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Tribhuvanamaheśvara-Great Lord of The Threefold World: DR Uday Dokras PHD Stockholm
Tribhuvanamaheśvara-Great Lord of The Threefold World: DR Uday Dokras PHD Stockholm
Tribhuvanamaheśvara-Great Lord of The Threefold World: DR Uday Dokras PHD Stockholm
Shiva on top of the Head of Kala the mythical Devata sitting over Kala in yogic posture, Banteay Srei
Temple, Cambodia
.Built in the 10th century, the Tribhuvanmaheshwar Shiva temple in Cambodia has a magnificent
carving in which the deity is shown sitting in a yogic posture on top of Kaal. The name is an
appellation of the Mahadev Shiva. The greatest of Gods.
“The famous Khmer temple, Banteay Srei, was built by Yajñavarāha, a Brāhmaṇa priest, who
served during the reigns of Khmer kings Rajendravarman and Jayavarman V. According to stele
inscription of Banteay Srei, work on its construction began in 967 CE and Yajñavarāha's brother,
Viṣṇukumāra, is also mentioned as a co-patron. Banteay Srei was the only major temple at
Angkor not built for the king. This temple lies near the hill of Phnom Dei located twenty-five km
to the northeast of the main group of temples, where Yaśodharapura, the Khmer capital of that
time, was located. It consists of three shrines, laid out in a row from north to south: the north
shrine (dedicated to Viṣṇu), and the central and south shrines (both dedicated to Śiva).
The original name of this temple was Śrī Tribhuvanamaheśvara (Great Lord of the Threefold
World), an appellation of Lord Śiva. The temple's modern name, Banteay Srei‒ citadel of women
or citadel of beauty‒ is most probably related to the intricate the bas-relief carvings that can be
found on the walls as well as the tiny dimensions of the structures themselves.” 1
There is another explanation – it has many devatās (female deities of fertility) carved into the
walls of the structures. A typical devatā, embellishing each of the corners of the various shrines,
is shown as standing with a lamp hung over her head and swans adorning the base. These
devatās, with naked torsos and playing with flowers, are known for being the most voluptuous of
the Angkor devatās.” Yajñavarāha's temple was primarily dedicated to the Hindu god Śiva. Its
original name Tribhuvanamaheśvara—great lord of the threefold world is in reference to
the Shaivite linga that served as its central religious image.Tribhuvana- three fold…
Maheshvara…Biggest God
Compound tribhuvanamaheśvara-Adverb -tribhuvanamaheśvaram –tribhuvanamaheśvarāt
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1.At the Conference: International Seminar on Civilizational Dialogue between India and ASEAN, organized by the
Ministry of External Affairs and Indian Council of Cultural Relations in association with Nālandā University and
Government of Bihar, Patna, 20-22 July 2012. AUTHOR Karam Tej Sarao on the topic Banteay Srei, the
Cambodian Citadel of Women: A Look at the Scenes from the Ancient Indian Epics and the Purāṇas used the
above words to introduce his work
The entrance to the temple is from the East through the cruciform gopura, passing
through which are on the Avenue of processions with a series of low bars and pillars on
either side. Approximately in the middle of the road on the right and left remnants of
two exits, leading to dilapidated buildings (buildings), leaving only the entrance
doorways and part of the walls: to the North one to the South three. In front of the
gopuras of the first (external) investments the ruins of two buildings. After passing
through the gopura, offers stunning views of ponds, filled with water, and the temple. On
all extent of the reservoirs were stairs, what look like overgrown piles of stones.
Gopuram of the second attachments are very well preserved. Next find yourself on a
narrow platform, which the perimeter is six buildings, North and South, one from the
East and West – two. On all preserved pediments of the buildings reproduced image of
a religious nature, scenes from the Ramayana and Mahabharata, various decorative
ornaments.
As for the third (inner) attachment, all the buildings and towers were restored, and thus
demonstrates once again the sophistication and beauty of the decor. There are three
towers of the temple, the tops of which resemble vessels for water, with a corridor to
them. Entrance translate figures of the APE warriors (unary). Here are two buildings
libraries. Inside some of the buildings you can see the pedestals under the Linga.
Banteay SREI Images
Bhagavan (भगवान्) the most frequently used name for God in Hinduism. The
equivalent term used for female deities is Bhagavati (भगवती).
Brahman (ब्रह्मन्) is a theological concept espoused in Vedanta philosophy of
Hinduism, which is of neuter gender. The word Paramatman (परमात्मन्) popularly
pronounced as Paramatma (परमात्मा) is also used synonymously with it. The word is
used to denote the Supreme Divinity/Supreme Soul.
Isvara (ईश्वर) shortened as Isha (ईश) means 'lord' in religious and secular context
(for example in the Gita, Arjuna is referred to as Manujeshvara which is a compound
of the two words manuja, 'human' and Ishvara, thus the word means 'lord of humans',
i.e. 'king'). The term Parameshvara ('Supreme Lord') is used to refer to
one's Ishta (chosen deity for personal veneration) in general terms. The feminine
equivalents are Isvari (ईश्वरी) and Parameshvari (परमेश्वरी) used in case of female deities.
Deva/Devata (देव/देवता) is the most commonly used suffix used for male deities in
Hinduism. The feminine equivalent is Devi (देवी).
Additionally, most Hindu deities have a collection of 8/12/16/32/100/108/1000/1008
names exclusively dedicated to them known as Namavali.
Arya Samaj Maharishi Dayanand in his book Vaghasiya Ayush has listed 100 names of
God each representing some property or attribute thereof mentioning "Om" or "Aum" as
As per the Shiva Purana, once Brahma (the Hindu God of creation) and Vishnu (the Hindu God
of preservation) had an argument in terms of supremacy of creation. To test them, Shiva pierced
the three worlds as a huge endless pillar of light, the jyotirlinga. Vishnu and Brahma split their
ways to downwards and upwards respectively to find the end of the light in either direction.
Brahma lied that he found out the end, while Vishnu conceded his defeat. Shiva appeared as the
second pillar of light and cursed Brahma that he would have no place in ceremonies while
Vishnu would be worshipped till the end of eternity. The jyotirlinga is the supreme partless
reality, out of which Shiva partly appears. The Jyotirlinga shrines, thus are places where Shiva
appeared as a fiery column of light. Originally there were believed to be 64 jyotirlingas while 12
of them are considered to be very auspicious and holy. [2] Each of the twelve jyotirlinga sites take
the name of the presiding deity - each considered different manifestation of Shiv. [ At all these
sites, the primary image is lingam representing the beginningless and endless Stambha pillar,
symbolizing the infinite nature of Shiv. The
twelve jyothirlinga are Somnath in Gujarat, Mallikarjuna at Srisailam in Andhra
Pradesh, Mahakaleswar at Ujjain in Madhya Pradesh, Omkareshwar in Madhya
Pradesh, Kedarnath in Himalayas, Bhimashankar in Maharashtra, Viswanath at Varanasi in Uttar
Pradesh, Trimbakeshwar in Maharashtra, Vaidyanath at Deoghar in Jharkhand, Nageshwar
Temple at Dwaraka in Gujarat, Rameshwar at Rameswaram in Tamil
Nadu and Grishneshwar at Aurangabad in Maharashtra.
Lord Shiva showed himself as a Jyotirlinga on the night of the Aridra Nakshatra. It is believed
that a person can see the Jyotirlingas as columns of fire piercing through the earth as he reaches a
higher level of spiritual attainment. Each Jyotirlinga site takes the name of the presiding deity.
Basically, the Jyotirlinga signifies the infinite nature of Lord Shiv. At the highest level, Shiva is
regarded as formless, limitless, transcendent and unchanging absolute Brahman and the primal
Atman (soul, self) of the universe.
Genealogy registers
Hindu genealogy registers at Trimbakeshwar are the genealogy registers of pilgrims
maintained here by pandas.
Tribhuvana Mahadevi
Female equivalent is given by the name of the Queen of Odisha, India Paramavaishnavi
Goswamini Devi or Tribhuvana Mahadevi I (Odia: ପ୍ରଥମ ତ୍ରିଭୁବନ ମହାଦେବୀ) was the first female
ruler of the Bhaumakara Dynasty in ancient Odisha and the widow of king Santikara I who
ascended the throne of Toshali or Utkala between the years 843 A.D to 845 A.D and ruled until
850 A.D after the premature death of her ruling son Subhakara III