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Lord of the Flies - poems
Course: 5A-5B(1,3,5) - English III - Vanderberg • Instructor: Peter Vanderberg • Questions: 50

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Copy of Follower 2
1 Read the following poem and answer the questions below. Follower - Seamus Heaney My father worked with 1/1
a horse-plough, His shoulders globed like a full sail strung Between the shafts and the furrow. The horse strained
at his clicking tongue. An expert. He would set the wing And fit the bright steel-pointed sock. The sod rolled over
without breaking. At the headrig, with a single pluck Of reins, the sweating team turned round And back into the
land. His eye Narrowed and angled at the ground, Mapping the furrow exactly. I stumbled in his hob-nailed wake,
Fell sometimes on the polished sod; Sometimes he rode me on his back Dipping and rising to his plod. I wanted
to grow up and plough, To close one eye, stiffen my arm. All I ever did was follow In his broad shadow round the
farm. I was a nuisance, tripping, falling, Yapping always. But today It is my father who keeps stumbling Behind
me, and will not go away. ________________________________________ One idea that this poem expresses is
that _______________________.
Original Order: 1
> A: the relationship between fathers and sons is complicated
X B: fathers have little influence over their children
X C: farmers make good soldiers
X D: farmers make terrible fathers
Follower 2
2 Read the following poem and answer the questions below. Follower - Seamus Heaney My father worked with 1/1
a horse-plough, His shoulders globed like a full sail strung Between the shafts and the furrow. The horse strained
at his clicking tongue. An expert. He would set the wing And fit the bright steel-pointed sock. The sod rolled over
without breaking. At the headrig, with a single pluck Of reins, the sweating team turned round And back into the
land. His eye Narrowed and angled at the ground, Mapping the furrow exactly. I stumbled in his hob-nailed wake,
Fell sometimes on the polished sod; Sometimes he rode me on his back Dipping and rising to his plod. I wanted
to grow up and plough, To close one eye, stiffen my arm. All I ever did was follow In his broad shadow round the
farm. I was a nuisance, tripping, falling, Yapping always. But today It is my father who keeps stumbling Behind
me, and will not go away. ________________________________________ In the poem, the words "sock," and
"headrig," all refer to __________.
Original Order: 2
> A: a plow
X B: a ship
X C: a car
X D: an airplane
Follower 1
3 Read the following poem and answer the questions below. Follower - Seamus Heaney My father worked with 1/1
a horse-plough, His shoulders globed like a full sail strung Between the shafts and the furrow. The horse strained
at his clicking tongue. An expert. He would set the wing And fit the bright steel-pointed sock. The sod rolled over
without breaking. At the headrig, with a single pluck Of reins, the sweating team turned round And back into the
land. His eye Narrowed and angled at the ground, Mapping the furrow exactly. I stumbled in his hob-nailed wake,
Fell sometimes on the polished sod; Sometimes he rode me on his back Dipping and rising to his plod. I wanted
to grow up and plough, To close one eye, stiffen my arm. All I ever did was follow In his broad shadow round the
farm. I was a nuisance, tripping, falling, Yapping always. But today It is my father who keeps stumbling Behind
me, and will not go away. ________________________________________ This poem draws on Heaney's
upbrining in ________________ as inspiration.
Original Order: 3
> A: rural Ireland
X B: central London
X C: the midwest United States
X D: China
 Do Not Go Gentle 3
4 Read the following poem and answer the questions below. Do Not Go Gentle Into That Good Night - Dylan 1/1
Thomas Do not go gentle into that good night, Old age should burn and rave at close of day; Rage, rage against
the dying of the light. Though wise men at their end know dark is right, Because their words had forked no
lightning they Do not go gentle into that good night. Good men, the last wave by, crying how bright Their frail
deeds might have danced in a green bay, Rage, rage against the dying of the light. Wild men who caught and
sang the sun in flight, And learn, too late, they grieve it on its way, Do not go gentle into that good night. Grave
men, near death, who see with blinding sight Blind eyes could blaze like meteors and be gay, Rage, rage against
the dying of the light. And you, my father, there on the sad height, Curse, bless, me now with your fierce tears, I
pray. Do not go gentle into that good night. Rage, rage against the dying of the light.
________________________________________ This poem makes use of _________ to build emotional power.
Original Order: 4
> A: repetition
X B: allusion
X C: personification
X D: apostrophe
Do Not Go Gentle 2
5 Read the following poem and answer the questions below. Do Not Go Gentle Into That Good Night - Dylan 1/1
Thomas Do not go gentle into that good night, Old age should burn and rave at close of day; Rage, rage against
the dying of the light. Though wise men at their end know dark is right, Because their words had forked no
lightning they Do not go gentle into that good night. Good men, the last wave by, crying how bright Their frail
deeds might have danced in a green bay, Rage, rage against the dying of the light. Wild men who caught and
sang the sun in flight, And learn, too late, they grieve it on its way, Do not go gentle into that good night. Grave
men, near death, who see with blinding sight Blind eyes could blaze like meteors and be gay, Rage, rage against
the dying of the light. And you, my father, there on the sad height, Curse, bless, me now with your fierce tears, I
pray. Do not go gentle into that good night. Rage, rage against the dying of the light.
________________________________________ The speaker of this poem is most likely addressing
_________________.
Original Order: 5
> A: his father
X B: God
X C: the sun
X D: his son
Do Not Go Gentle 1
6 Read the following poem and answer the questions below. Do Not Go Gentle Into That Good Night - Dylan 1/1
Thomas Do not go gentle into that good night, Old age should burn and rave at close of day; Rage, rage against
the dying of the light. Though wise men at their end know dark is right, Because their words had forked no
lightning they Do not go gentle into that good night. Good men, the last wave by, crying how bright Their frail
deeds might have danced in a green bay, Rage, rage against the dying of the light. Wild men who caught and
sang the sun in flight, And learn, too late, they grieve it on its way, Do not go gentle into that good night. Grave
men, near death, who see with blinding sight Blind eyes could blaze like meteors and be gay, Rage, rage against
the dying of the light. And you, my father, there on the sad height, Curse, bless, me now with your fierce tears, I
pray. Do not go gentle into that good night. Rage, rage against the dying of the light.
________________________________________ The form of this poem is _________________.
Original Order: 6
> A: villanelle
X B: sonnet
X C: pantoum
X D: ode
 Preludes 4
7 Read the following poem and answer the questions below. Preludes BY T. S. ELIOT I The winter evening settles 1/1
down With smell of steaks in passageways. Six o’clock. The burnt-out ends of smoky days. And now a gusty
shower wraps The grimy scraps Of withered leaves about your feet And newspapers from vacant lots; The
showers beat On broken blinds and chimney-pots, And at the corner of the street A lonely cab-horse steams and
stamps. And then the lighting of the lamps. II The morning comes to consciousness Of faint stale smells of
beer From the sawdust-trampled street With all its muddy feet that press To early coffee-stands. With the other
masquerades That time resumes, One thinks of all the hands That are raising dingy shades In a thousand
furnished rooms. III You tossed a blanket from the bed, You lay upon your back, and waited; You dozed, and
watched the night revealing The thousand sordid images Of which your soul was constituted; They flickered
against the ceiling. And when all the world came back And the light crept up between the shutters And you heard
the sparrows in the gutters, You had such a vision of the street As the street hardly understands; Sitting along
the bed’s edge, where You curled the papers from your hair, Or clasped the yellow soles of feet In the palms of
both soiled hands. IV His soul stretched tight across the skies That fade behind a city block, Or trampled by
insistent feet At four and five and six o’clock; And short square fingers stuffing pipes, And evening newspapers,
and eyes Assured of certain certainties, The conscience of a blackened street Impatient to assume the world. I
am moved by fancies that are curled Around these images, and cling: The notion of some infinitely gentle
Infinitely suffering thing. Wipe your hand across your mouth, and laugh; The worlds revolve like ancient women
Gathering fuel in vacant lots. ________________________________________ The mood of this poem can best be
described as _________________.
Original Order: 7
> A: dreary
X B: joyous
X C: patriotic
X D: frightening
Preludes 3
8 Read the following poem and answer the questions below. Preludes BY T. S. ELIOT I The winter evening settles 1/1
down With smell of steaks in passageways. Six o’clock. The burnt-out ends of smoky days. And now a gusty
shower wraps The grimy scraps Of withered leaves about your feet And newspapers from vacant lots; The
showers beat On broken blinds and chimney-pots, And at the corner of the street A lonely cab-horse steams and
stamps. And then the lighting of the lamps. II The morning comes to consciousness Of faint stale smells of
beer From the sawdust-trampled street With all its muddy feet that press To early coffee-stands. With the other
masquerades That time resumes, One thinks of all the hands That are raising dingy shades In a thousand
furnished rooms. III You tossed a blanket from the bed, You lay upon your back, and waited; You dozed, and
watched the night revealing The thousand sordid images Of which your soul was constituted; They flickered
against the ceiling. And when all the world came back And the light crept up between the shutters And you heard
the sparrows in the gutters, You had such a vision of the street As the street hardly understands; Sitting along
the bed’s edge, where You curled the papers from your hair, Or clasped the yellow soles of feet In the palms of
both soiled hands. IV His soul stretched tight across the skies That fade behind a city block, Or trampled by
insistent feet At four and five and six o’clock; And short square fingers stuffing pipes, And evening newspapers,
and eyes Assured of certain certainties, The conscience of a blackened street Impatient to assume the world. I
am moved by fancies that are curled Around these images, and cling: The notion of some infinitely gentle
Infinitely suffering thing. Wipe your hand across your mouth, and laugh; The worlds revolve like ancient women
Gathering fuel in vacant lots. ________________________________________ The title of this poem refers to
_________________.
Original Order: 8
> A: short pieces of music that introduce longer, more complex compositions
X B: a friend that Eliot lost in World War II
X C: the Queen of England
X D: Eliot's home in the United States
 Preludes 2
9 Read the following poem and answer the questions below. Preludes BY T. S. ELIOT I The winter evening settles 1/1
down With smell of steaks in passageways. Six o’clock. The burnt-out ends of smoky days. And now a gusty
shower wraps The grimy scraps Of withered leaves about your feet And newspapers from vacant lots; The
showers beat On broken blinds and chimney-pots, And at the corner of the street A lonely cab-horse steams and
stamps. And then the lighting of the lamps. II The morning comes to consciousness Of faint stale smells of
beer From the sawdust-trampled street With all its muddy feet that press To early coffee-stands. With the other
masquerades That time resumes, One thinks of all the hands That are raising dingy shades In a thousand
furnished rooms. III You tossed a blanket from the bed, You lay upon your back, and waited; You dozed, and
watched the night revealing The thousand sordid images Of which your soul was constituted; They flickered
against the ceiling. And when all the world came back And the light crept up between the shutters And you heard
the sparrows in the gutters, You had such a vision of the street As the street hardly understands; Sitting along
the bed’s edge, where You curled the papers from your hair, Or clasped the yellow soles of feet In the palms of
both soiled hands. IV His soul stretched tight across the skies That fade behind a city block, Or trampled by
insistent feet At four and five and six o’clock; And short square fingers stuffing pipes, And evening newspapers,
and eyes Assured of certain certainties, The conscience of a blackened street Impatient to assume the world. I
am moved by fancies that are curled Around these images, and cling: The notion of some infinitely gentle
Infinitely suffering thing. Wipe your hand across your mouth, and laugh; The worlds revolve like ancient women
Gathering fuel in vacant lots. ________________________________________ The setting of this poem is
_________________.
Original Order: 9
> A: a city street on a winter evening and the following morning
X B: the hills above Tintern Abbey during autumn
X C: a small rural town in the United States
X D: a deserted island in the South Pacific
Preludes 1
10 Read the following poem and answer the questions below. Preludes BY T. S. ELIOT I The winter evening settles 1/1
down With smell of steaks in passageways. Six o’clock. The burnt-out ends of smoky days. And now a gusty
shower wraps The grimy scraps Of withered leaves about your feet And newspapers from vacant lots; The
showers beat On broken blinds and chimney-pots, And at the corner of the street A lonely cab-horse steams and
stamps. And then the lighting of the lamps. II The morning comes to consciousness Of faint stale smells of
beer From the sawdust-trampled street With all its muddy feet that press To early coffee-stands. With the other
masquerades That time resumes, One thinks of all the hands That are raising dingy shades In a thousand
furnished rooms. III You tossed a blanket from the bed, You lay upon your back, and waited; You dozed, and
watched the night revealing The thousand sordid images Of which your soul was constituted; They flickered
against the ceiling. And when all the world came back And the light crept up between the shutters And you heard
the sparrows in the gutters, You had such a vision of the street As the street hardly understands; Sitting along
the bed’s edge, where You curled the papers from your hair, Or clasped the yellow soles of feet In the palms of
both soiled hands. IV His soul stretched tight across the skies That fade behind a city block, Or trampled by
insistent feet At four and five and six o’clock; And short square fingers stuffing pipes, And evening newspapers,
and eyes Assured of certain certainties, The conscience of a blackened street Impatient to assume the world. I
am moved by fancies that are curled Around these images, and cling: The notion of some infinitely gentle
Infinitely suffering thing. Wipe your hand across your mouth, and laugh; The worlds revolve like ancient women
Gathering fuel in vacant lots. ________________________________________ The influence of Eliot's
_______________ can be found in the last section (IV).
Original Order: 10
> A: deep spirituality
X B: anti-war beliefs
X C: interest in scientific advancements
X D: lack of education
conch
11 In Golding's Lord of the Flies, what do Jack and Piggy find in the lagoon? 1/1
Original Order: 50
> A: a conch shell
X B: a pig
X C: a knife
X D: a human skull
ralph
12 In Golding's Lord of the Flies, who is elected to be chief? 1/1
Original Order: 11
> A: Ralph
X B: Piggy
X C: Jack
X D: Simon
 explore
13 In Golding's Lord of the Flies, what is the first thing the boys decide to do? 1/1
Original Order: 12
X A: build a fire
X B: build shelters
X C: hunt for pigs
> D: explore the island
fire
14 In Golding's Lord of the Flies, what happens when they build a fire on the mountain in chapter one? 1/1
Original Order: 13
> A: they lose one of the litteluns
X B: they get the attention of a ship
X C: they burn several pigs alive
X D: they find gold among the ashes
hair
15 In Golding's Lord of the Flies, one clue that time has passed between chapters two and three is that: 1/1
Original Order: 14
> A: the boys' hair had grown significantly
X B: some of the boys had grown beards
X C: many of the boys had starved to death
X D: all of the pigs had been hunted and killed
huts on the beach
16 Which boy helps Ralph build the huts on the beach? 1/1
Original Order: 15
> A: Simon
X B: Jack
X C: Piggy
X D: Roger
Beast from Water
17 What possibility makes the Beast seem more real to all of the boys? 1/1
Original Order: 16
> A: that it might come from the water
X B: that it might come from the sky
X C: that it might be a giant spider
X D: that it might be in the conch
Simon
18 In Golding's Lord of the Flies, one thing that Simon likes to do is: 1/1
Original Order: 17
> A: go off into the woods and be by himself
X B: beat up littleuns
X C: make little crowns from woven flowers
X D: catch butterflies and eat them
hunt
19 When Ralph participates in the hunt with the hunters, he behaves as if _______________. 1/1
Original Order: 18
> A: it is a game
X B: it is matter of life and death
X C: it is boring
X D: it is cruel to the animals
painted faces
20 In Golding's Lord of the Flies, one way that Jack makes himself feel more powerful is by: 1/1
Original Order: 19
> A: painting his face
X B: doing good deeds for the littluns
X C: helping Piggy clean his glasses
X D: climbing the mountain and singing his old choir songs
 sand castles
21 In Golding's Lord of the Flies, Roger comes back from tending the fire and sees several littluns making sand 1/1
castles. What does he do?
Original Order: 20
> A: kicks the castles down
X B: throws a littlun into the ocean
X C: makes an even bigger snad castle of his own
X D: sits down and cries because it reminds him of home
fire out
22 In Golding's Lord of the Flies, while Jack and the hunters are off to kill their first pig, what does Ralph notice? 1/1
Original Order: 21
> A: a ship on the horizon
X B: the littlun with the mulberry birth mark walking along the beach
X C: Piggy has left his glasses on a rock
X D: Roger has dirty finger nails
dead pilot
23 In Golding's Lord of the Flies, what is the "Beast from Air"? 1/1
Original Order: 22
> A: a dead pilot
X B: a dragon
X C: a falling tree
X D: thunder
samneric
24 In Golding's Lord of the Flies, who is the first to actually see the "beast"? 1/1
Original Order: 23
> A: Samneric
X B: Jack
X C: Ralph
X D: Simon
plane crash
25 In Golding's Lord of the Flies, how did the boys first arrive on the island? 1/1
Original Order: 24
> A: they were on a plane that crashed there
X B: they were on a ship that sank near by
X C: they were born there
X D: they went there on a class trip
glasses
26 In Golding's Lord of the Flies, what does Piggy's glasses most likely represent? 1/1
Original Order: 25
> A: science and reason
X B: war and death
X C: God and religion
X D: strength and instinct
Piggy
27 In Golding's Lord of the Flies, which of the following characters never loses his reason and civility? 1/1
Original Order: 26
> A: Piggy
X B: Ralph
X C: Jack
X D: Roger
specs
28 In Golding's Lord of the Flies, when Jack and his hunters raid Ralph's camp, what do they steal? 1/1
Original Order: 27
> A: Piggy's glasses
X B: the conch
X C: Ralph's spear
X D: Roger's shoes
 dance
29 When Ralph confronts Jack and his hunters he asks them what they will do when it rains again because they 1/1
have no shelters. The boys begin to get worried, so Jack orders them to ____________.
Original Order: 28
> A: do their dance
X B: build huts
X C: kill Ralph
X D: dig trenches
Roger
30 In Golding's Lord of the Flies, who is responsible for Piggy's death? 1/1
Original Order: 29
> A: Roger
X B: Simon
X C: Ralph
X D: Samneric
LOTF 10-12 39
31 After Piggy's death, who is forced to join the tribe? 1/1
Original Order: 30
X A: Simon
X B: Ralph
X C: Wilfred
> D: Samneric
Littlun
32 In Golding's Lord of the Flies, who does not end up being taken by the sea? 1/1
Original Order: 31
> A: the littlun with the mulberry birthmark
X B: Simon
X C: Piggy
X D: the dead pilot
piggy
33 In Golding's Lord of the Flies, who says, "Life...is scientific, that's what it is. In a year or two when the war's over 1/1
they'll be traveling to Mars and back. I know there isn't no beast--not with claws and all that..."
Original Order: 32
X A: Jack
X B: Simon
> C: Piggy
X D: the Lord of the Flies
X E: Ralph
X F: the Naval Officer
X G: Roger
Ralph
34 In Golding's Lord of the Flies, who says, "Things are breaking up. I don't understand why. We began well; we 1/1
were happy. And then--...Then people started getting frightened."
Original Order: 33
X A: Jack
X B: Simon
X C: Piggy
X D: the Lord of the Flies
> E: Ralph
X F: the Naval Officer
X G: Roger
Jack
35 In Golding's Lord of the Flies, who says, "We don't need the conch anymore. We know who ought to say 1/1
things...It's time some people knew they've got to keep quiet and leave deciding things to the rest of us."
Original Order: 34
> A: Jack
X B: Simon
X C: Piggy
X D: the Lord of the Flies
X E: Ralph
X F: the Naval Officer
X G: Roger
 Simon
36 In Golding's Lord of the Flies, who says, "I think we ought to climb the mountain...What else is there to do?" 1/1
Original Order: 35
X A: Jack
> B: Simon
X C: Piggy
X D: the Lord of the Flies
X E: Ralph
X F: the Naval Officer
X G: Roger
Lord of the Flies
37 In Golding's Lord of the Flies, who says, "You knew, didn't you? I'm part of you? Close, close, close! I'm the 1/1
reason why it's no go?"
Original Order: 36
X A: Jack
X B: Simon
X C: Piggy
> D: the Lord of the Flies
X E: Ralph
X F: the Naval Officer
X G: Roger
naval officer
38 In Golding's Lord of the Flies, who says, "We saw your smoke. What have you been doing? Having a war or 1/1
something?"
Original Order: 37
X A: Jack
X B: Simon
X C: Piggy
X D: the Lord of the Flies
X E: Ralph
> F: the Naval Officer
X G: Roger
Copy of Simon
39 In Golding's Lord of the Flies, which character most embraces savage cruelty and seems to enjoy causing others 1/1
pain?
Original Order: 38
X A: Jack
X B: Simon
X C: Piggy
X D: the Lord of the Flies
X E: Ralph
X F: the Naval Officer
> G: Roger
Jack's fire
40 In Golding's Lord of the Flies, what is ironic about how the boys are rescued? 1/1
Original Order: 39
> A: It is Jack's fire, and not Ralph's, that get's the ship's attention
X B: they are taken off the island by a plane
X C: the boys finally learn to work together and make a boat
X D: it turns out the first lost littlun never really died, but went to get help
language
41 In Golding's Lord of the Flies, what is one symbolic way that Golding shows the boys are becoming less and less 1/1
civilized?
Original Order: 40
> A: By the end of the book the savage boys use yells and cries instead of words
X B: the boys begin to make cave paintings
X C: the boys lose their taste for pig and begin to eat the littluns
X D: the boys begin to crawl instead of walk
 World War III
42 Golding's Lord of the Flies, most likely takes place when? 1/1
Original Order: 41
> A: after World War II
X B: in the Anglo Saxon Period
X C: during the Renaissance
X D: during World War I
stands on his head
43 In Golding's Lord of the Flies, when Ralph realizes that there are no adults on the island he does what? 1/1
Original Order: 42
> A: stands on his head
X B: cries like a baby
X C: makes several spears
X D: slaps Piggy across the face
Ralph
44 At the end of Golding's Lord of the Flies, the naval officer asks, "Who's boss here?". Who answers, "I am"? 1/1
Original Order: 43
> A: Ralph
X B: Piggy
X C: Jack
X D: Roger
cries
45 At the end of Golding's Lord of the Flies, when the boys realize they are rescued, how do they react? 1/1
Original Order: 44
> A: they begin to sob
X B: they attack the naval officer
X C: they laugh and embrace each other
X D: they make a little shrine to remember Piggy
law and order
46 One main message of Golding's Lord of the Flies, is that without _________ civilization has no hope. 1/1
Original Order: 45
> A: law and order
X B: powerful warriors
X C: wealth and business
X D: a belief in magic
pig head
47 In Golding's Lord of the Flies, what gift does Jack leave for the beast? 1/1
Original Order: 46
> A: a pig's head on a spear
X B: Piggy's specs
X C: the broken conch
X D: an elaborate sand castle
Simon
48 In Golding's Lord of the Flies, which of the following characters actually discovers what the beast on the 1/1
mountain really is?
Original Order: 47
X A: Piggy
X B: Ralph
X C: Jack
> D: Simon
stick
49 When Samneric tell Ralph that Jack has a stick sharpened at both ends, this means that Jack intends to 1/1
_______________.
Original Order: 48
> A: cut off Ralph's head
X B: make peace with Ralph
X C: force Ralph to leave the island
X D: challenge Ralph to a duel
 Beelzebub
50 "The Lord of the Flies" is another name for _______________. 1/1
Original Order: 49
> A: Beelzebub
X B: God
X C: the island
X D: Great Britain

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