New Attraction Language Pattern Part1

Speed Seduction®
Coaching Program
Video Mini-Seminar
“New Fantastic Attraction
Pattern, Part 1”
Transcript
September 2011
Created By
Ross Jeffries
The “Guru of Getting Some”
www.Seduction.com
For the smart guy who refuses to resort to bullying, begging, buying, B.S. or
booze, in his seduction of women.
Copyright © 2009, Ghita Services, Inc. All Rights Reserved.

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Ross: This is going to be quite interesting. This is a new version of a
language pattern that I‟ve been teaching lately. It deals with the
theme of attraction. This is actually quite clever.
It‟s for those of you who want to understand how patterns are
constructed, especially the category of patterns that we think of as
traditional patterns. They‟re the longer, memorized patterns where
we talk about a subject and maybe get a little bit of input from the
woman.
You‟ll notice in this pattern that we‟re using the contrast principle.
This is something I first explained all the way back in the early „90s.
When you construct a long-form pattern that consists of a lot of
things that you‟re talking about, often it‟s useful to contrast one
thing with something that‟s either very different or similar to that first
thing.
Let‟s go ahead with this. We‟re going to definitely have to break this
up into little sub-modules, but you‟re going to really enjoy it. Let‟s
go with it.
<begin video>
Ross: This is a really good topic. If you want to discuss attraction, I‟m
going to give you this one word for word. It‟s really fucking clever.
First watch me. Then I‟ll explain how it works and give it to you
word for word.
Participant: Is this a separate theme?
1
Speed Seduction® Coaching Program
Video Mini-Seminar “New Fantastic Attraction Pattern, Part 1” Transcript |
September 2011
Copyright  2009, Ghita Services, Inc. All Rights Reserved.
Website – http://www.seduction.com
Ross: It‟s a different theme. It‟s attraction. I‟ll say, “I‟ve often thought about
this word „attraction,‟ Debbie. I think there‟s the kind of attraction
where it really just means you‟re fascinated.”
<end video>
Ross: There‟s one thing I just want to say. The way I bring this topic up is
I say, “I‟ve often thought about this idea of attraction.” That‟s not a
bad way to bring up a topic.
Let‟s say you‟re at a party or some other social setting. Another

way you might bring up this topic is you could say, “Do you know
what I like to do at a setting like this? I like to observe that process
of people when they‟re starting to feel a strong attraction.”
Do you hear the command “feel the strong attraction”? That‟s how I
can introduce it. I can introduce it by saying, “Based on where we
find ourselves, I really like to notice that process where people start
to feel a strong attraction and how that‟s taking place.”
<begin video>
Ross: “You look, and you just feel like this person‟s voice and face is all
you can be absorbed in. That‟s one kind of attraction, but it‟s not
something you feel really strongly all through your body.”
<end video>
Ross: By the way, I would not walk up to someone and start with this.
First I would get them laughing. I would play a few fun games with
them. I‟d create some comfort, rapport and overall interest in talking
to me before I slid in with a really strong topic like this.”
2
September 2011
<begin video>
Ross: “Then there‟s the kind of attraction where it‟s not just about being
absorbed. It‟s about feeling. People can have all sorts of good
feelings, Debbie. I don‟t mean play with a puppy kind of feelings. I
think attraction is really about feeling that flow of energy that lets
you know there‟s something amazing right here in front of you.”
<end video>
Ross: Notice this girl here. Even though she knows what I‟m doing and
came to the seminar because she has read about me, she‟s having
these responses. A little bit later she‟s going to talk about even
though she knows what I‟m doing is still working on her.
<begin video>
Ross: I‟ll change the topic. I‟ll say, “Anyway, when you were a little girl,
was there some kind of candy that was the king in your candy
castle?” Why do I change the topic? I don‟t want her to think about
it consciously.
I want to suppress it so her unconscious is fighting with her

conscious mind saying, “No, think more about that. If you‟re not
going to think about it consciously, I‟ll think about it.”
Do you get it? There are times in doing patterns when I want her to
verbally respond. Other times I want to suppress it and change the
topic really quickly.
I forgot something in that pattern. I talk about, “There‟s the kind of

attraction where it‟s not really something you feel really strongly in
your body. It‟s more like you feel pulled toward this person. There‟s
3
September 2011
something magnetic where you feel a connection and fascination.
Then there‟s the kind of attraction where you feel it really strongly.”
I‟ll look right at her crotch. “It‟s like those butterflies.” If I go like this
she‟ll provide the word. She‟ll say, “Yes, butterflies.” I‟ll say, “It
doesn‟t matter whether you feel that spreading quickly or slowly, or
whether it just happens so fast you know there‟s something you
have to grab hold of tonight.
“I think what‟s really interesting is that first kind of attraction is just

one or two doorways away from you experiencing this kind of
attraction.”
When I say “one or two doorways away,” does that mean walking
out the door of the restaurant and then walking into the door of my
house, or does it mean doorways in the mind?
The unconscious mind says both. When she opens the first door it
triggers the suggestion. When she opens those second and third
doors, it really triggers the suggestion.
This is getting her ready to fuck you by linking all the thoughts and
feelings to an action that you‟re going to take with her. You‟re going
to walk through doors. It‟s pretty fucking clever, isn‟t it? Float like a
butterfly, sting like a bee. Rumble, young man, rumble.
When I used to teach classic patterns, I taught the contrast

principle. What you just heard is a classic memorized pattern as I
defined it back in 1993. We liked to use contrast. I defined one kind
of attraction and contrasted it with another kind.
4
September 2011
The first piece of this is the introduction. You say, “Debbie, have
you ever thought about attraction? I was thinking about attraction
the other day.” The first piece is to introduce it. Do you want me to
go through the language to introduce it?
Participant: Yes.
Ross: “Debbie, the other day I was thinking about attraction.” We want to
bring it up in conversation.
<end video>
Ross: I would not make this the first thing you talk about. It‟s a heavy
topic. You want to try some other formats of patterns, quizzes,
games and that kind of stuff, before you go into something like this.
<begin video>
Ross: I‟m the greatest of all time. No one can judge me. I‟m the best. I‟m
the greatest. My face is so pretty.
<end video>
Ross: I hope you pardon my Muhammad Ali imitations. He was one of my

heroes.
<begin video>
Ross: By the way, you can get the footage when you upgrade. I was
saying, “The other day I was thinking about attraction. I think there‟s
one kind of attraction.” Then I‟m going to describe what that first
kind of attraction is.
<end video>
5
September 2011
Ross: In that process of describing something is where we embed the
commands.
<begin video>
Ross: “I think there‟s one kind of attraction where it‟s not about you feel
strong feelings in your body.”
<end video>
Ross: There‟s the command. “Feel strong feelings in your body.” I‟m
leaning on it here so you can catch it.
<begin video>
Ross: Underline the words “feel strong feelings in your body.” That‟s a
command.
Participant: Why doesn‟t their subconscious mind pick up the negation?
Ross: Fuck that. What you heard about negation and unconscious not
processing is bullshit.
Participant: I‟ve never heard anything about it.
Ross: “It‟s not about you feel strong feelings in your body.” Then I‟m going
to describe what it is about. I‟m going to say, “It‟s more about you
feel a magnetic pull toward this person. You feel drawn in. You feel
a tug.”
<end video>
Ross: Here I‟m also introducing some metaphors. Women will often use
this kind of language. You‟ll learn a lot about what women actually
6
September 2011
respond by listening not to what they say they want but their
metaphors.
When they say, “I just felt pulled or magnetized toward him,” or “I

just felt a tug,” this is not literal. It‟s a metaphorical description of
what‟s going on. This is where you get real leverage into people‟s
worlds when you listen for this personal metaphor.
In this first description, what I‟m doing is describing a kind of

attraction women feel that doesn‟t include strong localized sexual
feelings. It does not include pulsing in the vagina, rushes of heat
through their breasts and their nipples stiffening. It‟s not strong
sexual arousal, yet it is a form of attraction.
It‟s very important that we understand attraction not as a label but

as a set of experiences that have their own unique flows of energy
and local intensities or global spread. It enables us to see and
recognize things that to other people remain hidden. This is really
crucial.
By using women‟s own metaphors, it has a powerful sense of

connection to them. It‟s as if we‟re describing their own feelings and
thinking. It not only is powerful for evoking those states, but it
creates a sense that they‟re feeling deeply understood.
<begin video>
Ross: “You want more. You feel a tug. You feel pulled toward this
person.”
<end video>
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September 2011
Ross: Notice my gestures. My gestures are congruent with what I‟m
describing. I‟m not saying “you feel a tug” and then making a
gesture of pushing my hands away.
<begin video>
Ross: “Because you know there‟s something bigger to touch.”
<end video>
Ross: There‟s a little sexual metaphor. “Something bigger to touch.” Of

course, I‟m pointing toward my genitals. I‟m doing it a lot less subtly
here than I would do in the real world.
These files are going to get huge to render. Let‟s break this up into
another part.
8
September 2011

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Participant: Is this a separate theme?

Let‟s say you‟re at a party or some other social setting. Another

I want to suppress it so her unconscious is fighting with her

I forgot something in that pattern. I talk about, “There‟s the kind of

“I think what‟s really interesting is that first kind of attraction is just

When I used to teach classic patterns, I taught the contrast

Ross: I hope you pardon my Muhammad Ali imitations. He was one of my

Participant: Why doesn‟t their subconscious mind pick up the negation?

Participant: I‟ve never heard anything about it.

When they say, “I just felt pulled or magnetized toward him,” or “I

In this first description, what I‟m doing is describing a kind of

It‟s very important that we understand attraction not as a label but

By using women‟s own metaphors, it has a powerful sense of

Ross: “Because you know there‟s something bigger to touch.”

Ross: There‟s a little sexual metaphor. “Something bigger to touch.” Of

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