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Front Matter

Source: Perspectives of New Music, Vol. 9, No. 1 (Autumn - Winter, 1970)


Published by: Perspectives of New Music
Stable URL: http://www.jstor.org/stable/832190
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Perspectives of New Music

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PERSPECTIVES

OF

L/ i
NEW
MUSIC
FALL-WINTER 1970

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Readers are invited to submit editorial communications and manuscripts.
Please address all correspondence to: Perspectives of New Music, c/o Music
Department, Dodge Hall, Columbia University, New York, N.Y. 10027.
Subscriptions: Perspectives of New Music, Princeton University Press, Prince-
ton, N.J. Rates: $6.00 a year, $5.00 an issue.
Copyright 1971 by Princeton University Press

Perspectives of New Music. Published twice yearly by Princeton University


Press for the Fromm Music Foundation. Fall-Winter 1970. Volume 9,
No. 1. Entered as Second Class matter in the Post Office at Trenton, New
Jersey, under the Act of March 3, 1879. Printed in the United States of
America by Princeton University Press. Music illustrations by Music-Book
Associates.

The emblem on the cover and contents page is a reproduction of a drawing


made by Igor Stravinsky as a visual representation of his "recent music,"
originally published in Igor Stravinsky and Robert Craft, Conversations with
Igor Stravinsky, New York: Doubleday, 1959, p. 120. Copyright 1958, 1959,
by Igor Stravinsky. Used by permission.

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FALL-WINTER 1970

PERSPECTIVES OF NEW MtUSIC


PUBLISHED BY PRINCETON UNIVERSITY PRESS

FOR THE FROMM MUSIC FOUNDATION

Editor: Benjamin Boretz Advisory Editor: Edward T. Cone


Associate Editors: Elaine Barkin, Hubert S. Howe, Jr.

Advisory Board: Aaron Copland, Ernst Krenek, Darius Milhaud, Walter


Piston, Roger Sessions, Igor Stravinsky

Editorial Board: Milton Babbitt, Arthur Berger, Benjamin Boretz, Elliott


Carter, Edward T. Cone, Lukas Foss, Andrew Imbrie, Leon Kirchner, Billy
Jim Layton, George Perle, Mel Powell, J. K. Randall, Gunther Schuller,
Seymour Shifrin, Claudio Spies, Vladimir Ussachevsky, Peter Westergaard,
Charles Wuorinen

CONTENTS

MILTON BABBITT 1
On Relata I

BENJAMIN BORETZ 23
The Construction of Mus

GODFREY WINHAM 43
Composition with Arrays

RICHARD M. MARTIN 68
On the Proto-Theory of M

JOEL SACHS 74
Some Aspects of

THOMAS CLIFTON 96
Types of Symmetrica
tive, and A Prayer

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FORUM: COMPUTER RESEARCH

113 Langua
JOHN CLOUGH TEMPO: A Composer's Programming

COLLOQUY AND REVIEW

YOUNGER AMERICAN COMPOSERS

WENDELL LOGAN Oily Wilson: Piece for Four 126


OLLY WILSON Wendell Logan: Proportions 135

NEW MUSIC
143 and
MALCOLM S. COLE A Mother Goose Primer by Philip Batstone
The Unquiet Heart (A Study in Contrast) by
Alden Ashforth

HALSEY STEVENS

IN MEMORIAM: Ingolf Dahl (1912-1970) 147

DAVID HAMILTON
149
Aaron Copland: A Discography of the Composer's Performances

COMMUNICATIONS 155

PUBLICATIONS RECEIVED 158

CONTRIBUTORS NOTES 159

The music examples in this issue are reprinted by kind permission of the copyrig
owners as follows:

Boosey and Hawkes Inc., New York. Stravinsky: A Sermon, A Narrative and A Prayer.
Copyright 1961 by Boosey & Co., Ltd.

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