The Nutcracker Suite: Peter Ilyich Tchaikovsky

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The Nutcracker Suite

Fo r L a t e E l e m e n t a r y t o E a r l y I n t e r m e d i a t e P i a n i s t s

Peter Ilyich Tchaikovsky


Arranged by Gayle Kowalchyk and E.L.Lancaster
Foreword
Peter Ilyich Tchaikovsky (1840–1893), a room. The mice, led by the Mouse King, chal-
Russian composer, finished the Nutcracker ballet lenge a company of toy soldiers, led by the
in 1892. It was based on Alexandre Dumas’s Nutcracker, to battle. Just as the soldiers are
adaptation of E.T.A. Hoffman’s story The about to lose the battle, Clara throws her shoe
Nutcracker and the Mouse King. The first and hits the Mouse King. The mice flee and the
performance of the ballet was at the Maryinsky Nutcracker is transformed into a handsome
Theatre in St. Petersburg on December 18, 1892. prince, who invites Clara to visit his kingdom. On
Tchaikovsky arranged selections from the ballet as the way, they are met by the King and Queen of
an orchestral suite as well as for solo piano. The Snow and then go to the Kingdom of Sweets.
orchestral version is widely considered to be a The Sugarplum Fairy greets them and leads them
masterpiece of orchestration. After Tchaikovsky into the palace where a number of dances
first used the celesta in this work, it became a (Russian Dance, Arabian Dance, Chinese Dance
standard instrument in many orchestral scores. and Dance of the Reed Flutes) are presented for
them. The entire company joins in the final waltz
The story of the Nutcracker begins at a
and Clara dreams of living happily with the prince
Christmas party given by Clara and Fritz’s par-
in the enchanted kingdom for the rest of her life.
ents. Herr Drosselmeyer brings gifts for both
young children, Clara and Fritz. Clara’s gift is a Since its first performance in the United
Nutcracker which, unfortunately, is broken during States in 1940, the Nutcracker continues to cap-
the party. After the party is over and everyone is tivate audiences each Christmas season. These
asleep, Clara sneaks back into the room to find arrangements will delight late elementary to early
the injured Nutcracker. Suddenly, the Christmas intermediate pianists as they recreate scenes
tree magically expands to an enormous size and from the ballet at the piano.
an army of mice appear from the corners of the

Contents
Miniature Overture ...........................................................2
March..............................................................................4
Dance of the Sugarplum Fairy ...........................................6
Russian Dance (Trépak) ....................................................8
Arabian Dance ...............................................................10
Chinese Dance...............................................................12
Dance of the Reed Flutes ...............................................14
Waltz of the Flowers .......................................................17

Copyright © MCMXCVI by Alfred Publishing Co., Inc.


All rights reserved. Printed in USA.
Cover art and illustrations: Christine Finn Cover design: Candace Smith
Music engraving: Greg Plumblee
6

Dance of the Sugarplum Fairy


Peter Ilyich Tchaikovsky
Arr. by Kowalchyk/Lancaster
Andante non troppo (A moderately slow tempo, but not too slow)
#4 4 4

& 4 Œ œ Œ Œ œ Œ Œ œ Œ œ Œ œ Œ
1 3 2 1 3 2

 œ  # œ    # œ
π leggero

œ
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œ
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œ
 
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œ
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œ
œ n n œ
œ

œ œ œ œ œ œ œ
5 1 1 1 1 1 1 1 1
3 2 2 2 3 2 2 2

8va

# Œ œ œ œ œ # œ œ n œ œ œ # œ œ œ œ œ œ œ œ Œ
5 4

n œ œ œ
3 2 3 1 3 2 1

&
F       F

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œ œœœ œœœ œœœ œ œ
? # œ œ œ œ œ œ œ
1 1 1 1 1 1 1 1 3
5 3 2 2 2 2 2 3 2
5 5
14

Dance of the Reed Flutes


Peter Ilyich Tchaikovsky
Arr. by Kowalchyk/Lancaster
˙˙
5

œ œ ˙
Moderato assai (Very moderate tempo) 3

œ œ œ œ œ œ
1

&C ∑ ∑
2

p  œ F œ
?C œ œ œ 
œ 
œ œ œ
 œ œ œ œ œ œ œ
3 1
5

䡺 8va

œ œ œ œ œ œ
5

2 4
5 1 2 2 2

&   œ œ b˙ ˙˙ œ œ œ œ œ œ œ œ œ œ œ œ
   
S F p cresc.
? œ œ œ œ œ œ œ Œ œ Œ
 œ œ œ Œ œ Œ
2 1 5


œ œ ˙˙
䡺 
œ œ œ œ œ œ œ œ œ œ œ œ
9 5
5 3

œ œ œ œ œ œ
2 1

&   œ œ

F S p   œ F œ

? œ Œ #œ Œ  œ Œ œ œ
Œ œ œ
1 2
œ 1 3 1
œ œ
5

䡺 8va

œ œ œ œ œ œ
13

2 4
5 1 2 2 2

&   œ œ b˙ ˙˙ œ œ œ œ œ œ œ œ œ œ œ œ
   
S F p cresc.
? œ œ œ œ œ œ œ Œ œ Œ
 œ œ œ Œ œ Œ
2 1 5

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