Professional Documents
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Rorschach y Suicidio
Rorschach y Suicidio
Journal of Contemporary Psychotherapy [jcp] PH026-298429 February 13, 2001 19:21 Style file version Nov. 19th, 1999
This paper reviews the literature concerning the assessment of suicide using the
Rorschach and updates the important developments since Goldfried, Stricker, and
Weiner’s comprehensive review of the literature in 1971. Special attention is given
to those indicators which show the most support in the literature and are most
efficient to use. The presence or absence of any of these signs in a patient’s record
should not be taken to signify the presence or absence of suicidal ideation. However,
the presence of even one of these indicators does provide a warning to the clinician,
indicating that further exploration in this area may be warranted. Knowledge of
the many suicidal indicators on projective tests places the clinician in a better
position to predict such destructive behavior and intervene appropriately.
KEY WORDS: suicide; suicidal ideation; Rorschach; cross sectional responses; transparencies; color
shading responses.
INTRODUCTION
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0022-0116/00/0900-0289$18.00/0 °
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THEORIES OF SUICIDE
The use of the Rorschach is closely tied to, and cannot be discussed apart from,
psychodynamic theory. In his paper “Mourning and Melancholia” (1917/1948),
Freud attempted to explain suicide as being a death wish originally directed to-
ward someone else which now is directed toward the self with the aim of killing
the introjected object. Other theorists such as Litman and Tabachnick (1968)
have speculated that the ego consists of a basic “action self” plus a number of
“subselves” acquired through experience by such processes as introjection, iden-
tification, loving imitation and the resolution of various basic conflicts. Under
stress, the ego tends to fragment and suicidal subselves may emerge. The sui-
cidal sub-self is frequently formed in a situation where the patient feels aban-
doned or cruelly treated and that the only way to gain love is by self injury and
death.
Many of the suicidal patient’s dynamics, feelings, and language can be de-
scribed with reference to disturbances in the sense of self, object relations, emo-
tionality, sexuality and fantasies (Lane, 1971). Familiarity with the disturbances in
each of these areas is helpful assessing suicide potential prior to the use of specific
techniques.
INDICATORS OF SUICIDE
When the clinician suspects suicide potential, even if the patient has denied
suicidal ideation, specific techniques should be used to search for evidence of
this potential. The use of indicators in this assessment raises ethical questions
for the clinician. How many indicators should be searched for and which in-
dicators should be used—those that are well supported by the literature, or all
indicators whether they are well supported or not? How much time and energy
spent looking at indicators is enough to determine a course of action? To be thor-
ough, the authors have included all indicators from the literature, well-supported
or not, time-consuming or brief. We have elaborated, however, on only those in-
dicators which are moderate to simple to employ and are well supported by the
literature.
Morbid Content
Costello (1958) found that four signs were able to differentiate successfully
between a group of suicidal patients and a group of non-suicidal patients: winged
animal in flight to Card V, human response to Card V, map response to Card VII,
and a deer’s head to Card IX. The projection of a map (W or D) onto Card VII as an
1 Exner (1993) is the standard Rorschach textbook, and the reader is referred to this book to understand
all of the Exner signs.
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indicator of suicidal potential was further supported by Phillips and Smith (1953).
The remaining three signs have not been supported in any subsequent research.
The above two signs (morbid content and Costello’s content signs) are sup-
ported in the empirical literature and relatively simple to use. Other content signs
with only limited support are listed below.
Sapolsky Sign
Lindner Sign
Although there is no research to support the use of this indicator, it has been
found anecdotally among the records of suicidal individuals, and may be a clinically
significant indicator of suicidal ideation. Obviously this response contains strong
connotations of death, passivity, and a wish to escape to a better place.
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Multiple Signs/Configurations
Hertz’s Signs
Hertz (1948, 1949, 1965) conducted the most comprehensive and theoretically
based study to date. She viewed suicide as a violent, aggressive form of acting out
behavior resulting in self-destruction. Hertz’s approach best covers the diverse
factors underlying suicide, leading to better prediction. Her approach combines
both sign and content analysis, and identifies fourteen Rorschach configurations
suggestive of suicidal potential.
Her sample consisted of 229 clinical cases in three groups: 50 neurotic and
63 psychotic suicidal patients, 63 nonsuicidal neurotics and 53 non-suicidal psy-
chotics, and 96 normals. Ten of the fourteen configurations were found to distin-
guish between suicidal and non-suicidal groups. She found that the most important
combination of suicidal configurations included Depressed states, Deep anxiety,
Active conflict, Agitation and pathological Ideation characterized by hypochon-
driacal bodily delusions and ideas concerning the futility of existence. Thus, she
concluded that patients whose records indicate deep and anxious depression, in-
tense inner struggle and, in addition, tension, agitation and restlessness, appeared
to be the greatest suicidal risks. Her findings have been validated repeatedly and
her study appears to be the most comprehensive and influential to date.
In using her configurational approach, Dr. Hertz acknowledged that the
Rorschach does not predict suicidal behavior, but rather assesses the underlying
personality characteristics that may give rise to such behavior. She says, “It is then
the clinician’s job to integrate the Rorschach findings into the life history of the
individual taking a host of factors into consideration (situational and socio-cultural
factors, etc.) before making a prediction regarding suicidal risk.” Hertz was quick
to point out that regardless of whether or not the patient reported feeling better or
appeared clinically less depressed, the Rorschach signs should be heeded.
One of the main criticisms of her study was that the scoring criteria for each
configuration was complicated and required an inordinate amount of time to score.
Neuringer (1974) criticized Hertz for separating the subjects into suicidal and non-
suicidal groups and then examining them for the presence and absence of these
signs, which Neuringer believed contaminated the data. However, Sakheim (1955)
found that four of Hertz’ signs (Deep anxiety, Depressed states, Withdrawal from
the world, and Resignation trends—(Configurations 2,3,12 and 10) differentiated
his two groups in a similar study. Eyman and Eyman (1992) wrote that the config-
urational approach, especially that of Hertz (1948, 1949) and Martin (1952) offers
the best validity since it takes into account the multiple determinants of suicide
risk. The authors are quick to note, however, that suicidal behavior is complex and
should be corroborated by other clinical data regardless of whether you are using
a single sign or a configurational approach.
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Exner’s (1977, 1986) suicide constellation is one of the more widely used
methods for assessing suicide risk. Exner’s suicide constellation gained popu-
larity throughout the eighties and nineties and remains one of the more sig-
nificant research developments since Goldfried, Stricker and Weiner’s (1971)
review of the Rorschach literature concerning the assessment of suicidal
potential.
To develop the scale, the Rorschach records of individuals (S = 59) who
attempted suicide shortly after taking the test (within 60 days) were computer
searched for all combinations of variables and variable frequencies to detect those
appearing in at least 30 of the 59 records. Eleven variables were found to signifi-
cantly discriminate the suicidal subjects from three control groups. Using a cut-off
of eight or more variables, the S-CON was able to correctly identify 44 of the 59
suicide cases (75%).
Ultimately, the constellation included 12 variables, with the presence of eight
being suggestive of suicidal potential. Despite being able to identify correctly
83% of the target population (those subjects who had attempted suicide within
60 days of Rorschach administration), a cutoff score of eight produces a false
negative rate of 15% within the target group and a false positive rate of more
than 10% among depressive controls. The presence of eight or more variables
should be taken as a warning and further exploration of the possibility of self-
destructive potential should be pursued expeditiously. However, Exner cautions
against making the assumption that no suicide risk exists if the S-CON contains
fewer than eight positive variables.
The S-CON has been used with varying degrees of success among younger
subjects. It seems to have some degree of validity when used with 15-and 16-year-
olds, only because most of the normative data for these subjects is similar to those
for adults. It does not appear to be useful for younger children since many of the
variables are expected to be positive.
The Hertz and Exner signs are well supported in the literature. Other sign
configurations which are not as well supported are listed below.
Martin’s Checklist
Beck’s Configurations
Piotrowski’s Signs
Single Signs
Appelbaum and Holzman (1962), in a controlled study, found that the color
shading response occurred with greater-than-chance frequency in both suicidal
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groups investigated and correctly identified 86% of the suicidal patients. The color
shading response was found with greater frequency in the group in which the
respondents had successfully committed suicide than in the group in which the
respondents had made an unsuccessful attempt. An example of this response might
be, “Card VIII, lower center half; shape and color of an iris: the velvety insides
because of the shading.”
Appelbaum and Holzman (1962) hypothesized that persons who give the
color shading response possess a greater sensitivity to subtle nuances of feeling
and may possess a keener eye for what is there. “Patients excessively concerned
with their difficulties and caught up in their anxieties may turn up the capacity to
penetrate beyond the obvious toward an inquiry into their own existence and the
purpose of their own being.” They speculate that individuals who provide a color
shading response might have a keener sense of reality and a capacity to see beyond
what most people see. They refer to Freud who noted the heightened awareness of
melancholic patients.
Rapaport, Gill and Schafer (1946) suggest that this response suggests a person
who has a tendency to fuse both affect and anxiety, “such as in the case of nostalgia
(sweet sorrow).” Mayman (1970) speculated that this response reflected not merely
an “immersion” into the color aspects of the blot, but rather an intellectualized
response which reflects the tendency of the perceiver to distance him/herself from
the horror of their suicidal action. Their tendency to “step aside” and do something
other than experience emotion is found in their responses not only to the color, but
also to the lines and gradations which make up the color.
The color shading response seems to be the single sign most supported in the
literature as indicative of suicidal risk. Other, less supported single signs are listed
below.
Basing their research on the findings of Roth and Blatt (1974) as well as
their own clinical experience, Blatt and Ritzler (1974) set out to demonstrate
that transparency and cross sectional responses occur primarily in patients with
suicidal intent. They found that these responses did occur with greater frequency
among suicidal patients. An example of a transparency response includes percepts
such as “a room divided into two by two glass partitions or layers of clothing
perceptible through a sheer fabric.” The authors were quick to note that the absence
of these signs was not contraindicative of suicidal potential, but rather, when such
responses do occur, the clinician should be alert to the possibility of suicidal
ideation.
The authors compared this type of response with the color shading response
described by Appelbaum and Colson (1968). They hypothesized that this re-
sponse also reflects a person’s unusual “differentiation and sensitivity to nuances of
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feeling—a searching beyond the given which turns into a penetrating questioning
of his or her own existence and purpose of being.” Roth and Blatt (1974) suggested
that this response represents a collapse of three-dimensional representations with
a consequent loss of object-subject differentiation, so that self and other become
intertwined as objects of aggression.
In keeping with Blatt and Ritzler’s results, Rierdan, Lang and Eddy (1978)
found that suicidal individuals gave a greater number of transparencies and cross
sectional responses than non-suicidal individuals. They reasoned that such re-
sponses may represent the individual’s fantasy that death is not truly the end of
life. Death is seen as a transitional phase rather then a definite end. Transparen-
cies reflect this penetrable quality with the object not being viewed as solid and
bounded, but rather as something insubstantial or pregnable. Rierdan, Lang and
Eddy (1978) argue that this sign, in and of itself, is enough to alert the clinician to
the possibility of suicidal potential.
In contrast, Hansell, Lerner, Milden and Ludolph (1988) found that a trans-
parency or cross sectional response was unrelated to current suicidal risk, but was
related to a history of suicide attempts. They speculate that the presence of this
sign and/or the color shading response may reflect a more permanent cognitive
style, rather than suggest an imminent suicide attempt. These signs may be indica-
tive of a “suicidal personality” characterized by numerous suicidal gestures and
self-destructive behavior, rather than a current suicidal danger
Rabin (1946) hypothesized that the joint appearance of shading shock and
color shock in a Rorschach protocol is indicative of suicidal potential. Card re-
jection, blocking, delayed reaction time, and poor form quality are all examples
of “shock” to either the color or shaded qualities of the blot. Crasilneck (1954),
Hertz (1948) and Pratt (1951) have all reported greater shading and color shock in
suicidal patients.
Built Up W on Card X
Global Signs
Locus of Control
Personality Style
These two defensive styles have been found to significantly discriminate sui-
cidal from non-suicidal patients (Apter, Plutchik, Sevy, Korn, Brown, and Van
Praag, 1989; Recklitis, Noam, and Borst, 1992). First, regression, according to
Apter et al. (1989) is considered to be the “basic component of many primitive
behaviors, one of which is suicide. Its mechanism is to encourage motoric expres-
sion of the aggressive impulse through the lowering of internal controls” (p. 1027).
Therefore, it would follow that regressive responses (i.e., high animal content) and
verbalizations in a Rorschach record would be indicative of a person who lacks
the internal control necessary to keep violent (suicidal) impulses in check. If such
responses are found in a record that also indicates high levels of aggression and
hostility, then the clinician should entertain the possibility that the patient may be
suicidal. The risk for suicide would be compounded if the aggression was directed
inwardly (Crasilneck, 1954).
Recklitis, Noam, and Borst (1992) investigated the relationship between ego
defense mechanisms and suicidality. They hypothesized that suicidal individu-
als would have higher levels of internalizing defenses (e.g., introjection), which
would direct the person’s aggression toward the self. They found that suicide at-
tempters/ideators would employ internalizing defenses compared with non-suicide
attempters/ideators who are more prone to use externalizing defenses such as pro-
jection and reaction formation. Introjection as a primary defense mechanism may
be represented in the Rorschach by an overelaboration of features (W+), in which
patients appear to draw more from their internal knowledge of the object rather
than from the structural properties of the blot.
SUMMARY
The assessment of suicide using the Rorschach has generated much research,
not all of which has supported the various hypotheses put forward. However,
that does not mean that the hypotheses are clinically useless. The assessment of
suicide has confounded both Rorschach researchers and clinicians alike. As of this
writing, there is no study that can definitively say that a single sign, or combination
of signs, is indicative of suicide potential. The present authors disagree, however,
with those who say that using the Rorschach to evaluate suicidal potential is a
useless endeavor. Although critiques in the literature are valid, they focus only on
whether a sign is found to be statistically significant and ignore the test’s clinical
utility.
The problem with many of the studies that have attempted to validate signs or
configurations is that they measure these signs alone, without taking into account
the examiner’s clinical expertise and ability to draw from many sources of data. For
example, Epstein and Lane (1996) in their study on the Bender Motor Gestalt Test
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and depression suggest giving just as much weight to clinical behavior indicators
as to signs or configurations. It is not surprising to find conflictual results in the
literature. The clinician’s judgment is a highly subjective process and not readily
amenable to statistical analysis. This does not minimize the importance of statistical
analysis, but it does suggest that statistical analysis must augment, rather then
replace, our clinical judgment. The most statistically sound predictor of suicide
is meaningless without clinical expertise. Expertise includes one’s knowledge of
theory and its integration with one’s knowledge of the patient.
The act of suicide is multifaceted and cannot be predicted by one sign or
combination of signs alone. By taking the patient/examiner relationship out of the
equation, one has handicapped one’s position in evaluating the data. However, an
experienced clinician will know what signs to look for during the interview and
will use the Rorschach to either bolster his or her clinical judgment, or to provide
a focus around which the clinical interview can be built.
When the clinician faces a plethora of data on the patient, he or she must
determine how much weight any particular area should carry. This is where the
clinician’s judgment and professional expertise is invaluable, since it is inductive
reasoning based on facts (such as suicide risk factors and personality dynamics) and
not simply intuition that allows one to make judgments regarding a person’s suicidal
risk. Maltsberger (1992) states, “between the pinnacle of scientific certainty and the
slouch of intuitive guesswork lies the considerable territory of inductive clinical
reasoning. The principle work that takes place on the inductive plateau is the
integration of the information gathered into the context of what is known about
the character of the individual after which certain inferences that stop short of
certainty can be drawn” (p. 39).
The meaning of any determinant can only be interpreted in light of the total
situation. When assessing the patient for suicide risk the conscientious psychologist
must draw from many sources of data when making such decisions. One should
not look at individual signs, but rather combinations of features (configurations),
searching for the major conflicts and the ego’s way of handling problems.
The authors recommend the following strategy for the assessment of suicide
risk using the Rorschach:
1. Screen the patient’s speech and test record for indicators of clinical dynam-
ics associated with current suicidal risk (see Lane’s (1971) five points).
2. If suicidal risk is suggested, use those indicators and signs best supported
in the literature: Morbid content; Costello’s content signs; Hertz’ signs;
Exner’s suicide constellation; and color shading responses.
Some questions to be asked are: Does the patient tend to repress his emo-
tions? Is he explosive and prone to act impulsively rather than thinking through
a situation? Does the patient abuse substances? Is there a history of suicide at-
tempts? Only after taking all these factors into account, can the clinician make
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a fair assessment of the patient’s risk for committing suicide, and then intervene
appropriately.
While self-report measures may be a useful component in the assessment
process, if statistical validity replaces clinical acumen, the “person” is lost. Los-
ing his or her uniqueness as a person, the subject is summarily categorized and
placed within a group with other individuals who statistically represent their
most salient characteristics. Maltsberger (1992) points out that, “researchers
whose primary work is the construction and testing of suicide rating scales typ-
ically leave character variables in the background simply because they are dif-
ficult to quantify” (p. 40). He stresses the importance of interpreting the data
through the “lens of character,” rather than leaving such variables in the back-
ground.
Many contemporary psychologists treat the Rorschach as a relic of the past,
and thus do a great disservice to both the patient and the field of psychology.
These psychologists ignore psychodynamic theory and rely solely on statistical
approaches. Reasons for this attitude include the trend toward quicker more cost-
effective methods of assessment, and the increase in behaviorally-oriented psy-
chologies. Despite many of its shortcomings, however, the Rorschach remains a
valuable tool for the assessment of personality and suicide, and further research in
this area is warranted.
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