1.
Hip
hop
is
ubiquitous
throughout
the
world
(its
“global-‐ness”):
In
some
form,
or
another,
a
local
or
regional
hip-‐hop
culture
exists
in
almost
every
country.
2.
According
to
the
U.S.
Department
of
State,
hip-‐hop
is
"now
the
center
of
a
mega
music
and
fashion
industry
around
the
world,"
that
breaks
down
social
barriers
and
cuts
across
racial
lines.
3.
“For
most
music-‐addicted
earthlings,
hip
hop
culture
is
the
predominant
global
youth
subculture
of
today.”
4.
Hip
hop’s
globally
common
function
serves
as
the
voice
of
Society’s
disenfranchised,
oppressed,
marginalized,
or
repressed,
who
challenges
the
status
quo.
5.
“Irrespective
of
its
projected
values,
the
music
continues
to
provide
a
sense
of
identity
shared
among
its
artists
and
audiences
around
the
globe.”
6.
Its
American
roots
(and
African-‐American
primarily)
is
universally
recognized;
yet,
each
local
culture
has
adapted
it
in
ways
both
musically
and
thematically
to
make
it
their
own.
7.
“Perhaps
the
very
fact
that
its
musical
components
were
relatively
simple
to
replicate,
and
that
its
core
was
a
lyric-‐based
message
made
it
an
adaptable,
user-‐ friendly
structure
onto
which
far-‐flung
performers
could
graft
their
own
local
subjects,
narratives,
and
concerns."
8.
The
quote
in
question
#7
is
making
reference
to
hip
hop’s
accessibility
9.
“Once
a
form
of
social
protest
in
the
United
States,
rap
appears
to
be
anything
but
that
now.
In
contrast,
outside
of
the
US,
rap
music
articulates
and
addresses
local
political
and
social
concerns.”
10.Tapping
into
hip-‐hop’s
potential
as
a
force
for
social
change
should
be
easy
to
realize,
but
the
question
of
“realistically
expecting
solutions
to
complex
world
problems
from
teens
and
twenty-‐something”
is
one
that
has
been
raised.
This
attitude
though,
perhaps
demonstrates
a
lack
of
awareness
that
any
socio-‐political
problem
needs
to
be
firstly
identified
and
widely
publicized
before
it
will
be
acknowledged
by
the
power
structures
of
society.