THE AEOLIAN FLavoe(s) Ted Greene, 1987-11-22 Co Eb Bn Co bh Bb Cn Gn 1) Key of Cm ie 6 5 8y eae 5 \) fat cot Go Fn Note: I could have made this r more "geographically" indicative : of the flow. I didn't so you'd have to use the neck not this paper to learn faster jaa a Wr pt fa Co Ab qs € at Ht ape sponte, D) jy 3 |. r—F ! fe Gin Din Cho Gtn Gto Din Cén Gtn € 2) Key of Gm ae Ee a Ee x A) poet tg thoi t * t Gio Din (Con Gtn Cén 7 Ff birt aD) Gta q Dio Cto = al The Aeolian Flavor(s) ~ Ted Greene, 1987-11-22 (p. 2) Gto SEE TE € Céo Dia 8 Gto HH ty Déo? €47 Ant Dt el f f f i ye 2a) Key of Bbm 4) Bn fn a ae f Ebn 10} f Here's the same example but a) in Bbm, and b) with slight re-fingering or more accurately, repositioning: Bho f Bbn fm Ebn y Bho ni oes Hot B) “Gite: ES Gb # t # fF; dct = d fo Db &b aa 4 Bbn fa ete Bho Gb Ebon Bho Fan? Gb47 Cars 5 f $ f 1 £ f Surely you've noticed the welcome "moodiness" of Acolian’s array of color(s) 1) The plaintive minors on the 3 primary degrees. 2) The warm iv7 and bVImaj7. 3) The cheery bVI and bill (the "relative major” area). 4) The brooding iim7b5. 5) The sparkle of the borrowed V and I Assignment 1) Leam as given and fill in the chord names, 2) Analyze the mating of the melodies with the harmonies. Store away whatever is meaningful to you. Of course, it won't hurt to analyze and study the chord progressions by themselves, that is, to isolate the progression "numbers" and look at them in their basic relationships. Ex: 1st progression is i- bIII - BVII- i, You might study this progression in many other voicings ‘or voice-leaings. Experiment and go with what you love. 3) Transpose. Ex. #1 into Bm, Dm, Ebm and Fm; transpose Ex. #2 and 2a (do either or both) into F#m, Gm, Am, Bm & Cm please!he ACOLMN FLAYOR (5) Poo) Ga Pitt 3 corer aaa Litt cor rr 16 | Leolines fem ED 5 | | r Tt cr to j i i mort Gee ort 8 mm crt i oo corr} a one ort Cetrrt 1 = ro ror Cort H+ ot oor I poco reer eects! Hae torre ie or gi isd APY le “os E: oor ry root ft cor oar é : oe T L Cort TB ox "Te ae HEE + Cort coor cot former Got 1 Cm Oe rootAEOLIAN PeOQZeSSIONS Foe TAPING Ted Greene, 1990-05-09 Use a fingerpicking style here Also try adding decoration here in the Curtis Mayfield early 60's (Himi Hendrix late 60's) style. Fo Co? Dp € ae C be 4p | ‘l Try various textures, rhythms here 1) Key of Fm Cha? Gta fas Ga? 2) KeyotCém Ao 4 te 4 ti Not séricily diatonic 7- ter F407 Bu € HeOLI Repescots pooping a ; oe hy SORA AS 7 EES 0 a AEE tat cr a