Violoncello

"STREITKRAFTWERK MUR"
streichquartett 1.
(Mein lieber Freund Mur gewidmet)
I Tahir IBISHOV (1986)
Unruhe/Narahatlıq
3:2
    
                  
q = 55 3:2 3:2 3:2 pizz.

     
     
mf f mp pp mf f mp pp mf mf f

3:2 
      
vib.
6
          s.p.
arco pizz.
 arco sul. tasto

         
f p mf p f sf p poco

4 

vib.

   
                 
pizz. 3:2sul. tasto
11 ord. ord. 5: 3:2 arco

   
       
mf p mf f p poco mf p p f mf f

16    
sul. tasto
vib. 5:4  
                 
3:2 pizz. arco ord.

   

     
 
f p f p poco mf p

 
   
20 3:2 3:2
s. tasto
        
   
              
p f mf f f mf f mf f
2 Violoncello
II
Fluss/Axın
                  
sul pont.
26 ord.
q= 80    


mf ppp mf

                                
(2+3) (3+2) sul pont.
29 ord.
      
mf f sp f pp

 
        
33
  ord.        

(s.p.) s. p. ord.
   
f pp f f
 pp


  
(3+3+2+3)
      
36
3:2
     
     


cresc.
f f

       
38 (3+2+3+3) (2+3+3+3)

           


p
(3+3+2+3) f p f mf

 
     
sul pont.
40
      
       
      
f ff sf p mf p
s.t.
sul tasto flaut.
44 ord.
    
flautando

                   

ff pp sf sf pp
s.t.
46 flaut. ord.
                 
ord.

 
           
sf pp sf sf


Meno mosso

 pizz.  arco               
       
48 (3+3+2+3) pizz.

       
arco
 
     
 p f p f f
pizz.  pizz. 
                 
 pizz.  arco  pizz.  arco 
53
    
arco arco

   

mp p f mf p p p p p p
 Violoncello 3
pizz.  
                   

60

pizz.

arco
      
pizz. arco

 
 
p mp p f mf p

            
   arco  
  
65

arco pizz. arco pizz. pizz.
  

p p p p p p

III
Klarheit/Aydınlıq

                       
e = 110
69 arco
         

pp mp pp mp
75       vib.
   
pizz.
   arco    
vib.
             
 
pp mp p

      pizz.
vib.

              
83 arco
     

mf p mf p mf p mf sf sf sf sf



89
       

p mf sf
4 Violoncello

 
     

   
92
 
        
p mf sf sf sf p mf p mf

96 poco meno
    
        
  
      
mf ff mf f mp mf p mf

101 
                      
        
mf ff mf ff mf ff mf

105
                
              
f mp mf p mf mf

    s.p.    ord.
s.p.
109 e=110
         
 
        
ord.
              

p p f pp p f mf f p

    
         
115
             

  
  mf
f mf f mf f mp fp mf pp mp p p
f

     
122
                     
 
 p fp

mf
f mf p mf fp mf

        
126
         
           
fp mf p mf mp mf sf
 Violoncello 5

e=105
zurückhaltend

                       
129 pizz. arco

   
      
mp pp mp pp mp

 
 
137 col leg. battuto + gliss.
   arco    
   
    
          

p sf pppp cresc. mf dim.


          
148 pizz
             
arco

   

    arco 
ppp mf ff mp pp
155
   
arco
  
            
 

p f p mf f mf

                   

162 pizz. arco pizz. arco

           
pp cresc.
ff
6 Violoncello
IV
Lied/Hava

 
    arco 
                         
arcopizz. pizz.
168 e.=80

          
p mf p mf f

   arco s.t.          arco

 pizz.
               
 
pizz.
176
         
   
p p p mf ppp fp mf p

              
   
 
arco pizz.

         
183

         
mf p mf p p mf p mf

 arco  
pizz.

               

191
      
                
f f dim. p pp p ppp

 
   arco 
pizz.

                  
               
197
 
 
  
fp mf p mf p mf p f p mf p

  pizz.  s.p.  arco              

    
203
    
             
mf f mf mf p mf p mf p mf f p f p f

         pizz.   
    
 
208 vib.

         
      
p f sf mf p sf
 Violoncello 7


     
e=110 vib.
214 arco vib. vib. vib. vib. vib.
                    
                 
pp mp pp mp pp mp pp mp pp mp pp mp

    
        
221

vib. vib.
   
                
 
p mp pp mp mp pp mp pp mp pp mfp

230       
   
   
       
                     

mp pp mp pp mp f mfp mf f p

    
               
238 vib.
  
            
f pp mp pp mp pp mp pp mp pp mp pp mp pp mp

  
246 pizz.
 
5
     
       
  
 
      
pp mp mp p mp p p mf p

251  arco
                
ext. sul pont.

     
   
mp

mf

mf p mp

mf

p mp mf

 
255
           
                
mf

mf mp mf mp p

 
                   
c.l.b.
260

pizz. I

        
 
mf mp mf mp pp

       
            
267
 
mf pp mf pp sf sf sf sf
8 Violoncello

                 

277


       
     
mf pp mf pp sf sf sf sf sf sf sf sf p

                           

284
     arco  
vibr.

   
mf f mf f sf

    
293 pizz.
arco
             
      
   
       
mf pp f pp mf

                  
303 pizz.
            

  
    
     
f pp mf

                           

 
312 arco

        
mf

                          

318

      

          
mf mf

              
324

          
 
 
f


          
333
   
          
        
    

p mf p mf p mf mf
 arco 
     
341 pizz. arco
      
            

   
  
346
 arco
      
    
 Violoncello

9

        3      
pizz.
350 arco
        
     
   

     
                 
359
   arco
pizz.
 
pizz.

3

 arco            
   
367 arco pizz.
       
              
ff

    
pizz.

  
376 e=70
   
    
 

     
 
mf p f f p mf

       
383 arco
         
        
  
    
mp f p pp mf f p f 

    
3

        
386
 pizz. 
            
   
p f p mf p f



 
  
arco
   
e.=66

  
390
       
 


        
394

       
 Violoncello

 
10
  
                               
 
402

          
     
   
 
     
        
408
     
p f p f p f

   
412
          
       
     
p f
417 q=80
           
 
       
VI
Und wieder Fluss/
Bir daha axın
   
sul tasto

      
q=80 flautando
     5
421
 
arco
     
p ff ppp

                          

f ppp
423
         


f pp cresc.

p o c o a p o c o o r d. ord.

                       
  
425 (s.t)

  
sfz p sfz

     s.t.
            ord. s.t.
      
    
  
428

ord.
 
  
pp sfz pp f


                  
431

     

3

 
pp p ff


               
434

 
  
3 3
         
pp f p f mp
 Violoncello 11
439 Più mosso
  5
  5 5 5
              
         
mf

                       

442 5 5 5 s.p.
3
   
  
f p mf p mf f p mf mf f f

            

    
446 ord. 5

5

3 5

         
3


p mf p f mf p f p

450
     
                  
  
       
f f p f p f p f p f p

454
    
                      
            

f p

f p f p f p

sfz
12 Violoncello

"Würden alle geklopfte Türe sofort geöffnet wären, könnte man nie die Hoffnung,
das Geduld und der Wunsch vermessen".
"Hər döyülən qapı həmən açılsa idi, onda ümidin, səbrin və istəyin qədəri bilinməzdi".

C. Rumi

VII
Moment in Jetzt/

    
Məqam
                  
       
457 q=40

        
pp

         
  
463 q=50

   

mf pp

467     
       
f
ppp  
p mf

470       
     
 
mp pp mf ff ppp

473

pizz.
       

pp

pp

5 
  arco
pizz.
475 Più mosso
  
        
 3

    
f     
p f ff mf f f 19.06.2018
Graz