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  • Mambo Influenciado: Guaracha (Latin Jazz Style) 160

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    Pewa Cisneros
    204 views2 pages
    The document is a musical score for a mambo piece influenced by trompeta style. It contains musical notation across several pages, including markings for trumpets, trombones, horns, and other instruments. The score indicates that Chucho Valdes arranged the piece in a Latin jazz style called guaracha, at a tempo of 160 beats per minute.

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    Original Title

    Mambo_Influenciado-Trompeta_I

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    The document is a musical score for a mambo piece influenced by trompeta style. It contains musical notation across several pages, including markings for trumpets, trombones, horns, and other instruments. The score indicates that Chucho Valdes arranged the piece in a Latin jazz style called guaracha, at a tempo of 160 beats per minute.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    204 views2 pages

    Mambo Influenciado: Guaracha (Latin Jazz Style) 160

    Uploaded by

    Pewa Cisneros
    The document is a musical score for a mambo piece influenced by trompeta style. It contains musical notation across several pages, including markings for trumpets, trombones, horns, and other instruments. The score indicates that Chucho Valdes arranged the piece in a Latin jazz style called guaracha, at a tempo of 160 beats per minute.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 2

    Trompeta

    I
    Mambo Influenciado

           
    CHUCHO VALDEZ

               
    Guaracha (Latin Jazz Style)  = 160 Arr. Border Brass

          
        
                       
    5

         
          

              
      
      
     

    9
    Trumpet Solo

       
                      
             
    13

          
                  
            
    Trombone Solo

       
    17 to 1. 2.

        
                    
        
    22

     
        

               
         
    26

        
                        
      
    30

     
                    
       
    Horn Solo
    34

            
                    
         
    38
               
                   
      
    42

          
            

              
    46

        
                        
     
    50

           
                
         
    54 D.S. al Coda

          

           
     
    58

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