was waiting at the bus stop it started to rain. I didn’t have an umbrella so I ran to the station
but the train was delayed. I should know by now that the train is always late when it is raining.
It would have been quicker to walk!"
These words are in their weak forms because they do not carry any stress in this context. They
are not information words here.
However, any word can be stressed if it is necessary to correct an error or emphasise or contrast
information in some way. Compare the following examples of weak and strong forms:
I was waiting at the bus stop. was = /wəz/
Waiting? Yes, I was. was = /wɒz/
I ran to the station. to = /tə/
I ran to the station but John ran away from it! to = /tuː/
I should know by now. should = /ʃəd/
He should know the time but he may have forgotten. should = /ʃʊd/
Prepositions are also stressed if they are at the end of a sentence:
I was waiting at the bus stop. at = /ət/
What are you looking at? at = /æt/
I ran to the station. to = /tə/
Who did you give it to? to = /tuː/
3. Teaching applications of weak forms
We have seen that some words have a different pronunciation depending on whether they
are strong or weak in the sentence. It is therefore very important for students to both recognise
and produce weak forms when they occur in any language that we are teaching. If students do not
use weak forms they will still be understood but there can be some misinterpretation if it sounds like
they are correcting, contrasting, or emphasising something when they are not.
How can teachers help students to recognise weak forms? Here are some ideas:
students mark weak forms on a tapescript while listening to a recording
give students a tapescript with all the weak forms taken out and students fill in the gaps
students say how many words they can hear in a sentence (N.B. contractions should count
as one)
And teachers can help students to produce weak forms by:
drawing students’ attention to the weak forms when drilling.
listening carefully when drilling and insisting that students always use weak forms
always using weak forms themselves and in particular not slowing down for low levels so
that weak forms are lost
4. Other features of connected speech
Read aloud the dialogue below at quick, natural speed.
e) Being interested
The listener has a role to play in responding to the speaker and maintaining the conversation.
Listeners show that they are paying attention by making responses such
as mmm or oh or really? or using reply questions such as Did you? Was it? Has he?
However, if the listener does not use the expected intonation, rising intonation, the speaker will
interpret him as bored or uninterested. This is another aspect of intonation that some students
consider "silly" and is one that is easier to teach in an English-speaking environment where students
can more easily see its effects.
f) Being interesting
Any native speaker of English who has sat through a lecture, at University for example, delivered by
a speaker with little or no intonation will know that it is very difficult to keep awake at such a time!
This is because native speakers are so accustomed to the rise and fall of the voice throughout
speech and if it is not there, they tend to 'switch off'. It is therefore extremely important that students
learn to move their voices in a similar way if they want native speakers to listen to them.
Note: There is a modern theory that intonation is only important for learners if they expect to speak
with native speakers of English. Many students do expect to use English as a common language
with other non-native speakers, who, presumably, will not be as sensitive to, or even notice, the
intonation (or be able to use it themselves).
Each teacher will have to make their own decision about whether this applies to their learners, but as
English is becoming a global language and many learners probably do not know for sure where life
will take them it seems that the most beneficial option is to incorporate intonation into general
English teaching as much as possible, just in case.
Review, Reflection and Test - Intonation
For the TKT Test it is important that you know intonation, rise, fall and pitch.
Reflection
1. What kind of work did you do on intonation when you were learning English?
a. Did you study it?
b. Did your teacher help you with it?
2. How do you deal with intonation with your students?
a. Do you do specific exercises or integrate it into your teaching generally?
b. Do you highlight it when drilling pronunciation of new language?
3. Does your course book give good models of intonation?
Yes, quite.
Which three of 1- 6 below are functional exponents for giving advice?
no yes
1
Have you thought about calling him?
.
2
I'm afraid I didn't call him.
.
3
Shall I call him?
.
4
Try calling him
.
5
Would you mind calling him?
.
6
You could call him.
.