A young boy tries to sell flowers to passengers in traffic, tapping on the window of the narrator's car. When the narrator's father yells at the boy to go away, both the child and the narrator are left feeling empty. The narrator gives money to the boy and closes the window, but continues to think about the encounter as it starts to rain outside.
A young boy tries to sell flowers to passengers in traffic, tapping on the window of the narrator's car. When the narrator's father yells at the boy to go away, both the child and the narrator are left feeling empty. The narrator gives money to the boy and closes the window, but continues to think about the encounter as it starts to rain outside.
A young boy tries to sell flowers to passengers in traffic, tapping on the window of the narrator's car. When the narrator's father yells at the boy to go away, both the child and the narrator are left feeling empty. The narrator gives money to the boy and closes the window, but continues to think about the encounter as it starts to rain outside.
Like rain, and I awake to sight of sampaguitas. Little ghost of a boy stares at me. His eyes seem contain all the life in him, leaving his body weightless as air. I roll down the car window and rush-hour traffic noise drowns the hum of airconditioning. "Ten pesos lang po," he pleads, holding the sampaguitas close enough for me to smell. I search my wallet for change. My father yells at the boy to get his arm and his flowers out of the window. I watch the little ghost disappear through the rush of cars. We are both left empty-handed, the child and I. I slip the bill into my wallet and turn to my father, who checks his speed then looks ahead. He orders me to roll up The car window, and I blend Like a ghost with the silence as the scent of sampaguitas fades. I close my eyes and hear the first drop of rain tap the window like his fingers.