YOU BLEW ME OFF ‘As Recorded by Bare Jr. (From the Immortal/Epic Recording BOO-TAY) Transcribed by Troy Nelson Words & Music by Bobby Bare Jr. ‘Tune Down 12 Ste: Intro Moderate Rock J = 132 8 (eum han lps) 3 Gi. st) Gi, 24st) "Chords symbols fect combined only Verse “A a D o A c alan ke you blew me off peda oka T= sult me ruthless = ly, oh, 3A See AditonlIsrcs Chords are implied by bass. mata rt ts et ce tn “nu heres tt by eminer (64 GuitarOne + MAY 1999 seen BROS PURICATENS UR hs F014You Blew Me Off D o A CG DA G A CG DA G Jee it tumed me on. —yelimed me You lew me ot You blew me oft You blew me (Qt tamed him on 1 tuned him on, A CG DA G A CG DA G ANG ANG off You blew me off, it umed me on, 1K tured him on, ‘Tured him) MAY 1099 @uitarOne 65You Blew Me Off To Coda 1 A CG DIA DokuA DIA. Dosust/A DIA D9sus4/A D/A. D8sus4/A D/A Dosust/A D/A D9sust/A S% wriage DA ca 6 A vA oG 66 Guitarone + Ay 1999You Blew Me Off DIA don't DS. al Coda 1 (aake repeats) ToCoda2® oi AmTadds A AnmPadds A AmTadds A A Amfadss 8 DVA oe thas just how this has got - ta be sy 1000+ GultarOne 67You Blew Me Off @ Coda 1 Interlude Ds bis Es FS FIs GS Gis AS AIS BS CSGCISIGE News, (68 GuitarOne + MAY 1909You Blew Me Off DSS. al Coda? ‘Outro **Fade Out A. NC G A NG G ANG. a). AL.NG (Gums & hand lap) 4 ie OF "Microphone bk, nt ease by sian, Additional Lyrics 3,1 you ignore me you get my respect. ‘When you turn to hug me I like you less. 4, What you doin’ callin’ me on the phone?” Sayin’, “Bobby come back.” ‘Would you leave me alone?HEAVY ‘As Recorded by Collective Soul (From the Atlantic Recording DOSAGE) Transcribed by Troy Nelson Words & Music by Ed Roland ‘Tune Down 12 Step: O-6 @=p Om O-x =Gb ©=Eb Intro Moderate Rock J = 106 Guta) NC lay times maf, wiremota fet PMo-4 PM. PM. pe ema 8 ara mre Rann (Sug eM “ra haenrny wore wow a MAY 1990+ @uitarOne 74Tm, ac = quaint = ed with = fer - ing Pro. -' is = es you break — te = lieve, B% chorus DSIA As Tees csc Ns (cst) eee 172 GuitarOne + WAY 1090Ge: ty. Ft Heavy DSA AS = And all your. fas oe m— csc NciG) (ost DS. al Coda t — ‘ SSS To Coda? 0 — it false, © Coda 1 ? ‘Gu. Rhy Fig. 1,3 times As CG DSA ‘And all your— weight —— it brings me— down, NCS), (ost) it brings me— down. — DsiA as a And all your— weight it falls on me, 5G NCWGs) cos, DSA And all As csc NCGS) a falls on. ‘me, ft falls on. me Interlude Gx.) NC. Ero Ne. ert play 3 mes Guitar Solo Ge. 2411) af ‘pad. bend steady lis. wwe Nene e eee eS, lot Rhy. Fie 2 MAY 1900+ QultarOne 73nd Rhy. Fig 2 (Gi 1 wR. Fig. 2 Gs © Coda 2 Outro Gt NC. play 3 times PM. Ham, ch E 74 GultarOne + NAY 1909SLIDE ‘As Recorded by The Goo Goo Dolls (From the Warner Bros. Recording DIZZY UP THE GIRL) ‘Tanscribed by Troy Nelson Words & Music by John Rzeznik Dbsus2 abs: Ebi. (Csus2) @s) rt +m?) (Ge (acous) ‘Symbols in paretbeses epenent chord names respective wo capood paar. ‘Symbols above eft actual sounding chord. Cape fen "0 a TAB, % vere Fat EOS Ebewes bs Ebnust nm) 5) (Daina) (05) Owed whis - per the things you wan a love— the The priest “ie! “on the Dbsus2 (Cous2) TUL give you Your “fa: ther 76 GuitarOne + Wy 1099Slide ES Ebsust Eb5 Ebsuss 5) (Dsusi) D5) (aust) Do. you wake — ‘own. and won - der where—_ you are? Don't hup - pose— e Know what it) meas 1 be 7a man — Dosus2 Ebaddt (Csus2) (Dada) You live with — all Some. thing “T Pre-Chorus, Dadi Ebaddt (Cada) (Dads) To Coda @ Dbads? Dosusd abic (Cade) (Csus2) G) MAY 1090 + @ultarOne 77Slide Chorus Dbsus2 abs Disus2 Abs Dhada (65) (Csus2) @s) ie 2(eee) Dhsus2 abs Bb (Cau) s), o 78 GultarOne + AV 1900Slide Dosus2 Abs oe (C552) s), Dhsus2 abs Dhsus2 abs (Csus2) @) (Csus2) Gs) Bb o DS.al Coda 1 dy. Fig. MAY 1999 * GultarOne 79Slide © Codat Chorus GI: why. Fig. Dosus2 abs Dosus2 Abs Dosus2 Abs (Cod) GS) (Cais2) (Gs) (Coux2) (G5) Bb © Dbsus2 abs Dosusd Abs 2) Gs) (Cw52) cs) thing you Dosus2 Abs Eb (Csus2) Gs) ©) ‘of the noth - ing 180 Guitarone + May 1900‘SN Bridge Fm? Ebsust em?) (aust) put your What you feet Disus2 Abc Dbsus2 Ebsust (Csus2) (GB) (Csus2) (Dauss) MAY 1999+ @ultarOne 81Fm? Ebsusd BoEe.. em om) Disus? (Cs) So 182 GuitarOne + MAY 1990)Interlude Gu 1; why. Fig, st S meas Gi. cet Dbsusd Abs Dbsus2 Abs Dbsus2, Abs eb (Csus2) (G5) (Csus2) (G5) (Csus2) Gs) o a hk pee a Chorus eS (Gt, 1 wy. Fig. last S meas Gu 2: wiFLD Dosus2 ADS Dsus Abs (Caus2) GS), (Csus2) (Gs) ‘And Ill do aney-~ thing you ev = - er dreamed to be— com = plete— Little pee Dosw abs Ee DSS. al Coda 2 (Caisd) &) o) es of the noth - ing ean eae hs ag ode a Ebaadt (Cosd) (ads) MAY 1990+ @uttarOne 983Slide Pre-Chorus, Gir, Dest Dhadds badd (Cada) (@adas) Dbadas Chorus (Ge 1: wi. Fig 1 Dosus2 abs Dhsud Abs (Csa2) Gs) (Csus2) Gs) Dosuod Abs Bb (Cous2) Gs) o 66 GulterOne * MAY 1999Slide Dbsus2 abs (Coas2) (Gs) Disus2 abs Dbsusz abs «Cous2) Gs) (Causd) Gs), ie. 1: wi. Fig. ast 3 mes. ‘wad ib We next 3 meas. Dosus2 abs Dbsus2 Abs (Csus2) @) (Caus2) (Gs) Why don't you Yeah, MAY 1090 * GultarOne 85Slide Dhsuad abs. Bb (Coed) @), o Wall, just Outro Ge, acet Fm? Ebsusd (m7) (Dsuss) Dhsus2 Abs biG Fm? Ebsust Dosusd Abs (Cous2) s), (DFE) m7) (Dsuss) (Csux2) @s), ‘vol. well 86 Guitarone Ay 1990RUNNIN’ WITH THE DEVIL ‘As Recorded by Van Halen (From the Warner Bros. Recording VAN HALEN) eee ge te Words & Music by Edward Van Halen, . ‘Alex Van Halen, Michael Anthony, Pee and David Lee Roth O-E @-ps Eb Moderate Rock J = 95 Nec. (cae toms) Gir Kat) Intro ‘Gppres. I2see) F wiecho & reve "Swings are raked a esween bridge and pice. oe. cae © pb Ry Fg Ce} pay = End Rhy. Fig ing Aorist by W wats Cap ASEM wen on MOREE Ne P90 88 GQuitarone » MAY 1900% verse As G Runnin’ With The Devil Fim Em as a no 10- moe row. ain't $0” sim ~ ple Gx 1: wit 1, 2nd time Gu, wll2; dine Fim Em NC as nN pitch o Fim Em rm MAY 1090 * GultarOne 89Runnin’ With The Devil Chorus ; (te: wi. Fg. cp GAB D GAE Run- nin’ with the dev = Run nin’ with the dev fz To Coda @ Guitar Solo Giace as s Ge? si) (90 Guitarone + MAY 1909)Runnin’ With The Devil Interlude Gu 2 tet ig D O° eh ee jee DS. al Coda one aes x ie (take 2nd ending) Coda Guitar Solo (te. 1: wR. Fig. 2 as Gs as os Bs LP “y—. a fat fat > AY 1099 + GultarOne 94Runnin’ With The Devil Outro-Chorus ‘G2 tact ad i Noe Ges 92 GultarOne + MAY 1990 scMY OWN WORST ENEMY ‘As Recorded by Lit (From the RCA Recording A PLACE IN THE SUN) Transcribed by Troy Nelson Words & Music by Jeremy Popoft, Jay Popoft, Kevin Baldes, and Allen Shellenberger Intro, “Moderate Rock J = 104 NC(wt5)(E5) wr ED) BS AS te. 1st) lo 2st) Nets) (ES) wtsy(es) BS AS OES setaiin cera 96 GuitarOne + WAY 1909My Own Worst Enemy BS AS ES BS AS s us as Lan we for get things — ZW no sur prise Tam 1 did - n't mean “ ‘Cause ev- "ty now and the shit out tame, MAY 1009 * @utarOne 95My Own Worst Enemy Bs AS ber what was said—— or what you_threw— is go; ofan theres ig % chorus Es Bs As ES ‘ace time “Mcroptoni bk. ot caused by sing vibration, Fs as BsFe sleep- in’ with— my clothes nd RTA 96 GuitarOne + WAY 1909My Own Worst Enemy 1: WRU A, 1s & 2nd times; ae ed time 2 wily. Fig | Fs me 1 came in through the win To Coda @ srt dow. last night and you're. Bs BSAS ES BS AS BSAS ES BS AS MAY 1999 + @ultarOne 97My Own Worst Enemy Gui 1rsolo ES Foss DS. al Coda Gi, wR A, 2 times (Gu 2: Why. Fig I. tines Coda > BSE ES Fs Ws no. sur- prise (Ah, hoo, mmy own worsten -€- my. i, BSI "Cause ev ry now — and then Tick the liv in’ shit out tame 98 Guitarone * MAY 1999 mhMy Own Worst Enemy ES Fis Can we for-get— a bout the things said when Iwas drunk? hoo. ‘Ah, As ByFt = 1 did - n't mean— to call you that — hoo. > MAY 1090+ GuttarOne 99SWEET HOME ALABAMA As Recorded by Lynyrd Skynyrd (From the MCA Recording SECOND HELPING) ‘Transcribed by Troy Ne'son Words & Music by Ronnie Van Zant, Ed King, and Gary Rossington Intro Moderate Rock J = 98 -p cou 6 Gi 2 igh is) Pet ing throughout Keys signature denotes D Mixolyian Chor symbols flected tonality. *eswsight PM. om bass notes D sus MAY 1000 + @ultarOne 104Sweet Home Alabama Cons? G D Ris D cau G Verse ‘Ge, 2: wR A, 2times D cou c a keep on 4102 Guitarone + May 1999Sweet Home Alabama D Cause G D cous G Singin D coud 6 think Sasi. Interlude MAY 1090+ GuitarOne 103Sweet Home Alabama D c G nd Rie BL sus G Mis- ter Young 4104 Guitarone + May 1900Sweet Home Alabama D Cus? 6 MAY 1990+ @uitarOne 108Sweet Home Alabama a) a southern man— don’ Southem = man— don nd Ri 8 Chorus Ds De ps cs © cs Gs Gs as cs 106 Guitarone + May 1999Sweet Home Alabama bs De ps cs 8 cs Gs 6 ToCodal Ds D6 ps CS os cs as oo os cs a Ry lg. 2 MAY 1999 + QultarOne 107Sweet Home Alabama (te. 3: w/t 1,2 ie To Coda 20 bs D6 Ds cs 06 cs Gs oF 4108 Guitarone + Way 1900Sweet Home Alabama Guitar Solo D Cous? Cau G Vere D Csus2 o F © MAY 1090 + GultarOne 109Sweet Home Alabama D cow G hoo. Now we all D cow G 410 Gultarone + May 1099)Sweet Home Alabama > cw « oe con = science ‘Tell the truth © Coda 1 Ds Ds Ds cs 5 cs Gs Pare G6 0s Guitar Solo irs 1 2: why. Fig. 3, 8imes bs 6 DS cs co cs Gs Gs Gs G6.cs G8 MAY 1090+ Quttarone #41Sweet Home Alabama bs De Ds cs os cs os os b bs Do Ds cs 6 cs Gs G6 Gs G6 Gs bs Ds Ds 6 6 cs Gs cs as G6 Gs Ds p6ps cs cscs as 66 Gs Gs os 142 GuitarOne + May 1990Sweet Home Alabama s Deps cs 6 cs os o 6 66 «s 2 = 4 34 Ds Ds bs ro) 6 cs Gs 66 Gs G6 Gs bs Do ps cs © cs as 6, as G6.Gs fa MAY 1000 # GultarOne 143Sweet Home Alabama Interlude Ges. 18 2: Ris. BL D c G fe iS Verse pitch @ te. wy. 1 Gee 2 wit D Cause 6 3 4.Now — Mus-cle Shoals has gat) the. ‘Swamp ers, o, ©, 0 D Caus2 o And they've been known — 10 pick a song of two. 0, , . yes they do. D Cau o Lord, they get me off 10. much. Oe, ©, es D cau G DS. al Coda 2 They pick me up———_ when feel - in’ blue Now how “bout you? Pick me up—— when feel = in’ blve.—) © Coda 2 (ir, 1 & 2 wiRy. Figs 2.828 Ds Do bs 3 6, € Gs Gs, as cs Sweet ome a sect home,— ba by, 4144 GuitarOne + Av 1909bs De bs cs 5 cs Gs S where the skies se 50. blue andthe gov - “nor's te, Ds be bs cs 6 cs as 6, Gs cs Sweet home Al a= bom = oh yeah, Ctr. 2 Rhy. Fig. 3 Ds De ps cs 6 cs Gs e os Gs Gs Lon, Tm coms in’ home you. Yeah, (Wh00, whoo!) Outro ‘wa i vos Ds Ds ps cs 6 cs Gs cy as Gs Gs lay 3 times yeah, ts, 18.2 Play 4 Times and Fade G2 ps De pss © cs Gs 6 s, cs MAY 1090+ @uitarone 145CEMETERY GATES ‘As Recorded by Pantera (From the Atco Recording COWBOYS FROM HELL) Transcribed by Troy Nelson Words & Music by Vincent Paul Abbott, Darrell Lance Abbott, Rex Robert Brown, (Tune Down 4 Step) and Philip Hansen Anselmo Intro Moderately J = 120 Fim? Asws2 FS Dnaj3us2 ir 1(acous) RMA Pa leteingthroaghout Fem? ES Dina} 3sus2 ind A Verse (te: WRF A, V7 times Fim? Asus2 ES maj 3us2 Rey = "rend, — Rey - "rend, is this some con = spir - Bim? Asus2 BS as ot Cm - ci - fied for. Daj 3sus2 Fim? Asus put an edge be = neath — Lost with = in omy plans — Es maj sus2 — a seems we. woven 8 PUBSERTONE Ur 306 MAY 1999 ¢ @uitarone 4147Cemetery Gates Fim? Asws2 ES News) Pm a man cot in half in this. world ein mymis er = ya tr 2st) nd Fit "ol ell Guitar Solo Fem? Dive Dre Fim Fim? "Servo hamonize one estan above 418 GultarOne + VAY 1909Cemetery Gates bem prt Fim Nc -1n--1n eran oe 3-173-13, ING pik: GE Gu. 1: wif, 187 meas Fim? Asusd BS ava Pik AP DE att ers to harmonies oly eeaeasenes, tm Aswad Es loco NAAN AAA ARAN ALN — Sey ie. wiFit NCiDs) i, 3 (ast) {Mf wrharmenizer day nana gat MAY 1900 » @ultarone 149_ Cemetery Gates Interlude Faster J = 148 Half-Time Feel im 12 & Steet : AS Ne be as Ne Ge. 4 (st) Sra ur aes loco. 132 3 End Haif-Time Feel As Bs ES FS %& FS ya Rnd RAR Am? Fe bse Ms Rane MW loco __——3— Verse Half-Time Feet _ Git 5: WRIA ot mas, 2 ies Gx. dacet Fa? Asus? Es Dimaj3sus2 with outa tear in T won dee— a Fm? ‘Asus Bs 420 Guitarone + May 1990Cemetery Gates (5: wi A at 4 ms, Dinaj sus? Femi Asus? him why. 1 mem - some place far 2 : ound 1 mst re = verse Es Dinaj us + ber the love our, souls ad som to make. — ay tie, 1 can't Tive inthe pan. ie, 5 wRiTA, 184 mes. Fem? Asus? ES maj 3sus2 — Now 1 watch ro Amy mind can sce Then se a ie be-long to meat last Verse Ge, Stace End Half-Time Feel $45 as * 3._Well, 1 guess. you SThrough “all” those iy. Fig 1 steady lis. (te, 4 why. Fg 1, 2 mes anew = found joy. this love would end in. rage,— ie ond and make this = work my own MAY 1000+ Guitarone 121,Cemetery Gates act Fs As Bs = ‘And when she died 1 could = wt ey, the = ‘And when she died 1 should "ve cred and Ds arc pide with =i. my soul spared omy sel some pain Fim as Bs To Coda @ Chorus Half-Time Feel Gu. 4 wRi B, 1 times AS NC. as Ne. Be lieve— the word — 1 will an = tock DS. al Coda End Half-Time Feet as Ne as NG eee at AB) my door and pass the com ety 422 GuitarOne + May 1999Cemetery Gates @ Coda Chorus Half-Time Feel ‘Gu 4 WRB 1% mes aS Ne. As Ne. The way— we were, the chance 10 save my sou. And my con = com is mow in vain MAY 1990 + @uitarOne 129Cemetery Gates Guitar Solo ‘Gir 5: WRC, Ist 4 mens. 2 times ir. eet Fin? Asw2 Bs maj 35052 sates. Gi 64st) F- shar Fn? Assd ES Dina) 3s? — ys. Ft Asus? Ne 4124 GuitarOne + MAY 1999Cemetery Gates Le Es Diajl3sus2 ae Aan Pose End Half-Time Feel Dinaj3sus2 cis sors aaaeenes, MAY 1900+ GultarOne 125Cemetery Gates Gir Staet FS as Bs s FS Fs ‘4 Fs As Bs cs ass (i, 4 why. Fig 2 Fis fra 126 QultarOne + Wy 1099)Cemetery Gates Fs As Bs cosas loco a Interlude Gu. 6 4c Fis as Bs cs BS RS FAS As Bs ava cs BS AS FAs as Bs cS. ai Te Fs as Bs cs Bs Gts 5 BS Gs Nc MAY 19904 @uitarOne 127Cemetery Gates Chorus Half-Time Feel (Gi, 4 WRB, 1M times as Ne. as Ne. The way we were the chance f save—, Ne. as Ne. as — my soul And my con com is now — pick ich as Ne 128 Guitarone + Ay 1909Cemetery Gates aS Ne. As Ne Fa ef i ee, i fade AS te 1: wit c as as Ne. Ss thee Gates! i ras ae Play 3 Times and Fade Gates. Sing Iotime oly MAY 1090+ @uitarOne 129AMERICAN PIE ‘As Recorded by Don McLean (From the EMI-Manhattan recording AMERICAN PIE) ‘Arranged by Troy Nelson Words & Music By Don McLean & Dust D Diss? Disust Verse Rubato cpr Em Am c La Jong, long time a- go— can still re- mem = ber how — that Em Duust D Dus? D G pr Em mu sic used 10 make me ile And 1 know if 1 had my chance that Am c Em o T could make— those _peo- ple ‘and may - be they'd be hap = py—— for a > Dsus} D Daw? D Em Am But Feb mu- ar = y made me shiv er Em Am c on Am with ev- ty pa = per Td de x Bal news on the door = step, 1 © D 6 Dire Em could-nt tke one more st fe- mem - ber if 1 ced when 1 c D G prt Em read a - bout his, wid owed bride. Some - thing touched me deep im = side the day he om + se dia So, aor © 71, 8 Ma CORPORATION OF AMER, Nand TH HL BOC. NE 1s Cn we Arron MSE SONORAN OF MANE HO MAY 1990+ @ultarOne 434 _bye be Min A - omer - 1 + cm Pla row my ee Chevy to the lev- ce, but the kev- ec was dry And them good of — boys were drink - in G D Em a whiskey and ye, sing in’, “This "ll be the day that ic, — Faster J = 142 Em D? Diss? DT Dysuss DT -Dsus2—D7 this "be the day that ‘ie Verse 2Did you wtite the book of Jove,— and do you have faith in 34,5. See addtional yes Am Em b Diws2 DT DTsust & = bove— if the Bi - Be eels you. so D7 Disw2 =D G prt Em Now,— do you be ~ lieve in rock olan mu + sic save your mor - tal soul And_— can you teach me ar D7 DI__Drsust DI Dis? — how to dance real ee — Wel, 1 Em D Em koow that you're— in foe with him ‘case saw you dane — i 132 GuitarOne + WAY 1909American Pie inthe gym— You both kicked off c bp o prt arf ‘your shoes ig those thy thm ie blues was kone yen = age bese tM pee car mR a ep a En c * i = SSS ee ———t — ee oy 4 sic died. 1 sat = ed “Bye Chorus = bye, Miss A= mer = i= can Pie Drove my Chev--y tthe ley = ee, but the lev = ce was dey ‘Them good of boys were drinkin’ whis- key and) rye,— and sing int Em a Em . > 3 this - "Mbe the day— that i, this be the day hat 1 hg. see see ee ee > S D7 DT D7 Dit «D7 Taw? DT > he foe rg Sa a i Verse Rubato 6.1 met a pil who sang the les, — snd 1 asked ber for some happy news — but MAY 1000 QultarOne 193D Dass D Dust D she jst smiled and-tumed d= way 6 prt Em cB Am cm oc => —=— —— down to the sa = cred. store where Td heard the music. years be fore.— But the Em c D Duss =D Dawg man there said the mu - sic wouldn't play — inthe streets the chil - dren screamed, the lov ers cried and the po- cts dreamed, But is ow Am on c > not 8 word was spo Ken, the church bells all were bro - ken. And * the G prt Em cw © D tree man Lad - mire most, the Fa = ther, Son, andthe Ho = ly Dirt Em © > G feaught the last ain forthe coast the day the me - sic die, Chorus ‘Moderately Slow 4 = 88 G ts 6 D ‘And the were sing - in’, Bye bye, Miss A - mer-i- can Pie Drove my G ic G D G © Chev-y 10 the Fev ee, but the tev- ce was dry ‘And them good ol — boys were dink- in G > Em a whis- Key and 196.— sing = jn’ this - "Ube the day that I 124 GuitarOne » MAY 1909D7 Dus? American Pie Diw2 DT D7 Draes DT this "be the day— that 1 ie” They were sing in, Outro-Chorus Faster J = 100 “Bye, Drove my Chevy 10 the lev ee, but the whiskey and tye sing = in’ this 3. Now, for ten years we've been on our own, ‘And moss grows fat on a rollin’ stone, But that’s not how it used to be. ‘When the jester sang for the king and queen In a coat he borrowed from James Dean, ‘And a voice that came from you and me. ‘Oh, and while the king was iooking down ‘The jester stole his thorny crown. ‘The courtroom was adjourned, No verdict was returned. ‘And while Lenin read a book on Marx ‘A quartet practiced in the park. ‘And we sang dirges in the dark ‘The day the music died. Mote Additional Lyries the day— 4, Helter skelter inthe summer svelte, The birds flew off witha fallout shelter. Eight mils high and fallin’ fast, It landed foul on the grass. The players ried fora forward pass Wit the jester onthe sidelines I cst Now te half ime ar was sweet perfume, While the sergeants payed a marehin’ tne. Weal gor upto dance, oh, Buc we never got the chance. “Cause the players ted to ake the fel, ‘The marching band refused to yield. Do you recall what was revealed The day the music ied? We stared singin’ 5. Oh, and there we were all in one place, A generation lost in space With no time left to start again ‘So, come on, Jack be nimble, Jack be quick, Jack Flash sat on a candle stick *Cause fire is the devil's only friend. Oh, and as I watched him on the stage My hands were clenched in fists of rage. No ange! born in Hell Could break that Satan's spell ‘And as the flames climed high into the night, ‘To light the sacrificial rite, I saw Satan laughing with delight ‘The day the music died. He was singin’, Ay 1000 @ultarOne 138