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    Sobrevivi-Partitura e Partes

    Uploaded by

    Martin Euller
    The document appears to be sheet music for a trombone solo titled "Sobrevivi" by Sarah Farias. It contains musical notation across multiple lines with measures separated by vertical lines. Various techniques are indicated such as slides, vibrato, and dynamics. The sheet music is arranged for a solo trombone performance.

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    Sobrevivi-Partitura e Partes

    Uploaded by

    Martin Euller
    29 views5 pages
    The document appears to be sheet music for a trombone solo titled "Sobrevivi" by Sarah Farias. It contains musical notation across multiple lines with measures separated by vertical lines. Various techniques are indicated such as slides, vibrato, and dynamics. The sheet music is arranged for a solo trombone performance.

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    The document appears to be sheet music for a trombone solo titled "Sobrevivi" by Sarah Farias. It contains musical notation across multiple lines with measures separated by vertical lines. Various techniques are indicated such as slides, vibrato, and dynamics. The sheet music is arranged for a solo trombone performance.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    29 views5 pages

    Sobrevivi-Partitura e Partes

    Uploaded by

    Martin Euller
    The document appears to be sheet music for a trombone solo titled "Sobrevivi" by Sarah Farias. It contains musical notation across multiple lines with measures separated by vertical lines. Various techniques are indicated such as slides, vibrato, and dynamics. The sheet music is arranged for a solo trombone performance.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 5

    Sobrevivi

    - Sarah Farias

          
    COADERB 2018

      
    Arr.: M. Cunha

         



    A B

             
    Trombone

         



           
    Trombone

                 
    Trombone       

                          
             
     
    27

       
                                       
    Tbn.

    Tbn.           
                                       
    Tbn.
                  
                          
     
          
    32

              
                        
    Tbn.

       
    3

     

                                
    Tbn.

      
    3

      
         
    Tbn.

    
                        
    3

       
    41

             
         
    Tbn.

                  
     
     3


                 
                     
    Tbn.

    
    3

     

    Tbn.
    3

          
          
                

    C

     3
    49 1.

            
               
    Tbn.

       
          

    3
    1.

      
                      
    Tbn.

      
          
     3
    3
    1.

    Tbn.
    3
     3

       
                       
             
    2.
    79

      
           
    Tbn.

                    
         
    2.

       
    Tbn.

                             
     
        
    2.
    Tbn.

     
        
       
    87

       
    Tbn.

          

     
    Tbn.

            
    Tbn. 

    2
    Trombone 1 Sobrevivi - Sarah Farias

             


    COADERB 2018

      
    Arr.: M. Cunha

           



    A B

          

              
             
    28

                 

               
          

    33

    3

            
                     
           
    44
    C

    3
     3

                 
             
         

    1. 2.


    60

        
               

            
    83
    Trombone 2 Sobrevivi - Sarah Farias
    COADERB 2018

                      
    Arr.: M. Cunha

    
                   
    A B

       
                                                
              
    29

              


        
           
              
     
    38

              
        
                     
    48
    C 1.

    3 3
     3

             

        
                  
        
         
    2.
    78


     
    88
    Trombone 3 Sobrevivi - Sarah Farias
    COADERB 2018

          
                                 
    Arr.: M. Cunha

    
       
    A B

       


                                      
              
          
         
    29

             
                         
          
     
    38

            
         
                     
    48
    C 1.

    3 3
     3

     
         
                                
        

    2.

        
    78

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